Action Man - five figures marked on the back 'Made in England by Palitoy under licence from Hasbro 1964', one dressed as a German Stormtrooper, one as a Red Devil Pilot and three in army uniform; another similar action figure marked to the right buttock ' G.I. Joe Copyright 1964 by Hasbro Patent Pending Made in Canada' dressed in army uniform; together with an Action Man jeep, field gun, mortar and machine guns and other accessories including helmets and weapons, parachute, diving equipment, skis and snow shoes, boots, uniforms etc; all unboxedCondition Report: Not all items checked individually but generally looks to be in good condition.Noted one ski pole broken in two.Jeep seats painted brown.
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Action Man - large collection of 1960s and later figures and accessories including Spaceman with ATLRV vehicle; two figures marked 'Made in England by Palitoy under licence from Hasbro 1964'; twenty-five assorted weapons; radio backpacks; kit bags; twenty-one pairs of boots; football boots and snow shoes; metal diver's boots and three pairs of flippers; two pairs of jackboots; roller skates; various tunics, trousers, flying suits, jumpers, belts etc; twenty helmets, berets, busby, kepis, submariner etc; and quantity of other accessoriesCondition Report: Condition varies from mint to poor with most being reasonably good.Some clothing looks to be quite worn.Noted one figure lacking right hand.
A collection of comics including; Moon Knight #1, 3, Marvel Special Moon Knight #1, Marvel Comics Presents Wolverine #1-3, What If (Elektra had lived), Iceman #1, Silver Surfer (1988) #1, 6-9, Power Girl #1, 2, 4, Manhunter 1#4, Iron Man #219. Marvel Tales starring Spider-man 215, 217-222, Power of the Atom #1-4, 7-10, other issues including Web of Spiderman, Conan the Barbarian, Captain Atom, The New Defenders, The PhantomStranger, Action Comic 594 etc (qty) Condition Report:Available upon request
Artist designed teddy bears x eight: (1) Dawn, Dusk & Midnight Myrtle teddy bear, designed by Dawn Slaughter, LE 1/1, 2007, grey / black sparse mohair with a pale violet backing, black glass eyes, grey vertically stitched nose, fully jointed with a wobble head, ultrasuede pads, with swing label certificate, 8"/20cm; (2) Norberry Bears / Ragamuffins Timothy teddy bear, golden sparse mohair, with swing label certificate, 10"/26cm; (3) Born Again Bears brown sparse mohair teddy bear, by Sue Lawson, wearing Action Man waistcoat and felt hat, 7.5"/19cm; (4) Hazeley Bears (New Zealand) Marcus, golden artificial silk, with swing label, 6"/15cm; (5) miniature brown mohair bear, 4"/10cm; (6) Blonde mohair yes / no teddy bear, wearing navy cotton dungarees, 9"/23cm; (7) golden with cinnamon tip mohair bear, 9"/23cm; (8) golden sparse mohair with brown backing teddy bear, 6"/15cm; Good Plus to Excellent Plus; (8).
GILBERT & GEORGEGilbert Proersch 1943 St. Martin (Südtirol) George Passmore 1942 Devon England Titel: Gilbert & George (für Parkett 14). Datierung: 1987. Technik: Gelatinesilberabzug auf zwei aneinander montierten Kartons. Darstellungsmaß: 25,5 x 42cm. Bezeichnung: Signiert und nummeriert. Herausgeber: Parkett-Verlag, Zürich (Hrsg.). Exemplar: 1/200. Zustand:Minimale Bestoßung der unteren linken Ecke. Ansonsten sehr guter Zustand.Mit Parkett-Magazin."Gilbert & George consider themselves warriors 'fighting for a total expression.' They want to involve all our experiences, intellectual and physical, even the most dramatic, the most banal, the most shunned by social custom. Their daily struggle for artistic creative action becomes a metaphor of the unceasing desperate activity of man."Mario Codognato, Parkett Nr. 14, 1987.Artikel zu Werk und Künstler aus Parkett Edition Nr. 14. Gilbert & George Grafik 1980er Mann Fotografie Gelatinesilberabzug MonochromErläuterungen zum Katalog
Marx Cherokee Indian Wigwam and three Hong Kong Action Man size Figures Clothing and Equipment (qty), Wigwam, in original box, VG, appears complete, box G, some creasing, unboxed, 12" Soldier with camoflauged uniform, Footballer in Arsenal 1960/70's red and white strip and Boy Figure also 12" in Chelsea blue strip, qty of 1960's and 70's clothing and shoes and a few items of Military wear, generally F-G, some torn (qty)
Action Man Barbie Mttell barbie Batman and Airfix 1:72 Figures (7), Hasbro 2008 Action Man Cowboy and SAS Key Figure,Mattel Spring Petals Barbie Doll and Barrbie Colloector Pink Label Batman, Airfix WW1 British Infantry (47 figs) and WW2 Luftwaffe Personnel (141, figures in one box, all in original boxes and unboxed FW Darth Vader jointed figure, G-E, boxes G-VG (7)
Action Man style Figures and uniforms and accessories and Six Million Dollar Man and Accessories (qty) , Hasbro and Palitoy (3) Action Soldier Figures (all with damage) with variety of Action Man and other makers Uniforms, clothing weapons and Accessories, Kenner Six Million Dollar Man in red outfit with helmet, back packand Engine block and spare Astronaut outfit with gloves and boots, F-G (qty)
Austin Powers Action Figures and Accessories (29) By Macfarlane Toys, four boxed examples, Dr Evil, Austin Powers (3 versions), Fat Man, Dr Evil & Mini Me, bubble packed examples, Austin Powers, Felicity Shagwell, Dr Evil (2 versions), Vanessa Kensington, Fat Man, Mini Me (2), Fembot, Scott Evil, together with loose figures and accessories (25), G-E, boxes VG, (42)
