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ROYAL NAVY Royal Navy series cover RNSC 3 21a 350th anniversary of Samuel Pepys signed by Sir John Lang, Secretary of the Admiralty 1971-1961 and Mr A.R Jaffray, Deputy Under Secretary of State navy 1981. Good Condition. All signed items come with our certificate of authenticity. We combine postage on multiple winning lots and can ship worldwide. UK postage from £3.95, EU from £4.95, Overseas from £6.95.
Miscellaneous - The Works of Ben Johnson (sic), volumes III & IV only, Printed for J. Walthoe [...], London 1716, illustrated with etched and engraved titlepieces, full period calf, board with double-fillets and foliate acanthus to angles, raised banding to spine, contemporary ink MS annotations throughout, 8vo (2); Bryant (Arthur), Samuel Pepys: The Man in the Making, Collins, London 1947, quarter-blue pebble morocco and drab buckram boards, 8vo; Darling (F. Fraser), The New Naturalist: Natural History In The Highlands & Islands, Collins, London 1947, quarter-green morocco and drab buckram boards, 8vo [4]
*Playing cards. Tarot Nouveau, B.P. Grimaud, circa 1890, seventy-eight colour lithographed cards (complete), French suits, comprising double-ended Fool card, twenty-one double-ended trumps with genre scenes (peasants/the rich), and four suits of fourteen, each with four double-ended courts and ten pips, a little dusty and toned, tartan pattern on versos, rounded corners, 111 x 61mm (4.25 x 2.25ins), contained in original cardboard box, with copious adhesive tape repairs, together with a pack of forty-eight cards by Grimaud (complete), circa 1888, Spanish suits, toned and dusty, plus Jeu de Cartes de la Celebre Devineresse Mlle Lenormand de Paris, circa 1910, thirty-six numbered colour-printed pictorial cards (complete), rounded gilt corners, contained with 16pp. rule booklet in original cardboard box, plus seven other playing card decks, 20th century, including Scouting by Pepys and Grimaud's Astro Mythological by Mlle Lenormand (10)
Latham (Robert & Matthews, William, editors). The Diary of Samuel Pepys, volumes 1-11 (complete), 1970-83, black and white illustrations, original uniform green cloth in dust jackets, some covers slightly rubbed to head and foot, together with Thompson (Francis), The Collected Poetry Of..., limited edition 249/500, black and white portrait frontispiece with tissue guard, some light spotting, publisher's original gilt decorated vellum, lacks cloth ties, boards and spine lightly marked, 4to, and Parrish (Stephen & Reed, Mark L., editors), The Cornell Wordsworth, Home at Grasmere, The Salisbury Plain Poems of William Wordsworth, The Ruined Cottage and The Pedlar, The Prelude 1798-1799, 4 volumes, 1975-79, uniform original cloth in dust jackets, covers lightly rubbed to head and foot, 8vo, plus other mostly modern literature, including esoteric, theological and art reference, mostly original cloth, many in dust jackets, G/VG, 8vo/folio (5 shelves)
A planked Admiralty- type model for the Royal Navy 84-gun second-rate ship of the line HMS Royal Katherine, circa 1664, by D A Brogden:, planked hull with black-painted main wales, open Venitian red gun ports with guns, gilt militia decorated bulwarks, rounded quarter galleries with figural decoration. Stern galley with scroll and cherub decoration, partially opened planked decks, gilt figurehead of a man on a rearing horse, raised on gilt dolphin supports on an oak base with a glazed display case, the case 46cm x 91cm x32cm.*Notes Launched in 1664 at Woolwich Dockyard by Charles II and watched by Samuel Pepys HMS Royal Katherine fought in both the Second and Third Anglo -Dutch Wars. In 1702 she was upgraded to 90-guns and renamed Ramillies. In 1742 she was rebuilt once again and saw service in the Seven Years War before being on the rocks at Bolt Tail, Hope Cove.
