Vintage Palitoy Action Man Secret Mission To Dragon Island, on gripping hands, eagle eyes, brown realistic hair doll, complete with jacket trousers, boots, haversack, dynamite, mess kit, torch, pliers, grenades, belt, compass, map, helmet, L593 Dragon Island map, L590 correct leaflet, uniform is sun faded, gripping hands on doll have gone hard and Sabotage 1st issue on gripping hands, brown realistic hair eagle eye doll, missing TNT with detonator, artwork illustration from original box, in good original condition, some sun fading to jumper. (2 items)
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Boxed Vintage Palitoy Action Man Soldier, Cat no. 34091, with gripping hands, eagle eyes, brown realistic hair, beret, scarf, sweater, belt, trousers, boots and SLR rifle, L161 32 page official equipment manual, L.487 leaflet and a L920 star scheme gift leaflet, figure is near mint original condition, illustrated box is good, some edge/age wear, tear to top flap on box from Sellotape.
Boxed Vintage Palitoy Action Man Captain Space Ranger, Cat no. 934804, with gripping hands, eagle eyes, brown realistic hair, Helmet, rubber suit, gloves Tabard, laser gun, L.830 leaflet and a L1337 star scheme gift leaflet, figure is near mint original condition, illustrated box is very some edge/age wear and unboxed Zargonite Soldier, gloves, boots, space suit, tabard, pistol and bandolier, in excellent original condition, plus a carded laser gun.( 3 items)
Boxed Vintage Action Man Combat Division Helicopter Pilot, Cat no.934802, mint original blond realistic hair and beard doll eagle eyed doll, with gripping hands, complete with, overalls, scarf, Airbourne flying helmet, oxygen mask, boots, L1337 star scheme leaflet,2 L830 leaflets still in original bag, box is in excellent original condition, with slight edge/age wear, with vintage £12.50 price label.
Palitoy Vintage Action Man German Luftwaffe Pilot, on blond flocked hair, gripping hands, eagle eyed doll, flying helmet, oxygen mask, goggles, scarf, jacket, trousers, boots, luger pistol, holster, belt, map and life jacket with tie, in very good original condition, some fading to uniform and Battle Of Britain RAF Pilot, on blond flocked hair, fixed hands doll, flying helmet, oxygen mask with air hose, goggles, scarf, tunic, trousers, boots, belt, map and Mae west life jacket, in very good original condition. (2 items)
Vintage Action Man German Stormtrooper Outfit, on blond flocked hair, eagle eye, gripping hands doll, helmet, combat jacket, trousers, boots, Y harness equipment webbing, water bottle, three stick grenades, bayonet, scabbard, KAR 98 rifle, iron cross, ID chain and German Panzer Captain outfit on blond flocked hair fixed hands doll, with cap, goggles, scarf, jacket, trousers, boots, luger pistol, holster, belt, binoculars, headphones, both in very good to excellent original condition. (2 items)
Vintage Action Man U.S. Paratroopers Outfit, on brown flocked hair doll, replacement gripping hands, with M1 rifle, missing bayonet and helmet camouflage netting, strap on helmet af. and The Internationals United States Marine Corps outfit on blond flocked hair gripping hands doll, both in good used condition. (2 items)
Vintage Action Man Afrika Korps Lance Corporal Uniform, on blond flocked hair fixed hands doll, in excellent complete original condition, plus The Internationals Afrika Korps uniform with peaked cap on blond flocked hair, eagle eyes, gripping hands doll in excellent original condition. (2 items)
Vintage Palitoy Action Man German Stormtrooper, on blond flocked hair, eagle eyes fixed hands doll, complete with storage locker card box and from The Internationals German Paratrooper on brown flocked hair, gripping hands doll, with extra para helmet and accessories both in very good to excellent used original condition. (2 items)
Four Vintage Dressed Action Man, Parachute Regiment outfit on blond flocked hair gripping hands doll, rubber beret issue, in excellent original condition, British Majors outfit on brown flocked hair gripping hands doll, in good original condition, missing pistol with lanyard, not correct webbing belt, Field Radio Pack, Grenadier guards outfit complete on brown hair eagle eyed doll (head detached) and The Internationals U.N. Peaceforce, on blond flocked hair gripping hands doll, rubber beret issue, in excellent original condition. (4 items)
Five Vintage Action man Dolls, French Foreign Legion, on blond flocked hair gripping hands doll, great coat sun faded, tip of gun broken, repair to canteen, webbing complete with bayonet, under water explorer on eagle eyed doll, rubber jacket perished, missing harpoon gun, Royal Engineers outfit, on eagle eyed doll, missing Lee Enfield rifle & commando knife, mine detector broken, fading to uniform, Pursuit craft pilot outfit, on flocked hair doll, replacement hands and The Internationals Russian Infantry on eagle eyed doll with extra accessories, fading to coat.(5 items)
