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Lot 320
A GROUP OF FOUR CERAMIC VESSELS to include a Doulton Lambeth stoneware vessel, height 9cm, central band of relief floral patterns (signs of restoration and crack at the neck), a Macintyre 'Agate' pot with manufacturers marks to the base, two parallel holes to the one side (visible chips and nibbles to the rim), a blue Royal Lancastrian bud vase, height 9cm, impressed marks to the base (dull when tapped, a small scratch through the paint), and a Langley bulbous vase with a hand painted brush stroke band around the waist, height 28cm (4) (Condition Report: see itemised conditions above)
Lot 1392
° ° A group of twelve Arts and Crafts/Art Nouveau related reference books; Lennon & Joy - MousemanHalen, W. - Christopher DresserArt Nouveau Domestic MetalworkCorbett, A - Pilkington's LancastrianCross, A - Pilkington's Royal LancastrianEyles & Irvine - Doulton Lambeth WaresMoore, S. - Pocket Fruit KnivesAslin, E - E.W.GodwinMasini, L. - Art NouveauLarner - The Glasgow StyleCrawford - C.R.AshbeeTilbrook, A.J. - The Designs of Archibald Knox
Lot 5
A pair of Pilkingtons Royal Lancastrian double gourd vases - first half 20th century, both with incised 'P' to base, of double gourd form with swollen necks, in a turquoise and green streaked glaze with iridescence to the necks, 18.5cm high.* One vase with a minute glaze flake to the inside of the rim (pinhead size). There are no other faults - in good condition overall.
Lot 73
A Pilkingtons Royal Lancastrian flambé glazed bowl, standing upon a circular foot, indistinct impressed marks to the underside, dia.27cmamendment: The bowl Is Pilkingtons Royal Lancastrian, not Royal Doulton as originally described In excellent and original condition throughout, it only requires a light surface clean.
Lot 1
An Art Nouveau Sarreguimines pottery vase, decorated with peacock feathers, h.28cm, together with a Royal Lancastrian blue glazed vase, of squat globular form, h.15cm, an Isle of Wight studio pottery vase, h.15cm, and an Art Nouveau French pottery vase, h.17cm (4)Isle of Wight vase – with two vertical hairline cracks running from top rim downwards.Sarreguimines vase – finely crazed throughout and with wear to gilt.The other two with no apparent faults.
Lot 59
PILKINGTONS FOR ROYAL LANCASTRIAN; a lustre vase of tapering form, decorated with fruit, height 14cm.Provenance: AD ANTIQUES AUTUMN 2010 label to the underside.Condition Report: Very fine crazing to the glaze, but good condition with no chips, cracks or restoration to the piece. Impressed Royal Lancastrian England to base. The decoration/glaze is more or less consistent around the vase, however one area of the fruit is slightly rubbed.
Lot 81
GORDON FORSYTH FOR PILKINGTONS ROYAL LANCASTRIAN; a small lustre bowl, internally decorated with floral detail, diameter 10cm, a Ashby Guild bulbous vase, height 8.5cm, and a Long Park pottery vase, height 14cm (3).Condition Report: Pilkington bowl with large repaired piece broken out and glued, Ashby vase with stained crazing to the body, glaze fault (chip) to foot rim. Long Park vase with crazing.
