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Five cased 19th century photographs, possibly ambrotype. Two of the photographs include the case photo cover. The other three no longer retain the case cover. Dimensions are: Largest, 2 3/8" wide, 2 7/8" high, 5/8" deep with cover. All measurements are approximate. Condition: General scuffing on the outside of the cases. The photographs show minor chipping of the black background and age toning. One of the photographs of a woman is missing half of the decorative
GOOD TINTED AMBROTYPE PORTRAIT PHOTOGRAPH 3/4 LENGTH STUDY OF A CLERGYMAN, displayed in a morocco case with fancy bright cut engraved gilt metal mount, 4 1/8" x 3" (10.5cm x 7.1cm), gilt mount and ANOTHER OF A LITTLE BOY IN COSTUME, in a wallet type morocco case to hold two images, 3 1/2" x 2 3/4" (8.2cm x 7cm), gilt mount
VICTORIAN AMBROTYPE PORTRAIT PHOTOGRAPH OF A SEATED LADY AND GENTLEMAN, he in top hat and bow tie, she in a bonnet in FLORAL EMBOSSED MOROCCO CASE, 3 1/2" x 2 3/4" (8.3cm x 7cm) gilt mount, ANOTHER OF A SEATED YOUNG LADY IN MATCHING CASE, and A SIMILAR SIZE IMAGE OF A LADY AND GENTLEMAN, she seated and he standing wearing a jacket with tails, in embossed morocco case of similar size (3)
VICTORIAN AMBROTYPE PORTRAIT PHOTOGRAPH of a seated gentleman in a tweed type jacket, in morocco clad frame with gilt metal mount and wire ring suspension, 4 1/4" x 3 1/4" (10.8cm x 8.2cm) , gilt mount and THREE SMALLER DITTO, two being portraits of gentleman and the other a shopkeeper and staff on the shop steps John Smith Provisions, 3 1/4" x 2 3/4" (8.2cm x 7cm) gilt mount (4)
NINETEENTH CENTURY TINTYPE PORTRAIT PHOTOGRAPH, of a gentleman seated with a baby girl on his knee, in fabric clad frame, the gilt metal inner mount with oval aperture, image 3 3/4" (9.5cm) high and a SIMILAR AMBROTYPE PORTRAIT PHOTOGRAPH lady with girl on her knee, milestone shaped aperture (2)
Union Cases, Critchlow double-ninth plate, mother and daughter with cat and dog raised on cover, ambrotype of mother and daughter, inscribed ' Monday June 14th Mrs Hattie Clarke Davies $2.00' (1), Littlefield Parsons sixth-plate, scrollwork fire brigade scenes on cover, ambrotype of small girl, tinted (1), and geometric oval sixteenth-plate (1), G, some abrasion (3)
An Ambrotype Display Table, mahogany, oval, with walnut scroll cabriole legs and baluster-turned support, made-up, the top inset with display of ninth-plate family ambrotypes, twenty-six arranged around perimeter, fourteen arranged around central sixth-plate ambrotype of couple, with painted scrollwork card around, under bevelled glass, 1850s, 710mm high, 760mm long, F-G (1)
Mascher's Improved Stereoscope Ambrotype Photographic Portrait,C. 1860, American, gilt tooled and embossed red leather hinged case, pair of stereo magnifying lenses on a fold up panel stamped 'Mascher's Improved Stereoscope Philada. Patent March 8th 1853', image of a seated young woman with gold coloured jewellery, case 12cm x 9.5cm
*Ambrotype. A half-plate tinted ambrotype of a mason or architect, 1850s, half length and seated, with a trowel and pair of compasses, decorated border in gilt, red, blue and white, overall 18 x 14.5cm, together with a sixth-plate ambrotype of a German group of soldiers, 1860s, the centre figure holding a pair of binoculars, gilt-titled on the glass 'Erinnerung an den Niderwald', seals a little frayed (2)
*Ambrotype. A tinted half-plate ambrotype of a French cavalry officer, 1860s, three-quarter length in full uniform, hand-coloured with gilt highlights, recessed oval mount, seals broken and case split, together with a tintype of a musician with violin, gilt stamped frame, plus two hand-coloured lantern slides of Turkish men, circa 1890, wooden support (4)
