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Lot 838
Britains loose 12 piece bands comprising set 1291 Royal Marine Band, 1 replaced head, 3 replaced balls, trombone, bassoon, clarinet and flute replaced, some retouching to match, Line Infantry Band, post WW2 version, not matching, replaced cymbals, 1 bass drummer stick and 1 helmet spike, otherwise all slightly worn but complete with no damage (24),
Lot 864
Britains soldiers finely converted and repainted into a 27 piece Black Watch band, clarinets (5), trombones (5), bugles (5), bassoon (2), cymbals, euphonium (3), tuba (2), bass drum, side drum, drum major, officer, officer paint not matching, 1 tuba with detached arms (easily reglued), otherwise all VG, (27),
Lot 441
THREE BOXES OF BOOKS AND ASSORTED ITEMS to include vintage case containing musical instruments, two typewriters, crucifix, prints and original artwork, assorted items include mantel and carriage clocks, M & S Dudley bulldog doorstop, a Minolta Dynax 500si and case and model cars, etc, instruments include a tambour, cymbals, drum and other percussion instruments, typewriters are marked 'Adler' and 'Royal', book box contains fifteen titles mainly classic children's books, metal and wood cricifix is approximately height 70cm, pictures of various sizes (four boxes, 2 typewriters, case, crucifix and loose pictures)
Lot 163
A collection of various musical items to include a pedestal mounted violin bearing label "Francois Barzoni Fecit-Anno 1906", a painted wooden bound and brass drum by George Potter & Co of Aldershot 35.5cm diameter, 4 various cymbals, portable record player, 8 polyphon discs 20.7cm diameter, 7 Pigmy gramophone discs, box of gramophone needles, etc.
Lot 54
A Pair of Derby Bisque Figures of Musicians, circa 1775, she playing a pair of cymbals, he a pipe, on circular bases, inscribed No365 and crossed batons marks, 18.5cm and 17cm high See Bradshaw (Peter) Derby Porcelain Figures, pg.372 where they are described in Haslam's list as ''Pair of dancing figures enamelled 18/0-''. The models exist in both bisque and enamelled versions. He with damage to pipe and with one figure missing. Both with typical minor losses.
Lot 1146
Thirty-three Royal Doulton Bunnykins figures including some limited edition - Irishman, Stop Watch, England Athlete, Britania, Saxophone Player, Clarinet Player, Double Bass Player, Sightseer, Trumpet Player, Joker, Mr Punch, Bride, Groom, Aussie Surfer, Father, Pilgrim, Golfer, Doctor, 60th Anniversary, Sister Mary Barbara, Saxaphone Player, Rise and Shine, Downhill, New Baby, Cymbals, Jester, Piper, Drummer, Drum Major, Trumpeter, Sousaphone, Aussie Surfer and Mother's Apron, all boxedCondition report: They appear to be in very good overall condition.
Lot 24
A MORTLAKE TAPESTRY, DEPICTING BACCHANALIAN CHILDRENATTRIBUTED TO THE WORKSHOP OF JOHN VANDERBANK, EARLY 18TH CENTURYWoven in silks and wools, to the left a fountain before a baroque portico, towards the centre a child dressed as the infant Bacchus rising a goat and supported by two others, accompanied by a child playing cymbals and another carrying an ensign, two infant satyrs piping and dancing, a mansion and formal garden in the backgroundapproximately 210cm high, 596cm wideProvenance: Offered on behalf of a Charitable FoundationLiterature: H.C. Mailler, English Tapestries of the 18th Century, London, 1930, pp 24-26, describing a similar set of tapestries at Cotehele and also 'long panel corresponding to one of the Boughton designs and embodying the Cotehele panels, no's 1, 5 and 7' (Plate 10a). The present tapestry shows the same composition as the illustrated example but in reverse. Condition Report: Some wear and fading and discoloration overall commensurate with age and use. Presumably originally with large floral border- now removed and with later 2" brown strip margin and later backing. Possibly originally slightly taller in dimensions. Some old minor stitch repairs. Some pulled sections which will require further repairs, Please refer to all additional images for visual reference to condition. Please note, the additional images are not exhaustive but try to give a representation of of the condition notesCondition Report Disclaimer
Lot 52
An Edwardian novelty miniature tambourine by William Hair Haseler, Birmingham 1907, of circular form with articulated cymbals, central panel marked with the 'Crest of Harrogate', 6.3cm diameter, weight 28.9gmsCondition Report; Overall condition is good. Moderate amount of denting and light misshaping to the silver border and the cymbals. No splitting or signs of repair. Hallmarks are moderately worn, but are still legible. Central panel is in good order, no splitting, chips or major losses. Some scratching and small areas of loss and wear to the central crest. The piece shows general scratching and wear commensurate with age and use.
