Antique Kammer & Reinhardt 1920s celluloid child doll, all original factory attire in blue organdie, with wig , 728/14 mold and a celluloid Kammer & Reinhardt 727/26 character baby 1920s in white antique baby wear, and a bisque head PM character baby doll c 11” with blue velvet clothing and wig. ( 3 dolls as shown as a set)
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Fine antique German Armand Marseille Asian bisque head doll Ellar mold, c 12” with solid dome head, open close brown small eyes , with painted lashes, scuff to right hand finger and later good embroidered vintage suit-good colouring on bisque and composition body, small scratches to paint with age, generally very good( doll + clothing)
Antique doll Schoennau and Hoffmeister German bisque head doll 1909 mold composition and wooden body and limbs 24” tall with poor original wig and an Armand Marseille 351 German bisque head baby doll( all unstrung and complete character baby black) with original factory cotton striped dress from 1921. Both dolls needs attention and cleaning. (2)
Antique German bisque head dolls ; a Gebruder Heubach 8192 15” bisque head , original body doll with replaced wig, original pate , and good dress costume with layered lingerie and kid shoes , fixed glass eyes and 4 row teeth, together with an AM 995 A3M small 11” character baby doll with bisque head on comp body, open close glass eyes with some lashes and open mouth and has has some foot and finger old repairs
French bisque antique dolls pair, plus BEBE antique sateen shoes: (1) Jules Verlingue antique bisque doll, French, 1915-1920, impressed JV Anchor, fixed brown paperweight eyes, open mouth, pierced ears, composition and wood ball jointed body, wearing silk dress, cotton undergarments, 21"/53cm; (2) SFBJ bisque doll, French, 1920s, impressed SFBJ 60 PARIS 3/0, blue fixed eyes, open mouth, blonde wig and pate, composition and wood jointed body, wearing white work cotton dress and silk bonnet, 16"/41cm; (3) together with a pair of pink sateen antique shoes, soles are stamped BEBE 4; (3).
Armand Marseille pair of antique bisque My Dream Baby dolls: (1) Armand Marseille bisque vintage My Dream Baby doll, German, c 1926, impressed AM 351 / 10K, weighted blue eyes, open mouth, five piece composition curved limb body, wearing cotton white work dress, hands and feet restored / repainted, 25"/64cm; (2) Armand Marseille bisque vintage My Dream Baby, German, 1926, impressed AM 352/7K, weighted blue eyes, open mouth, five piece curved limb composition body, some retouching to hands and feet, 21"/53cm; (2).
Collection of bisque, composition and hard plastic vintage baby and toddler dolls: (1) Armand Marseille 341 My Dream Baby bisque doll, head is extensively cracked / repaired; (2) & (3) pair of black composition baby dolls, (4) - (6) Pedigree black hard plastic walking dolls, two have some original clothing; (7) small black hard plastic doll, arms need re-stringing; Fair Plus to Good Plus; (7).
Armand Marseille and Catterfelder Puppenfabrik four antique German bisque dolls: (1) Cattenfelder Puppenfabrik bisque doll, impressed No 2 1/2, weighted brown eyes, open mouth, brunette wig, composition and wood ball jointed body, 21"/54cm; (2) Armand Marseille 390, eyes are loose, unable to remove wig, 24"/61cm; (3) Armand Marseille 370, damage / repairs to neck, 21"/54cm; (4) Armand Marseille 370, cracks and repairs to shoulder plate, 22"/56cm; (3).
Simon & Halbig antique bisque doll, German, c1892, impressed S & H 1079 DEP 11, fixed blue eyes, open mouth, pierced ears, composition and wood ball jointed body, lower left eye rim chipped, eyes re-set, needs a wig and pate, hands and feet are repaired, wearing silk and cotton clothing, 23"/58cm.
Piano playing automaton Armand Marseille bisque doll, impressed 390 A 0 M, fixed blue eyes, open mouth, blonde wig, lower bisque arms, body houses clockwork mechanism, untested, series of elaborate gears once caused doll to move hands up and down upon piano keys, head from side-to-side, also some musical element housed inside piano (inoperable), wooden piano, with glass inset window, featuring miniature diorama of wooden lady's torso and clown (this also may have had some movement), external brass candle sticks, Egyptian-type busts, brass handles either end, wooden fret-work phoenix to rear, black monkey is seated upon piano (covered in black plush fabric), also has had some movement, comes with a key, piano measures 22"/31cm tall x 16"/41cm long x 7"/18cm deep. NB: has had some restoration as some fabrics are man-made. Not original condition, but interesting item.
Wooden stable block and pair of celluloid horses: wooden stable block, comprising three stalls and a hay store, plus pair of celluloid horses, with bisque headed riders, carton bodies, some indentation to celluloid, one of riders has cracks to face, stable block measures 6"/15cm high x 18"/46cm wide x 12"/31cm deep; horse and rider 6.5"/16cm tall.
Collection of vintage and modern dolls: (1) Armand Marseille "Eleanor" 542 composition baby doll, German, circa 1926, five piece curved limb body, 18"/46cm; (2) Pedigree hard plastic baby doll, British,1950s, 19"/48cm; (3) small all bisque vintage doll; (4) small celluloid baby doll; (5) - (7) three modern bisque dolls; Good to Good Plus; (7).
