Curved Air Drum Kit - The Drum Kit of Florian Pilkington-Miksa, original drummer with Curved Air who was a member of the band from its formation in 1970 until 1972, then again in 1974 and in various reformations until 2017. This is a Gretsch five piece drum kit together with a Ludwig snare drum (possibly 1965 (s/n 2205033)) with stand. The Gretsch drums all have the octagonal 'stop sign' style badges with 'That Great Gretsch Sound' indicating late 1960s / 1970 manufacture and consist of bass drum with Iron Cobra foot pedal, two floor Toms 16" and 14" and two Toms, 12" and 13", all good condition with some wear, all have hard cases with 'CURVED AIR' lettering plus Zildjian cymbals, 14" Hi Hat, 15", 16", 18" crash and 10" Splash together with an unbranded 22" (generally very good condition) three cymbal stands and extra items including three further stands, cow bell, drum sticks, large hard equipment case and a variety of fittings plus Florian's Stage Carpet measuring 8 feet by 6 feet and with Florian's stage placement instructions written on it - Sadly, Florian passed away in May of this year and the kit is being sold by his family.
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A Pearl Masters Custom drum kit,comprising a bass drum, 6 x toms, 1 x snare drum, 1 x hi-hat, assorted cymbals, a stool, with stands and cases for most of the drums, the maple veneer in a dark green finish (qty.)Condition ReportThis kit has been used and some of the cymbals have splits but the bodies of the drums look to be in good condition.
*Pierre Le Faguays (French, 1892-1962),a pair of gilt-bronze figures of dancers, wearing short dresses, one holding ivory cymbals, the other an ivory tambourine, each raised on a stepped marble plinth,39 and 40cm high (2)IMPORTANT NOTEThis item has been registered as exempt from the UK Ivory Act 2018, on account of it being made before 3 March 1947 with less than 10% ivory by volume. Ivory declaration submission reference: KRR53DYF.Please be advised that several countries, including those in the EU and the USA, prohibit the importation of ivory items in most cases. Accordingly, prospective buyers should familiarise themselves with the relevant customs regulations of their country and ensure they are able to import this item prior to bidding.This lot is subject to CITES regulations when exporting outside the UK. Potential purchasers should be aware that, under UK guidance, it is possible that you may not be able to obtain a CITES export permit for this lot.Condition ReportOne loose on base - not attached. Chips to the plinths. Some rubbing and wear to the gilt details.
A matched gilt metal clock garniture, 19th century, each with Paris porcelain panels, the clock with eight day Japy Frere movement chiming on a bell, the five branch candelabra with putti with cymbals or a drum flanked by rams head masks, the clock on a giltwood stand, 34cm, the candelabra 46cmThe dial has some shell chipping around the winding holesThe frieze panel on the plinth shows a gap at the corner, possibly as a result of damage whilst fitting.The lions mask handles at either side are missing the rings.The clock movement is wound solid to both trainsThe clcok will run but soon stopsWhen the hands are advanced to the hour and half hour the the chiming train activates but is out of sync with the displayed ourThe accompanying candelabra seem intact and the panels are free from chips and cracks.The clock will need some work/service to make good.
