Collection of vintage and modern dolls: (1) Armand Marseille "Eleanor" 542 composition baby doll, German, circa 1926, five piece curved limb body, 18"/46cm; (2) Pedigree hard plastic baby doll, British,1950s, 19"/48cm; (3) small all bisque vintage doll; (4) small celluloid baby doll; (5) - (7) three modern bisque dolls; Good to Good Plus; (7).
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Knowles Dolls & Ashton Drake Galleries So Truly Real dolls - A boxed Knowells Doll "Elizabeth's Homecoming" with certificate of authenticity. Doll is made of bisque porcelain and looks to be in good to very good condition, box shows signs of storage wear. Also included in the lot are 4 boxed Ashton Drake So Real dolls, including "Welcome home baby Emily" and 3 others. Dolls show some signs of storage wear and some marks to clothing and skin on some. (This does not constitute a guarantee) (SL) (5)
A COLLECTION OF ASSORTED CERAMIC ITEMS ETC, comprising an oriental vase decorated with floral motifs and birds, approximate size 45cm, an unmarked double gourd vase with floral decoration, approximate height 24cm, a Masons Ironstone jug with oriental pattern, a white bisque cherub vase, these items appear to be in good condition, the remaining items are all damaged / restored, Royal Doulton Desert Scenes twin handled sugar bowl, Chinese vases, continental candle holder, continental table centrepiece with figures and a boat and a majolica basket
A BOX OF CERAMICS, OIL LAMPS, METAL WARES AND SUNDRY ITEMS, to include five elephants from the Wade Treasures Elephant Train (sd), a small vintage doll with bisque head and lower limbs, Gibson silver lustre tea wares including a teapot as new with tags attached (milk jug AF), a Carlton Ware Rouge Royale covered vase, two oil lamps, tallest 30cm to top of fitting, etc (1 BOX) (Condition Report: generally ok, sd and as stated)
A collection of seven bisque porcelain figures of ladies to include Wedgwood figure commissioned by Spink, being the Royal Flower Show limited edition No. 343 in limited edition of 10,000, height 20cmImperial Banquet is missing part of her hand, Great Exhibition is restored, Rose is missing her hands, Christina is also missing a hand.
Attributed to Claude Galle (French, 1759-1815): A good early 19th century French gilt bronze and rouge griotte marble figural mantel clockThe figural mount perhaps in the manner of Louis-Simon Boizot (French, 1743-1809)The arched rectangular case on a stepped rectangular pedestal, with applied winged flambé torch and fruiting laurel and oak leaf wreath mounts, and with foliate and stiff leaf cast borders, the front with an applied figural mount formed as a classical maiden, holding aloft drapery to partially conceal the dial, the whole raised on conforming rectangular plinth base and moulded foot, the rotating dial with Roman enamelled chapter ring with milled centre and poker hands, the brass twin train movement with silk suspension and outside count wheel striking on a bell, with pendulum, 53.5cm highFootnotes:ProvenanceNorman Mackinnon (1923-1989), former MD of Drambuie, Scotland and self-proclaimed 'Whisky Baron' and a collector of fine art, furniture and objects, cars, and properties. The clock stood on the mantlepiece in the grand dining room of his Edinburgh home and at the end of a dinner party when it chimed midnight he would announce to his guests that the evening was over. By repute it had been inherited from his mother Gina Mackinnon who was famous for safeguarding the Drambuie recipe. Thence by decent to the present owner.The offered lot is thought to be one of three known examples of this model attributed to Claude Galle, one of the other two being a near identical clock, excepting the case, which is in green marble, which is in the permanent collection of clocks at Belmont House, Kent. Known as the 'Amitea clock', the name is perhaps derived from 'Laudatio Luliae Amitae' which was a funeral oration that Julius Caesar gave in 68 BC to honour his dead aunt Julia, the widow of Marius with the figure to the front of the clock perhaps representing a mourning praeficae. One of the leading French bronziers of his day, Claude Galle created numerous gilt bronzes for the Royal and subsequently Imperial household. Born at Villepreux near Versailles, he was apprenticed to the fondeur, Pierre Foy at rue du Four. In 1784 he married Foy's daughter and after his masters death, took over the workshop and built it into one of the finest of its kind, eventually employing about 400 craftsmen. In 1786 he became a maitre-fondeur and in the same year received the first of many commissions from the Garde-Meuble to furnish the royal palaces. Galle moved the business to Quai de la Monnaie and from 1805 traded from 60 Rue