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Click here to subscribeA S.F.B.J. 226 character boy doll, with fixed blue eyes, open/closed laughing mouth, blonde painted hair with slight moulding at widow’s peak, jointed papier-mâché body, original red jacket, cream knitted jumper, tweed trousers, spats, undergarments, shoes and knitted hat - 21in. (531?2cm.) high (moth damage to clothes, back of trousers badly damaged, head needs tightening)
An Einco baby clown doll 1915-20, with cloth face, stitched nose, mouth and eye browns, white glass googly eyes with blue and black pupils, blonde mohair back of head, pin-jointed arms and legs, cloth feet and hands, red mohair pointed hat with bell and blue felt ovoid body - 81?2in. (211?2cm.) high (slight wear, small hole to back, face dirty)
ARR LAURENCE STEPHEN LOWRY, (1887-1976), Street scene with two boys and a man, wearing a hat and red scarf, oil on board, signed to lower right, 14cm x 12.5cm. See illustration Gallery label verso Charles Nicholls & Son, Royal Exchange Galleries, Old Bank Street, Manchester, Framer's label verso J Davey & Sons, 44 Duke Street, Liverpool Exhibition label verso Lowry and Berry, Observers of Urban Life, July 2015-January 2016, The Potteries Museum and Art Gallery, Stoke On Trent.
PAUL PHILIPPE, (French 1870-1930), 'La Grand Ecart Respecteux' (the respectful splits), an Art Deco patinated and lacquered bronze and carved ivory figure c.1925, depicting a female pierrot figure with tall spiral hat, on canted rectangular base and grey veined marble plinth, signed with foundary initials RM, 21cm high x 29cm long. See illustration
An Austin Reed silk top hat, internal dimensions 20.5 cm x 16.5 cm. and a dressage top hat by Henry Burton, internal dimensions 19.5 cm x 14.5 cm. CONDITION REPORT: The height of the Henry Burton Dressage hat from the brim to the top is 13 cm. The hat is in reasonable condition. There is some wear to the underside edge of the brim and a small loss just next to the join on the felt band that runs around the hat itself. We have not looked underneath the felt band. The mesh netting is in poor condition. The height of the top hat is 14.5 cm. The condition is generally good with only very minor wear to the underside edge of the brim.
Attributed to Anthony Devis, pair of watercolours, Cheshire scenes. Each 30 cm x 42 cm, framed. CONDITION REPORT: These pictures are framed and glazed. We have not removed the pictures from the frames but in our opinion the images are laid down. There are no labels on the reverse of the pictures simply a monogram AD in the bottom left hand corner of each. The colours are certainly faded. The blues & greens are not particularly strong but they are clearly visible. For instance the picture with the castle the figure in the foreground is wearing a blue hat and cape and the figure on the horse a blue jacket. There are various shades of green in the foliage of all of the trees but this is not bright. The second picture is similar. The principal colours are beige and brown but there is some colour visible on the three figures to the front of the picture and also the skirt of the lady to the left on the path. The greens within the foliage are visible but certainly faded. Both pictures have traces of blue in the clouds.
A Good Pair of Oak Cased Early 20th Century French and English 8 Day Mantle Clocks, The Napoleon Shaped Hat Mantel Clock with Inlay and String Banding, Height 5.5 Inches, Width 10.5 Inches. The Other Clock Is a Good Quality 8 Day Oak Cased Mantel Clock of Working Order. Size - 7 Inches High & 10.5 Inches Wide - Please See Photo.
Edmund Blampied RE (Jersey, 1886-1966), Study of a bearded man playing a musical instrument; and a secondary study of a bearded man without his hat, pen and ink on wove paper, signed 'E. Blampied Dec' '08', in plain gold frame, 12 5/8 x 8¾in. (32 x 22.2cm.), * Condition: Surface dirty and scattered foxing. Acidic mount.
Royal Naval Captains Full Dress Cap, Epaulettes and Undress Sword Belt, the set is all housed in the original japanned metal storage tin with painted details of the original owner to the lid, “A.B. WEBB RN”. The cocked hat of beaver skin covered body with fine gilt bullion wire decoration and single gilt RN button, each end with bullion wire tassels. Interior of the cap is in mint condition, retaining the original white leather sweatband and silk lining with J Baker & Co, Portsmouth retailers details. Bullion officers dress epaulettes with single bullion kings crown (Anchors missing) and wire tassels. Mint condition leather backed officers undress sword belt with three rows of bullion wire decoration, gilt metal kings crown belt buckle which retains all of the original gilt wash finish and the two piece sword hangers. Lining to the inside of the transit box is in excellent condition as is the exterior of the tin, showing just very minor scrapes from storage. The set appears to have been hardly ever worn.