Queens' Binder A. The Precedency of Ye Peerage of England, & others, [drop-title], 1660s, 41pp. manuscript, written in a neat copperplate hand, accompanied by numerous blank leaves, several dates between 1660 and 1667, signed in pencil by Howard M. Nixon on preliminary blank and inscribed by him 'Presented to me by the Antiquarian Booksellers' Association at their Annual Dinner 8th May 1875', additional early ownership annotations in ink 'Gosford' and 'of Rodd' (on verso of front free endpaper and recto of facing blank respectively), marbled free endpapers, all edges gilt, original red morocco by Queens' Binder A (probably William Nott), slightly rubbed, gilt decorated raised bands, compartments with onlaid circles of black and citron morocco (that to final compartment lacking), with gilt tooled volutes and dotted-line tulips on a sem‚ dot ground, covers with border of gilt triple fillets between dotted-line rolls, and with all-over linear design onlaid with black and citron morocco, tooled in gilt with volutes and large dots, engraved silver clasps, gilt decorated edges and turn-ins, black morocco doublures, elaborately gilt tooled with drawer handles, dotted-line volutes, and dots, highlighted in silver, 12mo (135 x 80cm/5.25 x 3.25ins), housed in a custom-made quarter morocco bookform solander box, spine with raised bands and gilt lettering, velvet-lined interior with oval red morocco label lettered in gilt 'H.M.N. from A.B.A 8th May 1975', and with loosely inserted paper slip inscribed in pencil in Howard Nixon's hand 'Presented to me at the Antiquarian Booksellers' Association Dinner, 8th May 1975' Provenance: Maggs Bros, Bookbinding in Great Britain, Catalogue 966, Summer 1975, no.50; Howard Millar Nixon (1909-1983), Head of Rare Book Collections at the British Library, Librarian at Westminster Abbey, and leading historian of bookbinding in Britain. It is most unusual to find an English binding of this date with morocco doublures; it is also uncommon to find such a binding on a commonplace book. As well as a listing of the nobility, there are notes pertaining to fees due to peers, grants and privileges, the order of dignatories at festivals, lists of Knights of the Garter and foreign princes, and a description of two paintings of Henry VII (including one in the Privy Gallery at Whitehall). It seems probable from Howard Nixon's research that Queens' Binder A is William Nott. Nott was an important figure in the book trade, as a bookseller, stationer and publisher, as well as binder. Samuel Pepys called him "the famous bookbinder" and visited his workshop in 1668: "I did take occasion for curiosity to bespeak a book to be bound, only that I might have one of his binding". (cf. Howard Nixon, Five Centruies of English Bookbinding, 1979) (1)
Queens' Binder A. The Ladies Calling in Two Parts. By the Author of the Whole Duty of Man, &c. [Allestree, Richard], 3rd Impression, Oxford, 1675, engraved frontispiece, printer's device to title, some minor staining and toning, armorial bookplate with the initials A.E. and rear free endpaper with small diamond-shaped ink stamp to verso, all edges gilt, contemporary black morocco, by Queen's Binder A, extremities lightly rubbed, lower joint with discreet repairs at head and foot, upper joint slightly cracked, spine with gilt decorated raised bands, compartments include central eight-petalled flower tool, covers with gilt border containing elaborate gilt design of drawer-handles, eight-petalled flowers, and dotted-line four-petalled flower tools, with other small tools, gilt roll on edges and turn-ins, 8vo in 4s A pencilled note, by A.E., attributes attributes the binding to Queen's Binder. The four-petalled flower tool springing from a pair of leaves has the elongated top petal characteristic of Queen's Binder A, and the all-over drawer handle design is typical of octavo volumes from this workshop. The binding is noticeably similar to binding 61 in Nixon's English Restoration Bindings, attributed to Queen's Binder A, which uses the same border roll on the covers and has only minor variations in the design. It seems probable from Howard Nixon's research that Queen's