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Lot 1167
Four pieces of Pilkington`s Royal Lancastrian, comprising ovoid form vase, impressed factory marks and no.200 to base, height 21cm, flared cylindrical vase, impressed factory marks and no.2143A to base, height 20cm, footed circular bowl, impressed factory marks to base, diameter 26cm, square tray, impressed factory marks to base, length 31.5cm
Lot 126
A Shapland & Petter, Raleigh tray, inset with three Pilkington`s Lancastrian tiles, designed by Lewis F Day, each tile slip decorated with flower sprays, in yellow and green on a white ground, inside green spacer tile border applied Raleigh ivorine label tray 67cm. wide Literature Daryll Bennett, Shapland & Petter Ltd of Barnstaple page 84 plate 5.35 for a comparable tray. A J Cross Pilkington`s Royal Lancastrian Pottery and Tiles, page 13 colour plate XI for comparable tiles.
Lot 137
A Pilkington`s Lancastrian tile, decorated in low relief with a heraldic dragon, in copper lustre on a blue ground impressed P to reverse, minor glaze nicks 15.5cm. square Literature A J Cross Pilkington`s Royal Lancastrian Pottery & Tiles Richard Dennis, page 23 plate 14 for a tile with a comparable dragon in a shield motif
Lot 633
English School, Portrait of Margaret Beaufort, Countess of Richmond (1441-1509) oil on panel, 56 x 44cm (21.84 x 17.16in). Provenance: The Hon Hugh Lawson Johnson, Melchbourne Park, Bedfordshire, thence by descent. Margaret Beaufort was mother of Henry VII, the Founder of St John`s College and Christ`s College, Cambridge. She was born at Bletsoe Castle, Bedfordshire. Sir John St John was her half-brother. The original panel was, in 1904, in the possession of the 16th Baron St John at Melchbourne - copied from the original painting by Wilfred B Egan in December, 1904. Lady Margaret`s royal status was derived illegitimately from her paternal great grandfather, John of Gaunt, Duke of Lancaster – the fourth son of Edward III. Her father, John Beaufort, Duke of Somerset, was a disgraced military commander who died shortly before she was one year old. Subsequently, Lady Margaret was placed as a ward under the Marquess of Suffolk, who betrothed young Margaret to her son at the age of six. In 1453, the Lancastrian Henry VI dissolved the marriage and decided that she should instead marry Edmund Tudor, the son of Catherine of Valois, the Queen of Henry V, reinforcing the Lady`s royal status. Margaret Beaufort was the progenitor of the Tudor line. By the time Lady Margaret gave birth to Henry Tudor (at the age of 13) she was already a widow. After the murder of Henry VI in 1471 and the accession of the Yorkist Edward VI, she fled to France with her son, the next male in the Lancastrian family line. For further safety, Lady Margaret married Thomas, 2nd Baron Stanley, in 1472, a powerful figure and a Yorkist supporter at that time. Margaret accepted the Yorkist supremacy for the remainder of Edward`s reign, however after the accession of Richard III and the murder of the Princes in the Tower, she began to plot their overthrow and push for her son`s succession. Her involvement and the failure of the Duke of Buckingham`s rebellion in 1484 saw her estate handed over to the control of her husband, who also agreed to be her gaoler. Despite this, Lady Margaret continued to push for Richard`s overthrow and was instrumental in negotiating the marriage between her son and Elizabeth of York, an important match as it signified the union of the two houses of York and Lancaster, further increasing Henry`s claim to the throne. Lady Margaret`s role changed after Henry`s victory over Richard at the Battle of Bosworth Field in 1485. She began to sign her letters `Margaret R` and was granted large households in London and Northamptonshire, where she was effectively Henry`s Deputy in the East Midlands. She was also an established author and translator, publishing many religious tracts and patronising a number of centres of learning, such as St. John`s College, Cambridge. Sir John St John (1473-1512) was Chamberlain to Margaret, Countess of Richmond, and Executor of her Estate. Towards the end of her life, she became increasingly religious and devoted herself to a life of prayer. The present painting is a copy of the prototype in the National Portrait Gallery which dates from the 16th Century, and of which there are many copies and derivations
Lot 229
Two small Poole pottery Delphis range plates in typical physcadelic colours, a Poole pottery dolphin moulded dish, a pair of Poole dolphins, a Honiton jug, a Honiton jam jar and cover, some Torquay motto ware, a mottled orange and yellow Royal Lancastrian vase with mark for 1920-1938, cake plates, penguin tea pot etc
Lot 20
Selection of Anodised Infantry and Corps Cap Badges including London Scottish ... QC KOSB ... QC Notts & Derby ... QC AAC ... Forester Brigade ... Royal Anglian ... Highland Brigade ... Lowland Brigade ... Royal Lincolnshire Reg ... Royal Scots ... QC RTR ... QC Border Reg ... QC Royal Irish Rangers ... QC Royal Hampshire ... QC Queens ... QC Lancastrian Brigade ... SAS ... QC RE Royal Monmouthshire ... QC RA ... QC RM ... QC Army Catering Corps. 40 items.
Lot 55
A Pilkington Royal Lancastrian lustre vase, circa 1920, by William S Mycock, of squat baluster form, the circular rim with red gilt leaf design, the body in a navy ground with a silvered colourful leaf and floral central band, `Non Noibis Solum Nati Sumas - We Are Not Born For Ourselves Alone` script running around the shoulder, raised upon a circular foot ring, impressed & printed marks to base & model number 3140, height 13.5 cm.
Lot 60
A Pilkington Royal Lancastrian lustre vase, circa 1920, by William S Mycock, of squat baluster form, the circular rim with green gilt leaf design, the body in a navy ground with silvered leaf pattern throughout with red flowerheads, `Exitus Belli Inserti Sunt - The Results Of War Are Uncertain` script running around the shoulder, raised upon a circular foot ring, impressed & printed marks to base & model number 3140, height 13 cm.
Lot 110
PILKINGTONS ROYAL LANCASTRIAN COLLECTION OF WARES, EARLY 20TH CENTURY including a SHOULDERED VASE, in mottled turquoise glazes, impressed marks, 14cm high; THREE BOWLS, similarly glazed, each with impressed marks; a SQUAT BOTTLE VASE, with deep blue glaze, indistinctly marked, 12cm high; a RUSKIN CRYSTALLINE VASE, impressed marks, 14.5cm high; THREE PIECES OF MINTONS SECESSIONIST WARES and REMAINING CERAMICS (qty)
Lot 81
A Pilkington`s Royal Lancastrian lustre ware vase, the narrow tapering neck emerging from a globular body, decorated with four deep red circular panels on grey ground, depicting a galleon, a double-headed eagle, lion rampant and fleur-de-lys, monogram WSM to underside for W. S. Maycock, 7.5" high
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