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Lot 18
Conn Naked Lady 6M VIII alto saxophone, serial number A278899, 64cm high in case, with two Yamaha mouthpieces. This saxophone has had a full service carried out by Howarth of London in September 2019 comprising of strip and clean of whole instrument, replaced worn and missing key corks and felts, replace and reseat pads ,oil mechanism and rollers, tighten loose keys, re-cork crook, replacing springs, adjust spring tensions and ventings. Provenance, formerly the property of David Jones clarinet player for the Kenny Ball Jazzmen. Kenny ball was a trumpet player who founded the band Kenny Ball and his Jazzmen in 1958, his band went onto being at the forefront of the UK Jazz revival in the 1960’s. At the end of 1961 their recording of Cole Porter’s ‘Samantha’ reached number 2 in the UK singles chart. In 1962 the groups version of Midnight in Moscow sold over a million copies earning them a gold disc and getting them on the Billboard Hot 100. More hits and chart success was to follow ensuring the bands success in the UK. Dave Jones worked around the East London area with bands such as Charlie Galbraith's before becoming a founder member of the Kenny Ball Jazzmen. His clarinet tone can be heard on all of the great hits by the group until 1967. It is said in ‘The Rough Guide To Jazz’, by Digby Fairweather that his substantial tone, superior technique, powerful sound and driving approach became one of the strongest points of Ball's strong front-line, and helped to establish a new high standard for British Dixieland’ Following his work with Kenny Ball and his Jazzmen, Jones became a session musician working with The Kinks on baritone saxophone, he also played locally on the Dixieland scene with friends including Galbraith, Mike Cotton, Pat Mason and Bill Nile: he also subbed for Acker Bilk. later 1980's played regularly for Laurie Chescoe's band.
Lot 19
Lawton saxophone 7 star mouthpiece. Provenance, formerly the property of David Jones clarinet player for the Kenny Ball Jazzmen. Kenny ball was a trumpet player who founded the band Kenny Ball and his Jazzmen in 1958, his band went onto being at the forefront of the UK Jazz revival in the 1960’s. At the end of 1961 their recording of Cole Porter’s ‘Samantha’ reached number 2 in the UK singles chart. In 1962 the groups version of Midnight in Moscow sold over a million copies earning them a gold disc and getting them on the Billboard Hot 100. More hits and chart success was to follow ensuring the bands success in the UK. Dave Jones worked around the East London area with bands such as Charlie Galbraith's before becoming a founder member of the Kenny Ball Jazzmen. His clarinet tone can be heard on all of the great hits by the group until 1967. It is said in ‘The Rough Guide To Jazz’, by Digby Fairweather that his substantial tone, superior technique, powerful sound and driving approach became one of the strongest points of Ball's strong front-line, and helped to establish a new high standard for British Dixieland’ Following his work with Kenny Ball and his Jazzmen, Jones became a session musician working with The Kinks on baritone saxophone, he also played locally on the Dixieland scene with friends including Galbraith, Mike Cotton, Pat Mason and Bill Nile: he also subbed for Acker Bilk. later 1980's played regularly for Laurie Chescoe's band.
Lot 14
David Jones clarinet player for the Kenny Ball Jazzmen's Selmer centred tone clarinet, serial number R3350, engraved with Dave Jone's initials 'DJ' with case, with no mouthpiece. Provenance, formerly the property of David Jones clarinet player for the Kenny Ball Jazzmen. This was one of the clarinets played by Jones whilst in the group. Kenny ball was a trumpet player who founded the band Kenny Ball and his Jazzmen in 1958, his band went onto being at the forefront of the UK Jazz revival in the 1960’s. At the end of 1961 their recording of Cole Porter’s ‘Samantha’ reached number 2 in the UK singles chart. In 1962 the groups version of Midnight in Moscow sold over a million copies earning them a gold disc and getting them on the Billboard Hot 100. More hits and chart success was to follow ensuring the bands success in the UK. Dave Jones worked around the East London area with bands such as Charlie Galbraith's before becoming a founder member of the Kenny Ball Jazzmen. His clarinet tone can be heard on all of the great hits by the group until 1967. It is said in ‘The Rough Guide To Jazz’, by Digby Fairweather that his substantial tone, superior technique, powerful sound and driving approach became one of the strongest points of Ball's strong front-line, and helped to establish a new high standard for British Dixieland’ Following his work with Kenny Ball and his Jazzmen, Jones became a session musician working with The Kinks on baritone saxophone, he also played locally on the Dixieland scene with friends including Galbraith, Mike Cotton, Pat Mason and Bill Nile: he also subbed for Acker Bilk. later 1980's played regularly for Laurie Chescoe's band.