SONNY STITT - LP RARITIES PACK. A fantastic selection of 10 LPs by jazz saxophonist Sonny Stitt. Titles include Blows The Blues (CLP 1420), New York Jazz (33CX 10114), Now! (A-43, Van Gelder stamped matrix), Saxophone Supremacy (CLP 1443), Sits In With The Oscar Peterson Trio (CLP 1384), My Main Man (CRL 4503), What's New (NPL 28092), Inter-Action (Cadet 760), Stitt Plays Bird (SAL 5011) & My Buddy (MR 5091). Condition is generally Ex to Ex+. Some sleeves still in the original shrink wrap.
Palitoy - Hasbro - Action Man - GI Joe - 2 x figures and a collection of accessories. A painted hair Action Man in deep sea divers outfit, he has a detached arm and damage to his shoulder joint, also a painted hair Canadian made GI Joe with a detached foot. Includes parachute, skis, field telephone and others. They show signs of age and use and appear Fair to Good overall. (This does not constitute a guarantee) [ba]
Louis Wain (British 1860-1939) To Be Let Unfurnished signed (lower right), pen, ink, watercolour, gouache and pencil on wove paper on Artist's prepared board Dimensions:51.7cm x 72.5cm (20 3/8in x 28 1/2in) Provenance:ProvenancePrivate Collection, UK by 1915 and by family descent to the current owner. Note: For the Love of Cats: Works by Louis Wain "He has made the cat his own. He invented a cat style, a cat society, a whole cat world. English cats that do not look and live like Louis Wain cats are ashamed of themselves."H.G. Wells, 1925 In turn of the century Britain, the illustrations of Louis Wain were virtually inescapable. His world of anthropomorphised cats was so popular that there was demand for an annual, which ran from 1902 until 1921. He wrote and illustrated more than 100 children’s books over the course of his lifetime. Wain was additionally a recognised expert on the domestic cat and was elected President and Chairman of the National Cat Club.As well as being thoroughly charming and skilfully executed, collectors are enthralled by the fact Wain’s art seems to deeply channel the eccentricities of the man himself. His life story is a bizarre and, in many ways, tragic one. It is perhaps unsurprising that it was recently dramatized on the big screen in The Electrical Life of Louis Wain (2021), starring Benedict Cumberbatch as Wain.When his father died in 1880, Wain became the sole provider for his mother and five sisters. He was then tragically widowed after just three years of marriage in 1887. He and his remaining family lived together in Kent for much of his adult life. Despite great success as an illustrator over several decades, money was always short, spread across the large household. He was unable to secure much by way of copyright income and so did not receive royalties when his images were later widely reproduced. This subsequently led to the straitened circumstances he lived in when his health later failed.After a three-year period living and working in New York, Wain returned to the family fold in 1910. Despite having been the creator of ubiquitous imagery for so long, by 1917 demand for his work fell away. Sadly, Wain was committed to a pauper’s asylum in South London in 1924, having been certified insane by his sisters. It has been speculated that he suffered from schizophrenia, though issues may also have been triggered by a serious head injury sustained after falling from an omnibus in 1914. Wain would spend the final 15 years of his life in hospital.When it was discovered what had become of him, a fund was set up to raise money for Waint and his family. Ramsey MacDonald, the prime minister at the time, even arranged pensions for Wain’s sisters in recognition of their brother’s contribution to the arts. Wain himself was subsequently able to move to more comfortable housing in Bethlem Royal Hospital.Wain continued working throughout his final years, famously producing fascinatingly intricate and esoteric images of cats in bright colours and swirling patterns. They have been viewed as precursors to ‘psychedelic art’ and indeed were unlike anything else of the period: spectacular and peculiar in equal measure.The works offered here are from the peak of this unique artist’s career and are amongst some of the finest examples to have appeared on the market for some years. Hockey, c.1904, depicts a ferociously competitive cat hockey match with the viewer plunged into the thick of the action. It is one of Wain’s most recognisable and popular images, having been one of the widest published postcards of 1904-05. To Be Let Unfurnished is another fantastic example of Wain’s talent as a world builder: each cat has a sense of its own character, its individual plotline unfolding. The attention to detail is so involved, the characterisation so well observed, that it is easy to see why the nation took Wain’s imagery to their hearts and why his cause was taken up so generously when news of his sad fate reached society’s ears. Both works have been in the same family collection since at least as early as 1915 and it is with great pleasure that Lyon & Turnbull presents them to the market now, having been unseen by the general public for over 100 years.
