FIVE ARCHAIC JADE AND HARDSTONE CARVINGSNeolithic Period to Shang DynastyComprising a green and black jade axe blade, Neolithic period, 16.5cm (6 1/2in) long; two hardstone axe blades, Neolithic period, the largest 16cm (6 1/4in) long; a green and russet jade circular cong, Neolithic period, 9cm (3 1/2in) diam; and a serrated amber-toned jade bi disc, Neolithic period to Shang dynasty, 5cm (2in) wide.(5).Footnotes:Please note this Lot is to be sold at No Reserve. 本拍品不設底價新石器時代至商 玉斧、石斧、玉琮及玉璧 一組五件Provenance (the top right blade): Professor Max Loehr (1903-1988)J. J. Lally & Co., New York, 1993Sothebys' Paris, Early Chinese Jade and Hardstone Carvings Including The Collection Of Max Loehr, 15 December 2016, lot 22 (part lot)Published, Illustrated and Exhibited: J. J. Lally & Co., Chinese Archaic Jades and Bronzes from the Estate of Professor Max Loehr and Others, New York, 1993, no.11來源(右上石斧):羅樾教授(1903-1988)舊藏紐約古董商J. J. Lally & Co.,1993年巴黎蘇富比,「中國古代玉及石器 - 包括羅樾珍藏」拍賣,2016年12月15日,拍品編號22(部分)展覽著錄:J. J. Lally & Co.,《Chinese Archaic Jades and Bronzes from the Estate of Professor Max Loehr and Others》,紐約,1993年,編號11Professor Max Loehr (1903-1988) was one of the most pre-eminent Western scholars of early Chinese art. His research embraced archaic jades, bronzes and classical Chinese paintings. Loehr was appointed curator of the Asian collections at the Museum für Völkerkunde in Munich in 1936, after obtaining his PhD in Far Eastern art at the University of Munich. In 1940, Loehr moved to Beijing and soon after was appointed director of the Sino-German Institute, where he remained until 1947 when he joined the faculty of Qinghua University until his return to Germany in 1949. During his time in China, Loehr put together a formidable collection of archaic jade and hardstone carvings, a slightly academic collecting area but one that linked to his interests and research in Chinese archaeology. In 1951, Loehr subsequently moved to the US, first accepting a professorship at the University of Michigan, and in 1960 becoming the first Abby Aldrich Rockefeller Professor and Curator of Oriental Art at the Fogg Museum at Harvard University until his retirement in 1974.Top left blade: Compare with a serpentine axe excavated from Sipo village in Lantian County, Xi'an, in 1986, illustrated in Fuxi Sun, Xi'an Wenwu Jinghua Yuqi, Xi'an, 2004, p.20. See also a further Liangzhu culture example illustrated in Shanghai Museum: Ancient Chinese Jade Gallery, Shanghai, 1998, p.7.Bottom left blade: Compare with a similar blade illustrated by Na Chih-Liang, Zhongguo Gu Yu Tushi, Taipei, 1990, pl.135B. Note also a blade illustrated in The Panlongcheng Site: Report of Archaeological Excavation from 1963–1994, vol.2, Beijing, 2001, pl.142, fig.2. See also a final example illustrated by A.Salmony, Archaic Chinese Jades from the Edward and Louise B. Sonnenschein Collection, Chicago, 1952, pl.XL11.1.For further information on this lot please visit Bonhams.com
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Bronze South-India , 17th century Dimensions: Height 53 cm by 25 cm Weight: 10444 grams Hindu god Shiva in his form as Chandrashekhara, or Lord of the Crescent Moon. The figure has four arms, the upper two holding a battle axe and a prancing deer, the lower two making gestures of reassurance and teaching. The figure wears his hair piled high in the chignon of matted locks that identifies Shiva, with curling locks draping over his shoulders in the back. A crescent moon is just visible at the front of the chignon, pointing upward. The figure stands on a flaring lotus base with round holes pierced through the front and back to attach the sculpture to a litter or cart for transport during temple processions. Shiva Chandrashekhara is worshipped primarily in southern India, where he is often displayed with his consort, Parvati. The straight posture of this icon suggests that it was either worshipped without a consort image (couples often lean in toward one another) or that the consort image was cast and displayed somewhat separately. The battle axe and deer make reference to an episode in which Shiva was attacked by non-believers and he caught both the weapon they threw at him and the wild stag that they sent to attack him. The deer became one of his great devotees and it represents the gods role as Lord of Animals. Bronze icons were made for display and worship on shrine altars inside temples but were often displayed during temple processions as well, and were occasionally transported to different temple buildings on special occasions. Bronze casting reached an apex in India in the tenth century under the patronage of the Chola dynasty of Tamil Nadu. Although masterful bronzes were made in this area for several centuries thereafter, those made in the tenth century are particularly prized for their balance of organic and ornamental qualities. Provenance: From the estate of Ali A. Abssi (1934-2020) and Florence Hall Abssi ( 1919-2014) Founders of the Ishtar Gate Gallery in the prestigious Houston Galleria. They were world travelers and dealers of electic art, jewellery , antiquities, and gems. Their friends, acquaintances, and customers included people from all continents, including sheiks, prime minister, royals, business leader , politicians, and oil magnates.
Collection of silver jewellery including Norwegian enamel flower brooch by Jacob Tostrup, enamel terrier brooch by Kenart, Irish clover pendant, two Scottish axe brooches by H Wright & Son, marcasite bracelet and necklace and two other brooches, all stamped or hallmarked (7)Click here to view further images, condition reports, sale times & delivery costs for this lot.