A PAIR OF TIBETAN RITUAL CYMBALS, 1900sTibet, late 19th - early 20th century. The two sacred cymbals of thick brass, finely incised on the top with the eight Buddhist treasures and the reverse with two sinuous dragons, joined by a metal chain with three hardstone beads.Provenance: Private collection, Belgium, acquired in Ladakh in August 1985.Condition: Very good condition, some wear, and manufacturing flaws. Weight: 358 gDimensions: Diameter 7.3 cm
A Daishin C.K (Japan) No.7061 novelty battery operated musical Jolly Chimp, he sits glaring and holding a pair of cymbals, 26cm high, boxed with original inner cardboard packaging pieces; a Schuco (Germany) No.1228 tinplate and plastic clockwork Opel Oldtimer, boxed with inner cardboard display piece and clockwork key; a Maudaya Modern Toys (Japan) tinplate and battery operated Continental Express locomotive, No.D5177, 39cm long, unboxed; other novelty tinplate toys and tins (quantity)
Lot aus drei Teilen, Tibet, 20. Jh., Behälter/Brustamulett, Deckel mit Tara, Türkis und Karneolbesatz, Korpus aus Silber, ca. 14 x 8 cm, ein Paar Zimbeln, mit Drachendekor, D. 7 cm, Siegel, wohl China, H. ca. 10.5 cmLot of three parts, Tibet, 20th century, container/chest amulet, cover with tara, turquoise and carnelian trimmings, body made of silver, approx. 14 x 8 cm, a pair of cymbals, with dragon decoration, D. 7 cm, seal, probably China, H. approx. 10.5 cm
Tinplate and Plastic Battery Operated Musical Panda Monkey and Boat, CK Kuramochi Monkey playing Cymbals (some fur loss to top of head), Taiwan Mambo Panda Bear Drummer (appears unused), Japanese Gakken Toy 81230 musical Show Paddle Boat, all in original boxes, G-VG, all battery compartments clean, untested, boxes F-G (3)
*A SMALL CIRCULAR DRUM (PANG-KU), CHINA, CIRCA 1900 the frame composed of five thick wood wedges held within a slender brass frame, the hide face fixed with multiple iron nails, label with Chinese writing inside 9cm high; 26cm diam. The pang-ku is traditionally used to lead the orchestra in Chinese theatre, resting on a folding stand, accompanying singing along with gong, cymbals and stringed and wind instruments. See A.C.Moule, 'A List of Musical and Other Sound-Producing Instruments of the Chinese', Shanghai 1908, p.48 & pl.VII(8). ++A few chips and scratches, hide slightly discoloured, otherwise mostly good
*A PAIR OF RITUAL CYMBALS (ROLMO), TIBET, 19TH CENTURY alloy, the interior of the domes with red and gold svastika design, each with leather handle, in wood and cloth hinged case 16cm diam., 4cm deep approx. each cymbal; 7.5cm high, 18cm diam. (case) The rolmo is played by the priest master of ceremonies, known as Oom-dse. It is also played during mask dances. For further information, see Daniel A. Scheidegger, 'Tibetan Ritual Music', Rikon 1988, pp.59-60. ++Cymbals mostly good, case somewhat knocked and worn
Paar Zimbeln, Tibet, erste Hälfte 20. Jh., a. Paar Bronzen, Bronze, D. ca. 24 cm, einzelne Zimbel mit Holzauflage, D. ca. 10 cm, Trommel aus Holz mit Lederbespannung (kl. Loch), mit Textilbändern, D. ca. 22.5 cm, l. Alters- und Gebr.-spurenPair of cymbals, Tibet, first half of the 20thcentury, Pair of bronzes, bronze, D. approx. 24 cm, a single cymbal with wooden support, D.approx. 10 cm, wooden drum with leather covering (small hole), with textile straps, D.approx. 22.5 cm, l. Signs of age and use
A matched gilt metal clock garniture, 19th century, each with Paris porcelain panels, the clock with eight day Japy Frere movement chiming on a bell, the five branch candelabra with putti with cymbals or a drum flanked by rams head masks, the clock on a giltwood stand, 34cm, the candelabra 46cmNo obvious visible faults
MINKOKU: A RARE IVORY NETSUKE OF ARABABA OPENING THE TREASURE BOXBy Shuyusai Minkoku (Minkoku III), signed Minkoku 眠谷 Japan, Edo/Tokyo, late 19th centuryDepicting a scene from the Tongue-Cut Sparrow (Shita-kiri Suzume), with the cantankerous Arababa, who cut the sparrow's tongue, opening the treasure box her husband had received. To her dismay, a host of demonic creatures emerges from the box, including the three-eyed rokurokubi with outstretched tongue, an oni with cymbals, a bakemono releasing snakes, and skeletons. The underside well carved with details such as skulls and the rope tied around the box, as well as a rectangular reserve incised with the signature MINKOKU.LENGTH 3.7 cmCondition: Excellent condition with minor wear.Provenance: European collection.Literature comparison:A closely related netsuke by Tomochika is illustrated in Marie-Therese Coullery and Martin S. Newstead (1977) The Baur Collection, p. 180-181, no. C 439. Trade Certificate: In accordance with new EU regulations that went into effect in January 2022, we have applied for a certificate to sell this item within the EU. We expect the Austrian Federal Ministry for Climate Action, Environment, Energy, Mobility, Innovation and Technology to issue the certificate in 4-8 weeks. The item can only be shipped / handed over once the certificate has been issued.This item contains ivory, rhinoceros horn, tortoise shell, and/or some types of tropical wood and is subject to CITES when exporting outside the EU. It is typically not possible to export such items outside of the EU, including to the UK. Therefore, after this item has the necessary trade certificate, it can only be shipped within the EU or picked up in our gallery in person.
