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A Fieldings Crown Devon musical tankard - Widdicombe Fair, 19cm tall approx, together with an oriental vase with polychrome painted flying bird and floral decoration, 36.5cm tall approx, an oriental polychrome bowl, a collection of Hornsea Saffron pattern storage jars, spice jars, etc, together with a collection of Royal Albert Holyrood pattern teawares including a teapot, milk jug, six cups, six saucers and six tea plates (collection)
Selection of assorted pottery and porcelain including Sterling green glaze acanthus jug, 12" high, Royal Doulton vase (at fault), Majolica glazed jardiniere (a.f), cabbage leaf plates including Crown Devon, Booths Real Old Willow pot with cover, Wedgwood Jasper Ware bowl etc (various faults)
An early 20th century Copelands Spode warming dish and cover, transfer printed in the Spodes Polka Dot pattern with original stopper, 22cm; together with an early 20th century continental child's warming plate transfer printed with a squirrel with pine cones in a basket upon his back, 23cm; a 1930s French warming dish on pink ground transfer printed with two children upon a bridge with a duck, 20cm; an early 20th century continental warming dish transfer printed to the outside edge with cockerel and hens, 20cm; a Victorian warming dish possibly Mintons transfer printed with flowers, 25cm; an early 20th century childs warming dish transfer printed with dancing children within iron surround with spout and stopper, 25cm; a Villeroy & Bosh Dresden Saxony twin handled warming dish on blue ground, the centre decorated with a figure before a sailing ship having a printed mark verso, 23cm; a Limoges of France child's warming dish transfer printed with child musicians, printed Limoges, France verso, 19cm; a Czechoslovakian warming dish transfer printed with Snow White & the Seven Dwarfs having a cork stopper, 24cm; a Dutch child's warming dish, the centre transfer printed with a scene from Hansel & Gretel within aluminium twin handled surround, 22cm; and an early 20th century Copelands Spode warming dish transfer printed in the Korea pattern, 22cm, a Victorian Ashworth(?) warming dish, the plate transfer printed in the Imari palette with vase issuing flowers, within iron twin handled base, 28cm; together with a Victorian warming dish, transfer printed with flowers within floral border, on an iron twin handled base, 29cm; a Maling Scala warming dish and cover, the cover on a pink ground, the dish with trailing border and original stopper, 24cm; a 1930s warming dish, the plate hand-painted with trees before a bridge and cottage, within an aluminium twin handled surround marked Garrison, 28cm; a Victorian warming dish, the plate with black printed frieze with leaves and flowers, within an iron surround, with spout and twin handles, 30cm; an early 20th century Crown Devon(?) warming dish, the plate transfer printed with apples and nuts, within a copper twin handled surround, stamped Copper registered trademark, 28cm; and a Victorian warming dish, monochrome transfer printed with a winter landscape within a pewter twin handled surround, stamped James Dixon & Sons and numbered C3475, 29cm.Condition report: Polka Dot dish: light crazing to both dish and cover, some spotting to glaze of cover. Pink French dish: heavily crazed all over, heavily worn to gilt banding and stopper. Squirrel dish: Probably a 2nd, marks crossed through, some pitting to glaze on underside, light handling wear to gilt. Villeroy & Bosh dish: lacking stopper, some crazing to very centre of dish, pitted and crazed to underside. Limoges dish: light wear to some transfer. Cockerel dish: lacking stopper, slightly discoloured to outside edge, light gilt wear. Children dancing: heavily discoloured with crazing, some losses to transfer. Minton? dish: lacking stopper, heavily worn to outside edges, crazed to underside, wear to transfer. Snow White & 7 Dwarfs: wear to central transfer, wear to gilt outside edge. Hansel & Gretel: scratches to central transfer, large dent to aluminium underside. Spode dish: with light crazing, marks to centre of dish, looks to be scratched rather than cracked, small chip to edge besides spout.Imari - some wear and discolouration to transfer.Floral - heavily crazed to centre, some losses to transfer.Maling - cover heavily crazed to both sides and handle, base also heavily crazed, makers mark smudged.Tree and bridge - heavily crazed to centre.Black border - some losses to transfer around edge, crazed to centre of plate.Apple and nuts - heavily worn, gilt banding almost worn away, some dents to copper base, scratched to central transfer.Winter scene - some light wear to transfer at 12 o'clock beneath spout.