*Daguerreotype. A sixth-plate daguerreotype of Mrs J. Smith Osler by Bracher of Oxford, 1850s, slight tarnish to right-hand margin, embossed case, together with another sixth-plate daguerreotype of an unidentified woman gazing at the camera, hand on chin, 1850s, some marginal tarnishing, plain case, heavily rubbed, plus a ninth-plate ambrotype of a young child seated on a chair, by Urie, Glasgow, 1860s, lacks lid (3)
*Carte-de-visite-size ambrotype of a man and his seated wife, by an unknown photographer, 1860s, in half case, together with an albumen print carte de visite of a graduate in academic dress by Hills & Saunders, Oxford, 1860s, double-fronted leather case lacking fold-out desk stand at back, plus an albumen print carte de visite of a lady by Bracher, in leather case with gilt clasp and photographer's gilt embossed stamp on base, 'Bracher, Photographic Artist, 26 High Street, Oxford', each 10.5 x 7.5cm Second item: Hannavy, Case Histories, p. 138. (3)
*Half-plate ambrotype of a seated lady by G. & D. Hay, Photographists, 68 Princes Street, Edinburgh, circa 1860, tinted and gilded, leather case with photographers' gilt stamp embossed on base George Heron Hay and David Syme Hay were at this address from 1858 until 1869. Hannavy, Case Histories, p. 50. (1)
*Ninth-plate ambrotype portrait of a seated lady, by R. Cade, Ipswich, circa 1860, embossed details to lid, together with a sixth-plate tintype of a couple in red paper-covered 'Forget-me-not' case used by itinerant fairground photographers, 1870s, slightly rubbed, plus a French oversize ninth-plate ambrotype portrait of a seated young man in velvet-covered case, circa 1870, photographer unknown, push button closure, plus a French tintype of a boy in a sailor suit, circa 1870, wood and embossed red leather case, plus a sixth-plate tintype of a group of three young ladies, 1870s, and a ninth-plate ambrotype of a young man, 1860s, both in French pressed metal frames Hannavy, Case Histories, pp. 75-76 (all but third and fifth items). (6)
*Ninth-plate ambrotype of a woman seated on a high-backed chair, by William Andrews, Photographic Gallery, 29 Westmorland Street, Dublin, 1860s, leather case with photographer's label inside, lid with embossed rococco design, together with four other ninth-plate ambrotypes, three of men and one of a woman, all by unknown photographers, contained in leather cases, one plain, one wallet-style, one with embossed embossed floral design to lid and one Eichmeyer case Hannavy, Case Histories, pp. 70, 37 & 69. (5)
*Pair of sixth-plate ambrotypes of a young husband and wife, by Henry Boswell Lee (or Joseph Lee), 57 Church Street, Liverpool, c. 1860, in leather cases with photographer's embossed stamp to lids, together with a tinted sixth-plate ambrotype of a seated woman, by J. Wilkinson, Photographer, 17 Sheffield Moor, late 1850s, embossed case with floral design to lid and bearing gilt embossed details to base, plus a sixth-plate ambrotype of a seated young gentleman by Beard & Foard, 14 St Ann's Square, Manchester & 34 Church Street, Liverpool, late 1850s, plain leather case with gilt embossed photographer details to base Henry Lee had been a fabric retailer until retirement in 1857 when he took up photography and opened a studio with his brother Joseph. His brother was the artist John Ingle Lee. Henry's other two sons George and Henry established the famous Liverpool department store of George Henry Lee. Hannavy, Case Histories, p. 42 (last item). (4)
*Pair of tinted ninth-plate ambrotypes, by Alfred Brothers, 4 St Ann's Square, Manchester, c. 1860, one of a seated young man, the other of a boy on a chair, perhaps the man's son or younger brother, in leather cases embossed with a gilt stamp to base, together with a ninth-plate ambrotype of a young woman, by Joseph Whitlock, 110 New Street, Birmingham, circa 1860, gilt highlights, leather case with gilt stamp to base The Alfred Brothers' studio had previously been occupied by Beard & Foard. Hannavy, Case Histories, pp. 42-43 & 52-53. (3)
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1363 item(s)/page