Louis Wain (British 1860-1939) Hockey, circa 1904signed (lower left), pen, ink, watercolour, gouache and pencil on wove paper on Artist's prepared board42cm x 71.5cm (16 1/2in x 28 1/8in) For the Love of Cats: Works by Louis Wain "He has made the cat his own. He invented a cat style, a cat society, a whole cat world. English cats that do not look and live like Louis Wain cats are ashamed of themselves."H.G. Wells, 1925 In turn of the century Britain, the illustrations of Louis Wain were virtually inescapable. His world of anthropomorphised cats was so popular that there was demand for an annual, which ran from 1902 until 1921. He wrote and illustrated over 100 children’s books over the course of his lifetime. Wain was additionally a recognised expert on the domestic cat and was elected president and chairman of the National Cat Club.As well as being thoroughly charming and skilfully executed, collectors are enthralled by the fact Wain’s art seems to deeply channel the eccentricities of the man himself. His life story is a bizarre and, in many ways, tragic one. It is perhaps unsurprising that it was recently dramatized on the big screen in ‘The Electrical Life of Louis Wain’ (2021), starring Benedict Cumberbatch as Wain.When his father died in 1880 Wain became the sole provider for his mother and five sisters. He was then tragically widowed after just three years of marriage in 1887. He and his remaining family lived together in Kent for much of his adult life. Despite his great success as an illustrator over several decades, money was always short, spread across the large household. He was unable to secure much by way of copyright income and so did not receive royalties when his images were later widely reproduced. This subsequently led to the straitened circumstances he lived in when his health later failed.After a three-year period living and working in New York, Wain returned to the family fold in 1910. Despite having been the creator of such ubiquitous imagery for so long, by 1917 demand for his work fell away. Sadly, Wain was committed to a pauper’s asylum in South London in 1924, having been certified insane by his sisters. It has been speculated that he suffered from schizophrenia, though issues may also have been triggered by a serious head injury sustained after falling from an omnibus in 1914. Wain would spend the final 15 years of his life in hospital.When it was discovered what had become of him, a fund was set up to raise money for him and his family. Ramsey MacDonald, the prime minister at the time, even arranged pensions for Wain’s sisters in recognition to of their brother’s contribution to the arts. Wain himself was subsequently able to move to more comfortable housing in Bethlem hospital.Wain continued working throughout his final years, famously producing fascinatingly intricate and esoteric images of cats in bright colours and swirling patterns. They have been viewed as precursors to ‘psychedelic art’, and indeed were unlike anything else of the period: spectacular and peculiar in equal measure.The works offered here are from the peak of this unique artist’s career and are amongst some of the finest examples to have appeared on the market for some years. ‘Hockey’, c.1904, depicts a ferociously competitive cat hockey match with the viewer plunged into the thick of the action. It is one of Wain’s most recognisable and popular images, having been one of the most widely published postcards of 1904-05. ‘To Be Let Unfurnished’ is another fantastic example of Wain’s talent as a world builder: each cat has a sense of its own character, its individual plotline unfolding. The attention to detail is so involved, the characterisation so well observed, it is easy to see why the nation took his imagery to their hearts, and why his cause was taken up so generously when news of his sad fate reached society’s ears. Both works have been in the same family’s collection since at least as early as 1915, and it is with great pleasure that Lyon & Turnbull present them to the market now, having been unseen by the general public for over 100 years.

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16074 item(s)/page