A Quantity of Original Action Man catalogues and Leaflets, including: 1972 Equipment manual, in fair condition, 1975 Equipment manual, 1976 L288 Equipment manual, 1978 L161 Equipment manual,1979 L590 Equipment leaflet, The Royal Canadian Mounted police Leaflet, L9 Action Man Commander leaflet, Astronaut instructions,L406 Eagle eyes leaflet, L422 Field Radio Pack, underwater explorer leaflet,L420 RNLI leaflet, L556 Medic leaflet,L557 Mission Texas leaflet, 3 x L575 Hands that Really Grip leaflet, L352 Colditz catalogue, L358 Colditz suitcase assembly instructions,L160 star scheme leaflet,L101 Action Man Army manual, 2 x Action Man official equipment manual @1964, GI Joe Army Manual, GI Joe official equipment manual, GI Joe official marine manual, 2 x L103 Intelligence manuals, two paperbacks An Action Man adventure books, Artic Mystery & Versus the master spy, cardboard warning signs,Action Man is Here 45 RPM vinyl single record, plus Tommy Gun commandos handbook, a useful lot, all in fair to excellent condition. (A.Lot)
Quantity of Vintage Action Man Hats and Helmets, including: Lancer helmet, German offers hat, Astronaut helmet, Jungle fighter hat, Firemans helmet, RMP peak cap, green Para berets with badges, Green beret, Red Devil helmet, Action soldier rubber beret, Explorer Pith hat, Dispatch rider helmet, Tank commander beret, Royal Marines Exploration helmet, Space ranger helmet and others, all in good to fair original condition. (90 items)
Quantity of Vintage Action Man Outfits, Boots and Equipment, including: carded French Greatcoat, German Greatcoat, both opened, Skis, Astronaut suit, oxygen chest pack, propellant gun, belts, scarfs, boots, trousers, Tommy gun para smock and others, in good to fair original condition (A.Lot)
Quantity of Vintage Action Man Guns/belts and Accessories, including boxed belt feed machine gun, missing sandbags and battery cover, Scorpion tank flag and pole, pistols, grenades, scabbards, holsters, Land rover steering wheel, spare front lamps and more, a useful lot, in excellent to fair original condition (A.Lot)
Six Vintage Action Man Painted Head Dolls, three with original identity tags, 5 x red painted heads, 1 x black painted head, all in very good to excellent condition, two of the dolls have slight stress cracks to one left calf and one right knee, plus a vintage wooden storage box, in excellent original condition with a few accessories and one other maker doll.(8 items).
Quantity of Vintage Action Man Sportsman outfits and accessories, including: from Olympic Champion Track suit, shorts, running shoes, javelin, discuss, shot, Olympic torch, medal, Footballer tracksuit top, blue football top, pair of football boots, Leeds United and Everton tracksuit tops, plus other makers pair of socks and football, all in fair to excellent original condition.(23 items)
Boxed Original Palitoy Action Man Soldier, circa 1980, Cat. No. 34032 eagle eyed, gripping hands, doll, with beret, jersey, camouflaged trousers, scarf, belt, SLR rifle, instruction leaflet, dressing thimble, L590 leaflet, in near mint boxed condition, tiny tear fron sellotape seal on end flap to box.
Field Commander and Field Radio Action Man, in good used complete condition, with instruction leaflet, with records, instruction leaflet, Adventurer on eagle eyed doll, in fair original condition, basic figure, eagle eyes, in near mint original condition, battle pack and laser, helmet from space ranger, jungle explorer outfit, (missing snake bite outfit-Rifle tip missing) special operations kit bag with instructions leaflet, Turbo copter, frogman’s air cylinder, pair of fins, 3 x star award cards, 3 x official equipment manuals, 5 x figure leaflets, yellow instruction leaflet for new gripping hands figure and a Palitoy leaflet (A.Lot)
A Quantity of Action Man Palitoy Action Force Mini Figures and Vehicles, including: sixteen action figures, complete with weapons Action Force Mini comics 1 to 5, unboxed AF3 special patrol vehicle with leaflet, Z force rapid fire motorcycle, with leaflet, Hawk and Blades complete with pilot/missiles/ instruction leaflet, AF5 multi mission craft, Q force 4 stingray, with missiles, AF9 with figure complete and Satellite defence with security trooper, all in excellent original condition. (28 items)
A Quantity of Playworn Action man dolls, clothes and Accessories including: nine flicked hair gripping hands dolls, part uniforms Fireman, MP jacket, trousers ect, accessories including guns, hats boots, Cherilea Hornet Semi Track (missing searchlight/missiles & gun) Palitoy Jeep, plus five other action figures, including Starsky & Hutch (A. lot)
A collection of Palitoy Action Man figures and accessories, including three figures, uniforms, guns, a flame-thrower, a stretcher, diving equipment, helmets and boots (some playwear, wrist split to one figure).Buyer’s Premium 29.4% (including VAT @ 20%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 6% (including VAT @ 20%) of the hammer price.
