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Nansen, Fridtjof - Farthest North, 1st edition, 2 vols, 8vo, halfcalf, 16 chromolithograph plates and 4 folding colour maps, Archibald Constable & Co., London 1897

THREE BOXES AND LOOSE CERAMICS, GLASS AND FABRICS etc to include a Bisto porcelain coffee set, Davenport 'Grand Steam Trains' collectors plates, Royal Doulton 'In The Footsteps of Constable' plates, Country Artists plates and others, cut glass, ornaments, baluster vase, drinking glasses, sets of curtains and bed coverings, quartz wall clock, pictures, BBQ tool set etc

Collection of Police Caps, To include a Metropolitan Police Inspector and Chief Inspector Cap, 1974 to Present Day, Bobby Helmet for the Thames Valley Constabulary, Assistant Chief Constable Cap, Issue 1932 to Present Day, Female Hat etc, (7)

Special Constable Medal presented to Charles.A. Rushworth

Circle of John Constable, Landscape with figure before a cottage, oil on panel, 33 x 43cm, unframed

Single volume "Plates to Selby's Illustrations of British Ornithology", published Archibald, Constable & Co. and Hurst, Robinson & Co. London. This volume includes ninety five hand coloured etched plates in overall very good condition with vast majority marked Selby and some also dated 1820/21. There are minor faults and limited foxing to the margins and the boards are detached with the backstrip damaged. The front free end paper, title page and first black and white plate are creased

NO RESERVE Polar.- Nansen ( Fridtjof) "Farthest North" being the Record of a Voyage of Exploration of the Ship Fram 1893-96, first English edition, plates, 4 folding colour maps, some foxing especially to endpapers and first few ff., original pictorial cloth, gilt, lightly marked, spines a little faded, 8vo, Westminster, Archibald Constable and Company, 1897; and 7 others, by or about Nansen, v.s. (9)

In the manner of John Constable (1776-1837) pencil sketch of trees, with an initial lower right 25cm x 19cm Provenance: Long Court, Randwick, Glos

John CONSTABLE (follower) (1776-1837)LandscapeOil on panel31.5 x 52cmIndistinct inscripions to verso

Queen Elizabeth II Police Long Service and Good Conduct Medal to Constable Frank Street, in box of issue, together with The 'Honorary Testimonial of The Humane Society' dated October 1964 in Recognition of Saving a Lady From Drowning off North Bay Promenade, Scarborough. *Constable Frank Street served in The West Riding Constabulary.

Stoker, Bram, 'Dracula', New York: Grosset & Dunlap, bound in yellow cloth with red embossed title and Constable Westminster to spine

19th century British School, in the manner of John Constable, shepherd in a pastoral settings, oil on canvas, 75 x 90cm

20thC School after Constable. Salisbury Cathedral from the Meadows, oil on canvas, 50cm x 83cm.

A Wycombe Borough Special Constable badge No.d 134 together with a whistle and wooden truncheon CONDITION REPORTS inscription as follows THE METROPOLITAN CHEPPINGWYCOMBE POLICE SPECIAL CONSTABLE J.HUDSON 44 BARR STREET BIRMINGHAM

John Constable (20thC) oil on board "Rocky coastal scene at Lyme Regis", inscribed verso, unframed.23 x 32 cmFine and clean

Circle of John Constable, early 19thC oil on panel "Country cottage scene", bears old signature and old inscription verso, old frame 11 x 16 cmRestoration, panel been split at some point.

A Humbrol limited edition oak carved Tower of London chess table, the rectangular top with inset leather playing surface above a frieze drawer containing pewter chess pieces, raised on trestle supports, 76 x 81 x 55cms; together with another chessboard. (2) This table was commissioned by the Constable of Her Majesty's Tower of London to commemorate the 900th anniversary of the Tower of London.