Lot 275
A POLYCHROME STUCCO FRESCO FRAGMENT, YUAN TO MING DYNASTYChina, 1279-1644. The rectangular panel painted with two celestial maidens, one playing the pipa and the other the cymbals, wearing elaborate headdresses and long flowing robes, richly adorned in jewelry, the arm and flute of a third musician can be seen towards the left edge, all painted in polychrome pigments highlighting the gilded ornamentation with gesso relief.Provenance: From an old Canadian private estate. A noted collector, acquired from the above. Condition: Laid down on a wooden base, otherwise in original and unrestored condition. Losses, wear, weathering, cracks and erosion.Dimensions: Size 113.5 x 52 cmThe style of painting in this fresco recalls that of the mid-eighth century temple painting style. Largely ignored by the court and literati circles, this 'flowing water and scudding clouds' (xingyun liushui) manner, reminiscent of the Tang dynasty painter Wu Daozi, was ideal for painting religious figures. Unlike earlier modes stressing precise contours, the whirling spiritual energy of this brushwork gives the impression of qi, or inner life. This animated style has been popular with builders and decorators of Buddhist temples ever since.Literature comparison: Compare the sculpture and murals in Cave 57 of the Mogao grottos at Dunhuang, illustrated in Roderick Whitfield et. al., Cave Temples of Mogao, Art and History on the Silk Road, Los Angeles, 2000, p. 37, as well as the murals of bodhisattva in caves 172 and 199, illustrated in Chang Shuhong, The Art Treasures of Dunhuang, Hong Kong and New York, 1981, paying close attention to the garments and ornamentation of the figures.Auction result comparison: Compare with a closely related, but smaller fresco fragment with a single celestial maiden, at Sotheby's New York, Important Chinese Art, 11 September 2019, lot 816, sold for USD 37,500.元至明代壁畫石膏浮雕殘片中國，1279-1644年。長方形殘片上描繪著兩位天女，一個在演奏琵琶，另一個在演奏鈸。她們身著飾有精美的珠寶的長袍，頭戴珠冠。從左邊緣可以看到第三位音樂家的手臂和長笛。色彩明艷，突出了帶有浮雕的金彩裝飾。 來源：加拿大私人遺產。一位知名藏家，購於上述收藏。 品相：木底裝幀，除此之外為原始未修補狀態。缺損，磨損，風化，裂縫和腐蝕。 尺寸：113.5 x 52 厘米 拍賣結果比較：一件相近但更小的、並只有一位天女的殘片見紐約蘇富比Important Chinese Art拍場2019年9月11日 lot 816, 售價USD 37,500.
Lot 183
A WOOD NETSUKE-OKIMONO OF A DEER AND HORSE WITH SMALL MONKEYSJapan, Edo/Tokyo, second half of 19th centuryFinely stained and carved in sukashibori (openwork), the deer and horse standing side by side on a bed of leaves, looking in opposite directions, each with the right front leg slightly raised, the details such as mane, tail, and antlers neatly detailed, two small monkeys are lying on the horse’s back, one wearing a shishimai mask and costume, the other holding cymbals in his hands, the deer, horse, and unmasked monkey with double-inlaid eyes, the netsuke-okimono with many ‘natural’ himotoshi due to the openwork nature of the piece.HEIGHT 3.8 cmCondition: Excellent condition with only minor surface wear.Provenance: European collection.The animals depicted in this netsuke-okimono are rife with symbolism, much derived from Chinese language and culture. A monkey riding a horse, for example, expresses the wish for quick promotion, whereas the deer symbolizes longevity and riches, the Chinese character for deer (Lu) also meaning ‘good fortune’ and ‘government salary’.Literature comparison: A related netsuke of a monkey and horse, dated to the 19th century, is in the collection of the Metropolitan Museum of Art, accession number 10.211.1648.
