We found 5563 price guide item(s) matching your search
There are 5563 lots that match your search criteria. Subscribe now to get instant access to the full price guide service.
Click here to subscribe- List
- Grid
-
5563 item(s)/page
Ex Christopher Hogwood - Single-manual harpsichord by Thomas Culliford for Longman & Broderip, London, 1782, the case of mahogany with boxwood stringing, the lid with brass strap hinges, the key well veneered with panels of burr walnut with boxwood stringing and kingwood crossbanding, the fascia board extensively inlaid with scrolling foliage and a central urn, the soundboard with inset gilt-metal rose pierced and carved with King David playing the harp and with the pierced inscription Longman & Broderip Cheapside, the five octave keyboard, FF to f3 omitting FF sharp, with ivory naturals with boxwood mouldings and ebony accidentals, seven brass-knobbed hand stops with ivory caps inscribed with their function, six controlling the harp stop, 8ft lute stop, two 8ft stops, a 4ft stop and a 'mute' (dummy) stop, the seventh in the left cheek controlling the machine stop together with the left-hand pedal, the right-hand pedal controlling a swell mechanism operating on a secondary internal lid, with music desk, on trestle stand, with canvas cover. Inscribed on a boxwood plaque on the name batten Longman and Broderip, Musical Instrument Makers 26 Cheapside London and on the reverse of the name batten Thos. Culliford, Maker, 3 Fountain Court, Cheapside, London, February 1782. Length 7' 2?", 219.3cm; width 3' 3?", 100.9cm This instrument is one of only three known to have been made by Culliford with both a machine stop and a lid swell, one of the others being in The Mobbs Keyboard Collection, Golden Bay, New Zealand. The current location of the other one is not recorded. Culliford was the great-grandfather of the author Charles Dickens. Provenance Formerly the property of Miss Grace Gurteau (given as Gurteen in Boalch2 & 3) of Haverhill who purchased it from Alec Hodsdon in 1926. Literature Boalch3, p. 485 Boalch2, p. 104, No. 4b Boalch1, p. 74, No. 17 Mobbs & Mackenzie, pp. 45-46 Discography 1979-83 Mozart: Symphonies, Vols. 1-7, with Jaap Schr?der and the Academy of Ancient Music, Decca L'Oiseau-Lyre D167D3, D168D3, D169D3, D170D3, D171D4, D172D4, D173D3 1983 Haydn: Cello Concertos, with Christophe Coin and the Academy of Ancient Music, Decca L'Oiseau-Lyre DSDL711 1985 Mozart: Serenade in D K185 and March K189, with Jaap Schr?der and the Academy of Ancient Music, Decca L'Oiseau-Lyre 411 936-1OH 1986 Mozart: Clarinet Concerto and Oboe Concerto, with Antony Pay, Michel Piguet and the Academy of Ancient Music, Decca L'Oiseau-Lyre 414 339-1OH 1987 Haydn: Trumpet Concerto, Horn Concerto No. 1 and Organ Concerto No. 1, with Friedemann Immer, Timothy Brown and the Academy of Ancient Music, Decca L'Oiseau-Lyre 417 610-1OH 1988 Mozart: Flute and Harp Concerto, Flute Concerto No. 1, Andante in C and Bassoon Concerto, with Lisa Beznosiuk, Frances Kelly, Danny Bond and the Academy of Ancient Music, Decca L'Oiseau-Lyre 417 622-1OH Restoration history 1884 S. Denton, Neetwood, Manchester 1926 Alec Hodsdon 1978 Clayson & Garrett Last pitch (currently de-tensioned) A=430Hz
A Meissen figure of a clarinettist, he stands barefooted on an upturned tub with grapes on another behind him and on his black hat, his lace edged waistcoat gilt, crossed swords mark, 16cm (6.25 in) high (D) He has lost the end of the clarinet he would have held in his right hand and there are chips to the grapes and leaves

-
5563 item(s)/page