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Lot 272

Duffel bag, books and a fire screen

Lot 89

A late 19th century Victorian nursery fire guard having a bent brass top rail over a meshwork screen raised on a wrought iron surround. H.63 W.137.5 D.40cm

Lot 515

A Victorian walnut taxidermy fire screen The two-sided case of exotic taxidermy birds resting on branches, the case with barley-twist supports to either side and on scrolling feet united by a turned stretcher, and all on ceramic castors.The case and frame 64cm wide x 31cm deep x 103cm highQty: 1The frame a little loose, some minor losses to the veneer, the birds within the case some with some losses to feathers and some deterioration due to age.

Lot 1130

Fireside accoutrements The fire screen in black lacquer with hand-painted and gilt decoration, and the toleware coal bin with hand-painted floral decoration.47cm wide x 34cm deep x 43cm high and 60cm wide x 19cm deep x 17.5cm highLosses to the paintwork throughout. The feet of the coal bin are somewhat bent. The lid with some cracks. The screen has had its feet reglued.

Lot 376

A brass framed mirrored fire screen and a spark guard (2)

Lot 420

Two pine hanging shelves; a blue painted and decorated stationery rack, a wool work fire screen

Lot 614

A quantity of various pictures and prints and a mahogany fire screen

Lot 226

An early 20th century mahogany pole fire screen. The fire screen having a glazed fabric panel embroidered with flowers, the turned pole topped with a finial and mounted on a tripod support with sabre legs, 165cm high

Lot 99

Early 20th century needlework tapestry fire screen

Lot 1486

An early 20th Century brass fire screen with stained leaded glass panels

Lot 456

A blonde wood framed fire screen with central embroidered floral panel under glass

Lot 595

A wooden fire screen inset with an embroidered dragon panel

Lot 752

REPRODUCTION PAINTED FIRE SCREEN. 29"(H) x 21"(W)

Lot 1174A

OAK SURROUND FIRE SCREEN WITH WOOLWORK BY LUCY BURROWS 1938

Lot 1251

METOMORPHIC TAPESTRY FIRE SCREEN/ OAK FRAMED COFFEE TABLE 29.5" HIGH x 21" WIDE

Lot 1174

WOODEN TAPESTRY FIRE SCREEN

Lot 147

Two vintage brown leather suitcases A/F, a small Gladstone style vanity case, a Pielnoble folio briefcase, a Barley twist framed fire screen with tapestry panel A/F, and 3 sewing machines to include a hand cranked J.D.Williams example. Location:A4BCondition:Handle on larger suitcase requires attention, the firescreen tapestry is sun damaged, one of the Singer sewing machines has no base-see additional photos

Lot 471

Copper Art Nouveau fire screen  

Lot 225

A bobbin-turned three-tier whatnot, 109cm high, 66.5cm wide, 36.5cm deep; a needlework two-fold screen; a fire screen (3)

Lot 593

A late Victorian Aesthetic Movement brass mounted walnut fuel bin, 35cm high; another similar; a copper and brass cylindrical fuel bin; brass fireside companion sets; a copper and oak fire screen, etc

Lot 753

A walnut three tier corner whatnot (cut down), an Edwardian low salon chair, modern mahogany wine table, walnut twin pedestal occasional table, late Victorian low salon chair, late Victorian mahogany hall mirror, mirrored and hand-painted brass framed fire screen and four various stools, together with a modern reproduction mahogany magazine rack and a Seluart "Fourfold" table folding aluminium framed and plywood camping type table

Lot 2685

AN EARLY 20TH CENTURY OAK BARLEY TWIST FIRE SCREEN

Lot 3156

A MAHOGANY FIRE SCREEN WITH INSET WOOLWORK FLORAL DECORATION AND SMALL STOOL

Lot 3174

AN EDWARDIAN FIRE SCREEN WITH WOOLWORK PANEL DEPICTING CASTLE SCENE

Lot 941

A 1930'S FIRE SCREEN WITH LADY DECORATIONS, HEIGHT 62CM, DIAMETER 60CM

Lot 1973

Mahogany fire screen with tapestry encased in a glass. Not available for in-house P&P

Lot 103

An antique map of The Isle of Wight and smaller Islands encased in antique wooden fire screen surround