A collection of Palitoy Action Man figures and accessories, including a soldier, a Red Devil figure, clothes, guns, a Power-Hog, a Land-Rover, a Pursuit Craft, booklets and leaflets, some boxed (playwear, soldier has cracked wrists, boxes creased, torn and scuffed, Pursuit Craft box also cut), together with a Six Million Dollar Man action figure.Buyer’s Premium 29.4% (including VAT @ 20%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 6% (including VAT @ 20%) of the hammer price.
Peter Mammes Childhood, 2022 Gouache Paint and Gold Leaf on Paper Signed on Verso 15 x 10cm (5¾ x 3¾ in.) About Peter Mammes was born in Krugersdorp, South Africa on July 6, 1986, Into an Afrikaans-speaking community. He moved to Johannesburg at the age of 11 and attended the National School of the Arts in Braamfontein, where he received his only formal training in art. Interested predominantly in drawing and painting, he had his first solo exhibition at the age of 16. Peter started working in isolation after high school, developing his drawing skills and making artworks based on medieval European woodcuts. He set up a studio in India in 2013 and later in Russia, where he researched and developed the themes that have become inherent in his work. In 2018 Peter set up a studio in Cairo, Egypt, where he made a series of drawings informed by his research into both ancient Egyptian art and hieroglyphics and contemporary local politics. Peter travels extensively around the world to find ideas and imagery for his work, collecting patterns that he finds on stone carvings and reliefs on temples, facades and graves. He was recently commissioned to design a commemorative coin for circulation for the South African mint, released in 2019. Peter currently resides in London on an exceptional talent visa. His studio is in Whitechapel. Select Exhibitions/Awards Solo Exhibitions 2019 Presumed alive HOXTON 253 art project space London United Kingdom 2018 It's Already Too Late Once The Soldiers Have Arrived Daville Baillie Gallery Johannesburg South Africa 2017 Dawn of the Anthropocene Toffee Gallery Darling South Africa Ethics Priest Gallery Johannesburg South Africa 2016 Reprisal, subjective objects Fried Contemporary Art Gallery Pretoria South Africa Nuances in a narrow spectrum 2.5 Luvey 'n Rose Cape Town South Africa Nuances in a narrow spectrum Lizamore & Associates Johannesburg South Africa 2014 Triumph Prosthetics for the People NIROX projects - Johannesburg South Africa Iconography of the just Room Gallery & Projects Johannesburg South Africa 2010 Antagonistic Harmonies in First Arrangement Johannesburg Art Gallery (JAG) Johannesburg South Africa Group Exhibitions 2020 Eternity is now // Akaretler // Istanbul // Turkey Reveries // Espacio Gallery // London // United Kingdom Knoop/Knot // University of Stellenbosch Art Gallery // Stellenbosch // South Africa Punk 4 Mental Health // Stash Gallery // London // United Kingdom 2019 FUSION Vol. 2 // Eclectica contemporary // Cape Town // South Africa Speculative Fiction // Candid Arts Trust // London United Kingdom Visible Unreality // Museo civico di Castel Nuovo - Maschio Angioino // Naples // Italy Art Below Chelsea // 2019 ArtBelow // London // United Kingdom Incite // Deepestdarkest // Cape town // South Africa SEAS// Brighton // United Kingdom 2018 Spring Salon // Lizamore & Associates // Johannesburg // South Africa David Baille gallery // Johannesburg // South Africa Untitled gallery // Cape Town // South Africa Absa art Auction // Johannesburg // South Africa Studio G // Cape town // South Africa 2017 Atelier 2017 // Absa Gallery // Johannesburg // South Africa 35 Years- Trailblazers // Lizamore & Associates // Johannesburg // South Africa Confessional // Absa Gallery // Johannesburg // South Africa Sixteen Hundred // No End Contemporary Art Space // Johannesburg // South Africa Moore gallery // Franchhoek // South Africa 2016 Clash // Bag Factory // Johannesburg // South Africa Skulls: a group exhibitions of skull interpretations // Fried Contemporary Art Gallery // Pretoria // South Africa Performing Wo/man // Oliewenhuis Art Museum // Bloemfontein // South Africa I had a dream last night (But I Can't remember what it was about) // No End Contemporary Art Space // Johannesburg // South Africa Fifteen Hundred // No End Contemporary Art Space // Johannesburg // South Africa Death and Taxes // Fried Contemporary Art Gallery // Pretoria // South Africa Creator/curator // Absa Gallery // Johannesburg // South Africa Remain(s) // DF Contemporary // Cape town // South Africa Art room // Johannesburg // South Africa Basha Uhuru festival at Constitution Hill // Johannesburg // South Africa 1 Eloff street // Johannesburg // South Africa ZERO // SOMA // Johannesburg // South Africa 2015 Equus: the Four Horseman // Cavalli Wine Estate and Gallery // Strand // South Africa No End To This // No End Contemporary Art Space // Johannesburg // South Africa Cross-Sections // Kalashnikovv Gallery // Johannesburg // South Africa REVAMP // Priest Gallery // Johannesburg // South Africa Macabre // Underculture Contemporary // Port Elizabeth // South Africa Atelier Art competition // Absa Gallery // Johannesburg // South Africa Die Burger 100 years of publication // Artscape Theatre Centre // Cape town// 2015 The art room // Johannesburg // South Africa Transitions at the Transvaal Post office // Johannesburg // South Africa Cross section at The Transvaal Post office // Johannesburg // 2015 Revamp at Priest // Johannesburg // South Africa Twillsharp //Johannesburg // South Africa Cabinets of curiosity // Capetown // South Africa Fetish at Artec // Port Elizabeth // South Africa Dirt at Rubixcube // Johannesburg // South Africa 2014 Lizamore And Associates Hosts Two Exhibitions In May // Lizamore & Associates // Johannesburg // South Africa Vista // Carol Lee Fine Art // Johannesburg // South Africa Diedericks/Faber fine art // Cape Town // South Africa Rubixcube at arts on main // Johannesburg // South Africa 2013 Home is wherever I'm with you // Salon Ninety One // Cape Town // South Africa You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists, and directly jeopardizes the charitable work we do. Anyone found doing will subject to legal action.
