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A substantial Louis XVI gilt and patinated bronze and white marble figural mantel clock, the movement by Laurent Ridel of Paris, the case possibly by Pierre-Philippe Thomire (French, 1751-1843), last quarter 18th century, with eight-day twin barrel movement and countwheel strike on bell; the circular enamelled Arabic dial in a drum case mounted with an amorino playing cymbals, above a classically inspired figural panel, the rounded rectangular section base mounted with two infant satyrs playing horns, and inset with engine milled panels and an openwork frieze cast with sphinges and masks, on six toupie feet; signed for clockmaker Ridel à Paris and enameller Coteau to the dial, circa 57cm high, 68cm wide Pierre-Philippe Thomire was one of the most important bronze casters of 18th century France, and was granted the title Ciseleur de l’Empereur (chaser to the Emperor) by Napoleon Bonaparte. His prolific firm not only produced bronze ornaments, but also created mounts for furniture and porcelain, collaborating for example with the renowned manufactory of Sèvres A near identical Louis XVI gilt bronze and marble clock modelled after Thomire with a movement by Molliens of Paris is illustrated in Pierre Kjelberg's Encyclopédie de la Pendule Francaise, du Moyen Age au XXe siècle, Les editions l'amateur, p. 259, fig c., and here it is also noted that a similar clock, only with a rouge griotte marble base, is in the permanent collection of the Musée du Louvre The classically inspired design with substantial figural mounts is typical of Thomire’s workshop, and the flaming altar to the figural panel below the dial might refer to the clock’s likely placement atop a chimneypiece As for Joseph Coteau (1740-1801), he was the most renowned enameller of his time, working with most of the best contemporary Parisian clockmakers. He was born in Geneva, where he was named master painter-enameler of the Académie de Saint Luc in 1766. Several years later he settled in Paris, and from 1772 to the end of his life, he was recorded in the rue Poupée. Coteau is known for a technique of relief enamel painting, which he perfected along with Parpette and which was used for certain Sèvres porcelain pieces, as well as for the dials of very fine clocks
Britains set 1288, Band of the Royal Marines early SECOND VERSION variation, full trousers, with same instrumentation as Coldstream Guards set 37: Drum Major, three Trombones, Bass Horn, three Euphoniums, four Trumpets, Side Drum, Bass Drum, Cymbals, four Clarinets, Fife and Bassoon (Condition Very Good, one helmet ball missing, bass drummer arms soldered, box Good, insert missing) 1933 (21)
From the Bunnykins Oompah Band Series. To commemorate the 50 years of the Golden Jubilee Celebration 1984. Includes Drummer DB26, Drum Major DB27, Trumpeter DB24, Sousaphone DB23 and Cymbals DB25. Drummer's drum inscribed with "Golden Jubilee 1984 50 Years Celebration." Each Bunnykin in red jacket with blue pants. Artist: Harry Sales and David Lyttleton Issued: 1983 Dimensions: 3.5"H Manufacturer: Royal Doulton Country of Origin: England Condition: Good
Premier Royale Drum Kit Flame red wood grain finish, includes 22"x18" bass drum with foot pedal and storage bag, pair of 12" Quick Tom drums one with storage bag, 16"x16" Floor Tom drum with legs and storage bag, Rogers 14" white Hi-Hat cymbals with stand, a Rogers 20" white Ride cymbal, a stool and several pairs of Drumsticks.
* Cymbals: Three Paiste 101 Brass 20'' Ride (RRP £69 each), a pair of Percussion Plus BS700 Italian made 14''/35cm Hi Hat (RRP £75), a pair of Paiste PST3 14'' Hi Hat (RRP £75), a pair of Paiste 101 Brass 14'' Hi Hat Top (RRP £55), a pair of Percussion Plus Band 10'' PP288/0745 Italian made (RRP £76), a pair of unmarked Cymbals 35cm Diam together with another two pairs 30cm Diam (RRP in excess of £350)
PERCUSSION RELATED INSTRUMENTS TO INCLUDE; REMO SNARE DRUM, 2 Remo Emperor DRUMS, VARIOUS CYMBALS, HIT HAT, CRASH, manufactured by Sabian, Meinl, Staff etc... a DRUM STICK HOLDER with various drum stick sets, brushes and standard sticks, A SMALL CARVED BONGO together with a Dixon base drum pedal
A pair of Derby biscuit figures, circa 1820, of musicians, the girl with cymbals, the boy with a clarinet, on round bases, incised mark no. 365, she with arm lacking, 18cm high (2)/Provenance: Ombersley Court Condition Report: Male figure: minute chipping to edge of instrument, minor firing crack to each shoulder, small chip to drapery, light chipping to applied flowers and leavesFemale figure: lacking right arm, left arm broken at shoulder and glued, losses to ribbons on bodice and left foot, light chipping and losses to applied flowers and leaves
A collection of ceramics including Royal Dux figure of a boy and girl carrying a wicker basket, Staffordshire flat back figural group of lovers, Staffordshire figure of girl (18th Century style) a pair of Capodimonte Putti playing cymbals and a trumpet, a Cloisonne vase and Carlton Ware, Rouge Royale leaf shaped bonbon dish (1 box)
SIX ROYAL WORCESTER FIGURES, comprising No.1243 Bringaree Indian, height 22.5cm, impressed and printed marks, restored to lower legs, gun and back of scarf, No.2/125, Water Carrier, height 24cm, impressed, printed and painted marks, restored raised arm and urn on head, a near pair Nos.1440 and 1441, Summer Satyr and Tambourine Player, height 24cm and 26cm respectively, printed marks, Satyr with restoration to staff, another version of No.1441 Tambourine Player, height 26cm, printed marks, restored tambourine and No.2016 Baccante with cymbals, height 27.5cm, printed marks, restored cymbals and handles (6)
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