Suite de cinq figures en porcelaine représentant des nains musiciens (Intermezzo), Meissen, circa 1937-1948 A set of five Meissen figures of dwarf musicians (Intermezzo), circa 1937-1948Modelled by Paul Scheurich, each on an hexagonal base, comprising: the conductor, the drummer, the cymbals player, the lute player and the flautist, 14.8cm-18cm high, crossed swords marks in underglaze-blue, impressed model numbers A 1263-A 1267 and Bossierer's number 28, painter's numeral 529 in black (5)Footnotes:Exhibited:Meissen, Museum der Meissen Porzellan-Stiftung, Paul Scheurich. Porzellangestalter Zeichner Grafiker, 6 March 2020-21 February 2021Scheurich modelled the series 'Intermezzo' in 1936 and the manufactory purchased them for only RM 750. They were produced in white in May 1937 and coloured examples after Scheurich's designs were made shortly after (Rafael 1995a, nos. 56-60).For further information on this lot please visit Bonhams.com
JERVIS JOHN: (1735-1823) 1st Earl of St. Vincent. British Admiral of the Fleet, a patron of Horatio Nelson. An excellent series of twenty-three A.Ls.S. and twenty-four Ls.S., J Jervis (4) and St. Vincent, 84 pages (total), 4to and folio, HMS Ville de Paris, off Cadiz, and Gibraltar, June 1797 - April 1799, to James Matra. The Admiral writes to His Majesty's Consul General at Tangier on various subjects, making several references to Nelson and Napoleon, and in some letters expressing typical bravado, in part -'You will very much benefit His Majs. Service and oblige me by sending a fast rowing boat to Gibraltar with the inclosed, the early delivery of it being of great importance to the King's service. I beg you will make my Compliments to Mrs. Matra & Miss Ainslio & tell them if they have the smallest curiosity to see the Fleet in the proud position it has taken I will send a Frigate for them, ignorant whether your instructions will permit you to be of the party I can only say I shall be glad to see you at all times……Should you be able to purchase a few ostrich feathers of the finest quality for me I shall be much obliged to you' (12th June 1797)'The Falucha named the Embark with your Passport escaped the vigilance of the advanced Squadron and got into Cadiz…..but had not the same good fortune coming out. I cannot entertain the smallest doubt of the vessel and cargo being Spanish…..yet from political motives and consideration of your character I have directed her to be carried into Tangier…..making the Spaniards who navigate her Prisoners of War' (20th June 1797)'Rear Admiral Nelson gave Don Joseph de Mazzarredo an alert on Monday night, three or four shells into Cadiz took two Bomb Vessels carrying each an 84 ½ inch Mortar & a Launch with the Commandant of the Flotilla who lost sixteen or eighteen men and was himself wounded before he surrendered. Another visit was intended last night, but a strong Northerly wind prevented its being carried into effect. If Don Joseph really means to give us Battle he has lost several favourable opportunities when our Force was much smaller than it is at present' (6th July 1797)'…..the French will certainly acquire a great addition to their Marine, by this stroke at Venice, but I am under no apprehension for the effect of it here. I see no difficulty whatsoever in the way of a negotiation for peace. Although I think a total change of men and measures in England absolutely necessary for the salvation of the Country. I fear a great deal of mischief will ensue before that event takes place, it being evident to me that those in Office will cling to the last moment and the King hads been taught to dread reforms' (27th July 1797)'I have detached a sufficient force of frigates to overcome the Spaniards…..The order for the departure of the Christians owes its origin probably to the intrigues of the French, who are busy & active in every quarter of the Globe, to disturb the peace of mankind and unhinge all government' (29th July 1797)'The nerves of all Spaniards are so shattered that they will not believe they shall ever be at peace until the definitive Treaty is signed. My firm opinion is that we shall have the preliminaries in a few days. A Spanish officer of