Peter Mammes Dodo Pattern, 2022 Ink on Paper Signed on Verso 15 x 10cm (5¾ x 3¾ in.) About Peter Mammes was born in Krugersdorp, South Africa on July 6, 1986, Into an Afrikaans-speaking community. He moved to Johannesburg at the age of 11 and attended the National School of the Arts in Braamfontein, where he received his only formal training in art. Interested predominantly in drawing and painting, he had his first solo exhibition at the age of 16. Peter started working in isolation after high school, developing his drawing skills and making artworks based on medieval European woodcuts. He set up a studio in India in 2013 and later in Russia, where he researched and developed the themes that have become inherent in his work. In 2018 Peter set up a studio in Cairo, Egypt, where he made a series of drawings informed by his research into both ancient Egyptian art and hieroglyphics and contemporary local politics. Peter travels extensively around the world to find ideas and imagery for his work, collecting patterns that he finds on stone carvings and reliefs on temples, facades and graves. He was recently commissioned to design a commemorative coin for circulation for the South African mint, released in 2019. Peter currently resides in London on an exceptional talent visa. His studio is in Whitechapel. Select Exhibitions/Awards Solo Exhibitions 2019 Presumed alive HOXTON 253 art project space London United Kingdom 2018 It's Already Too Late Once The Soldiers Have Arrived Daville Baillie Gallery Johannesburg South Africa 2017 Dawn of the Anthropocene Toffee Gallery Darling South Africa Ethics Priest Gallery Johannesburg South Africa 2016 Reprisal, subjective objects Fried Contemporary Art Gallery Pretoria South Africa Nuances in a narrow spectrum 2.5 Luvey 'n Rose Cape Town South Africa Nuances in a narrow spectrum Lizamore & Associates Johannesburg South Africa 2014 Triumph Prosthetics for the People NIROX projects - Johannesburg South Africa Iconography of the just Room Gallery & Projects Johannesburg South Africa 2010 Antagonistic Harmonies in First Arrangement Johannesburg Art Gallery (JAG) Johannesburg South Africa Group Exhibitions 2020 Eternity is now // Akaretler // Istanbul // Turkey Reveries // Espacio Gallery // London // United Kingdom Knoop/Knot // University of Stellenbosch Art Gallery // Stellenbosch // South Africa Punk 4 Mental Health // Stash Gallery // London // United Kingdom 2019 FUSION Vol. 2 // Eclectica contemporary // Cape Town // South Africa Speculative Fiction // Candid Arts Trust // London United Kingdom Visible Unreality // Museo civico di Castel Nuovo - Maschio Angioino // Naples // Italy Art Below Chelsea // 2019 ArtBelow // London // United Kingdom Incite // Deepestdarkest // Cape town // South Africa SEAS// Brighton // United Kingdom 2018 Spring Salon // Lizamore & Associates // Johannesburg // South Africa David Baille gallery // Johannesburg // South Africa Untitled gallery // Cape Town // South Africa Absa art Auction // Johannesburg // South Africa Studio G // Cape town // South Africa 2017 Atelier 2017 // Absa Gallery // Johannesburg // South Africa 35 Years- Trailblazers // Lizamore & Associates // Johannesburg // South Africa Confessional // Absa Gallery // Johannesburg // South Africa Sixteen Hundred // No End Contemporary Art Space // Johannesburg // South Africa Moore gallery // Franchhoek // South Africa 2016 Clash // Bag Factory // Johannesburg // South Africa Skulls: a group exhibitions of skull interpretations // Fried Contemporary Art Gallery // Pretoria // South Africa Performing Wo/man // Oliewenhuis Art Museum // Bloemfontein // South Africa I had a dream last night (But I Can't remember what it was about) // No End Contemporary Art Space // Johannesburg // South Africa Fifteen Hundred // No End Contemporary Art Space // Johannesburg // South Africa Death and Taxes // Fried Contemporary Art Gallery // Pretoria // South Africa Creator/curator // Absa Gallery // Johannesburg // South Africa Remain(s) // DF Contemporary // Cape town // South Africa Art room // Johannesburg // South Africa Basha Uhuru festival at Constitution Hill // Johannesburg // South Africa 1 Eloff street // Johannesburg // South Africa ZERO // SOMA // Johannesburg // South Africa 2015 Equus: the Four Horseman // Cavalli Wine Estate and Gallery // Strand // South Africa No End To This // No End Contemporary Art Space // Johannesburg // South Africa Cross-Sections // Kalashnikovv Gallery // Johannesburg // South Africa REVAMP // Priest Gallery // Johannesburg // South Africa Macabre // Underculture Contemporary // Port Elizabeth // South Africa Atelier Art competition // Absa Gallery // Johannesburg // South Africa Die Burger 100 years of publication // Artscape Theatre Centre // Cape town// 2015 The art room // Johannesburg // South