Lot 17
Yamaha CS Custom Clarinet, serial number 01813 with Yamaha 6C mouthpiece in case. Provenance, formerly the property of David Jones clarinet player for the Kenny Ball Jazzmen. Kenny ball was a trumpet player who founded the band Kenny Ball and his Jazzmen in 1958, his band went onto being at the forefront of the UK Jazz revival in the 1960’s. At the end of 1961 their recording of Cole Porter’s ‘Samantha’ reached number 2 in the UK singles chart. In 1962 the groups version of Midnight in Moscow sold over a million copies earning them a gold disc and getting them on the Billboard Hot 100. More hits and chart success was to follow ensuring the bands success in the UK. Dave Jones worked around the East London area with bands such as Charlie Galbraith's before becoming a founder member of the Kenny Ball Jazzmen. His clarinet tone can be heard on all of the great hits by the group until 1967. It is said in ‘The Rough Guide To Jazz’, by Digby Fairweather that his substantial tone, superior technique, powerful sound and driving approach became one of the strongest points of Ball's strong front-line, and helped to establish a new high standard for British Dixieland’ Following his work with Kenny Ball and his Jazzmen, Jones became a session musician working with The Kinks on baritone saxophone, he also played locally on the Dixieland scene with friends including Galbraith, Mike Cotton, Pat Mason and Bill Nile: he also subbed for Acker Bilk. later 1980's played regularly for Laurie Chescoe's band.
Lot 15
Dave Jones of Kenny Ball and his Jazzmen's Selmer Series 9 clarinet, serial number S6704, with Vandoren B45 mouthpiece. Provenance, formerly the property of David Jones clarinet player for the Kenny Ball Jazzmen. This was one of the clarinets played by Jones whilst in the group. Kenny ball was a trumpet player who founded the band Kenny Ball and his Jazzmen in 1958, his band went onto being at the forefront of the UK Jazz revival in the 1960’s. At the end of 1961 their recording of Cole Porter’s ‘Samantha’ reached number 2 in the UK singles chart. In 1962 the groups version of Midnight in Moscow sold over a million copies earning them a gold disc and getting them on the Billboard Hot 100. More hits and chart success was to follow ensuring the bands success in the UK. Dave Jones worked around the East London area with bands such as Charlie Galbraith's before becoming a founder member of the Kenny Ball Jazzmen. His clarinet tone can be heard on all of the great hits by the group until 1967. It is said in ‘The Rough Guide To Jazz’, by Digby Fairweather that his substantial tone, superior technique, powerful sound and driving approach became one of the strongest points of Ball's strong front-line, and helped to establish a new high standard for British Dixieland’ Following his work with Kenny Ball and his Jazzmen, Jones became a session musician working with The Kinks on baritone saxophone, he also played locally on the Dixieland scene with friends including Galbraith, Mike Cotton, Pat Mason and Bill Nile: he also subbed for Acker Bilk. later 1980's played regularly for Laurie Chescoe's band.
Lot 20
Lawton saxophone 8 star BB mouthpiece, in box. Provenance, formerly the property of David Jones clarinet player for the Kenny Ball Jazzmen. Kenny ball was a trumpet player who founded the band Kenny Ball and his Jazzmen in 1958, his band went onto being at the forefront of the UK Jazz revival in the 1960’s. At the end of 1961 their recording of Cole Porter’s ‘Samantha’ reached number 2 in the UK singles chart. In 1962 the groups version of Midnight in Moscow sold over a million copies earning them a gold disc and getting them on the Billboard Hot 100. More hits and chart success was to follow ensuring the bands success in the UK. Dave Jones worked around the East London area with bands such as Charlie Galbraith's before becoming a founder member of the Kenny Ball Jazzmen. His clarinet tone can be heard on all of the great hits by the group until 1967. It is said in ‘The Rough Guide To Jazz’, by Digby Fairweather that his substantial tone, superior technique, powerful sound and driving approach became one of the strongest points of Ball's strong front-line, and helped to establish a new high standard for British Dixieland’ Following his work with Kenny Ball and his Jazzmen, Jones became a session musician working with The Kinks on baritone saxophone, he also played locally on the Dixieland scene with friends including Galbraith, Mike Cotton, Pat Mason and Bill Nile: he also subbed for Acker Bilk. later 1980's played regularly for Laurie Chescoe's band.
Lot 16
Elkhart Cavalier marching band clarinet, serial number 50148, with no mouthpiece but with mouthpiece cover, with case. Provenance, formerly the property of David Jones clarinet player for the Kenny Ball Jazzmen. Kenny ball was a trumpet player who founded the band Kenny Ball and his Jazzmen in 1958, his band went onto being at the forefront of the UK Jazz revival in the 1960’s. At the end of 1961 their recording of Cole Porter’s ‘Samantha’ reached number 2 in the UK singles chart. In 1962 the groups version of Midnight in Moscow sold over a million copies earning them a gold disc and getting them on the Billboard Hot 100. More hits and chart success was to follow ensuring the bands success in the UK. Dave Jones worked around the East London area with bands such as Charlie Galbraith's before becoming a founder member of the Kenny Ball Jazzmen. His clarinet tone can be heard on all of the great hits by the group until 1967. It is said in ‘The Rough Guide To Jazz’, by Digby Fairweather that his substantial tone, superior technique, powerful sound and driving approach became one of the strongest points of Ball's strong front-line, and helped to establish a new high standard for British Dixieland’ Following his work with Kenny Ball and his Jazzmen, Jones became a session musician working with The Kinks on baritone saxophone, he also played locally on the Dixieland scene with friends including Galbraith, Mike Cotton, Pat Mason and Bill Nile: he also subbed for Acker Bilk. later 1980's played regularly for Laurie Chescoe's band.
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5563 item(s)/page