Knowles Dolls & Ashton Drake Galleries So Truly Real dolls - A boxed Knowells Doll "Elizabeth's Homecoming" with certificate of authenticity. Doll is made of bisque porcelain and looks to be in good to very good condition, box shows signs of storage wear. Also included in the lot are 4 boxed Ashton Drake So Real dolls, including "Welcome home baby Emily" and 3 others. Dolls show some signs of storage wear and some marks to clothing and skin on some. (This does not constitute a guarantee) (SL) (5)
A COLLECTION OF ASSORTED CERAMIC ITEMS ETC, comprising an oriental vase decorated with floral motifs and birds, approximate size 45cm, an unmarked double gourd vase with floral decoration, approximate height 24cm, a Masons Ironstone jug with oriental pattern, a white bisque cherub vase, these items appear to be in good condition, the remaining items are all damaged / restored, Royal Doulton Desert Scenes twin handled sugar bowl, Chinese vases, continental candle holder, continental table centrepiece with figures and a boat and a majolica basket
A BOX OF CERAMICS, OIL LAMPS, METAL WARES AND SUNDRY ITEMS, to include five elephants from the Wade Treasures Elephant Train (sd), a small vintage doll with bisque head and lower limbs, Gibson silver lustre tea wares including a teapot as new with tags attached (milk jug AF), a Carlton Ware Rouge Royale covered vase, two oil lamps, tallest 30cm to top of fitting, etc (1 BOX) (Condition Report: generally ok, sd and as stated)
A collection of seven bisque porcelain figures of ladies to include Wedgwood figure commissioned by Spink, being the Royal Flower Show limited edition No. 343 in limited edition of 10,000, height 20cmImperial Banquet is missing part of her hand, Great Exhibition is restored, Rose is missing her hands, Christina is also missing a hand.
Attributed to Claude Galle (French, 1759-1815): A good early 19th century French gilt bronze and rouge griotte marble figural mantel clockThe figural mount perhaps in the manner of Louis-Simon Boizot (French, 1743-1809)The arched rectangular case on a stepped rectangular pedestal, with applied winged flambé torch and fruiting laurel and oak leaf wreath mounts, and with foliate and stiff leaf cast borders, the front with an applied figural mount formed as a classical maiden, holding aloft drapery to partially conceal the dial, the whole raised on conforming rectangular plinth base and moulded foot, the rotating dial with Roman enamelled chapter ring with milled centre and poker hands, the brass twin train movement with silk suspension and outside count wheel striking on a bell, with pendulum, 53.5cm highFootnotes:ProvenanceNorman Mackinnon (1923-1989), former MD of Drambuie, Scotland and self-proclaimed 'Whisky Baron' and a collector of fine art, furniture and objects, cars, and properties. The clock stood on the mantlepiece in the grand dining room of his Edinburgh home and at the end of a dinner party when it chimed midnight he would announce to his guests that the evening was over. By repute it had been inherited from his mother Gina Mackinnon who was famous for safeguarding the Drambuie recipe. Thence by decent to the present owner.The offered lot is thought to be one of three known examples of this model attributed to Claude Galle, one of the other two being a near identical clock, excepting the case, which is in green marble, which is in the permanent collection of clocks at Belmont House, Kent. Known as the 'Amitea clock', the name is perhaps derived from 'Laudatio Luliae Amitae' which was a funeral oration that Julius Caesar gave in 68 BC to honour his dead aunt Julia, the widow of Marius with the figure to the front of the clock perhaps representing a mourning praeficae. One of the leading French bronziers of his day, Claude Galle created numerous gilt bronzes for the Royal and subsequently Imperial household. Born at Villepreux near Versailles, he was apprenticed to the fondeur, Pierre Foy at rue du Four. In 1784 he married Foy's daughter and after his masters death, took over the workshop and built it into one of the finest of its kind, eventually employing about 400 craftsmen. In 1786 he became a maitre-fondeur and in the same year received the first of many commissions from the Garde-Meuble to furnish the royal palaces. Galle moved the business to Quai de la Monnaie and from 1805 traded from 60 Rue Vivienne.Louis-Simon Boizot worked in the atelier of the sculptor René-Michel Slodtz (1705–1764) who also trained Houdon. In 1778 he was admitted to the Académie royale de peinture et de sculpture and exhibited at the yearly salons until 1800. His portrait busts of Louis XVI and Joseph II were created in 1777 and made in bisque porcelain at Sèvres. From 1773 to 1800 Boizot directed the sculpture workshop of the Sèvres porcelain Manufactory, producing the series of unglazed biscuit figures with a matte finish resembling that of marble. Boizot also created terracotta designs for gilt-bronze clock cases including the allegorical 'Avignon' clock, now in the Wallace Collection in London, which was cast and chased by Pierre Gouthière in 1777.This lot is subject to the following lot symbols: TPTP For auctions held in Scotland: Lots will be moved to an offsite storage location (Constantine, Constantine House, North Caldeen Road, Coatbridge ML5 4EF, Scotland, UK) and will only be available for collection from this location at the date stated in the catalogue. Please refer to the catalogue for further information.For all other auctions: Lots will be moved to an offsite storage location (Cadogan Tate, Auction House Services, 241 Acton Lane, London NW10 7NP, UK) and will only be available for collection from this location at the date stated in the catalogue. Please note transfer and storage charges will apply to any lots not collected after 14 calendar days from the auction date.For further information on this lot please visit Bonhams.com

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47400 item(s)/page