Africa Transitions at the Transvaal Post office // Johannesburg // South Africa Cross section at The Transvaal Post office // Johannesburg // 2015 Revamp at Priest // Johannesburg // South Africa Twillsharp //Johannesburg // South Africa Cabinets of curiosity // Capetown // South Africa Fetish at Artec // Port Elizabeth // South Africa Dirt at Rubixcube // Johannesburg // South Africa 2014 Lizamore And Associates Hosts Two Exhibitions In May // Lizamore & Associates // Johannesburg // South Africa Vista // Carol Lee Fine Art // Johannesburg // South Africa Diedericks/Faber fine art // Cape Town // South Africa Rubixcube at arts on main // Johannesburg // South Africa 2013 Home is wherever I'm with you // Salon Ninety One // Cape Town // South Africa You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists, and directly jeopardizes the charitable work we do. Anyone found doing will subject to legal action.
Peter Mammes War Crimes, 2022 Cold Cast Brass, Flocking and Gold Leaf Signed on Verso 15 x 10cm (5¾ x 3¾ in.) About Peter Mammes was born in Krugersdorp, South Africa on July 6, 1986, Into an Afrikaans-speaking community. He moved to Johannesburg at the age of 11 and attended the National School of the Arts in Braamfontein, where he received his only formal training in art. Interested predominantly in drawing and painting, he had his first solo exhibition at the age of 16. Peter started working in isolation after high school, developing his drawing skills and making artworks based on medieval European woodcuts. He set up a studio in India in 2013 and later in Russia, where he researched and developed the themes that have become inherent in his work. In 2018 Peter set up a studio in Cairo, Egypt, where he made a series of drawings informed by his research into both ancient Egyptian art and hieroglyphics and contemporary local politics. Peter travels extensively around the world to find ideas and imagery for his work, collecting patterns that he finds on stone carvings and reliefs on temples, facades and graves. He was recently commissioned to design a commemorative coin for circulation for the South African mint, released in 2019. Peter currently resides in London on an exceptional talent visa. His studio is in Whitechapel. Select Exhibitions/Awards Solo Exhibitions 2019 Presumed alive HOXTON 253 art project space London United Kingdom 2018 It's Already Too Late Once The Soldiers Have Arrived Daville Baillie Gallery Johannesburg South Africa 2017 Dawn of the Anthropocene Toffee Gallery Darling South Africa Ethics Priest Gallery Johannesburg South Africa 2016 Reprisal, subjective objects Fried Contemporary Art Gallery Pretoria South Africa Nuances in a narrow spectrum 2.5 Luvey 'n Rose Cape Town South Africa Nuances in a narrow spectrum Lizamore & Associates Johannesburg South Africa 2014 Triumph Prosthetics for the People NIROX projects - Johannesburg South Africa Iconography of the just Room Gallery & Projects Johannesburg South Africa 2010 Antagonistic Harmonies in First Arrangement Johannesburg Art Gallery (JAG) Johannesburg South Africa Group Exhibitions 2020 Eternity is now // Akaretler // Istanbul // Turkey Reveries // Espacio Gallery // London // United Kingdom Knoop/Knot // University of Stellenbosch Art Gallery // Stellenbosch // South Africa Punk 4 Mental Health // Stash Gallery // London // United Kingdom 2019 FUSION Vol. 2 // Eclectica contemporary // Cape Town // South Africa Speculative Fiction // Candid Arts Trust // London United Kingdom Visible Unreality // Museo civico di Castel Nuovo - Maschio Angioino // Naples // Italy Art Below Chelsea // 2019 ArtBelow // London // United Kingdom Incite // Deepestdarkest // Cape town // South Africa SEAS// Brighton // United Kingdom 2018 Spring Salon // Lizamore & Associates // Johannesburg // South Africa David Baille gallery // Johannesburg // South Africa Untitled gallery // Cape Town // South Africa Absa art Auction // Johannesburg // South Africa Studio G // Cape town // South Africa 2017 Atelier 2017 // Absa Gallery // Johannesburg // South Africa 35 Years- Trailblazers // Lizamore & Associates // Johannesburg // South Africa Confessional // Absa Gallery // Johannesburg // South Africa Sixteen Hundred // No End Contemporary Art Space // Johannesburg // South Africa Moore gallery // Franchhoek // South Africa 2016 Clash // Bag Factory // Johannesburg // South Africa Skulls: a group exhibitions of skull interpretations // Fried Contemporary Art Gallery // Pretoria // South Africa Performing Wo/man // Oliewenhuis Art Museum // Bloemfontein // South Africa I had a dream last night (But I Can't remember what it was about) // No End Contemporary Art Space // Johannesburg // South Africa Fifteen Hundred // No End Contemporary Art Space // Johannesburg // South Africa Death and Taxes // Fried Contemporary Art Gallery // Pretoria // South Africa Creator/curator // Absa Gallery // Johannesburg // South Africa Remain(s) // DF Contemporary // Cape town // South Africa Art room // Johannesburg // South Africa Basha Uhuru festival at Constitution Hill // Johannesburg // South Africa 1 Eloff street // Johannesburg // South Africa ZERO // SOMA // Johannesburg // South Africa 2015 Equus: the Four Horseman // Cavalli Wine Estate and Gallery // Strand // South Africa No End To This // No End Contemporary Art Space // Johannesburg // South Africa Cross-Sections // Kalashnikovv Gallery // Johannesburg // South Africa REVAMP // Priest Gallery // Johannesburg // South Africa Macabre // Underculture Contemporary // Port Elizabeth // South Africa Atelier Art competition // Absa Gallery // Johannesburg // South Africa Die Burger 100 years of publication // Artscape Theatre Centre // Cape town// 2015 The art room // Johannesburg // South Africa Transitions at the Transvaal Post office // Johannesburg // South Africa Cross section at The Transvaal Post office // Johannesburg // 2015 Revamp at Priest // Johannesburg // South Africa Twillsharp //Johannesburg // South Africa Cabinets of curiosity // Capetown // South Africa Fetish at Artec // Port Elizabeth // South Africa Dirt at Rubixcube // Johannesburg // South Africa 2014 Lizamore And Associates Hosts Two Exhibitions In May // Lizamore & Associates // Johannesburg // South Africa Vista // Carol Lee Fine Art // Johannesburg // South Africa Diedericks/Faber fine art // Cape Town // South Africa Rubixcube at arts on main // Johannesburg // South Africa 2013 Home is wherever I'm with you // Salon Ninety One // Cape Town // South Africa You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists, and directly jeopardizes the charitable work we do. Anyone found doing will subject to legal action.
Peter Mammes Fate, 2022 Resin and Gold Leaf on Paper Signed on Verso 15 x 10cm (5¾ x 3¾ in.) About Peter Mammes was born in Krugersdorp, South Africa on July 6, 1986, Into an Afrikaans-speaking community. He moved to Johannesburg at the age of 11 and attended the National School of the Arts in Braamfontein, where he received his only formal training in art. Interested predominantly in drawing and painting, he had his first solo exhibition at the age of 16. Peter started working in isolation after high school, developing his drawing skills and making artworks based on medieval European woodcuts. He set up a studio in India in 2013 and later in Russia, where he researched and developed the themes that have become inherent in his work. In 2018 Peter set up a studio in Cairo, Egypt, where he made a series of drawings informed by his research into both ancient Egyptian art and hieroglyphics and contemporary local politics. Peter travels extensively around the world to find ideas and imagery for his work, collecting patterns that he finds on stone carvings and reliefs on temples, facades and graves. He was recently commissioned to design a commemorative coin for circulation for the South African mint, released in 2019. Peter currently resides in London on an exceptional talent visa. His studio is in Whitechapel. Select Exhibitions/Awards Solo Exhibitions 2019 Presumed alive HOXTON 253 art project space London United Kingdom 2018 It's Already Too Late Once The Soldiers Have Arrived Daville Baillie Gallery Johannesburg South Africa 2017 Dawn of the Anthropocene Toffee Gallery Darling South Africa Ethics Priest Gallery Johannesburg South Africa 2016 Reprisal, subjective objects Fried Contemporary Art Gallery Pretoria South Africa Nuances in a narrow spectrum 2.5 Luvey 'n Rose Cape Town South Africa Nuances in a narrow spectrum Lizamore & Associates Johannesburg South Africa 2014 Triumph Prosthetics for the People NIROX projects - Johannesburg South Africa Iconography of the just Room Gallery & Projects Johannesburg South Africa 2010 Antagonistic Harmonies in First Arrangement Johannesburg Art Gallery (JAG) Johannesburg South Africa Group Exhibitions 2020 Eternity is now // Akaretler // Istanbul // Turkey Reveries // Espacio Gallery // London // United Kingdom Knoop/Knot // University of Stellenbosch Art Gallery // Stellenbosch // South Africa Punk 4 Mental Health // Stash Gallery // London // United Kingdom 2019 FUSION Vol. 2 // Eclectica contemporary // Cape Town // South Africa Speculative Fiction // Candid Arts Trust // London United Kingdom Visible Unreality // Museo civico di Castel Nuovo - Maschio Angioino // Naples // Italy Art Below Chelsea // 2019 ArtBelow // London // United Kingdom Incite // Deepestdarkest // Cape town // South Africa SEAS// Brighton // United Kingdom 2018 Spring Salon // Lizamore & Associates // Johannesburg // South Africa David Baille gallery // Johannesburg // South Africa Untitled