Lot 2002
William Salter Mycock for Pilkington, a Royal Lancastrian Heraldic lustre vase,, 1922, painted with four alternating red shields depicting Lions and Crosses, painted with flowering stems on a blue ground, painted and impressed marks, signed and dated 1922, numbered 3108 to base, approx 33cm high
Lot 10
AN IMPORTANT GEORGIAN COMMEMORATIVE DIAMOND AND HAIRWORK JEWEL FOR EDWARD IV CIRCA 1789 The glazed oval bezel containing a lock of Edward IV's hair in the form of a bow above the rose cut diamond cypher ER, beneath a rose cut diamond crown, on a light blue enamel ground, within an old European cut diamond surround, the curved reverse engraved Hair of Edward 4th, who died [Ap]ril 9th 1483, discovered at Win[dsor], March 1789., later brooch and pendant fitting, converted from a ring Size/dimensions: 3.7cm long Gross weight: 10.6 gramsKing Edward IV of England (1442-1483) was a central figure in the Wars of the Roses. Born on April 28, 1442, in Rouen, France, Edward was the eldest son of Richard, Duke of York, and Cecily Neville. His father's claim to the English throne was passed to Edward after Richard was killed at the Battle of Wakefield in 1460.At just 18 years old, he led the Yorkist forces to a decisive victory at the Battle of Towton in 1461, effectively ending Lancastrian rule and allowing him to claim the throne as Edward IV. His reign was marked by attempts to consolidate power, but his secret marriage in 1464 to Elizabeth Woodville, a commoner and widow, sparked tensions with powerful nobles, particularly Richard Neville, the Earl of Warwick, who had been a key supporter.The fallout from this marriage led to Edward's brief deposition in 1470 when Warwick and Edward's brother George, Duke of Clarence, aligned with the Lancastrians to restore Henry VI to the throne. However, Edward returned from exile in Flanders in 1471, reclaimed the throne after defeating Warwick at the Battle of Barnet and the Lancastrians at the Battle of Tewkesbury, and secured his position as king.Edward's second reign (1471-1483) was more stable. He focused on restoring royal authority, strengthening the economy, and developing a more centralized government. However, his sudden death on April 9, 1483, at the age of 40, left his kingdom in turmoil. His 12-year-old son, Edward V, was declared king but was never crowned. Edward V and his brother, Richard, Duke of York, were imprisoned in the Tower of London, where they mysteriously disappeared, leading to the rise of Richard III.Edward IV's legacy is a complex one, marked by his military successes, his efforts to stabilize the realm, and the unresolved mysteries surrounding his sons, the "Princes in the Tower."King Edward IV was buried in St. George's Chapel at Windsor Castle, a royal chapel that he played a significant role in remodelling during his reign. Edward was laid to rest in a tomb situated in the north quire aisle of the chapel, alongside his wife, Elizabeth Woodville.In the 18th century, during renovations to the chapel, Edward IV's tomb was accidentally disturbed, and his coffin was opened. This revealed some of his remains, including strands of his hair, which were surprisingly well preserved. These relics were later used in the creation of commemorative mourning jewellery, as was the custom of the time.Locks of Edward IV's hair are in possession of the Society of Antiquaries and the Wellcome Collection, London, and a related mourning ring was sold at Christie's, 11th October 1995, lot 24. Condition Report: Evidence of previous alterations and repairs. Solder where ring shank was removed and brooch fittings attached. Some words have been cut off slightly in the processSome nicks and scratches to glass, glue visible under hair, a couple of points deficient from crown band.Condition Report Disclaimer
Lot 311
A Pilkingtons Royal Lancastrian lustre vase by Richard Joyce, circa 1918, of footed spherical form with drawn swept neck, painted with scrolling tendrils and palmate leaves in silver over mottled red ground, the neck with chevron band in silver over streaked ochre ground, impressed marks, and painted monogram, shape no.2862, height 17cm. Condition reports for each lot are available on our website.
Lot 312
A Pilkington's Royal Lancastrian lustre vase by William S Mycock, circa 1911, of footed compressed ovoid form with drawn swept neck, painted with alternating panels of stylised cornflowers over blue ground and interlocking stylised leaves in sage green and iron red, within red bands, over beige ground, impressed P and Bees mark, XI, and painted monogram, shape no.2904, height 18cm. Condition reports for each lot are available on our website.
Lot 72
A collection of mixed ceramics, to include a Royal Worcester Scottie Wilson sugar bowl and saucer, and a Pilkingtons Royal Lancastrian lustre bowl, decorated by Richard JoycePilkington bowl - broken and repaired, lustre loss to interior.Doulton sugar bowl - chips to rim of lid.Paint loss from bellboy.Man with basket, looks like repairs have happened to both arms.Royal Worcester - sugar bowl: discolouration, side plate: hairline crack and deep knife marks, crazing.