Vivienne.Louis-Simon Boizot worked in the atelier of the sculptor René-Michel Slodtz (1705–1764) who also trained Houdon. In 1778 he was admitted to the Académie royale de peinture et de sculpture and exhibited at the yearly salons until 1800. His portrait busts of Louis XVI and Joseph II were created in 1777 and made in bisque porcelain at Sèvres. From 1773 to 1800 Boizot directed the sculpture workshop of the Sèvres porcelain Manufactory, producing the series of unglazed biscuit figures with a matte finish resembling that of marble. Boizot also created terracotta designs for gilt-bronze clock cases including the allegorical 'Avignon' clock, now in the Wallace Collection in London, which was cast and chased by Pierre Gouthière in 1777.This lot is subject to the following lot symbols: TPTP For auctions held in Scotland: Lots will be moved to an offsite storage location (Constantine, Constantine House, North Caldeen Road, Coatbridge ML5 4EF, Scotland, UK) and will only be available for collection from this location at the date stated in the catalogue. Please refer to the catalogue for further information.For all other auctions: Lots will be moved to an offsite storage location (Cadogan Tate, Auction House Services, 241 Acton Lane, London NW10 7NP, UK) and will only be available for collection from this location at the date stated in the catalogue. Please note transfer and storage charges will apply to any lots not collected after 14 calendar days from the auction date.For further information on this lot please visit Bonhams.com
Two Armand Marseille bisque headed dolls to include black baby with stiff glass sleeping eyes, teeth, marked 351/4.1k AM Germany to neck, 14" height, and baby with sleeping blue glass eyes, teeth, marked AM Germany 351/8k to neck, 21" approx height, both showing some wear but fair-gd overall
Group of nine German bisque baby dolls all having hand painted features to the faces and composite bodies with articulated limbs, most with sleeping eyes. The lot to include Armand Marseille 990 A3M, 351 / 3k, H / 2K, 351 / 0K, Max Handweck Bebe Elite (90/185), 2 Heubach Koppelsdorf dolls; 320 7/10, 320 . 2/0, etc.
Group of five German bisque girl dolls all having hand painted features, fixed eyes and open mouths with teeth. The lot to include Armand Marseille; 390 A2M, 390 A0M, Heubach Koppelsdorf 312 5/0, DEP 3 1/2 doll with horseshoe mark, and another signed Germany. Tallest measures 43cm. Smallest approx 35cm.
Group of five German bisque girl dolls all having hand painted features, composite bodies, and glass eyes (most sleeping), all opened mouthed with teeth. The lot to include Simon & Halbig 7 1/2 doll, Schoenau & Hoffmeister Porzellanfabrik Burggrub 1909-2 doll, Kley & Hahn 250 Walkure child doll, one example marked G and an unmarked example numbered 6. Tallest measures 52cm.
Three bisque headed child dolls, all having composite bodies with open mouths and teeth and hand painted facial details. The lot to include Ernst Heubach 1900-8 doll with fixed eyes (horse shoe mark to back), a French Jules Verligue 10 doll and a Armand Marseille 390 A 6 1/2 M doll. Tallest measures 65cm.
Two German bisque headed dolls to include a Simon & Halbig child doll having sleeping eyes, hand painted details and an open mouth with teeth present marked 403 with star mark (approx 67cm), together with a Schoenau & Hoffmeister Porzellanfabrik Burggrub doll with sleeping eyes complete with eye lashes and teeth, marked 1909 5 (measures 60cm).
Seven mostly German assorted porcelain baby dolls, six having sleeping eyes, all with hand painted bisque faces and composite bodies. All dolls have makers marks to the back of the necks, six marked made in Germany. The lot to include an Armand Marseille black baby doll (341 / 372 K), another similar doll marked for Germany, a Nippon japanese baby doll (no. 760, 504), Armand Marseille doll (990 A 9 M). Largest measures 46cm tall, smallest 34cm.
Collection of 13 composition & bisque headed dolls to include a composition baby doll with sleeping eyes & squeaker (head detached, approx 62cm high), three Oriental dolls with silk outfits, etc (condition varies, with dolls showing cracks & breakages); together with eight wooden dolls chairs (featuring early 20th century examples) and five doll stands
Charming set decorated in bisque and gold. with very detailed embossed clothing in the shape of two Chinese children. Made for Lladro Privilege Gold and only available to certain collectors. Lladro backstamp. This item has its original box. Box measures: 10.75"L x 8"W x 3.75"H. Artist: Francisco CuestIssued: 2008Dimensions: 2"L x 2"W x 4"HManufacturer: LladroCountry of Origin: SpainCondition: Age related wear.

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47432 item(s)/page