Binder A is William Nott, one of the leading craftsmen of the second half of the seventeenth century and described by Samuel Pepys as "the famous bookbinder". Provenance: from the library of Howard M. Nixon. The bookplate indicates that previously the book was part of the Broxbourne Library, a renowned collection of books, manuscripts, and incunabula built by Albert Ehrman. This library became one of the most important private collections of books in this country, much of it now held by the British Library, the Bodleian Library and other national bodies. Ehrman was a diamond merchant, and the recognition of where his money came from can be seen in the numerous diamond shapes incorporated into his bookplate - which is itself diamond-shaped. (1)
A pair of multi-reeded broad rim pewter plates, 10inch diameter, (rim ratio 36.7%) by Jaques Taudin III of St Martin in the Fields, London, circa 1680, clear marks struck on the rear rim of both plates, (Ref. PS9219/OP 4651) (2)Notes: Jaques Taudin struck his mark with the worship Company in 1680 |(ref LTP 344) and worked until 1693. In 1680 he inherited his uncles business who was famous for supplying fine quality pewter to King Charles II and Samuel Pepys.In his diary from 1668, Samuel Pepys mentions buying pewter on three occasions: 23rd January 1668 “… and laying out much money on new pewter” 13th March 1668 “Thence I to Mrs Turner, and did get her to go along with me to the French pewterer's and there did buy some new pewter against tomorrow” 14th March 1668 “… and thence to the pewterer's to buy a new fashioned sesterne,” Whilst the pewterer is not mentioned by name it is most likely to have been the Huguenot Jacques Taudin I, (PS9218), who struck his touch in 1645 and died in 1680. He had frequent disputes with the Worshipful Company of Pewterers who took exception to him as a foreigner who was trespassing on their domain and set out to sue him. In 1656/57 he asked Oliver Cromwell to intervene; in 1668 he asked King Charles II to do the same; on both occasions he was successful. The Worshipful Company were probably annoyed because he had introduced a superior alloy of tin and antimony. In 1666 he took on his nephew, Jaques Taudin II, (PS9219), as an apprentice, who would have been working in his uncles' workshop when Pepys bought his pewter, to whom he left his business when he died in 1680. Unfortunately Pepys stopped writing his diaries from 1669, mainly due to his failing eyesight; consequently there is no record of him buying pewter during the years 1669 until he died 1703. However it is reasonable to assume that James Taudin II, having been an apprentice in 1668, when Pepys was buying from his “French Pewterer”, would have continued to supply pewter wares to Pepys following the death of his uncle.Taudin was an important exporter of “hardmetal” pewter abroad, particularly to Scandinavia. The term sonant in his touchmark, implies that the ware would ring when struck, bears witness to his French origins and to the supposed hardness of the pewter.
Pepys, Samuel, a collection of 18 volumes, comprising The Diary. 1970. 11 volumes, 8vo, dust-jackets, bookplate of R. & J. Holdsworth, [Idem] Private Correspondence. 1926-29, 3 volumes, The Letters of Samuel Pepys and his family circle. 1955, dust-jacket; Sotheby's Catalogue of the Well-Known Collection of Relics of Samuel Pepys. 1931, 8vo, wrappers; Smith, N.A. Catalogue of the Pepys Library at Magdalene College Cambridge. 1978, 4to., dust-jacket; Chappell, E. Shorthand Letters of Samuel Pepys. 1933 (18)