the Neptune who came on board the Orion…..with a flag of truce held the same language I do and gave sound reasons for it' (8th August 1797)'A letter of the 22 of July recd. at Cadiz from Lisle says the negotiation is going on satisfactorily & cannot fail' (10th August 1797)'Your communication…..of yesterday certainly is indicative of a continuation of this devasting war; yet from intelligence brought by a Lieutenant of the Neptune sent out by Mazzarredo yesterday & by every appearance here such as fishing boats innumerable coming out, many of them with refreshments for our Fleet, beyond anything I have observed since the first of April, I adhere to my opinion that we are on the eve of Peace……the distractions in France are much more likely to accelerate Peace than to prolong War. The Portuguese are sanguine that they shall succeed in their negotiations, which my correspondent asserts is a separate one' (23rd August 1797)'Spain is languishing for Peace on any terms and Holland shews great jealousy of the attempts made by France…..to make her a slavish province of the French Empire' (26th August 1797)'A Moorish vessel….was captured by the boats of the Spanish Ships of War Yester-Morn and towed into Cadiz, there was a sharp cannonade between their Gun and Mortar Boats and our Launches on the occasion; I have stated to Don Josef de Mazzarredo that if the Master of the Vessel is not permitted to sell his Cargo to the best advantage I will retaliate on every neutral vessel from Barbary' (10th September 1797)'Many thanks for your interesting letters..with the Table of Laws the Tyrants, in the Directory, have cram'd down the throats of the two Councils, if a great, numerous people like the French submit to this abominable violation - Liberty is but a name' (6th October 1797)'Many thanks for the cymbals, the louder they are the better for a Marine Band' (27th November 1797)'We have intelligence by the Fishing Boats that a Line of Battle Ship and some Frigates escaped out of Cadiz during the Easterly gale in the night of Monday or Tuesday last. I shall be very glad to ascertain the truth of this report' (14th April 1798)'It may not be amiss to convey to the Emperor that if he prohibits the exportation of live cattle to Gibraltar and to the Fleet it may occasion a total stop to the export of any commodity from his dominions….I wish His Imperial Majesty not to be impressed with an idea that either the Fleet I have the honor to command or the Garrison of Gibraltar is at all dependent on supplies from His territory; we certainly can obtain them from other quarters without any difficulty…Should the Emperor become decidedly hostile I always have in my power to annihilate Tangier as a place of Export, and I can do him more mischief to the Southward than he is aware of' (20th April 1798)'His Imperial Majesty of Morocco will come to his senses very soon if His Majesty of Gibraltar will persevere, the revocation of the Order not to admit Moorish vessels to Practique at Gibraltar was an unfortunate measure…I enclose a list (no longer present) of Admiral Nelson's squadron to which the Lion will be added in a few days. I am under no apprehension for the event of a meeting between them and the Toulon Fleet, it is a consummation devoutly to be wished' (24th June 1798)'[Thomas] Troubridge joined Nelson off Toulon...and they proceeded in quest of the French Armada..it was spotted..a few leagues to the Westward of Sicily steering for that Island' (3rd July 1798)'The Barbarian Language held by the Emperor towards Lord Henry Paulett has I am sure been retorted in a dignified manner by you. It may not be amiss to convey to His Imperial Majesty and His Ministry that I can fill up the entrance to all his Ports, without the loss of a Man, and with great facility put an entire stop to the whole of the Trade of His Subjects. When I receive an official of Nelson's action with Buonaparte you shall have an authentic copy to thunder in the ears of these wretched deluded people' (24th July 1798)OWING TO LIMITATIONS IMPOSED BY THE SALEROOM THE COMPLETE DESCRIPTION OF THIS LOT CAN NOT BE DISPLAYED HERE. Please contact us directly for further information.
