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OAK FIRE SCREEN, 66CM HIGH

A PAIR OF BRASS ANDIRONS, along with a brass peacock fire screen, copper warming pan, kettle and an onyx table lamp (6)

A BRASS AND ONYX OCCASIONAL TABLE, together with a similar table lamp with shade and a brass fire screen (3)

Brass fire curb, fire guard, foliate fire screen (3)

A collection of various metalware, to include a copper fire screen, copper coal bin, brass candlesticks etc

Antique oak tapestry fire screen, approximate height 30 inches, Width 22 inches

A mahogany freestanding corner cabinet, a tripod wine table, a Royal Marines embroidered fire screen and a print of a steam train

Large gilt gesso framed fire screen, the frame with elaborate foliate and scrolled detail, the centre panel fitted with tapestry depicting a central floral wreath with border, later plywood back, 122cm wide

Early 20th century brass framed fire screen with central bevelled mirror with overpainted rose decoration, 23cm high

Ignacio Beller (1916-1984); Oil on Canvas, couple seated in interior scene, signed 'BELLER' lower left, unframed, 46 x 55.2cm; An Oak Fire Screen, 54cm high. (2)

A folding brass fire screen, a spoon collectors rack, a selection of copper and brass including two pairs of Indian brass vases

A BRASS FRAMED TAPESTRY FIRE SCREEN, A SET OF FIRE TOOLS WITH A STAND AND TWO FURTHER ITEMS (4)Early 20th CenturyA BRASS FRAMED TAPESTRY FIRE SCREEN, A SET OF FIRE TOOLS WITH A STAND, A CHROME HANGING RAIL AND PAIR OF ANDIRONS

A VICTORIAN EIGHT DIVISION STICKSTAND (7)41cm wide; 58cm high, a early 20th century brass and mesh folding fire screen 38cm wide; 63cm high, a small brass fire fender 54cm wide and four brass fire tools

Royal Interest - Oak framed fire screen with unusual attractive panel display commemorating Edward VIII with a poem and illustrations.

MARQUETRY FIRE SCREEN,along with a serving tray (2)

A PAINTED WALL SHELF AND A BRASS FIRE SCREEN.

An old embossed brass rectangular fire screen from Redruth Brewery "Take Courage" and an old copper tapered water jug (2)

A mixed lot to include a military chest containing mixed books, two trunks, a fire screen and a blue ground rug

A copper coal scuttle, fire irons, two toasting forks and a brass fire screen

AN ARTS AND CRAFTS FIRE SCREEN WITH A DECORATIVE COPPER PANEL ON A WROUGHT IRON FRAME

A DECORATIVE PEERART GILT AND FLORAL FIRE SCREEN (ONE SUPPORT NEEDS REATTACHING)

AN ORNATELY FRAMED CROSS STITCHED FIRE SCREEN WITH A FLOWER DESIGN

AN ASSORTMENT OF PRINTS AND PICTURES TO INCLUDE A TAPESTRY FIRE SCREEN

A FIRE SCREEN WITH A TAPESTRY OF A STAG AND TWO RUSTIC IRON CANDLE HOLDERS

A circa 1900 rosewood framed fire screen with silk needlework panel of stag and blossoming tree, 55.5 cm wide x 94 cm high

A 19th Century Scottish mahogany framed fire screen with adjustable side panels and top panel, the centre panel with embossed leather floral spray decoration, 56 cm wide x 88.5 cm high (closed))

A 20th Chinese cloisonné fire screen, with applied jade panel flanked by objects, floral detail and wire work decoration, height 66cm, width 43cm, depth of stand 20cm.  Additional InformationThe rectangular panel detaches from the stand. There are two small square holes on the bottom edge of the rectangular panel which may have corresponded to pegs to support the stand, but these are now lacking. General tarnishing to the metal mounts and grubby throughout. The rectangular panel with small losses and flakes to the very edge of the bottom right corner. A few other slight surface nicks to the enamel here and there in the detailing. The back panel of the rectangular section is loose along the top and one side edge. There are many hairline cracks to the enamel throughout the back of the main rectangular section, mostly to the left hand side and base. The heaviest of these cracks is to the upper left and bottom left of the back of the main panel. The stand with some small surface nicks to the enamel here and there. Some hairline cracks to the enamel of the up right sections. Some splitting to the metal where the uprights join the main crossbar. The back of the base is not cloisonné enamelled but is plain blue enamelled.

A Victorian carved mahogany pole screen, on triform base, height 162cm, together with a 19th century tapestry in a yew wood frame, mounted onto a later stand as a fire screen (2).Additional InformationThe yew wood frame is tired, with many losses and scuffs to the veneer. The tapestry to the interior is browned and lightly grubby. The pole screen frame has some cracks and general scuffs to the stand.