A Mr Hat leather cap bearing a constable badge

Battle of Britain ORIGINAL Pencil drawing with 199 WW2 Raf pilot autographs, 41cm wide x 58cm tall in a frame that is 58cm wide x 76cm tall. WW2 RAF Battle of Britain autographs include Colin Gray, Henry Szczesny, John Gibson, E Parkin, Eric Poole, G Unwin, Jack Rose, Nigel Rose, H Pinfold, Geoffrey Page, Tich Havercroft, Michael Constable Maxwell, Bob Deansley, H Bird Wilson, Peter Fox, Harry Broadhurst, Young, Paul Farnes, Hugh Dundas, Bill Read, Norman Hancock, Mike Croskell, John Lauder, Desmond Sheen, Terence Kane, Sticks Gregory, Laddie Lucas, Noel Corry, Charlie Widdows, L Martell, Pat Hancock, Tom Gleave, Doug Parker, Ronnie Hay, Jeffrey Quill, Paul Webb, I Cosby, Ken Wilkinson, Denis David, Joe Kayll, S Anderson, John Cunningham, Sandy Johnstone, K Lee, Keith Lawrence, Johnnie Johnson, Paddy Barthropp, Robin Appleford. Good Condition. All autographed items are genuine hand signed and come with a Certificate of Authenticity. We combine postage on multiple winning lots and can ship worldwide. UK postage from £4.99, EU from £6.99, Rest of World from £8.99.

A collection of Biography reference books: Museum Piece, James Laver, Andre Deutsch 1963A Better Class of Person, John Osborne, Faber and Faber 1981The Eye of the Wind, Peter Scott, Hodder & Stoughton 1961Lady Randolph Churchill, Ralph G Martin, Cardinal 1974 (2 Vols p/b)Before the Sunset Fades, Marchioness of Bath, Longleat 1951Ian Fleming, Andrew Lycett, Weidenfeld & Nicolson1975The Quest for Graham Greene, W J West, Weidenfeltd & Nicolson 1997Greene on Capri, Shirley Hazzard, Farrar Strauss Giroux, 2000The Other Woman, William Cash, Little Brown p/b, 2000Through a Glass Darkly, Nigel Jones, Scribners1991, (Life of Patrick Hamilton)Verlaine, Harold Nicolson, Constable 1921Edgar Wallace, Margaret Lane,Heinemann 1934?

[ART]. CONSTABLE Fourteen assorted works of John Constable interest.

[TRAVEL] Hall, Captain Basil. Extracts from a Journal written on the Coasts of Chili, Peru, and Mexico, in the years 1820, 1821, 1822, three volumes in one, for Constable et al., Edinburgh, 1826, modern half leather, vignette half title pages, sexto-decimo, 15cm x 10cm.

[TRAVEL]. ASIA Murray, Hugh. Historical Account of Discoveries and Travels in Asia, three volumes, for Constable et al., Edinburgh / London, 1820, modern tan buckram with brown leather title labels to spine, folding map frontispiece, three further folding maps, octavo (ex Foreign Office library).

Manchester Special Constable truncheon stamped Tyzack and Co. Sheffield, named Edward G. Rowen on the painted detail but also inscribed 'W.Westall 1914/13 3453' and dated 1917-1919.

A COLLECTION OF POLICE MEDALS. A Victorian Metropolitan Police Jubilee Medal named to PC H. Morley V.Div. A Metropolitan Police 1902 Coronation Medal named to PC B.Goodwin H. Div. A 1903 Scottish Police Medal to PC K. McKenzie. A Metropolitan Police 1911 Coronation Medal PC F. Pannell, And a Second World War Defence Medal and Police Exemplary Service Medal to Constable Malcolm N. Kirkness, mounted as worn. 6 medals.

A box of assorted vintage books relating to boating, art and literature. To include: Tideway's & Byways in Essex & Suffolk, John Constable R.A, Tennyson's Poetical Works and Told Again; Traditional tales told by Walter De La Mare, with full sized coloured

TWO SILVER POCKET WATCHES Together with two white metal pocket watches to include Railway Regulator, two silver Albert chains, one with one shilling fob (weight of Albert approx. 96.2 grams), a metal Albert chain and WWI Special Constable medal (8) Condition Report : One silver Albert chain with fob - good, the rest as found Condition reports are offered as a guide only and we highly recommend inspecting (where possible) any lot to satisfy yourself as to its condition.