Seeburg KT Special Orchestrion Exzellente Reproduktion des Seeburg "KT Special", hergestellt in einer Auflage von 60 Exemplaren von Bill Edgerton in den frühen 1980er Jahren. Münzeinwurf 50 Eurocent. Zu den Instrumenten gehören Klavier mit Mandoline, große Trommel, kleine Trommel, Triangel, Tamburin, Pauke, Becken, Chinesischer Block und Xylophon, für G-Serien-Rollen. Die Lautstärke läßt sich mit 3 Hebeln regulieren, 230-Volt-Elektromotor, Eichengehäuse mit Bleiverglasung im oberen Teil der Front. Sehr guter und spielender Zustand. Mit 7 Rollen. Start Price: EUR 7000 Watch and Listen on:Youtube.com/AuctionTeamBrekerSeeburg KT Special Orchestrion Faithful reproduction of the Seeburg "KT Special", from a limited edition of sixty replicas by Bill Edgerton in the early 1980s, for G-series rolls, with 230-volt electric motor, coin-slot for 50 euro-cents, piano with mandolin, bass drum, snare drum, triangle, tambourine, timpani, cymbals, Chinese block and xylophone, three-lever adjustable volume, in oak cabinet with leaded glass panel on the front. Very good playing condition. With seven rolls. Start Price: EUR 7000 Watch and Listen on:Youtube.com/AuctionTeamBreker
Royal Doulton Bunnykins Oompah Band figures: 'Drum Major', 'Drummer', 'Sousaphone', 'Cymbals', 'Trumpeter', together with Royal Doulton 'Fred Fearless the Fireman' figure D6809, a Royal Doulton 'Fox' coffee can and saucer, a 'Titanian' coffee can and saucer, a Crown Staffordshire 'Hunting Scene' coffee can and saucer and a Crestedware helmet for the 'Franco British 1908 Exhibition, (9).
Camberwick Green – Robert Harrop – a collection of x 6 statues / figurines. To include; Windy Miller CG61, Dibble CG41, Barney Mcgrew Cymbals CG72, Windy Millers Hen CGFG05, The Bakery CGM06, Jonathan Bell and his Cow CGYP05. Measures 10cm tall. Note; from a large collection of Robert Harrop & other statues / figurines. Condition is stated within each description, however buyers are reminded that such statements are not forensic reports and all items will remain sold 'as is'. As a rule, statues do appear mint and undamaged, but this is not guaranteed. Boxes range in condition, and some have wear from storage. In all instances buyers are required to satisfy themselves. Certificates / paperwork are present if photographed, if there are no photographs of certificates then one isn't present.
A BLUE AND WHITE 'MUSICIANS' DISH, KANGXI PERIODChina, 1662-1722. The shallow rounded sides rising from a short tapered foot to a wide everted rim, the broad floor filled with Daoist musicians and their attendants in the shade of a pine tree at a hillside, surrounded by a band of lotus flowers and Daoist emblems to the short cavetto, the gently sloping wide rim with additional Daoist figures framed within reserves against a geometric patterned ground.Provenance: Belgian trade, by repute from a local private collection.Condition: Fine condition with minor old wear and firing flaws, the rim with two hairlines, minuscule nicks to the foot.Weight: 1,412 g Dimensions: Diameter 39.5 cmIt is interesting to note that the Chinese musical tradition remained quite stable throughout the Qing dynasty before the New Culture Movement, as evidenced by the many similarities between the painting on the present dish and the musicians pictured in an old photograph taken in Shanghai during the 1860s (figure 1). The first major and well-documented flowering of Chinese music was for the qin during the Tang dynasty (618-907 AD), although this instrument is known to have been played already since before the Han period. Through succeeding dynasties over thousands of years, Chinese musicians developed a large assortment of different instruments and playing styles, including court, folk, and religious music as well as instrumental, opera, storytelling, and many other kinds. A wide variety of these instruments, such as guzheng and dizi, are indigenous, although many popular traditional musical instruments were introduced from Central Asia, such as the erhu and pipa. Musical instruments were traditionally classified into eight categories known as bayin. Traditional music in China is played on solo instruments or in small ensembles of plucked and bowed stringed instruments, flutes, and various cymbals, gongs, and drums. The scale is pentatonic. Bamboo pipes and qin are among the oldest known musical instruments from China. 康熙時期青花開光樂者場景大盤中國,1662-1722年。折沿,斜圓腹,中央開光青花描繪文人園中松下奏樂賞玩場景;折沿上錦地開光描繪農家樂;斜腹上蓮紋。來源:比利時古玩市場,據説來自當地私人收藏。 品相:狀況良好,有輕微的磨損和燒製瑕疵,邊緣有兩條細裂紋,足部有微小的刻痕。 重量:1,412 克 尺寸:直徑39.5厘米
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