Lot 6062
Pilkington's Royal Lancastrian Sea Maiden vase, by Walter Crane and William Slater Mycock, on a blue ground, impressed mark 1905-1913, cyphers for Walter Crane and William Slater Mycock, no 2472, H25.5cm (restored)Condition Report:The rim restored (see photographs), otherwise very light and minimal surface scratching
Lot 437
A GROUP OF PILKINGTONS ROYAL LANCASTRIAN ART POTTERY, comprising a pale blue glazed Royal Lancastrian bowl, shape no 2523, height 5.5cm x diameter 21cm, a near pair of pale blue Pilkingtons Royal Lancastrian bud vases, dated 1916, shape no 2598, heights approximately 14cm and 13.5cm, a similar vase in a darker blue glaze, with 'P and bees' backstamp and date code for 1910, height 15cm, and a sang de boeuf glazed vase, with 'P and bees' backstamp and date code for 1909, shape no 2130, height 20cm (5) (Condition Report: pieces appear in good condition with some light crazing)
Lot 367
A 1930S PILKINGTONS ROYAL LANCASTRIAN LAPIS WARE VASE, of baluster form, decorated with geometric patterns in pastel coloured glazes, the base having monogram for Gwladys Rodgers, impressed marks for Edward T Radford, pattern no 199 and Royal Lancastrian backstamp, height 25cm x diameter at neck 10cm (1) (Condition Report: has had some restoration to the neck, horizontal partial crack on the inside of the neck, crazing throughout, black marks around the widest part of the vase, otherwise appears ok)
Lot 150
Edward Thomas Radford - Pilkingtons Royal Lancastrian Pottery - A 211 shape vase, ribbed ovoid form with graded powder blue glaze, incised monogram and impressed marks, height 13cm, together with a Pilkingtons Royal Lancastrian powder bowl and cover, graded and mottled powder blue glaze, impressed marks and number 6183, diameter 15cm, and a conical bowl by Erid Bridges, ribbed moulding and pale blue/grey glaze, diameter 24cm. (3)
Lot 141
Pilkingtons Royal Lancastrian - A 2335 shape vase of lobed gourd form, the whole decorated with a mottled sea green glaze, impressed marks, height 25cm, together with another small vase of compressed spherical form, streaky aqua blue and green glaze, impressed P mark to base, height 9.5cm, and a shallow bowl designed by Mitzi Solomon Cunliffe, interior red glaze, white glazed rim and black exterior, impressed marks, diameter 28cm. (3)
Lot 148
Pilkingtons Pottery - An early 20th Century shape 2850 vase of square section tapered form with moulded foliate neck, with mottled orange vermillion glaze, impressed P and B mark and date code form 1907, height 17cm, together with a Pilkingtons Royal Lancastrian shape 2771 bowl, circular moulded lobed form, mottled orange vermillion glaze, diameter 14cm. (2)
Lot 146
Pilkingtons Royal Lancastrian Pottery - An early 20th Century shape 2653 vase of shouldered ovoid form with swept collar neck, decorated in an all over mottled orange peel glaze with ochre dripped glaze shoulders, height 11cm, together with a shape 2155 vase of compressed ovoid form with collared neck and flared rim, orange peel vermillion glaze and ochre streaked glazed neck and shoulders, impressed marks, height 9cm. (2)
Lot 212
A Pilkington's Royal Lancastrian charger by William Mycock, decorated with a frieze of stylised birds in blue and turquoise on a grey ground, an Omega Workshops style large cup and saucer, a Wedgwood Pottery plate, a Moorcroft Pottery Flambe Leaf and Berry' bowl, and a collection of pottery including Susie Cooper Studio pots impressed and incised marks, 35.5cm. diam. (a lot)Provenance The Collection of the Late Howard Duckworth
Lot 308
WILLIAM S. MYCOCK (1872-1950) FOR PILKINGTON’S TILE & POTTERY CO. ROYAL LANCASTRIAN LUSTRE VASE, 1926 lustre-glazed earthenware, impressed factory mark, painted artist's mark and dated 1926, 11cm high; together with a ROYAL LANCASTRIAN LUSTRE MINIATURE VASE, 1926, lustre-glazed earthenware, impressed factory mark, painted artist's mark and dated 1926, 8.6cm high; a GORDON FORSYTH (1879–1952) FOR PILKINGTON’S TILE & POTTERY CO., LANCASTRIAN LUSTRE BOTTLE VASE, 1909, lustre-glazed earthenware, impressed factory marks, painted artist's mark, 19.2cm high (3)
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3842 item(s)/page