Fighter Aces of the Luftwaffe by Col. Raymond F. Toliver, USAF (Ret.) & Trevor J. Constable with dust cover. ISBN: 0-88740-909-1

Bindings. Collection of finely-bound ornithology books, 20th century, including: Thom (Valerie M.). Birds in Scotland, 1st edition, Calton: published for the Scottish Ornithologists' Club, T & A D Poyser, 1986, signed by Thom on the title-page, and by the publishers Trevor and Anna Poyser and artists Keith Brockie, John A. Love and Bernard Zonfrillo on rear blank, original dust-jacket spine and and flap bound in, contemporary red crushed half morocco, 4to, Grey (Edward, 1st Viscount Grey of Fallodon). Fallodon Papers. Woodcuts by Robert Gibbings, 1st edition, London: Constable & Co. Ltd., 1926, half-title, colophon leaf, light spotting front and back, laid-in autograph letter signed from the author (dated 3 September 1929, 5 pp., with letterhead), top edge gilt, mid-20th-century green half morocco, 8vo, Walpole-Bond (John). Field-Studies of some Rarer British Birds, 1st edition, London: Witherby & Co., 1914, half-title, colophon leaf, top edges gilt, others untrimmed, recent green half morocco, 8vo, Vesey-Fitzgerald (Brian). The New Naturalist. British Game, 1st edition, London: Collins, 1946, top edge gilt, contemporary green crushed half morocco, 8vo, and 9 othersQty: (13)NOTESTHE DAVID WILSON LIBRARY OF NATURAL HISTORY PART II

Tasso (Torquato). Aminta, Favola Boscareccia di Torquato Tasso con le annotationi d'Egidio Menagio, Paris: Augustin Curbe, 1655, title with engraved vignette, woodcut head- and tail-pieces, 2 printed leaves of errata present at end, armorial bookplate of F.E. Sotheby Ecton to front pastedown, contemporary full calf gilt armorial binding of Elizabeth Carey Mordaunt, with her large gilt initials surmounted by a coronet to centre of each cover, a little rubbed and minor wear to extremities, good-quality 19th century gilt-decorated reback, small 4toQty: (1)NOTESProvenance: Elizabeth Carey Mordaunt (1632-1679) married the English royalist John Mordaunt, 1st Viscount Mordaunt on 7th May 1657. Lord Mardaunt (1626-1675) was an ardent supporter of Charles II, and was tried and acquitted of treason by a vote of 20 to 19 in 1658. He was appointed Constable of Windsor Castle and Lord Lieutenant of Surrey following the Restoration, and in 1666 was charged in the House of Commons with the imprisonment of William Taylor, Surveyor of Windsor Castle, and having raped Taylor's daugher. John and Elizabeth had 11 surviving children.

Mortimer (Thomas). Every Man his own Broker: or, a Guide to Exchange-Alley ... Ninth Edition, revised and enlarged, London: for G. Robinson, 1782, woodcut headpiece, advertisement leaf, contemporary tan calf, smooth spine with gilt helical rules and green morocco label, 12mo (17.1 x 9.6 cm), together with: Aurelius (Marcus). The Emperor Marcus Antoninus. His Conversation with himself. Translated into English ... by Jeremy Collier, the Third Edition, corrected, London: for J. Darby [and others], 1726, engraved portrait frontispiece, ink-stamped library label of Tortworth Rectory to front pastedown, contemporary panelled calf, some wear, 8vo (19.6 x 11.7 cm), [Scott, Walter]. The Antiquary, 3 volumes, 1st edition, Edinburgh: for Archibald Constable and Co., 1816, half-titles, spotting to outer leaves, top edges gilt, later straight-grain blue half roan, joints rubbed, 12mo (18.2 x 10.5 cm), and 7 others, 19th-century antiquarian, including Scott, Guy Mannering, 3rd edition, 1815, Grose's Dictionary of British Slang, 1811, and similar, not collatedQty: (14)NOTESESTC T87038 (Mortimer), N6240 (Aurelius); Kress B488 (Mortimer); Todd & Bowden 94a (Scott). Mortimer's work was first published in 1761, and all editions are uncommon.