gallery // Cape Town // South Africa Absa art Auction // Johannesburg // South Africa Studio G // Cape town // South Africa 2017 Atelier 2017 // Absa Gallery // Johannesburg // South Africa 35 Years- Trailblazers // Lizamore & Associates // Johannesburg // South Africa Confessional // Absa Gallery // Johannesburg // South Africa Sixteen Hundred // No End Contemporary Art Space // Johannesburg // South Africa Moore gallery // Franchhoek // South Africa 2016 Clash // Bag Factory // Johannesburg // South Africa Skulls: a group exhibitions of skull interpretations // Fried Contemporary Art Gallery // Pretoria // South Africa Performing Wo/man // Oliewenhuis Art Museum // Bloemfontein // South Africa I had a dream last night (But I Can't remember what it was about) // No End Contemporary Art Space // Johannesburg // South Africa Fifteen Hundred // No End Contemporary Art Space // Johannesburg // South Africa Death and Taxes // Fried Contemporary Art Gallery // Pretoria // South Africa Creator/curator // Absa Gallery // Johannesburg // South Africa Remain(s) // DF Contemporary // Cape town // South Africa Art room // Johannesburg // South Africa Basha Uhuru festival at Constitution Hill // Johannesburg // South Africa 1 Eloff street // Johannesburg // South Africa ZERO // SOMA // Johannesburg // South Africa 2015 Equus: the Four Horseman // Cavalli Wine Estate and Gallery // Strand // South Africa No End To This // No End Contemporary Art Space // Johannesburg // South Africa Cross-Sections // Kalashnikovv Gallery // Johannesburg // South Africa REVAMP // Priest Gallery // Johannesburg // South Africa Macabre // Underculture Contemporary // Port Elizabeth // South Africa Atelier Art competition // Absa Gallery // Johannesburg // South Africa Die Burger 100 years of publication // Artscape Theatre Centre // Cape town// 2015 The art room // Johannesburg // South Africa Transitions at the Transvaal Post office // Johannesburg // South Africa Cross section at The Transvaal Post office // Johannesburg // 2015 Revamp at Priest // Johannesburg // South Africa Twillsharp //Johannesburg // South Africa Cabinets of curiosity // Capetown // South Africa Fetish at Artec // Port Elizabeth // South Africa Dirt at Rubixcube // Johannesburg // South Africa 2014 Lizamore And Associates Hosts Two Exhibitions In May // Lizamore & Associates // Johannesburg // South Africa Vista // Carol Lee Fine Art // Johannesburg // South Africa Diedericks/Faber fine art // Cape Town // South Africa Rubixcube at arts on main // Johannesburg // South Africa 2013 Home is wherever I'm with you // Salon Ninety One // Cape Town // South Africa You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists, and directly jeopardizes the charitable work we do. Anyone found doing will subject to legal action.
Cecilia Fiona Sleeping and Sprouting, 2022 Watercolour on Paper Signed on Verso 15 x 10cm (5¾ x 3¾ in.) About Cecilia Fiona (b. 1997, Copenhagen, DK) lives and works in Copenhagen, DK. She holds a BA in Art History from the University of Copenhagen, DK (2021). Education BA Art history, University of Copenhagen 2021 Select Exhibitions/Awards She has exhibited internationally in galleries including: Galleri Kant, Copenhagen, DK; Annka Kultys, London, UK; Bricks Gallery, Copenhagen, DK; OTP Copenhagen, DK; The Reventlow-Museum, Lolland, DK; FORMATION Gallery, Copenhagen, DK. Fiona is currently exhibiting in the group show 'The Grass at our Feet' at VITRINE, Basel (until June 2022). Upcoming exhibitions include a solo show at Andersen's Contemporary, august 2022, Copenhagen, DK; and a group show at Marinaro Gallery, September 2022, New York City, US. Gallery Representation Fiona is represented by Andersen's Contemporary, Copenhagen, DK; and VITRINE, Basel, CH and London, UK. Statement about AOAP Submitted Artwork Cecilia Fiona's mythical worlds, all painted with rabbit-skin glue and pigments, are populated by creatures halfway between humans, animals and nature, born, living and dying simultaneously. By blending existing myths and folklore from different regions and times she builds her own mythological worlds where the boundaries between man and earth, dream and reality, life and death are fluid and in constant transformation. You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists, and directly jeopardizes the charitable work we do. Anyone found doing will subject to legal action