Lot 837

A carved oak fire screen decorated with a ship and an oak sewing table

Lot 212

A 20TH CENTURY FRENCH OVAL COFFEE TABLE BASE, with scrolled designs, raised on cylindrical tapered legs, width 108cm x depth 51cm x height 48cm, along with an ornate fire screen, condition report: both with general signs of usage, no table top, table base with previous repairs (2)

Lot 148

A traditional fire screen having feltwork pictorial panel

Lot 1308

An Edwardian walnut octagonal occasional table, together with an embroidered inset fire screen (2)

Lot 505

A brass coal bucket, together with two others and a stained glass fire screen, 78 x 119cm (4)

Lot 1812

A Mahogany Pole Fire-screen the 16 1/4" x 16 1/4" panel, adjustable for height, inset with a very finely worked embroidery depicting stylised flowers and foliage, the pillar standing on three pirouette feet. 54 1/2" high, approx.

Lot 655

A group of early 20th century and later furniture items, to include two mahogany side tables, a demilune hall table, a tea trolley and a fire screen. (5)

Lot 82

An embossed brass fire screen, decorated with a Flemish Tavern scene, 66cm x 84cm

Lot 642

A brass framed fire screen depicting pheasants and dining chair.

Lot 64

Wrought Iron fire screen and a part companion set.

Lot 1693

Fire Screen with hand painted flowers which measure approx H:28 x W:19 inches. Not Suitable for postage, Collection or Courier only.

Lot 267

PAIR OF EMPIRE STYLE EBONISED ARMCHAIRS & FIRE SCREEN, chairs with pale velvet upholstered backs, arms and seats, sabre legs, 102cms (h), fire screen with acanthus scrolled top and removable frame (lacks upholstered panelling), 102cms (h)Comments: viewing recommendedProvenance: The Cornelia Bayley Collection from Plas Teg, an important Jacobean house in Flintshire, North Wales Plas Teg: Once in a Generation Welsh House Clearance — Rogers Jones CoNote: the auction lots are contained in a warehouse near Wrexham. Viewing can be arranged by appointment by calling Richard Hughes on 07593 181017. Purchased lots require collection by appointment once invoices are settled and strictly within ten days (maximum) from the auction date. Purchases which are not collected by this time will incur a charge of £50 per item per day. Please note that most HGV vehicles can enter the warehouse for convenient collection, but we do not offer assistance for heavy and large objects, please be prepared.

Lot 542

An Arts & Crafts fire screen, with Liberty peacock fabric, 73 x 62 x 14cm

Lot 298

A 20th century brass peacock fire place screen, 65cm h x 93cm wLocation:If there is no condition report shown, please request

