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Click here to subscribeA Mesolithic stone axe, indistinctly detailed, length 17.5cm, together with a Mesolithic tranchet axe, length 15cm.Buyer’s Premium 29.4% (including VAT @ 20%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 6% (including VAT @ 20%) of the hammer price.
A Mesolithic tranchet axe, detailed 'Cissbury Vineyard Hill 8/4/72', length 13.5cm, together with another similar example and a fabricator tool, detailed 'Beachy Head 190', length 9.5cm.Buyer’s Premium 29.4% (including VAT @ 20%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 6% (including VAT @ 20%) of the hammer price.
A pre-Columbian carved and mottled hardstone axe head, possibly Mayan, bearing collector's label, length 16cm. Provenance: from the estate of a West Sussex collector.Buyer’s Premium 29.4% (including VAT @ 20%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 6% (including VAT @ 20%) of the hammer price.
A Mesolithic fabricator tool, length 13.5cm, another crude axe head, length 13cm, and a scraper tool.Buyer’s Premium 29.4% (including VAT @ 20%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 6% (including VAT @ 20%) of the hammer price.
A Medieval iron carpenter's axe head, possibly 13th-15th century, mounted on a wooden stand, length 18cm.Buyer’s Premium 29.4% (including VAT @ 20%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 6% (including VAT @ 20%) of the hammer price.
A Neolithic chipped stone axe of pointed ovoid form, length 14cm, a similar axe head and a Paleolithic hand axe of pear form.Buyer’s Premium 29.4% (including VAT @ 20%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 6% (including VAT @ 20%) of the hammer price.
Vintage Action Man Construction Engineer, on a good used brown hair painted doll, Identity tag, with pick axe, shovel, detonator, spring loaded jack hammer (missing one glove and construction helmet) plus from combat engineer a surveyors theodolite and a Mine detection set, on a good used brown hair painted doll, mine detector with battery pack, untested, carry case, head set, four land mines.(2 items)
Three Vintage Action Man Dressed Figures, Military Police outfit, on blond flocked hair doll, with fixed hands, uniform is near mint, missing arm band and elastic on helmet, Landing Signal officer, on flocked brown hair, fixed hands doll, gripping hands, Identity disc, suit, two paddles, boots, cloth helmet with earphones, blue goggles, clip board with pad, missing pencil and Ski Patrol, white ski suit, boots, goggles, Identity disc, skis, missing springs. ski poles,one need repairing, later issue SLR rifle, web belt, ice axe,snow shoes, white back pack, helmet with bear transfer, on blond flocked hair doll, with fixed hands.(3 items)
Rod Kitson Need an Axe to Break the Ice, 2022 Linocut and Oil Paint on Paper Signed on Verso 15 x 10cm (5¾ x 3¾ in.) About Rod Kitson is an artist based in London whose work is concerned with the experiential and developmental elements of a daily practice. His temporal projects have taken in life-size painted recreations of his live-in workspace, portraiture and mythologised figure drawing. Select Exhibitions/Awards Wells Art Contemporary, ING Discerning Eye 2021 Statement about AOAP Submitted Artwork "I wanted to explore the push and pull of various techniques and their effect on the visual impact of an image. The start point of the postcards was large-scale charcoal life drawings, which I embellished with imagery in ink and oil. Then I played with them in Procreate before coming back to analogue and cutting in lino and colouring." You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists, and directly jeopardizes the charitable work we do. Anyone found doing will subject to legal action
A harlequin suite of George III silver Hanoverian Military Thread pattern flatware for six settings, maker's mark rubbed, London, 1833, each engraved with crest to terminal, arm in armour holding aloft axe, comprising of six dinner spoons, 8 ½in. (21.5cm.) long; six dinner forks, 7 ¾in. (19.8cm.) long; starter forks, 6 5/8in. (16.8cm.), weight 44 tr.oz. (18) * All makers marks rubbed, crests also rubbed.
A GROUP OF FOUR JADE CARVINGS Three modelled as recumbent beasts, their heads turned to one side and one in the form of a axe head, with shallow relief and pierced decoration Largest 6.5cm long Condition: For a condition report or further images, please contact the saleroom via hello@hotlotz.com Additional Information: All lots are on view at 23 Maple Avenue, Singapore, 277580 on Thursday 30 June, Friday 1 July and Saturday 2 July, between 10am and 5pm. Please do not attend the property at other times. No appointments are necessary.