Sutton (Peter C.) . Dutch & Flemish Paintings, The Collection of Willem Baron van Dedem, 2 volumes, 1st edition, Frances Lincoln, 2002, numerous colour & monochrome illustrations, original cloth in dust jackets & slipcase, 4to, together with; Solkin (David H., Ann Bermingham, & Susan Sloman) , Gainsborough's Family Album, 1st edition, National Portrait Gallery, 2019, numerous colour illustrations, publishers original boards, 4to, and Lyles (Anne [editor]) , Constable, The Great Landscapes, Tate, 2006, numerous colour illustrations, original cloth in dust jacket, oblong 4to, plus other art reference, including The Largerfeld Collection, 3 volumes, Christie's, New York, 2000, many original cloth in dust jackets, some paperbacks, G/VG, 8vo/4toQty: (3 shelves )

A collection of enamel and gilt metal badges, including Special Constable, Royal Portsmouth Hospital, Hammersmith Football 'League', Nursing etc and brass dress buttons 

A George VI police constable custodian helmet, first half 20th century, for Sunderland Borough Police, size 7 1/8BBC Antiques Road Trip

RUC HEAD CONSTABLE BADGE

Coleridge, Samuel Taylor. The Complete Poetical Works... edited by Ernest Hartley Coleridge, 2 volumes, first edition, inscribed 'To Gerard Hartley Buchanan Coleridge from Ernest Hartley Coleridge', some spotting, original cloth, 8vo, Oxford: Clarendon Press, 1912; Unpublished Letters... edited by Earl Leslie Griggs, 2 volumes, original cloth, 8vo, London: Constable and Co., 1932; The Poems of Coleridge... illustrations by Gerald Metcalfe, original cloth gilt, 8vo, London: John Lane, [n.d.]; and 92 others, mostly concerning Samuel Taylor Coleridge and his family, v.s. (97)

Rackham, Arthur, illustrator. The Ingoldsby Legends, or Mirths and Marvels, first edition, 24 tipped-in coloured plates, tissue guards, original cloth gilt, 4to, London: J.M. Dent, 1907; Little Brother, Little Sister, 13 tipped-in coloured plates, original cloth gilt, 4to, London: Constable & Co., 1917; A Wonder Book, 16 tipped-in coloured plates, guards, original cloth gilt, 4to, London: Hodder and Stoughton, [1922]; Some British Ballads, 16 tipped-in coloured plates, original cloth gilt, 4to, London: Constable & Co., [1919]; Rip Van Winkle, 50 tipped-in coloured plates, original cloth, 4to, London: William Heinemann, 1919 (5)

Edwards, Amelia B. Untrodden Peaks and Unfrequented Valleys, second edition, folding map, illustrations, original publisher's pictorial cloth gilt, all edges gilt, 8vo, London: George Routledge, 1890; Conway, William Martin. The Alps from End to End, half-title, plates, original cloth, boards sunned, 8vo, London: Archibald Constable and Co., 1895 (2)

A Victorian painted wood Special Constable truncheon, for St Mary at Lambeth, overall length 54cm

Assorted reproduction prints, to include after Monet, Constable, Daniel Sherrin etc

A WWII Special Constables truncheon, 39cm, a Metropolitan Police whistle on chain, numbered 028584, six buttons, two Special Constable 'S C' badges, a 'Metropolitan 1914' badge, and two ribbons. (13)

C* Fitzgerald and H* Goffey - "Flatford Mill" and other scenes after John Constable, signed in pencil by the engravers, colour mezzotints, 31.5 x 40cms; together with two mezzotints after Corot, all in frames. (4+2)

Boxed ER2 police exemplary service medal and defence medal, medal names constable John Law

A TRUNCHEON - "MANCHESTER SPECIAL CONSTABLE P. LOMAS 1914-1919" with turned finger grip and leather strap. 15ins long.

A large framed and glazed print by David Lucas depicting a John Constable farmland scene with trees and sheep. Approx. 57 cms x 49 cms. Est. £30 - £50.

A quantity of art books, subjects including Da Vinci, Blake, Cubism, Futurism, Giotto, Constable, Van Gogh etc; together with a further small box of art related books

Kingsley, Charles, 'Westward Ho!', Westminster: Archibald Constable and Company, 1898, in full leather tree calf bindings with 'Sandroyd' embossed in gilt to cover