Lot 58

A rare Second War armed merchant cruiser operations D.S.M. group of eleven awarded to Leading Seaman L. R. V. White, Royal Fleet Reserve, late Mercantile Marine and Royal Navy, who was decorated for his gallant deeds in the famous South Atlantic clash between the Carnarvon Castle and enemy raider Thor. He was subsequently Mentioned in Despatches for his bravery when L.S.T. 422 was lost in a mine-field during a violent storm off Anzio on 26 January 1944 with the loss of over 450 lives Distinguished Service Medal, G.VI.R. (P.J. 49705 L. R. V. White, L./S., H.M.S. Carnarvon Castle); British War Medal 1914-20 (J. 49705 L. R. V. White, A.B., R.N.); Mercantile Marine War Medal 1914-18 (Leonard R. V. White); Victory Medal 1914-19 (J. 49705 L. R. V. White, A.B., R.N.); 1939-45 Star; Atlantic Star; Africa Star; Italy Star; Defence and War Medals 1939-45, with M.I.D. oak leaf; Royal Fleet Reserve L.S. & G.C., G.V.R., 2nd issue, coinage bust (J. 49705 (PO. B. 17439) L. R. V. White, L.S., R.F.R.) minor official corrections to naming on the first and last, the three Great War awards with edge bruising and polished, thus fine, the remainder good very fine and better (11) £1,800-£2,200 --- Importation Duty This lot is subject to importation duty of 5% on the hammer price unless exported outside the UK --- --- Provenance: Strong Collection, Dix Noonan Webb, May 2011. D.S.M. London Gazette 6 June 1941: ‘For great courage and devotion to duty in action against an armed merchant raider.’ The original recommendation states: ‘On the occasion of the action between H.M.S. Carnarvon Castle and a German armed raider on 5 December 1940, with all lights out, owing to the circuits being cut by a shell, and a hit just over the magazine causing a fire, he carried out his duty with the utmost courage, in the most trying conditions.’ M.I.D. London Gazette 1 August 1944. The original commendation from the Commander-in-Chief states: ‘It has been brought to my notice that on 26 January 1944, when L.S.T. 422 was lost by enemy action, the officers and ratings named above displayed great courage and devotion to duty in remaining aboard their ship, endeavouring to save her although she was heavily on fire and known to be carrying petrol and ammunition. The officers and ratings concerned are to be commended on their behaviour which was in accordance with the highest traditions of the Service.’ Leonard Richard Vincent White was born in Southampton, Hampshire in February 1900 and entered the Mercantile Marine as boy seaman in 1915, in which year he served in the Essequibo, Soudan and Walmer Castle. Transferring to the Royal Navy in February 1916, he served as a Boy 1st Class in H.M.S. Patia from May 1917 until January 1918, and, with the exception of three months ashore in early 1918, as an Able Seaman in H.M. Yacht Vanessa until the end of hostilities, his service record noting that he shared in the prize bounty for the destruction of a U-Boat - most probably the U-107 which fell victim to a depth-charge attack delivered by the Vanessa off the Yorkshire coast on 27 July 1918, confirmation of her “kill” including the headless body of a German sailor. Transferring to the Royal Fleet Reserve as a Leading Seaman in February 1930, White was awarded his L.S. & G.C. Medal in April 1933 and mobilised in his old rate on the renewal of hostilities in September 1939, when he joined the armed merchant cruiser Carnarvon Castle, in which capacity he was still serving at the time of her famous clash with the German raider Thor in the South Atlantic on 5 December 1940. Kenneth Poolman’s Armed Merchant Cruisers takes up the story: ‘Twenty minutes after the first shots had been fired the range was down to 14,000 yards, which gave Carnarvon Castle’s old guns a chance. Soon both ships were within range of each other. The German turned to port. Carnarvon Castle’s electrical fire control communications were badly shot up, making salvo firing difficult, but her gunners thought they had made hits on the enemy’s stern. The raider turned to starboard, made smoke and retired behind it, then reappeared again and opened fire with her starboard battery in four-gun salvos. At 8.38 p.m. Carnarvon Castle was rapidly closing the range when two torpedoes were sighted from the bridge, their white tracks on slightly diverging courses. Hardy turned the big A.M.C. under full helm to starboard and steered between them, and they passed harmlessly fifty yards away on either beam. Four minutes later the range was down to 8,000 yards. Thor, with the British shells going over her, turned right round to bring her port battery to bear once more, and hit Carnarvon Castle’s upperworks repeatedly, setting her on fire in several places. At ten minutes past nine Hardy decided to open the range and get the fires under control behind a smoke screen. All his fire control circuits were disabled and his guns in individual control. The haze had increased, and the enemy was continually turning smoke on and off, making spotting through the splashes of her shots very difficult and hitting a matter of luck, but from Carnarvon Castle they saw a shell burst under the enemy’s bridge at the extreme range of 14,000 yards. After that the A.M.Cs shells were falling short, while the German 5.9s were pitching round her. The raider continued firing until the range had opened to 18,000 yards. Hardy altered course to try and keep in touch, but the enemy disappeared behind his smokescreen and the ever increasing haze, steaming at 18 knots towards the north-east. Thor’s old guns were giving trouble with leaking recoil cylinders and barrels that would not train properly, but the Carnarvon Castle was in a far worse condition. It was 11.15 before she had put out all her fires. In view of her extensive damage Captain Hardy decided to steer for Montevideo. Commodore Pegram, who had succeeded Harwood in command of the South American Divison at the end of August, met Carnarvon Castle on 6 December in the cruiser Enterprise, inspected her damage and ordered her into Montevideo for repair, then sent Enterprise north to look for her opponent, but the raider had disappeared. Carnarvon Castle buried her six dead and reached Montevideo at 7 p.m. on 7 December with her sick bay full of wounded. Asturias returned to the South American Division once more, as her relief. The ship was too badly damaged to go into action again immediately, though there was no immediate need to dock her. The Uruguayan authorities granted her seventy-two hours to make immediate essential repairs. In contrast to the cold reception given to the Graf Spee a year previously when she had sought refuge from Admiral Harwood’s squadron, local repair firms were eager to offer their services to the British A.M.C., and some of the plates cut from the pocket battleship’s scuttled hulk out in the estuary were actually used to patch up Carnarvon Castle’s shell holes. With temporary repairs completed, Carnarvon Castle left for Table Bay, Cape Town. She was saluted by a special guard of honour as she passed through the harbour entrance.’ White, whose actions prevented the magazine blowing-up, was awarded the D.S.M., one of five ratings from Carnarvon Castle to be gazetted for the same distinction in June 1941, and he received his decoration at a Buckingham Palace investiture in April 1942, taking with him his wife and son to Buckingham Palace. As he late wrote: ‘It was shortly before that my wife lost all her family in an air raid.’ Departing the armed merchant cruiser in the following month, he served at the gunnery establishment Vernon and the Greenock base Orlando...