PREDYNASTIC EGYPTIAN FLINT HAND AXE EGYPT, LATE MESOLITHIC, c. 7,000 - 6,000 B.C. flint, formed of a warm caramel stone, the cutting edge knapped to a point, marked with two inventory numbers in black ink "#507" and "59.300"(14cm long)Footnote: Provenance: Robert De Rustafjell (1876-1943), acquired in Thebes prior to 1909. Deaccessioned from The Heckscher Museum of Art, Long Island, NY. Private New Jersey collection. Published: De Rustafjaell, R., The Stone Age in Egypt: A Record of Recently Discovered Implements and Products of Handicraft of the Archaic Nilotic Races Inhabiting the Thebaid, New York, 1914. Object 505 (scan provided upon request)
A George III Irish silver fiddle and thread pattern fish slice, maker's mark obscured, Dublin 1812, 28cm (11in) long; and a William IV Irish fiddle pattern fish slice by Richard Garde, Dublin 1835, engraved with a crest, 31.5cm (12 1/4in) long, 256g (8.25 oz) grossThe crest of a demi lion rampant proper holding its paws a battle axe, used by numerous families including ANNESLEY, EVANSON, GRANDISON, HANBURY, HENN, STEWART.
MARGARET HALL; an oil 'Liverpool Customs House and Albert Dock 1841', a coastal scene of fishing village and harbour by the same hand, both framed, unattributed; a watercolour of a 19th century harbour with church and buildings in the background, sailing ships in the foreground, framed and glazed and Esterel Beauchamp; a signed print 'The Axe and Compass' (5).
Runnaford Pottery - A Will Young 'Widecombe Fair' figural group 'Bill Brewer Has His Fortune Told At Widecombe In The Moor', signed to the base, approximately 19 cm (h).Condition Report: Some areas of slight loss including the ear of the dog below the table, the cooking pot stirrer, the axe handle and the characters whittling knife otherwise no apparent damage.
Brett (Simon) Axe of God, number 6 of 40 portfolios, 12 wood-engravings by Brett, each titled, numbered and signed in pencil, with explanatory booklet in original wrappers loose in pocket at beginning, loose as issued in original cloth drop-back box, folio, n.p., 2013.⁂ A reflective series of engravings begun in 1984 and originally issued as single prints in editions of 60 from 1987 onwards. In 2013 a further 40 sets were issued as portfolios to accompany the artist's retrospective exhibition An Engraver's Progress: Simon Brett - Fifty Years of Wood Engraving at the Bankside Gallery London, Oxford and the Holburne Museum, Bath.
Group of pieces including a 19th Century beadwork oval box, 7.25cm x 6cm, a stone axe head with label 'Stone Axe from Ronda Spain. Date c 2000 BC', 9cm long, a Chinese jade and white metal letter opener, 16.5cm and a few other pieces Condition: at present, there is no condition report for this lot. This in no way indicates a good condition. Please contact the saleroom for a full condition report
METAL/ HEAVY ROCK - 7" RARITIES. Here we have a smashing pack of 5 7" metal rarities. Artists/ titles include Black Sabbath inc Providence, 3/86 with Glenn Hughes XXX (1987 German private release, one of only 300 copies released in fold out sleeve with red sealing wax on the rear. Record is Ex/ sleeve is Ex) & Devil And Daughter (EIRSB 115, 1989 UK limited edition box-set contains 7", a stencil of the band name, 2 postcards and tour dates, all in Ex+ condition. The box has some edge shelf wear, VG+). Black Axe - Highway Rider With Red Lights (MELT1, UK 1980 4-prong centre. Ex+/ Ex), Mythra - The Death & Destiny EP (LAMP2, 1980 UK, record has one fine, hairline mark, strong VG+/ sleeve Ex) & Helloween - I Want Out/ Don't Run For Cover (7HELLO2, blue vinyl. Ex+).
A collection of Chinese miscellaneous, comprising a Peking glass snuff bottle, of ovoid form, the mouth mounted with white metal, the stopper inserted with coral and turquoise cabochons, 11cm high, a jade pendant, of axe form carved with a taotie mask and banana leaves, the stone of celadon colour, 6.3cm long, a pendant in the form of a tortoise shell, 4.5cm long, a jade pendant in the form of a mandarin duck above a lotus leaf and flower, 4.8cm long, a pair of hardstone bookends, the top carved as a rearing horse, 23 and 26cm, and further miscellaneous items (qty.)Provenance: from the collection of David Widdicombe, Q.C. (1924-2019) and thence by descent. Condition report: Snuff bottle, glass with surface scratches, minute chip, metal dented, chips and small holes to cabochons. One horse with foot broken off, both horses with chipsAxe form pendant, surface scratches.
A pair of Victorian silver two-handled soup tureens and covers, by the Barnards, London 1854, retailed by C. Taylor and Son, Bristol, circular bellied form, leaf capped fluted side handles, gadroon and shell borders, engraved with an armorial within foliate scroll mantling, the domed pull-off covers with a finial of a lion holding an axe, on a raised circular foot, height 32.5cm, length handle to handle 37cm, approx. weight 187oz. (2)
GEORGE III IVORY & SILVER MOUNTED TORTOISESHELL TEA CADDY, c. 1800, of oval 10-sided form, hinged fan-segmented lid with axe handle, above oval escutcheon monogrammed cartouche, zinc lined interior, paper label to inside lid with dedication dated 1940, key, 14cms high Provenance: deceased estate, consigned via our Cardiff office Condition Report: three ivory bands replaced, one missing, a few ivory strung inlays missing to lid.
A collection of silver and white metal items to include four silver St Christopher pendants , weight approx 0.95ozt, along with a white metsal knife brooch, probably silver, two white metal charms including an axe and hut, along with a stone set bracelet and pair of art Deco style paste set clip earrings ( 1 bag)

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