Patrick Collins HRHA (1910-1994) Lake Swan Feeding Oil on board, 35 x 50cm (13¾ x 19½) Signed Provenance: Hendriks Gallery, label verso. Born Dromore West, County Sligo, in 1910, Patrick Collins grew up in Riverstown and, later, in Sligo town but his father, an RIC constable, contracted tuberculosis, was unable to work, and died when Collins was twelve. Patrick Collins's younger sister also died and his mother, widowed when Collins was thirteen, ran a little grocery shop until her health also failed. Collins was sent at fourteen to St Vincent's Orphanage in Glasnevin and having done well at school worked in an insurance company in Dublin for twenty years. Looking back on those years, Collins told Harriet Cooke, in 1973, that he lived near Stephen's Green, and 'every morning I'd walk through it around nine, and every day it was different, and every day the whole thing has a new scene. The birds and trees, when I look at them I read them like a book. When you're interested in birds, you see bits of difference.' He read widely, attended evening art classes at the National College of Art but was mainly self-taught and, in his mid-thirties, he became a full-time artist. He had his first solo show in 1956. Collins's west-of-Ireland background not only influenced his subject matter, landscape, lakes, birds, but his sympathy for the marginalised, as seen in a masterpiece such as Travelling Tinkers [1968], can be understood in the light of Collins's own family challenges and difficulties. But what is most distinctive about Collins's work is his palette of blues and grey and grey blues and his use of a framing device or border within the work, a window, as it were, into another world. Fionna Barber in Art in Ireland [2013] sees 'the indication of a frame within a frame' as a device that amplifies 'a sense of displacement' and 'the perception of another reality within the painting'. For Collins, 'It is the aura of an object which interests me, more than the object. I see a few bottles on a table and I feel there is more than a few bottles. It is the something more I try to paint.' So, too, with this swan on a lake. It is both swan and aura and swans in Irish mythology, what Collins called 'the Celtic thing', perhaps resonate here. In Lake Swan Feeding the swan is centre, its pure white presence, amid a misty grey, blue, green lake, is recognisable, as is a group of swans, background, top right. The single swan is alone, yes. Is that swan lonely That's up to the viewer. As Peter Murray observes, 'Collins preferred to leave the interpretation to the observer, acknowledging that the viewer creates the work of art at the moment of apprehension'. Other bird paintings, Bird against the Window from 1963, for example, could be seen as an image of longing, escape and Collins himself said that his The Rook: Bird in a Tree, captured his lonely years in the orphanage. Not for Collins, Yeats's nine-and-fifty swan. This feeding swan is on its own but the feeding detail in the title suggests a swan at ease and being nourished. When Patrick Collins died in 1994 his ashes were scattered on the shore of Lough Gill. Ciara Ferguson who was at the ceremony remembered how 'We gathered at the side of Lough Gill, at the place where he played as a boy, and, as the ashes scattered, the only sound was a lone piper. Tony Cronin gave the oration. Then, suddenly, everyone turned to the sound of a frantic beating of snow-white wings as a single swan took to the air with all the drama and poignancy of, well, the free spirit of Paddy.' In 1958 Collins won a Guggenheim Award for his 'Liffey Quayside', won the Irish landscape prize in 1971, was elected HRHA in 1980, a member of Aosdána in 1981 and Saoi in 1987, the first visual artist so honoured. He was conferred with an honorary doctorate by Trinity College in 1988 and his work is in every major Irish collection. Niall MacMonagle, February 2020

§ Tom Keating (1917-1984)oil on fabric laid on board"John Constable R.A. discovers a Keating?"studio stamp verso24 x 15.75in.CONDITION: Oil on fabric laid on to a board, overall in good condition but for one light surface scratch running diagonally from just below his ear into below his collar, otherwise looks very good, not signed, housed in a moulded gilt frame with artist and title plaque, 10th September 1984 Studio sale stamp verso.

GEORGE VICAT COLE RA (BRITISH 1833 - 1893), EXPANSIVE HARVEST SCENE WITH WINDSOR CASTLE IN THE DISTANCE oil on canvas, laid on board, signed with monogram and dated indistinctly 90cm x 126cm Framed. Note: The eldest son of the artist George Cole RBA, Vicat Cole received his training from his father and by studying the works of Turner and Constable. By 1860 he was considered one of the most popular landscape painters of the time, known for his views of meadows and cornfields among the Surrey hills and along the Thames

