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2 Crescent Guards band diecast metal figures, 12 in all with trombone, cymbals, bugle, flute, oboe, side drum and tuba sets 1403 and 1517. In original boxes with packing cards in 2 versions of the 1950s box fronts, some wear, splits to one. GC to VGC (for age, some rubs and a few chips). Plate 3
An American silver-gilt easel back dressing table mirror by Tiffany & Co circa 1900 the neo-rocaille mount embossed with swags foliate garlands and bows with a boy and a girl playing with doves embossed in deep relief at the base corners and a garland of instruments symbolising music at the base centre the top corners with cherubs in similar relief playing pipes and cymbals the mirror top applied with a floating foliate garland swag beneath a tied bow stamped ‘silver 900’ to the reverse the easel back of fine polished mahogany with gilded stand bracket and feet signed Tiffany & Co and Sterling to the expanding bracket 63.5cm high 51cm wide
"Britains lead figures: ten boxed sets comprising: 5992 Scots Guard Band Set Bass Drum, Side Drum, Oboe (2 sets),00291 Scots Guard Band Set Bassoon, Tenor Drum, Cymbals, 5591 Scots Guard Colour Party With State Colour, 00294 Scots Guard Sgt Shoulder Arms and Privates Present Arms(6 sets)(10 sets total). "
Various Makers: German fabric-covered Monkey Playing Cymbals in original box, Chinese grey and MF Citroen ID19 Estate Car, Wells 15 clockwork Spanish Dancer in original box, Top-toys Gyroscope Top, MS clockwork Jumping Frog, MS clockwork Jumping Rabbit, a Perspex aeroplane brooch, put0out boat and a fur covered Dougal, G-E, boxes F (9)
Early nineteenth century French Empire console table, the rectangular top over a single frieze drawer with brass ring handles and central ormolu mask, detail and flanked by ormolu maidens with cymbals over a compartment with a rear mirror back and front gun barrel columns with brass mounts and on brass paw feet, 36 1/4in (92cm) wide
A Punch and Judy type Automaton, mid 19th century and later, the performance tent with composition-headed devil holding a baton and bisque-headed figure holding bells, another bisque-headed doll with drum and cymbals standing before, on wooden base, redressed and motor fitted 1975, the tent 40cm high; under glazed case, 55cm overall. With ticket for BBCs Antique's Roadshow, 12th April 1981.
A PAIR OF ENGLISH PLASTER FIGURES OF CLASSICAL MUSES IN THE ATTITUDE OF DANCE After Antonio Canova, early 19th century 70in. (178cm.) high (2) The present casts are two representations of the original three marble sculptures by Canova, 'Dancer With Hands on Hips', 'Dancer With Finger Touching Her Chin', and 'Dancer With Cymbals', executed between 1805 and 1814. Fred Licht states in his book Canova, Abbeville Press 1983. ..Canova had already prepared the way with earlier experiments: The Dance of the Sons of Alcinous (plate 258) and Hebe (plate 162). Although these three dancers do not have any of the conventional attributes of divinities or mythological figures, they can be included among the mythologies because Canova himself variously referred to the first among them (plate 192) as Muse of the Dance, Nymph of the Dance, or Erato, Muse of Amorous Dancing. All three also pertain to the contemporaneous fashion of ""tableaux vivants."" Emma Hamiltons' curious performances are only the most widely known example of the kind of attitudinizing, half-dance, half-charade, that was immensely polular in Canova's day. For further comparative literature see Giuseppe Pavanello, L'opera completa del Canova, Rizzoli Editore, Milano. Ref.172-3.
A pair of white marble figures of infant fauns ATTRIBUTED TO J.P.WHITE, THE PYGHTLE WORKS, BEDFORD, CIRCA 1890 Each shown seated, one with tambourine, the other with cymbals, on integral square section spreading socles 25in. (63.5cm.) high (2) John Parish White (1855-1917), took over the Pyghtle Works in Bedford in 1896, producing an extensive range of garden ornaments in lead, marble, bronze, stone and terracotta. White illustrates four similar figures to the present lot in his 1935 catalogue Bird Baths, Garden Figure, Vases and Ornaments.
A German Carved Ivory Sectional Relief Plaque of a Procession of Bacchic Revellers, in Augsberg mid 17th century style, showing a nymph offering fruit to Ceres, a sibyl with turret crown and Bacchus in a lion-drawn chariot attended by putti, dancing fauns with cymbals to the right, in a wooded setting with putti carrying a flower basket and garlands in the heavens, some of the figures enriched with gem set silver belts, 19th century, {42cm by 59cm}, in a 17th century style ebony veneered frame inlaid with ivory, lapis lazuli and carnelian strapwork, {81cm by 99cm overall}
A Steiff dark brown Jocko mohair monkey, German, 1930s, button to ear, amber and black glass eyes, felt face with moulded features, fully jointed, felt hands and feet, small moth holes to face, hands and feet, good overall coverage of mohair, holes to right mid arm, 12"/30cm; a cloth monkey in sailor costume, 1930s, glass eyes, 13"/33cm; a clockwork Monkey, 1950s/60s, he plays the cymbals, 7"/18cm. (3)
A Documentary Shibayama/Tokyo School Ivory Okimono Carving of Boys with an Elephant, dated to the European equivalent of 1883, carved from a single block of elephant ivory, inlaid with "jewelled" detail in gold and silver coloured metals, and in green and coral tinted horn, the benign beast grazing as a troupe of five boy musicians perform on cymbals, drums (damaged) and flute upon the galleried stage while below a boy looks out from the rope ladder at whose base stands another with a trumpet, three further boys behind, one reclining, another raising his arms as if fallen, while the third approaches with a raised chawan (incised Dai Nihon.), 18.5cm, the inlaid motherof- pearl tablet incised with date equivalent to "15th year of the Meiji period . . . (?) Tokusei (artist)" (minor elements damaged).
Moores mantel clock, the clock housed in a moulded shell applied all over with cactus flowers and branches, to each side a child, one playing a violin, the other playing cymbals, on gilt base, together with original movement as well as the later fitted electric movement, late 19th century, (some restoration) (2), 24cm 9.5" high
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