An early 19th century Masons ironstone warming dish, transfer printed and enamel decorated in the Muscovy Duck / Waterlily pattern, having printed mark verso, 27cm; together with a Victorian Masons ironstone warming plate, transfer printed with flowers heightened in gilt, within a blue border with further gilt leaf decoration, printed Masons mark verso; an early 20th century warming dish, transfer printed with a central star within a geometric border, on iron twin handled base, 27cm; an early 20th century warming dish, the plate blue and white transfer decorated with flowering bamboo within floral border, on a copper twin handled base stamped Copper AF & Co, 28cm; a Victorian warming plate, transfer printed with flowers within a floral border and shaped iron surround; and a 19th century pewter twin handled warming dish, in two parts, by James Dixon & Sons, numbered 980, 20cm,a Victorian Minton & Boyle Stoke on Trent pottery warming dish, transfer printed with a church within a landscape, having floral borders, apparent original stopper, printed Devon mark verso, 28cm; together with two 1930s German warming dishes, each transfer printed with a scene from Little Red Riding Hood, one with possibly original stopper, 21.5 and 23cm; a Shelley Mabel Lucie Atwell warming plate, transfer printed with a child pushing a barrow load of fairies, with verse 'To work in the garden is ever such fun, with fairies to help you to get it all done', signed Mabel Lucie Atwell, within an aluminium surround marked Garrison, 22cm; a 1930s child's warming dish, the centre transfer printed with children in a sailing boat, the blue plastic stopper marked Leibling, 24cm; and one other 1930s warming plate, transfer printed with a young girl playing badminton, 24cm, a Victorian Minton warming dish and cover, on a white ground within trailing border, having gilt heightened handle, impressed Minton mark verso, 26cm; together with a 1930s Susie Cooper Crown Works Burslem warming dish and cover in the Dresden Sprays pattern 23cm; an early 20th century warming tureen and cover, of oval form, transfer printed with flowers, smudged printed factory mark verso, 33cm; and a Victorian Copeland warming tureen and cover, on a plain white ground with gilt decoration, with partitioned interior, 34cm (18)Condition report: Muscovy duck - with hairline cracks to underside, probable restoration to spout.Next Masons - crazed to centre, heavily crazed to underside, handling wear to gilt, numbered 3271, large area of restoration to outside edge, further restoration to underside.Geometric - light crazing, scratch to outside edge.Bamboo - crazing to centre and rim, light dents to copper dents.Flower - heavily crazed and discoloured, base heavily worn with splits to outside edges.Minton - chips to underside of stopper, chip and repair to outside edge.German with stopper - pitted to underside.German without stopper - pitted to both sides, impressed DRGM and numbered 7307,light surface scratches to transfer.Atwell - heavily worn to central transfer, large dent to aluminium underside.Sailing scene - pitted to glaze, crazed above central transfer.Last dish - some wear to transfer, lightly crazed to interior, crazing to underside.Minton - stopper possibly replacement, heavily crazed and discoloured to centre of dish, cover heavily crazed to both sides, area of discolouration to underside of side.Susie Cooper - heavily crazed to cover and base, lacking stopper, centre of dish heavily discoloured.Victorian tureen - heavily worn to gilt around handle, missing stopper, heavily crazed to underside.Copeland - two large chips to underside of cover, heavily crazed.