Royal Navy Officers Dress Bicorn Hat, of black beaver skin with embroidered tress edges and central rosette, missing bullion end tassels and central braiding. Housed in the original metal storage tin. Accompanied by Royal Navy officers leather undress belt with sword hangers and gilt metal buckle; Royal Naval Reserve officers undress belt and buckle. (3 items)
BRITISH NAVAL OFFICER'S SHORT SWORD together with Naval officer's cap, hat band, bosun's whistle and a civil yachting cap. The sword with sharkskin wirebound grip and lion's head pommel, acorn cross piece and etched blade with Royal Coat of Arms, brass mounted leather scabbard. 62cm long. (5)Provenance: belonged to Commander Rupert Warden James, Royal Navy, 1902-1965, served on HMS Strongbow and HMS Dwarf during the First World War followed by Greenwich Naval College, HMS Barham (Lieutenant Commander) and HMS Vernon (Commander, 1934) followed by the Admiralty, became Commander in 1939 of the Controlled Mining Establishment at Purbrook which was part of HMS Vernon. Retired 1960. Mentioned in despatches during 1918, details available. CONDITION REPORT: The knife blade has areas of tarnishing but appearing to have no other damage, scabbard is scuffed and marked in places but complete with suspension loops. Some minor dents to metal mounts. Caps and other items are grubby but appearing original, if well used.
A pair of Meissen figures of gardeners, he wearing a green hat, floral decorated coat, green britches, holding a pannier, his left leg raised standing on a melon; she wearing a linen cap with puce ribbon, carrying a pannier on her back, wearing a floral decorated dress, bow tied to the front and white puce trimmed apron on a naturalistic base, both 28cm (11 in) high, on later ormolu stands (2) (D) He has lost his left hand and she her right index finger. There are also the inevitable chips to the applied foliage etc
A pair of Meissen figures of a boy and girl, he wearing a puce foliate decorated jacket, green britches, holding his hat full of birds eggs in his right hand on a naturalistic base with a black and white dog; she with a shawl over her head, wearing a yellow jacket, a flower decorated dress on a naturalistic base with an ewe, blue cross sword marks to back of base, both 24cm (9.5 in) high (2) (D) He has lost his left arm from his shoulders, his right thumb and there are losses to the applied foliage. There is a crack through the base and through the tree trunk behind him She has lost the little finger from her right hand and there are losses from the foliage applied around her
A pair of Meissen figures of a shepherd and shepherdess, he playing with a pipe leaning on a tree stump wearing a green hat with a yellow jacket with a dog to the base; she wearing a pink flowered hat holding a flower in her right hand, wearing a laced bodice and floral decorated underskirt on a floral base with an ewe, both 15.5cm (6 in) (2) (D) 15½cm (6in) He has lost a finger and the end of the pipe that he is playing. There is also a chip to his hat She has lost four fingers. Both have chips to the applied foliage
A pair of Bow white glazed figures symbolic of Liberty and Matrimony, the lady by a fountain holding an open bird cage, a lamb at her feet, the man with a bird on his wrist, a dog jumps up, a ram at his feet, 23.5cm (9.25 in) and 27cm (10.5 in) high (2) (D) She has damage to her hat, the top of the cage, her fingers, a sheep's ear and has a crack through the base. His arm has restoration and the bird he held up has been chipped off. There is also restoration to the dog's tail and the sheep's horn
A pair of mid-18th century Bow white glazed figures of Kitty Clive and Henry Woodward in their roles as a 'Fine Lady' and a 'Fine Gentleman' in Garrick's farce, 'Lethe', 26cm (10.25 in) and 27cm (10.5 in) high respectively (2) (D) Literature: See Gabsewicz, 'Bow Porcelain', plates 186 and 187 Other Notes: Kitty Clive (1711-1785) was an actress and original member of David Garrick’s theatre company. She liked to play comedic roles and was regarded as one of the finest comedienne's of her time. She also played tragic roles, once playing the part of Hamlet, and sang the oratorios of her friend Handel. Henry Woodward (1714-1777) was a Shakespearian actor who joined Garrick's company in 1748. He worked alongside Kitty Clive as her comic opposite. He also wrote plays - his pantomime, Queen Mab, had a highly successful run in Drury Lane. Her hat is chipped. His left leg is currently off but present. It appears that the bottom half of the figure has been broken at some point and glued together from the waist down