Lot 93
OGAWA HARITSU (RITSUO): A FINE CERAMIC AND LACQUER INLAID KIRI WOOD RYOSHIBAKO (DOCUMENT BOX) AND COVER WITH BUGAKU ACCOUTREMENTSAttributed to Ogawa Haritsu (Ritsuo, 1663-1747), probably by Michizuki Hanzan (1743-1790), sealed KanJapan, 18th century, Edo period (1615-1868)Of rectangular form, carved from kiri (paulownia) wood of an attractive grain and color, the rounded edges with gold lacquer, the sides and cover inlaid with glazed ceramic, polychrome lacquer, and mother-of-pearl, depicting the various elements needed to perform the bugaku dance, including a fierce mask with phoenix headdress, a drum with beaters, a biwa and plectrum, a torikabuto, a flute and cymbals, a sho and a koto, the interior with a small ceramic inlay and the inlaid ceramic seal KAN – a seal used by Ogawa Haritsu and his followers. This type of pink seal was used by Michizuki Hanzan (1743-1790), a direct pupil of Ogawa Haritsu.HEIGHT 17.3 cm, WIDTH 28.6 cm, DEPTH 23 cmCondition: Good condition with minor wear, scattered losses (some of them likely intended), natural age cracks, few minuscule chips to edges, some nicks and scratches, one small ceramic inlay to the interior of the cover is lost. All as is to be expected from a Ritsuo box.Provenance: Christie’s, 27 October 1981, London, sale 2232, lot 371, purchased by William R. Appleby (1915-2007) and Elinor Appleby (1920-2020), longtime donors to the Metropolitan Museum of Art in New York. Mrs. Appleby had a particular interest in Asian art, and she and her husband supported the Department of Asian Art as well as the Fund for The Met, providing for important acquisitions and institutional initiatives.Ogawa Haritsu (formerly often referred to outside Japan by his alternative name of Ritsuo) was among the first Japanese lacquer artists to establish an independent reputation outside of the hereditary craft dynasties of Kyoto, Edo, and Kanazawa. Following an early career as a haiku poet, he is thought to have first turned his attention to lacquer design in middle age and soon attracted a wide following thanks to his novel choice of subject matter and pioneering and imaginative use of unusual materials; at some point after 1710 he was hired by Tsugaru Nobuhisa (1669-1747), lord of a domain in northern Japan, for whom he worked until 1731.Auction comparison:Compare a related but smaller inlaid wood box and cover signed Ritsuo and with the same pink seal Kan, but depicting a different subject, at Van Ham, Asiatische Kunst, 9 June 2016, Cologne, lot 2263 (sold for 10,320 EUR). Also compare to a similar ryoshibako featuring a biwa very similar to the one on the present box, sold at Zacke, Fine Japanese Art, 29 November 2019, Vienna, lot 83 (sold for 11,430 EUR). Also compare to a related wood document box recently sold at Bonhams, Fine Japanese and Korean Art, 17 March 2021, New York, lot 594 (sold for 27,812 USD).
