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95937 Los(e)/Seite
SELECTION OF CAMERA AND OPTICAL ACCESSORIESincluding Pentax stereo viewer; Carson mini tripod; San Disk photo album viewer with cables, remote control and user manual; selection of AV cables; Asahi Pentax monocular converter; Slik Tripod; Luger 5-15 X Monocular; Asahi Pentax 7x21 7.5 degree Binoculars; Minolta UC 6x18 9.7degree pocket Binoculars; etc.
A good 18th century circular mahogany tilt-top Occasional Table, the one-piece top above a turned gun barrel style stem leading down to four downswept tapering legs on a tripod base terminating in elongated pad feet, 87cm diameter CONDITION REPORT: The top is water marked in many areas although of a nice colour, the underside block and base look original to the top etc., the locking spring catch has either been moved or replaced at some stage, gun barrel style stem is a nice dark colouration and the legs/elongated pad feet look in original condition with no breaks or repairs apparent, one leg is slightly loose where is joins to the bottom of the gun barrel turned stem, the stem has a very small 3/4cm historic split where it connects to the table block at the top but this is not particularly problematical with the split being historic and not particularly obtrusive.
A late 18th century style (reproduction) circular dished-top mahogany Torchere, turned reeded stem leading to carved ears of corn and raised on a tripod base with each downswept leg carved at the knees with acanthus and terminating in claw and ball feet, the dished top 26cm diameter x 132.5cm high
A GOOD QUALITY 19TH CENTURY CHINESE BRONZE TRIPOD CENSER, weighing 2.22Kg, with double upright elephant-head handles, the rim of the wide shallow body cast with an archaic dragon linked fret design, the base cast with a six-character Xuande mark, 12.6iun wide including handles & 10.1in diameter at rim & 3.5in high & 4in high to top of handles.
Fine and rare novelty silvered brass and ormolu tripod mantel timepiece by Thomas Cole, the movement with shaped back plate inscribed Boxell, Brighton no.1054, the 5.5" x 4.5" ormolu oval dial plate engraved with stylised flowering branches within geometric borders, enclosed by a gilt chapter ring with Roman numerals with further floral engraving to the top and bottom of the dial plate, supported upon three rustic knopped branches suspending a pendulum with cauldron bob over a fire modelled as gilded logs, upon a giltwood stepped circular base and under a glass dome, 24.5" high overall (pendulum and key) *The left hand branch support is stamped with the no.1586 to the top *See reference J.B. Hawkins - Thomas Cole and Victorian Clockmaking, published Sydney 1975, where this clock features on page 110, item 38. The entry reads as follows:'A most unusual tripod clock of the naturalist school of design. In "The Analysis of Ornament" by R. Wornum, London 1856. Wornum, keeper of the National Gallery, London and Secretary to the Trustees states; "There is a class of ornament which has much increased of late years in England, and by way of distinction, we may call it the 'Naturalist' school. The theory appears to be that as native is beautiful, ornamental details derived immediately from beautiful natural objects must ensure a beautiful design. This, however, can only be true where the original uses of the details chosen have not been obviously violated; and one peculiar feature of this school is that it often substitutes the ornament itself for the thing to be ornamented''This clock is obviously an effort by Cole to keep in the height of fashion and is extraordinary by any standards.''The tripod holding the clock is made of cast brass silvered as imitation logs, these suspend by way of the pendulum, a lidded cauldron over a simulated log fire. The whole is executed to the very highest standard and whether one approves or disapproves, it must be considered as a premier example of the Naturalist School of Design' *This clock was inherited by the current vendor from a great aunt nearly 50 years ago

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95937 Los(e)/Seite