A Caughley chocolate cup and saucer painted with the Salopian Sprig pattern, circa 1785-92, S mark, the cup 10.2cm diameter, saucer 15.4cm diameterProvenance: Wright Collection no.279, purchased in 1982 from a Staffordshire Fair. Literature: Ironbridge 1999 no.199. This is an uncommon pattern for this shape.Hot chocolate saw a huge explosion in popularity in 18th century England. The city of London had little tradition of hot drinks (coffee having only arrived five years prior) and chocolate at this stage was associated with the idleness of the Spanish and French, therefore a market had to be created. The city was bombarded with a slew of leaflets detailing the beneficial properties of chocolate and left contemporary sources such as Samuel Pepys quoting its beneficial properties for relieving a hangover by alleviating his 'sad head' and 'imbecilic stomach'.Such was that by the end of the 17th century, and well into the 18th century, chocolate houses began to appear in England, coming to serve as popular meeting places for lawyers, businessmen and politicos alike. In London the principal chocolate houses were Ozinda's and White's, both on St James's Street, and the Cocoa Tree on Pall Mall. 'Hell', the inner gaming room at White's, is depicted in the sixth episode of Hogarth's Rake's Progress in all its debauched glory (fittingly, it is also on fire, though few customers seem to notice or care). At the Cocoa Tree, the modern equivalent of £180,000 was placed on the roll of a single die. Whilst this may appear to us purely nihilistic, in context this highlights an important part of projection within an inherently status-dominated Georgian society; the nobility of which would otherwise be living a somewhat idle existence and to whom chocolate drinking was a highly important part. For those on the outside such as Hogarth however, this was an easy group of the population to heap scorn upon.Contrarily, within the the private domain chocolate was considered more a feature of the bedroom. A painting by Jean-Baptiste Le Prince dated 1769 depicts a woman laying in bed, her outstretched hand reaching for a departed lover with a chocolate pot and cup by her bedside. Of course, the historic claim inherited from the Aztecs that chocolate was an aphrodisiac is also responsible for this coupling of chocolate and the bedroom.Such images of leisure only added to an overall romanticism and the idea that chocolate was a luxurious treat. Indeed, in 1797 hot chocolate was described as a 'drink of the Gods' - that is, even if those 'Gods' were as debaucherous as the patrons of the London chocolate houses proved themselves to be.
[HISTORY] Latham, Robert, & Matthews, William, editors. The Diary of Samuel Pepys, five volumes, first editions, Bell & Sons, London, 1970-71, boards, dustjackets, frontispieces, octavo; Clarendon, Edward Earl of. The History of the Rebellion and Civil Wars in England, three volumes in six, Clarendon Press, Oxford, 1819, quarter cloth with paper labels to spines, octavo; Evelyn, John. Diary and Correspondence, edited by William Bray, four volumes, new edition, Bohn, London, 1859, blind-stamped blue cloth, frontispieces and further plate illustrations, octavo; Pepys, Samuel. Diary and Correspondence, four volumes, sixth edition, Bohn, London, 1858, blind-stamped blue cloth, frontispieces and further plate illustrations, octavo; and a further three works, (22).
Morshead (O.F., editor). Everybody's Pepys, The Diary of Samuel Pepys 1660-1669, 1926, signed by the author and illustrator (E.H. Shepard) to the verso of the half title, 60 black and white illustrations, some minor spotting, original gilt decorated red cloth, boards slightly marked, spine faded, 8vo, includes an RSVP for a Pepys Luncheon to be held at the Connaught Rooms..., Wednesday September 29th, 1926, made out to Mr. W. Hunt, and an original menu for the Pepys Luncheon signed by O.F. Morshead & E.H. Shepard, some light spotting to both, together with other early 20th century literature sets and miscellaneous reference, including Charles Dickens, Oscar Wilde, Walter Scott, Mark Twain, mostly original cloth, some leather bindings, G/VG, 8vo, 4to (3 shelves)
Everett (George, Shipwright). The Path-way to Peace and Profit: or, Truth in its Plain Dress, wherein is Methodically set forth a sure and certain Way for the more speedy and effectual Building and Repairing Their Majesties Royal Navy, by such Means, as may be saved more than One Hundred Thousand Pound per Annum. Together with a proposed Method for the Raising and Saving of Moneys for Monthly Payments accordingly. As also proper Rules and Methods, observable toward the making a Regulation in their Majesties Yards, 1st edition, Printed for the Author, 1694, [8],23,[1]pp., occasional light dust-soiling, original wrappers stitched as issued, spine edge and extremities worn, dust & finger-soiled, slim 4to Goldsmiths 3010, Wing E3548, not in Kress. Writing from first-hand experience, Everett was one of the main figures after Pepys in bringing attention to the importance of a strong navy to the English economy at the end of the 17th century. (1)