WILLIAM MCTAGGART RSA RSW (SCOTTISH 1835 - 1910), CHILDREN SHRIMPING oil on canvas, signed and dated 1893 35cm x 50cm Framed Label verso: Frost & Reed. Provenance: Christie's, London, 22 September, 1978, lot 119; Christie's, South Kensington, 25 February, 2009, lot 943. Note: (b Aros croft, Laggan of Kintyre, Argyllshire, 25 Oct. 1835; d Broomieknowe, nr. Edinburgh, 2 Apr. 1910). The leading Scottish landscape painter of his period. His brushwork was free and fervent and he often depicted rough seas and scudding clouds. He was an influential figure, his followers including his grandson, the artist Sir William MacTaggart (1903–81). He moved to Edinburgh at the age of 16 to study at the Trustees Academy under Robert Scott Lauder. He won several prizes as a student and exhibited his work in the Royal Scottish Academy, becoming a full member of the Academy in 1870. His early works were mainly figure paintings, often of children, but he later turned to land and marine art specifically seascape painting, inspired by his childhood love of the sea and the rugged Mull of Kintyre coast of his birth. McTaggart was fascinated with nature and man’s relationship with it, and he strove to capture aspects such as the transient effects of light on water. He adopted the Impressionist practice of painting outdoors, and his use of colour and bold brushwork resemble qualities found in paintings by Constable and Turner, both artists whom he admired. He is regarded as one of the great interpreters of the Scottish landscape and is often labelled "the Scottish Impressionist". He married Marjory Henderson (1856-1936), the daughter of another painter, Joseph Henderson RSW (1832 - 1908). Joseph's sons John Henderson (1860 - 1924) and Joseph Morris Henderson (1863 - 1936) also being painters. McTaggart painted a striking portrait of his father-in-law, Joseph Henderson, which hangs in the Glasgow Museum. One of his pupils was the Scottish marine painter James Campbell Noble. Robert Gemmell Hutchison was also inspired by McTaggart, and was instructed by him at the Trustees' Academy in 1877 alongside notable contemporaries including Arthur Melville and Patrick William Adam. McTaggart's daughter Annie Mary (1864 - 1949) married the Scottish art historian Sir James Caw. However, McTaggart suffered the loss of his first wife Mary Holmes (d 1884, aged 47 years) and three of his daughters died in infancy. The subject matter of much of McTaggart's work is likely to have been influenced by these life experiences. William McTaggart's significant place in the history of Scottish painting is reflected by the 156 works in UK public collections including at The Tate, Kelvingrove, Glasgow Museums, The Hunterian and The National Galleries of Scotland.

A bijouterie case of collectables, to include coins, cap with constable badge, pen knives etc.

A bronze horse modelled by Gainsborough 1746, owned by john Constable 1776-1837 (cast in 1976)

An oil painting, style of John Constable, anglers before mill and church, framed, 74 x 62cm

A continental fruitwood double wardrobe with 2 doors and curved sides, single shelf and a hanging rail. Fruit and swags carved to top freize. Formerly the property of Burton Constable. Hall 40 d x 181 w x 220cms h.

The Collected Sporting Verse of Will H Ogilvie, illustrated by Lionel Edwards, Constable, 1932

A selection of limited edition presentation books, comprising: ST. JOHN (C), Editor, ELLEN TERRY AND BERNARD SHAW: A CORRESPONDENCE, green cloth boards, gilt decoration to cover, gilt title to spine, in slipcase numbered 1301, Constable & Co Ltd, London 1931, with BRETT YOUNG (F), JIM REDLAKE, numbered 41 of 275 and signed to flyleaf, blue cloth boards, gilt monogram to cover, gilt title to spine, in slipcase, William Heinemann Ltd, London 1930, TOMLINSON (H.M.), ALL OUR YESTERDAYS, numbered 943 of 1025 and signed to flyleaf, buff cloth boards, gilt decoration to cover, gilt title to spine, monochrome lithographic frontispiece, in slipcase, William Heinemann Ltd, London 1930, and two volumes from the Signed First Edition Society, DRURY (A), DECISION, and LASH (J.P.), A WORLD OF LOVE (5)

DECORATIVE BINDINGS: SCOTT (SIR WALTER), SCOTT'S WORKS, 12 vols, full blue leather, gilt and embossed decoration to covers and spines, marbled end papers, marbled blocks, lithographic portrait frontispiece to vol I, Archibald Constable And Co, Edinburgh 1820 (12)

Attributed to George Chambers. Study of Sailing Ship - a Scrap, with a Drawing in the Manner of Constable and a Pencil Sketch of the Belem Tower in Lisbon (3). Unframed.

Circle of John Constable (1776-1837) British. Harrow on the Hill, Watercolour, Inscribed Verso, 9" x 13.5", Unframed.