Lot 4

A 20th century wrought iron Arts & Crafts fire screen with scrolled hammered panel on flat bases, 99cm high x 159cm wide x 42cm deep  Condition Report:Available upon request

Lot 92

An Arts and Crafts wrought iron and copper fire screen decoratively embossed with fish, 74cm high x 50cm wide x 23cm deep and a Continental figural tripod table base depicting a period drover/porter with a sack on their head, 79cm high (2) Condition Report:Available upon request

Lot 683

A Victorian mahogany pole fire screen, on tripod stand with brass back support, the rectangular screen with scroll border, needlework with seaside scene (1)

Lot 453

‘As Kingsmill, the third to attack, levelled up for his torpedo drop, Samples saw that the fabric of the aircraft's wings had been torn by enemy flak and was full of holes. But the Swordfish flew on until a cannon shell hit the fuselage immediately between them, wounding both men. When the air gunner, Don Bunce, looked up from his Vickers machine gun, the bloody Samples was shouting directions at him and Kingsmill. Then, screaming insults at the Germans, Bunce shot down one plane while Kingsmill struggled to control the Swordfish. Samples was looking at the German gun crews in their sleek, black anti-flash overalls when he felt a sudden burning sensation in his leg. Looking down, he was astonished to see a neat pattern of holes in his flying boots. But although blood was oozing out, he felt no pain, and he failed to notice that Kingsmill had dropped his torpedo, aimed at Prinz Eugen from about 2,000 yards. With the aircraft on fire and ripped by the flak, Kingsmill struggled to maintain height. He tried to communicate with Samples, not realising that the speaking tube had been shattered. Despite his wounds, Samples climbed up and shouted into his ear: “We'll never make it, ditch near those MTBs" – pointing towards some British boats which had also attacked the Germans. Shortly afterwards the three men were pulled from the drink by friendly hands … ’ The fate of Swordfish W5907 on 12 February 1942, as described in the obituary notice of Lieutenant-Commander ‘Mac’ Samples, D.S.O.; The Daily Telegraph, August 2009, refers. The post-war diplomatic service C.M.G., O.B.E., and outstanding Second War ‘Channel Dash’ D.S.O. group of eight awarded to Lieutenant-Commander R. M. ‘Mac’ Samples, 828 Naval Air Squadron, Fleet Air Arm Flying immediately behind the force leader’s aircraft, as observer to ‘Pat’ Kingsmill in Swordfish W5907, amidst curtains of flak and swathes of cannon shell, Samples sustained extensive wounds, including a smashed ankle and leg, and shrapnel to his right hand, backside and lower back; of the six Swordfish that went in, none returned, just five airmen out of 18 living to tell the tale. The force’s leader, Lieutenant-Commander Eugene Esmonde, D.S.O., R.N., was awarded a posthumous V.C., a distinction which recognised the valour of all of 825’s participating aircrew: ‘Their aircraft shattered, undeterred by an inferno of fire, they carried out their orders, which were to attack the target. Not one came back. Theirs was the courage which is beyond praise’ The Most Distinguished Order of St. Michael and St. George, C.M.G., Companion’s neck badge, silver-gilt and enamels, complete with neck cravat in its Spink, London case of issue; Distinguished Service Order, G.VI.R., silver-gilt and enamels, reverse of the suspension bar officially dated ‘1942’, with its Garrard & Co. case of issue; The Most Excellent Order of the British Empire, O.B.E. (Civil), Officer’s 2nd type breast badge, silver-gilt; 1939-45 Star; Air Crew Europe Star; Defence and War Medals 1939-45; Nepal, Coronation Medal 1955, generally very fine or better (8) £30,000-£40,000 --- Importation Duty This lot is subject to importation duty of 5% on the hammer price unless exported outside the UK --- --- C.M.G. London Gazette 4 June 1971. D.S.O. London Gazette 3 March 1942 – joint citation: Temporary Acting Sub-Lieutenant (A.) Charles Major Kingsmill, R.N.V.R. Temporary Sub-Lieutenant (A.) Reginald McCartney Samples, R.N.V.R., who were Pilot and Observer of a Swordfish that was badly hit early in the action by cannon shells from an enemy fighter. Both were wounded but with part of the aircraft shot away, and the engine and upper wings in flames, they flew on undaunted until they had taken aim and fired their torpedo. They then turned and tried to come down near some ships, but these opened fire, so they flew on until their engine stopped and their aircraft came down into the sea. Soon afterwards they were picked up, still cheerful and dauntless, by one of H.M. vessels.’ O.B.E. London Gazette 1 January 1963. Reginald McCartney Samples was born in Liverpool on 11 August 1918 and was educated at Rhyl Grammar School and Liverpool University, where he was reading commerce when war was declared. It was direct from university that he joined the Fleet Air Arm in the summer of 1940 and, on completing his training as an observer, he was posted to No. 825 Naval Air Squadron (N.A.S.) in January 1942; some sources state that he was present in the Bismarck action of May 1941, whilst under training. Samples’ hitherto unpublished account of his part in the Channel Dash action, as requested by Commander Prentice, R.N., and dated at Mount Vernon Hospital, Northwood, Middlesex, on 26 June 1942, is reproduced here: ‘Sir, I have the honour to submit, as requested, a report on the operation carried out by 825 Squadron against the German warships Scharnhorst, Gneisenau and Prince Eugen in the Channel on Feb. 12th last. May I first of all thank you, sir, for your congratulatory letter and apologies for my belated reply due to difficulties in writing with a damaged hand. 825 Squadron, consisting of 6 Swordfish aircraft and led by Lt. Cdr. Esmonde, took departure over Ramsgate at 1220 on 12th Feb. at a height of 50 ft. to contact the German warships on a course of 142 (T). Kingsmill (my pilot), N.A. Bunce and myself were in ‘C’ machine of the first sub-flight, the second sub-flight being led by Lt. Thompson, R.N. Visibility was patchy and hazy over the sea (there were several feet of snow and ice on land) and though we sighted at about 4-5 miles, the Gneisenau and Eugen were only vaguely to be seen, Scharnhorst apparently being farther north and not visible. The enemy had a screen of destroyers and to make the run on Gneisenau we had to pass between two of them at a range of approx. 3 miles to port and starboard of us. Very heavy flak was encountered at this time and at about 5000 yds. We were attacked by a squadron of Me. 109s which peeled off from about 1500 ft. on our port quarter and came in singly from astern, setting all mainplanes on fire and destroying part of the tail unit and fuselage. Simultaneously, we were hit by flak coming up through the deck, and Kingsmill and myself were both wounded in the left foot and leg. It was very apparent that to maintain the run in would be ridiculous, particularly in the face of enemy F.W. 190s forming astern, so we took a staggering, avoiding turn to port, noticing as we did that the C.O., who had obviously been hit badly, stalled about 200 yds. ahead of us and hit the water. Our aircraft was rather difficult to manage but we were able to come round in a circle and make a second run. It is rather interesting to note here that we passed below the second sub-flight coming into the attack. They were tucked in very close formation – a fact which no doubt explains their total loss. On our second run we were again attacked by fighters but dropped our torpedo at about 2000 yds. and again took avoiding action. We did not claim a hit, as we did not wait and see! Our aircraft was in very bad shape and was lolloping rather than flying along; the rockets and distress signals in the dinghy were exploding in the wing and creating a sight that might have been pleasant to see could we have appreciated it at the time. I endeavoured to get a course home, and the A.G. took over look-out astern, but unfortunately some M.T.Bs which my pilot made for turned out to be E-boats and gave us a hot reception with...