An African, possibly Gabonese, axe handle bearing cross hatched carving and two associated axe heads. Handle 56cm, blades 17.5cm and 16.5cm. Also a scabbard. (4). Provenance: Part of a collection of items belonging to Albert Davison of North Walsham, who worked in Gabon 1917-1921 and returned with the collection
A decorative simulated micromosaic 'Grand Tour' panel after the circa 300 B.C Greek original, Italian early 20th Century, depicting Stag Hunt scene with two male figures, the figure on the right believed to be Alexander The Great, the left figure wielding a double headed axe is likely to be Hephaistos, and a hound pursuing the stag, Greek script title u.r, classical wave border, 35cm x 35cm, framed
A 19th century Meissen porcelain figure of Winter, with a young boy sitting on a sled with branches and holding an axe and a young girl warming her hands at a brazier all on a snowy ground, and an oval base with foliate frieze, marked to base with under glaze blue crossed swords mark, scratched 'G94' and impressed '120', 14.5cm highFurther information: He has had fingers and boot reglued (in need or professional restoration), chip to jacket, nibbles to leaves, small chips to reverse of base
A GERMAN HALBERD, THIRD QUARTER OF THE 16TH CENTURYwith robust terminal spike of stiff-diamond section, flattened towards the base and struck with a mark, a cross crosslet in a square, on one face, forward-leaning axe-blade pierced with a cross-shaped mark, rear spike pierced with a slipped trefoil, a pair of long straps, on a later wooden haft109.0 cm; 43 in headA similar halberd struck with the same mark was sold in this room, 26th June 2007, lot 206.
A NORTH EUROPEAN HALBERD, EARLY 17TH CENTURYwith long terminal spike of tapering-square section formed with a globular moulding at the base, curved axe-blade pierced with a series of decorative apertures and with a pair of short lugs behind, pierced rear spike, a pair of short straps, on a later studded leather-covered wooden haft76.5 cm; 30 1/8 in head
AN IRON AXE-HEAD DATED 157in excavated condition, with slightly curved axe-head formed with a series of cusps behind, decorated on one face with a crown (partly obscured) and with the date ~MDLXX_~ on the other, hollow ring-shaped rear pean (now crushed on one side), a bulb-shaped terminal, a pair of straps, retaining a portion of its early haft and fitted with a further pair of straps30.5 cm; 12 in Provenance; Claes Museum, Antwerp; Pauliac Collection, Paris; Mlle M.L. Dress de Lebioles; Sold Sotheby~s Parke Bernet, Zurich, 7 May 1980, Lot 45; ;
Ⓜ A RARE ETCHED HALBERD FOR THE GUARD OF THE PRINCE ELECTORS OF SAXE-WEIMAR EISENACH, MID-16TH CENTURYwith broad central leaf-shaped blade of hollow-diamond section, notched at the base, small crescentic axe-blade, bifurcated rear fluke incorporating an up-turned lug, finely etched over much of its surface on each side with scrolling foliage on a stippled ground, with the full crested arms highlighted in gold on the central blade, and an exotic bird on each side at the base (light wear), a pair of straps, on a later wooden haft60.2 cm; 23 ¾ in headProvenance; Sold in this room, 10th December 2008, lot 174Part proceeds to benefit the Acquisition Fund of the Arms and Armor department, The Metropolitan Museum of Art, New York.
Ⓜ A GERMAN HALBERD FOR THE GUARD OF JOHANN WILHELM, DUKE OF SAXE-WEIMAR (1530-73), MID-16TH CENTURY; with leaf-shaped terminal blade, small axe-blade, bifurcated rear pean incorporating an up-turned lug, finely etched on each face with scrolling leafy tendrils, the crested Ducal arms enriched with gold (losses) and a figure in traditional dress all on a stippled ground, a pair of straps, on a wooden haft33.0 cm; 13 in headJohann Wilhelm (1530-1573) married Dorothy Susanna of Simmern in 1560 and succeeded his brother in Gotha and Weimar 1554. His field and tournament armour, attributed to Anton Peffenhauser and decorated by Jorg Sorg, is preserved in the Metropolitan Museum of Art, New York (acc. no. 29.155.2).Part proceeds to benefit the Acquisition Fund of the Arms and Armor department, The Metropolitan Museum of Art, New York.
Ⓜ A GERMAN HALBERD, MID-16TH CENTURYwith terminal spike formed in two stages, the upper of diamond-section and the lower flattened and stamped with a mark, in a square a cross crosslet, on one side, forward leaning straight axe-blade pierced with a quatrefoil, cut with a single notch top and bottom at the rear, rear spike formed en suite with the blade, tapering socket, and a pair of long straps (pitted overall), on a later wooden haft52.0 cm; 20½ in headPart proceeds to benefit the Acquisition Fund of the Arms and Armor department, The Metropolitan Museum of Art, New York.
