Two WH Goss 'Durham Sanctuary Knocker' loving cups, both moulded with the sanctuary knocker and retailed by Mrs Sharpe of Sadler St, Durham, one printed in black and enamelled with: 'St Cuthbert's Cross, the other printed and enamelled crest: 'See of Durham' (3.75ins 7cms high) (See of Durham with crack to base)
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A quantity of metalware collectables, including; Chinese bronze rule, relief moulded with gilded dragons and inset with a compass, a copper mounted hunting horn, two wooden and brass mounted spirit levels, a walrus tooth, Hughes pocket balance scale, a cast iron door knocker shaped as a hand clutching an apple and sundry.
A mixed lot including: cased set of twelve teaspoons and tongs, a photograph frame, a pair of candlesticks, three pin trays, mounted dressing table jar, an egg cup, two napkin rings, condiments, cigarette box, assorted spoons, pair of tongs, four mother of pearl folding knives, mounted button hook, circular pin cushion and six pens, three thimbles, a plated mother of pearl folding knife, a coin, six plated mounted bottle corks, with mother of pearl titles, a bead purse, brass door knocker in the form of a bee and a brass buckle. (lot)
Dickens (Charles). A Christmas Carol in Prose. Being a Ghost Story of Christmas, New York, Press of the Woolly Whale, 1930, 123/250 copies, printed in red and black on Tarazona hand-made paper, Marley's knocker decoration and five initial letters designed and drawn by W.A. Dwiggins, bound for Asprey in full crimson morocco, sides decorated in gilt to a design incorporating vertical lines and christmas trees, spine lettered and decorated in gilt, t.e.g., others untrimmed, folio. (1)
A Symbolist bronze figure representing an allegory, rich green patination, unsigned, on an orange and cream marble cylinder and block base, 41.5cm high overall. See Sothebys, London, 19th and 20th century Sculpture, 15th March 1991, lot 309 for a bronze door knocker 'Allegory of Sculpture' attributed to Harry Bates (1850-1899). See also the collection of the Cecil Higgins Art Gallery, Bedford for another example of the door knocker: there fully attributed to Harry Bates ARA as it has been identified from a photograph by the artist's son and was possibly exhibited at the Fine Art Society in 1902. Our present lot displays similar attributes to the above and to New Sculpture in general

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4472 item(s)/page