A VINTAGE BAMBOO FIRE SCREEN WITH A GREEN GLAZED FLORAL PANEL H-82 CM

Small oak drop leaf table on barley twist supports and an oak framed and glazed fire screen, incorporating an embroidered peacock. Not available for in-house P&P, contact Paul O'Hea at Mailboxes on 01925 659133

Iron fire screen , owl and branding iron

A MAHOGANY TORCHERE a bed tray, a folding cake stand (def.), a fire screen and two chairs

Group of mixed furniture to include leather puff, fire screen, rustic stool, wicker basket and a gilt framed mirror

Smiths Premier typewriter, mirrored fire screen, two vintage cases and various cameras

An oak framed tapestry Art Nouveau fire screen decorated with Haires together with a further tapestry footstool

A WOODEN FIRE SCREEN WITH SAILING SHIP FINISHED IN A GOLD PAINT. *

A Late 1960's Metal Fire Screen, 48cm Wide

An embossed leather and walnut fire screen, late 19th century, the embossed panel with Greek gods Triton and Hermes, flanking a cartouche with initials bordered with the tails of two dragons beneath, the beasts billowing smoke and fire, with a winged wheel heraldic charge, the border and background with scrollwork and bulrushes, mounted with a leather string on a turned walnut frame, the reverse plain, 110cm wide, 103cm highCondition report: Losses to the edges, the back flaked and with losses - the back edges have been supported with laether banding. Areas cracked and dried.

A heavy wrought iron fire basket, width 55cm, depth 28cm, height 46cm together with a set of three fire irons and an Art Nouveau hammered copper and wrought iron fire screen (5)

A fire screen.

An oak fire screen and a beech bentwood chair

A hunting themed embroidered fire screen and an English School watercolour

Workshop of Robert Mouseman Thompson (Kilburn): An English Oak Fire Screen, the frame inset with a woolwork picture depicting a house, on two sledge feet, with carved mouse trademark 72cm high

Victorian rosewood fire screen, pierced and scroll carved pediment centred by cartouch over glazed floral needlework upholstered screen in conforming scrolled frame, spiral turned and square moulded uprights united by spiral turned stretcher raised on scrolled sledge supports with applied turned roundels, W75cm

Framed Embroidery : together with Dark wood Fire Screen(2)

A brass fan shaped fire screen.

A 20th century Victorian style  " peacock feather " brass metamorphic fire screen, folding in nine segments with pierced decoration raised on plinth base. Measures 57 cm x 87 cm.

A 19th century mahogany fire screen, with 2 slide-out panels, on sabre legs, W58cm, H118cm

A Regency rosewood fire screen, with an inset woolwork panel, on a tri-form base, W61cm, H120cm