Lot 599

A NARROW MAHOGANY CHEST OF DRAWERS53cm wide, an Edwardian occasional table with musical trophy inlay, a Windsor armchair (a/f), a stool and a sampler fire screen (5)

Lot 605

A Mid 20th Century Oak Framed Tapestry Fire Screen with Barley Twist Supports, 59cms Wide

Lot 398

An embossed brass fire screen, width 52 cm and a magazine rack

Lot 82

A walnut fire screen inset with a watercolour painting of bandsmen playing at a park band stand, signed Paul Renard(?) & dated ’48, on block feet, 80cm wide x 70cm high.

Lot 278

A SELECTION OF OCCASIONAL FURNITURE, to include a blue painted basket, a wicker basket, two small rugs, a copper bed pan, a small fire screen, and two wall mirrors, condition report: all with general signs of usage (8)

Lot 182

AN INDIAN BRASS STANDARD LAMP, with various pressed details, height to fitting 145cm, a drop leaf trolley, a circular table, a fire screen, a Singer sewing machine, and a wicker four drawer unit, condition report: all with imperfections, such as marks, scuffs, stains, discolouration, cleared from a smokers property (6)

Lot 75

Registration – YJ63 CYEChassis No. – WBS6C92030DV74225M.O.T. – September 2025Odometer – 63,000When the BMW M6 Gran Coupe was launched in 2012 it vied with the i8 as BMW’s most expensive model. In Gran Coupe mode the M6 is a fire breathing “four door coupe” with unmatched luxury and cachet. ‘YJ63 CYE’ garnishes that already exquisite recipe with a Stage 1 map bringing power up to a mighty 681bhp (readout provided). Offered here with no reserve, ‘YJ63 CYE’ is complete with a full BMW service history, four new tyres and new pads and discs throughout. With around 63,000 miles covered to date ‘YJ63 CYE’s’ exhibits significantly below average use in the hands of five former keepers. Complete with a valid MOT until September 2025, this is your rare chance to own a rang topping BMW with a huge 681bhp on tap.With the M6 Gran Coupe BMW pulled off the seemingly impossible. As Evo noted at its launch in 2012, it looks both sleeker than an M5 and cooler than the M6 Coupe. Praise indeed! ‘YJ63 CYE’ certainly validates that view in its stealthy Singapore Grey metallic livery with carbon fibre roof panel and chunky quad exhausts. Furthermore, ‘YJ63 CYE’ sits purposefully on a set of 20-inch BMW 433M alloys with diamond cut faces and black accents. The sumptuously appointed and fastidiously engineered four seater cabin is finished in Opal White Merino leather with carbon fibre accents. Given this car’s status in the model line up and nearly £100,000 original ticket price, it features every refinement that 2013 could muster. These include four zone climate control, electrically controlled and heated seats with memory function, wide-screen BMW Professional audio and satellite navigation system and heads up display. The vendor reports the paint and bodywork as “good” and the interior as “excellent.”As with all models carrying the revered M-Sport prefix, it is ‘YJ63 CYE’s’ mechanical specification that is likely to set the purists’ hearts a-flutter, however. The heart of this beast is the S63 4.4-litre twin turbo V8 that was shared with the M5. Power is distributed via a seven-speed M Double Clutch Transmission with DRIVELOGIC. The advanced Active M differential shuffles torque across the rear axle to the prioritise the wheel with the most grip. Variable damper control optimises road dynamics in real time. In addition to all that, ‘YJ63 CYE’ enjoys a significant power boost courtesy of that Stage 1 map. No wonder the vendor confirms that “it goes like a rocket” and judges all mechanical systems as “excellent.”

Lot 691

Early 20th century, hand painted mahogany three section fire screen cover with floral design, H 99cm, W 90cm

Lot 212

An antique brass framed fire screen with central hand painted stained glass centre. [71.5x53.5x19.5cm]

Lot 200

Antique French gilded fire screen with scroll and acanthus detail raised on trestle legs [110x64cm]

Lot 1100

A circa 1900 carved walnut triptych fire screen, on paw feet, pained with flowers, 110.5cm high x 122cm wide.

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