TWO DECORATIVE IRON SWORDS, A HALBERD HEAD AND AN AXE, LATE 19TH/20TH CENTURY, AN ARMING SWORD, 17TH CENTURY AND A NAVAL DIRK, EARLY 19TH CENTURY AND TWO STIRRUPS, 19TH CENTURY; the first with broad tapering blade formed with a short fuller, iron cruciform hilt, two-stage pommel and the grip bound with plaited wire (rusted throughout); the second similar, the hilt including a pair of quillons each with a curling lug beneath; the third with tapering double-edged blade, curved axe-blade, and tapering socket; the fourth of composite metal, cast with a stylised coat of arms (incomplete, chipped); the fifth in excavated condition, with straight single-edged blade, retaining a portion of its hilt comprising part of its guard and spherical pommel; and the sixth with curved blade double-edged towards the point, gilt-brass cross-piece, and chequered bone grip; the first: 101.7 cm; 40 in blade; (6)
AN INDIAN AXE HEAD, 18TH CENTURY AND TWO FURTHER AXE HEADS, 18TH/19TH CENTURYthe first of triangular section, formed with a curved bearded edge, flat rear face, and decorated over three quarters of its surface with engraved flowerheads enriched with silver; the second possible Eastern European, with iron axe head formed with a stout rear spike, and copper-alloy tubular socket; the third with slightly curved edge, faceted socket and decorated with simple linear designsthe first: 12.7 cm; 5 in(3)
A PAIR OF CHAM GOLD 'MARANGGA' EARRINGSCham kingdom, circa 10th century. The gold double-axe shaped earrings decorated with nandi on each side, surrounded by tendrils.Condition: Very good condition, minor bending, and soil encrustations.Published: The Zelnik Istvan Southeast Asian Gold Museum, page 140, Budapest 2013. Provenance: The collection of The Zelnik Istvan Southeast Asian Gold Museum. Institutional art collection in Belgium, acquired from the above. Dr. Istvan Zelnik, President of the Hungarian South and Southeast Asian Research Institute, is a former high-ranking Hungarian diplomat who spent several decades in Southeast Asia, building the largest known private collection of Asian art in Europe.Weight: 13 g and 13.5 gDimensions: Height 7.2 cmNandi, the white bull of Shiva is a popular motif on Cham jewelry. He was known for his generative power and is usually depicted as a humped bull reclining peacefully near Shiva or alone, decorated with a string of bells around his neck.
AN INDIAN MINIATURE PAINTING OF RAMA WITH AXENorthern India, 19th or 20th century. This small, folkloric painting shows Rama with an axe, called Parashurama, as well as the demon king Ravana, the ascetic Jamadagnya and Shabala.Condition: Some minor signs of wear in the empty sections on the edges.Provenance: From an Austrian private collection.Dimensions: Size sheet 10 x 15.7 cm
A BLACK AND WHITE JADE 'ARCHAISTIC' AXE-FORM OPENWORK PENDANT, 18TH CENTURYChina. Finely carved in the form of an axe-form bell detailed with a band of archaistic dragons below neatly incised ruyi heads forming a beast head, all surmounted by a bi disk and a pair of confronting chilong. The translucent stone of an attractive white tone with veins and patches of black.Provenance: From a notable English private collector of Chinese jades sold at Sotheby's London, June 16th 2020, lot 241 (see entry at the images). Condition: Excellent condition with minor wear, microscopic nibbling, the stone with natural fissures, some of which may have developed into small hairline cracks over time.Weight: 85.2 gDimensions: Height 12.2 cmWith a fitted silk box. (2)Auction result comparison: Compare with a related white jade pendant, also in the form of an axe-form bell, of considerably smaller size and dated to the 18th/19th century, at Sotheby's Hong Kong in Fine Chinese Ceramics and Works of Art on 8 October 2013, lot 3329, sold for HKD 225,000.十八世紀仿古黑白玉鏤空雕斧式佩中國。鏤空雕刻斧形玉佩，龍紋與如意紋，斧頂一個玉璧和一對面對面的螭龍。 半透明的玉石，具有迷人的白色間帶有黑色的紋理和斑點。 來源：英國知名中國玉器私人收藏 品相：狀況極佳，有輕微磨損，細微的磕損，帶有天然裂紋的玉石，隨著時間的流逝，其中一些可能會發展成細小的裂縫。 重量：85.2 克 尺寸：高12.2 厘米 拍賣結果比較：一件相近鐘形白玉佩，尺寸稍小，十八至十九世紀，見香港蘇富比 Fine Chinese Ceramics and Works of Art拍場2013年10月8日 lot 3329, 售價HKD 225,000。
AN INDIAN BRONZE FIGURE OF GANESHAIndia, 17th century. The four-armed deity sitting on a short base with a mouse next to it, holding his tusk in his principal right hand, his left hand grasping a delicacy which he samples with his trunk. Ganesha is carrying an axe and a noose in the upper hands, wearing conical tiered head dress and backed by a halo. He is the Hindu god of good fortune and auspiciousness and the dispeller of problems and obstacles.Condition: Good condition with surface wear, few minuscule nicks, occasional light scratches, and few small notches to the base. Provenance: A notable private collector in Kensington, London, United Kingdom, according to the owner acquired at Christie's South Kensington. Weight: 250 g Dimensions: Height 9 cm13% VAT will be added to the hammer price additional to the buyer’s premium - only for buyers within the EU.
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