Lot 417
ANGLO CHINESE SCHOOL19th centuryGouache on paper, five various paintings, comprising one finely painted with a Court lady leaning against a table playing cymbals; a pair of 'sampan' paintings; and a pair of botanical paintings with flowers and butterflies, framed and glazed.The largest 44.3cm (17 7/16in) high x 29cm (11 7/16in) wide. (5).Footnotes:Please note this Lot is to be sold at No Reserve. 本拍品不設底價十九世紀 外銷畫 一組五幅 紙本水粉 鏡框裝裱For a related painting depicting a woman in a similar pose striking a bell, see C.Clunas, Chinese Export Watercolours, London, 1984, fig.26; see a related woodcut of a woman and child, in the British Museum, illustrated by M.Jourdain and R.Soame Jenyns, Chinese Export Art in the Eighteenth Century, Feltham, 1950, fig.51.For further information on this lot please visit Bonhams.com
Lot 641
A Chinese gilded wooden figure depicting a robed man seated on an ox, 25cms (9.75ins) high; together with another similar depicting a robed lady holding a pair of cymbals, 23cms (8.75ins) high (2). Condition Reportleft hand figure - losses to cows tail and staff. overall some wear to the gilding right hand figure - general wear good condition
Lot 172
John Bonham / Led Zeppelin: a 36 inch Paiste symphonic gong used on stage at the Royal Albert Hall 9th January 1970,a hammered metal gong with original Paiste Chinese logo to the front top and bottom, with large white stencil Zeppelin on the back and various airway stickers including Pan America and Northwest Orient Airlines, the top rim with two suspension holes and attached rope, accompanied by original auction receipt, diameter 36in (91.4cm)Footnotes:Provenance:This gong was purchased from a Chelsea auction house in 1982. At that time Led Zeppelin had an office nearby and it was following the untimely death of John Bonham. It has been identified as the one John Bonham used on stage at The Royal Albert Hall in 1970, illustrated in the image taken by a fan as shown in the catalogue. This early concert is one of the first that was professionally filmed and is available to view on the YouTube link below.Legendary drummer Bonham is seen by many as the greatest rock drummer. His style and stage presence are as synonymous as Keith Moon's were for The Who. According to Carmine Appice, drummer with American rock band Vanilla Fudge, it was he who inspired Bonham to incorporate a gong into his drum kit. Led Zeppelin had supported Vanilla Fudge during their first tour of North America in 1968. Appice says, I brought the gong into rock and then Bonzo brought it in with Led Zeppelin, Carl Palmer had gongs, everybody had gongs, it became like a staple. The two China cymbals on a boom stand, I brought that in and even in Spinal Tap, you had a gong and two Chinese cymbals. Only six months later Led Zeppelin were equal billing with Vanilla Fudge showing the speed at how their popularity grew.This gong is an earlier Paiste model as it has the original Chinese symbols for the brands logo. There are also signs of use as it is blackened. John Paul Jones, referring to the practice of setting fire to the gong at a dramatic point in the band's set said, He did that more or less every night. His roadie Mick Hinton had to set it alight. I think he used lighter fuel, and it was quite dangerous... Additionally due to the scale of the percussion piece, it appears that it did not have a dedicated flight case or bag when taken on tour. It was simply labelled with a stencil Zeppelin had airway tickets stuck to it (which are still attached), and put into the plane's hold.https://youtu.be/r9-42mu1D9YFor further information on this lot please visit Bonhams.com
Lot 147
Twelve Royal Doulton limited edition figures modelled by Peggy Davies - Harp HN2482, number 332, Dulcimer HN2798, number 685, Viola D'amore HN2797, number 589, Chitarrone HN2700, number 463, Hurdy-Gurdy HN2796, number 555, French Horn HN2795, number 741, Violin HN2432, number 695, Flute HN2483, number 626, Cymbals HN2699, number 397, Lute HN2431, number 679, Cello HN2331, number 692 and Virginals HN2427, number 232, all boxed with certificatesCondition report: All in very good condition apart from French Horn which is badly cracked
Lot 330
Pearl Session Elite drum kit in chrome and red finish Condition: 'Skins' appear in good order, all metal work has light surface deterioration in some places heavier than others, no cymbals etc, please see images, the drums internal diameter are: 22", 16", 13" and 12" - **Due to current lockdown conditions, bidders are unable to view lots in this online-only sale. Please therefore read the following: As this is a sale of second-hand and antique items, bidders should expect items to exhibit general wear and tear commensurate with age and use unless otherwise stated. Please carefully examine the images as they form part of the overall condition. Clevedon Salerooms are happy to provide further detailed information on request, if received by email or telephone at least 24 hours prior to the sale. The mention of a specific flaw or fault does not automatically mean that no other faults exist. Reports are provided as a goodwill gesture and are a general assessment, not a forensic survey. Further category-specific condition information can be found in our Standard Terms and Conditions. The placing of a bid by you is taken by us as an indication that you have read, understood and agreed to these terms.
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1459 item(s)/page