*Bruyn (Pierre de, died 1667). Portrait of Jacob Hall (active 1662-1681), Rope Dancer and Acrobat, circa 1660s, fine etching on laid paper, after Jakob van Oost the younger (1637-1713), short closed tear to top left margin, and extreme top left blank corner missing, slight discolouration to mount tabs at 3 corners, plate size 263 x 187 mm (10.3 x 7.7 ins), sheet size 285 x 210 mm (11.25 x 8.25 ins) Rare first issue of this etching by De Bruyn after Van Oost, of the famous tightrope walker and artiste who performed for King Charles II, having first given public performances in a booth at Smithfield, where he was seen regularly by Samuel Pepys. This etching was reproduced as a copper engraving in William Richardson's Portraits illustrating Granger's Biographical History of England, published between 1792 and 1812, in which the original work is described as 'a rare print in the collection of Sir John St. Aubyn'. (1)
*Hollyer (Frederick, 1837-1933). The Prioress's Tale by Edward Burne-Jones (1898), a platinum print of the painting by Burne-Jones, a little corner creasing, Hollyer copyright stamp to verso, 33.5 x 20.5 cm, together with a second platinum print by Hollyer of Lucy Goodenough, housekeeper 'for Uncle Pepys (S.P. Cockerel)', 10 x 14.5 cm, photographer's stamp and modern inscription to mount verso, plus 4 mounted albumen prints by Frank Meadow Sutcliffe, each with initials and negative numbers (574, 598, 860 & 866) in the negatives, each approximately 13 x 20 cm (6)
Wheatley (H.B., Editor) The Diary of Samuel Pepys, 1893, London, G. Bell & Sons, 10 vols. including Index and 'Pepysiana', 8vo, multiple plates, original blue cloth, spines gilt, t.e.g. [&] The Oxford English Dictionary, 1930s, 13 volumes including Supplement, large 4to blue cloth.(three boxes)
A 19th century Indian 'Pepys' type ivory chess set: one side stained green, the other side left natural, the pieces with elaborate carved decoration and raised on foliate decorated circular bases, kings and queens with pierced and galleried baluster knops, bishops with pierced mitres, knights with arched horses heads, rooks with rusticated decoration and spire finials, the pawns with foliate decoration, the king 11.5cm. high, the pawn 5cm. high.
A small quantity of ephemera and books, comprising a 1918 "German Crimes Calendar", The Daily Graphic Titanic In Memoriam Number, dated Saturday April 20th 1912, with details and photographs of the disaster, MOXON, JOSEPH; 3rd edition of A Tutor to Astronomy and Geography including the use of both globes celestial and terrestrial, dedicated to Samuel Pepys, published by Tho. Roycroft in 1674, containing illustrative graphs, damage to edges of pages, binding af, and London by Gustave Dore and Blanchard Gerrold, an Illustrated Pilgrimage of London published in 1874, with copious black and white illustration, both in text and as plates, damage to page edges, pages are insecure, in tooled cloth binding (af) (4).
R C LATHAM & W MATTHEWS (EDITED): THE DIARY OF SAMUEL PEPYS, 1971-1983, 11 volumes, volumes 1-3 reprints, volumes 4-11 1st editions, uniform original cloth gilt, dust wrappers, top edges green, plus ARTHUR BRYANT: SAMUEL PEPYS THE SAVIOUR OF THE NAVY, 1949, new edition, original cloth, dust wrapper plus ROGER THOMPSON: SAMUEL PEPYS'S PENNY MERRIMENT ..., 1976, 1st edition, original cloth, dust wrapper plus ROTHER LATHAM: THE ILLUSTRATED PEPYS EXTRACTS FROM THE DIARY, 1978, 1st edition, original cloth, dust wrapper (14)
LATHAM (Robert & MATTHEWS, William): 'The Diary of Samuel Pepys...' London, Bell, 1970-83: 11 vols, 8vo, publishers cloth with dustjacket: together with an 11 vol set of Marchand's 'Byron's Letters & Journals' and 28 volume 'Dictionary of National Biography' in dustjacket, all VG. (3 shelves)

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