A Great War C.M.G., C.B.E. group of nine awarded to Captain W. B. S. Wrey, Royal Navy, who was promoted to Commander for services as second-in-command of the Naval Brigade at the Relief of Pekin, and served as Principal Naval Transport Officer at Southampton throughout the Great War The Most Distinguished Order of St. Michael and St. George, C.M.G., Companion’s breast badge converted for neck wear, silver-gilt and enamels, reverse centre depressed; The Most Excellent Order of the British Empire, C.B.E. (Military) Commander’s 1st type neck badge, silver-gilt and enamels; Egypt and Sudan 1882-89, 1 clasp, Alexandria 11th July (W. B. S. Wrey. Midn. R.N. H.M.S. “Superb”); China 1900, 1 clasp, Relief of Pekin (Lieut. W. B. S. Wrey, R.N., H.M.S. Barfleur.); British War Medal 1914-20 (Capt. W. B. S. Wrey. R.N.); Khedive’s Star 1882; Belgium, Kingdom, Order of the Crown, Officer’s breast badge, gilt and enamels; United States of America, Navy Distinguished Service Medal, gilt and enamels, these last six mounted as worn; Japan, Empire, Order of the Sacred Treasure, Third Class neck badge, silver-gilt and enamels, a few very minor enamel chips and light contact marks, otherwise generally good very fine (9) £2,000-£2,600 --- C.M.G. London Gazette 4 June 1917: ‘For services in connection with the War.’ C.B.E. (Military) London Gazette 3 June 1919: ‘For services in connection with the War.’ Belgium, Order of the Crown, 4th Class, London Gazette 29 August 1917. Japan, Order of the Sacred Treasure, 3rd Class, London Gazette 7 June 1918. U.S.A., Distinguished Service Medal (Navy), London Gazette 12 December 1919. William Bourchier Sherard Wrey was born at Holne, Devon, on 2 April 1865, the fourth son of Sir Henry Bourchier Wrey, 10th Baronet. He joined the Royal Navy as a Boy in H.M.S. Britannia on 15 July 1878, and, having passed for Midshipman, joined H.M.S. Superb on 4 October 1880, being confirmed in that rank on 23 March 1881. He was a Midshipman in Superb at the bombardment of Alexandria in 1882 (Medal with clasp and Bronze Star), and afterwards in Carysfort in the Sudan during 1884-85, but not in the period to qualify for the clasp ‘Suakin 1885’ which some sources give. Promoted to Lieutenant in October 1888, he joined Barfleur as Lieutenant, and later Acting Commander, in May 1898. Wrey was Mentioned in Despatches by Captain Callaghan, and promoted to Commander for his services as second-in-command of the Naval Brigade at the relief of Pekin in 1900. Invalided home with enteric fever in November 1900, he arrived back in England on 23 December 1900, and was found ‘fit’ in February 1901. He was appointed to Hannibal on the Channel station from May 1901 to January 1904. After an inspection of Hannibal, Lord Charles Beresford reported that ‘Commr. Wrey is not sufficiently competent for second in command of a Battleship.’ Nonetheless, his invention shortly afterwards of a ‘Change of Range Indicator’ did draw an expression of Their Lordships’ appreciation. A period in command of Edinburgh from June 1904 to March 1905, was followed by a Signal Course at Portsmouth, after which he held no further commands. He was placed on the Retired List at his own request with rank of Captain on 31 December 1909. On the outbreak of the war with Germany he returned to duty, and served during the whole period of hostilities as principal naval transport officer at Southampton with the rank of Commodore, being created C.M.G. in 1917 and C.B.E. in 1919, and receiving the American Distinguished Service Medal as well as Belgian and Japanese decorations. Captain Wrey married, in 1897, Flora Bathurst, daughter of Vice-Admiral W. S. Greive, of Ord House, Berwick-on-Tweed. He died on 8 January 1926. Sold with copied record of service and medal roll extracts including entitlement to single British War Medal.
20th century English art pottery comical figure of a foal decorated in white and green glazes, impressed mark with initial B Made in England, 16.5cm high; Wedgwood Barlaston "Travel" pattern side plate with transfer decoration designed by Eric Ravilious, no. TK462, with impressed printed marks, 17.5cm diam. and a set of five Crown Devon blue and gilt coffee cups and saucers, pattern no. 3247. (12).
Various ceramics, to include a Crown Devon floral bowl, a Crown Ducal red and orange bud vase, 10cm high, and a Grey's pottery reproduction of British Railways collectors tin inscribed Lion Of The Liverpool and Manchester Railway and Star of the Film The Titfield Thunderbolt, 5cm high, 10cm wide. (3)
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13683 item(s)/page