Harriet Sneyd (British, 1796-1867) A sketchbook of portraits of the Thynne children, to include: Frederic Charles Thynne as a child by Harriet Sneyd (2); Archdeacon Croft Hauterburg, pen and ink silhouette; Gertrude Harriet Thynne by Harriet Sneyd (2); Portrait of Harriet Sneyd by "WS", pencil; Harry Bagot, copied by Miss J Davies; Charles Walter Bagot, 1819, copied by Miss J Davies; Emily and Minnie Bagot, copied by Miss Davies; Emily Bagot, copied by Miss Davies (2); Minnie Bagot, copied by Miss Davies; Portrait of a lady in a hat by Inskipp, copied by Miss Jenny Davies; Gertrude Harriet Thynne by John Hungerford Pollen; Miss Gladys Vaughan by John Hungerford Pollen, Clifton, Sept. 7 1853; The Very Rev. Dr Canon Neve by John Hungerford Pollen, Sept. 5 1853; Richard Bagot by Harriet Sneyd; Hugh Dawnay, afterwards Viscount Downe, copied by Miss Davies; Richard Bagot by Harriet Sneyd; Hugh Dawnay, afterwards Viscount Downe, copied by Miss Davies; Lady Constance, Lady Eleanor Paget, Lord Paget, afterwards Lord Uxbridge and then Lord Angelsey Fanny Caroline Bagot; Emily Bagot; Elizabeth Pratt; Lord Charles Thynne by Harriet Sneyd. Torquay 1839-1840; Lady Charles Thynne by Harriet Sneyd, Torquay 1839-1840; The Reverend Herbert Vaughan, afterwards Bishop of Salford, by Henry Doyle; General Lord Strathnairn by Henry Doyle (2); Lord Strathnairn, standing, in uniform, by Henry Doyle (2); Charles Edward Thynne by Henry Doyle; Eleanor Sneyd, two head studies; Roger Vaughan, Archbishop of Sydney, two head studies; Newcomer to Woodchester by A H Thynne (a woman in a park); T Carlyle from "WS"; Various animals by John Hungerford Pollen in a distressed folder with end papers of classical subjects by Stefano della Bella (Italian, 1610-1664) Other Notes: Harriet Sneyd (1796-1867) was the third of nine children. Her parents were Louisa Sneyd, nee Bagot (1764-1834) and Lieutenant-Colonel Walter Sneyd (1752-1829). The Sneyds of Keele Hall were landed gentry, prominent in county society, with several members of the family serving as MPs, Sheriffs and Mayors for Chester and Staffordshire. Louisa Sneyd encouraged her daughters (Harriet, Fanny, Charlotte and Elizabeth) to develop their creative and artistic talents and they were taught by the artist William Mulready, RA. Charlotte in particular possessed considerable artistic ability. Harriet did not marry and lived alongside her two unmarried sisters, Charlotte and Elizabeth. The Thynne family regularly feature in the Sneyd family correspondence. Keele University hold Charlotte Sneyd's panoramic watercolour of Almack's Assembly Rooms (1819-20), spanning more than two metres and depicting almost 200 people, including Lord John Thynne in conversation with Lady Georgiana Bathurst. All unframed, some foxing, in original condition. Approximately 80 in the lot.
Manner of Petrus Christus (Netherlands, c. 1410/1420 – 1475/1476) Portrait of a man wearing a shtreimel hat, half length, holding a silver bailiwick cup with a coat-of-arms - bears date of 1463 and the age of the sitter, 44 oil on panel, in a good gilt Kentian frame with four sunflowers at the corners 16 x 12cm (6 x 5in) The Coat-of-Arms on the beaker has not yet been identified. Quite dirty. One corner of the old gilt Kentian frame is missing.
Frederick Goodall, RA (British, 1822 – 1904) Portrait of Miss Isabella Wilson, when a child, in a large hat, half-length, in pink signed lower right "Frederick Goodall, RA" oil on hardboard 63 x 54cm (25 x 21in) Provenance: By descent within the family of the sitter. Paint layer is in a good condition, there are a few very small scale losses around the sitter's mouth. The grid pattern used to mark out the composition is visible beneath the paint layers. The frame is worn with several areas of loss to the gilding.
A group of six George III silver hanoverian and old english picture-back teaspoons,mixed dates and makers,comprising two with ‘pitchfork, hat, rake and scythe’, one of which is by Hester Bateman,one with ‘a wheatsheaf and plenty’ above,one ‘rose’ example, one ‘squirrel eating an acornone with ‘I love Liberty’, anda later Victorian example en suite,part monogrammed, initialled or crested (7)
Jacobite interest: an 18th century silver hanoverian pattern tablespoon,struck once with a ‘P’ mark, unascribed, c.1745,with double drop, the front of the terminal engraved with a Royal Crown above ‘Henry Stuart’ with a Cardinal’s Hat below, the reverse with ‘RP’,21cm long, 2ozHenry Benedict Maria Clement Thomas Francis Xavier Stuart was born on 11 March 1725 in Rome and died 13 July 1807. He was Prince of England and of Scotland, Duke of York and Cardinal of the Roman Catholic Church. He was known as Henry IX & I King of England, Scotland, France and Ireland (31 January 1788 - 13 July 1807). He was the second son of James Francis Edward Stuart, known as 'The Old Pretender'.Provenance: Woolley & Wallis, 26 January 2005, lot 70.
A SHELLEY MABEL LUCIE ATTWELL CHINA FIGURE, 1930's, of a Boo-Boo in a turquoise hat and suit seated astride a dog, printed mark in green and inscribed LA24 in brown, 3 3/4" high, together with a Royal Worcester figure of "China", modelled by F.G. Doughty as a seated child with a rice bowl, printed mark in black, 2 1/4" high (2)
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