Registration No: LWT 406HChassis No: BA96JR73548MOT: ExemptFinished in Blue Mink metallicAn ideal candidate for circuit racing, hillclimb or touring eventsBuilt into its current high specification in Oregon, USA during 2002The Cortina was Ford's mass-market compact car and sold extremely well. It was produced in five generations, the Mk. I through to the Mk. V although officially the last one was called the Cortina 80. With variants of the Cortina reaching sales of over one million, each successive model proved more popular than its predecessor. Such was its fame in the UK, that the Poet Laureate at the time, Sir John Betjeman, included it in one of his poems: ‘I am a young executive. No cuffs than mine are cleaner; I have a Slimline briefcase and I use the firm's Cortina.’ In response to the huge success of the Mini, Ford responded not with a small car but with a larger family offering which they could sell in large numbers. The result was the Cortina; a distinctively styled car aimed at buyers of the Morris Oxford and Vauxhall Victor, launched on 20th September 1962. With eye-catching modern styling, it was originally branded as the Consul Cortina until a modest facelift in 1964, after which, it was sold simply as the Cortina but with four trim levels; Standard, Deluxe, Super and GT.Starting life as a June 1969 Dagenham-built Ford Cortina 1500 GT, this car was built into its current configuration in Oregon, USA during 2002. Starting with an "immaculate, rust-free, undamaged bodyshell", it was first taken to the track by its builder and the current vendor - a well respected engine builder on both sides of the pond. Currently fitted with a 'fresh' all-steel, FIA-legal Lotus Twin-Cam of 1598cc with twin 45 DCOE carbs, putting out an estimated 168bhp, this professionally-built and extremely well-specified competition car is offered with a pre-sale estimate that’s a fraction of the build cost.The paint is an unusual choice for a Lotus Cortina - Blue Mink Metallic, but perhaps more importantly, the panels onto which it’s applied are remarkably straight and show no signs of filler or corrosion (meaning an easy conversion to a fast-road showcar is certainly an option for the purchaser). The windows are polycarbonate, with a sliding panel in the driver’s side and also pull-out vents in the rear screen to encourage a bit of through-flow on hot days. The door mirrors are lightweight plastic items and there is a battery cut-off switch on the car’s right-rear hip. The car is de-bumpered and the original fuel-filler in the rear panel has been welded up and skilfully blended into the surrounding bodywork (the only touch of filler on the car apparently) leaving the filler for the fuel cell in the boot. The front screen is still glass and the car rides on 6x13 Compomotive Minilite-style wheels and road legal tyres.At the back, there’s a small racing battery in the right side-well of the boot and a large long-distance fuel cell in the centre. Fuel is moved via a Facet-type electronic pump mounted to an inner wheel arch and there are also steel reinforcing plates for the axle-locating links and the Panhard rod. It’s remarkable to see factory spotwelds and seam sealer under the paint - the shell has survived amazingly well. The cabin is not as ruthlessly stripped as some tin-top racers and all the better for it, with custom-made door cards, an intact full-width dash and period-looking sports steering wheel. The twin racing seats (currently fixed, not sliding) are FIA-approved, but the harnesses will need replacing with in-date items. Peer under the steering column and you’ll find an ingenious braking bias bar. It works with a pair of master cylinders he’s installed, one for the front brakes and one for the back, and so can be tweaked quite easily between outings until you hit perfection.There is a Safety Devices half-cage installed; this will need to be upgraded to a full cage for British and European circuit events but the front half remains available from Safety Devices and the existing rear half already has brackets to accept it. There’s a fire extinguisher fixed to the cage behind the drivers seat - once again, depending on the type of competition, the next owner may need to replace it with one that’s plumbed to a nozzle in the engine bay.Starting and running well during our recent photography session, 'LWT 406H' bursts into life almost immediately with a loud, rapid crackle to be expected from a race-specification engine. There’s only one small silencer in the side-exit exhaust system which may require further baffling to ensure the car complys with some strict UK circuit noise tests.The engine is built to a high no expense spared specification with a forged crankshaft and conrods, forged aluminium pistons and large valves, plus full race cams. The eye-catching BRM cam cover is one of a short run that our vendor had cast from the original pattern; the engine bay also housing a strut brace and a large alloy radiator / oil cooler (originally to cope with Californian heat). The gearbox is a Ford Type 9 five-speed with Quaife internals and the suspension has been substantially altered to race standard. At the front, stiffer springs and damping, a 1-in anti-roll bar on alloy mounts and adjustable track control arms. At the rear, the axle location is controlled by a pair of rose-jointed links going back to mountings on the boot floor and by a Panhard rod, set up to lower the rear axle’s roll centre. There are custom-made leaf springs. The car runs a plated limited-slip differential and at the front, vented disc brakes. The original invoice from 2002 detailing the build specification is in the file (from our vendor to the original customer), along with a couple of other invoices paid by the first owner and communication between him and the FIA enquiring about technical points. There’s also the car’s logbook from the Society of Vintage Racing Enthusiasts (SOVREN) in America detailing the car’s chassis number, the inspector’s comments and a couple of ‘OK to race’ sign-offs from April and May 2002.This 'Super Saloon' offers a very realistic and potentially competitive entry into Historic Motor Sport, but would also be equally at home for fast-road use and touring.For more information, please contact:Adam Sykes07429600332adam.sykes@handh.co.uk

A copper coal scuttle together with fire irons and a woolwork fire screen

An anglo Indian carved and inlaid occasional table together with a fire screen, folding table, toilet mirror, jardiniere stand and reconstituted stone wall pocket

A hammered brass fire screen, a wooden fire screen (H. 81cm) and a gilt framed mirror.

A wrought iron and copper fire screen, mid 20th century, of rectangular form, the hammered copper embossed with a sunburst with smiling face to the centre, within a wrought iron frame worked with scroll handle and decorations, raised on scroll feet, 76cm high, 50cm wide.

An oak blanket box together with a tapestry fire screen

An oval swing mirror on splayed feet, height 144cm; together with a rectangular fire screen with a tapestry of roses behind glass, height 71cm

A Victorian style painted metal flower fire screen, 20th century, signed Mini, '86 Owl, cast as a pierced blue vase of flowers and pink roses, 58.5cm high

A three-fold, wrought iron, black lacquered fire screen with rosette motifs and scrolls, height 72cm x total width 99cm, together with a fork and poker

A Late Victorian/Edwardian Brass Three Fold Fire Screen of Trellis Form with Central Floral Decoration, 73.5cm high, In need of Some Attention

EARLY 20TH CENTURY OAK FRAMED FIRE SCREEN WITH PRESSED LEATHER CENTRAL PANEL DEPICTING MYTHICAL BEASTS, 88CM HIGH