Cecilia Fiona Flowerhair, 2022 Watercolour on Paper Signed on Verso 15 x 10cm (5¾ x 3¾ in.) About Cecilia Fiona (b. 1997, Copenhagen, DK) lives and works in Copenhagen, DK. She holds a BA in Art History from the University of Copenhagen, DK (2021). Education BA Art history, University of Copenhagen 2021 Select Exhibitions/Awards She has exhibited internationally in galleries including: Galleri Kant, Copenhagen, DK; Annka Kultys, London, UK; Bricks Gallery, Copenhagen, DK; OTP Copenhagen, DK; The Reventlow-Museum, Lolland, DK; FORMATION Gallery, Copenhagen, DK. Fiona is currently exhibiting in the group show 'The Grass at our Feet' at VITRINE, Basel (until June 2022). Upcoming exhibitions include a solo show at Andersen's Contemporary, august 2022, Copenhagen, DK; and a group show at Marinaro Gallery, September 2022, New York City, US. Gallery Representation Fiona is represented by Andersen's Contemporary, Copenhagen, DK; and VITRINE, Basel, CH and London, UK. Statement about AOAP Submitted Artwork Cecilia Fiona's mythical worlds, all painted with rabbit-skin glue and pigments, are populated by creatures halfway between humans, animals and nature, born, living and dying simultaneously. By blending existing myths and folklore from different regions and times she builds her own mythological worlds where the boundaries between man and earth, dream and reality, life and death are fluid and in constant transformation. You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists, and directly jeopardizes the charitable work we do. Anyone found doing will subject to legal action
Bex Massey Hawez!, 2022 Acrylic and Ink on Paper Signed on Verso 15 x 10cm (5¾ x 3¾ in.) About Massey's practice incorporates figurative painting and installation. She uses collage and traditional making techniques to discuss ideas surrounding value. Reoccurring themes surrounding this 'value' are intersectional feminist issues, the post digital and British subcultures. Recent series have discussed the beginnings of misogyny with the Pandora myth ('We didn't start the fire' (solo) 2020); social media and the echo chambers created within ('Primaries', 2021) and current more autobiographical series ('The truth is out there' (solo) 2022) which discusses 'Section 28'and its impact on a generation of Queer teens. Education Chelsea College of Art Select Exhibitions/Awards Selected recent exhibitions: 2020 - We didn't start the fire, (SOLO) VOLT Eastbourne; Pop Now, Gallery 46, London; Body Politic, Susan Boutwell Gallery, Munich. 2021 - Play and the post peak, The Factory, London; The Big Show, Good Mother Gallery, San Francisco; Everywoman, Superchief Gallery, New York. 2022 - Hyper Contemporary, Hasbrook Galleries, Milwaukee; Instagram Live, 19 Karen, Queensland; Kunst the clown and friends, Lebenson Gallery, Paris and The truth is out there, (SOLO) Roman Road Gallery, London. Shortlisted awards: 'The Signature Art Prize' (2014), 'Young Masters Art Prize' (2014), 'The Taking Shape Prize (2016), 'Blooom Award' (2016) and received the 'Butterbiggens Prize in British Painting' in 2019 and 'Repaint History' in 2021. Statement about AOAP Submitted Artwork 'Hawez' and 'Nah Man' are largely based on the same titled 'Hawez, Nah Man!' diptych from 2020. I chose to refashion a study from this canvas for AOAP as when I think of post cards I think of travel and contacting loved ones. Both of these delights were curtailed in 2020 due to Covid 19. 'Hawez, Nah Man' was in my solo show 'We didn't start the fire' at VOLT, Eastbourne that year. The show was extended for two months but only physically open for a week due to two national lockdowns. Although a very limited number of people were able to see the work IRL prints of which sold quickly through the Artist Support Pledge and enabled me to connect with people again virtually and physically whilst queuing for/posting the items. You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists, and directly jeopardizes the charitable work we do. Anyone found doing will subject to legal action.
Bex Massey Nah Man!, 2022 Acrylic and Ink on Paper Signed on Verso 15 x 10cm (5¾ x 3¾ in.) About Massey's practice incorporates figurative painting and installation. She uses collage and traditional making techniques to discuss ideas surrounding value. Reoccurring themes surrounding this 'value' are intersectional feminist issues, the post digital and British subcultures. Recent series have discussed the beginnings of misogyny with the Pandora myth ('We didn't start the fire' (solo) 2020); social media and the echo chambers created within ('Primaries', 2021) and current more autobiographical series ('The truth is out there' (solo) 2022) which discusses 'Section 28'and its impact on a generation of Queer teens. Education Chelsea College of Art Select Exhibitions/Awards Selected recent exhibitions: 2020 - We didn't start the fire, (SOLO) VOLT Eastbourne; Pop Now, Gallery 46, London; Body Politic, Susan Boutwell Gallery, Munich. 2021 - Play and the post peak, The Factory, London; The Big Show, Good Mother Gallery, San Francisco; Everywoman, Superchief Gallery, New York. 2022 - Hyper Contemporary, Hasbrook Galleries, Milwaukee; Instagram Live, 19 Karen, Queensland; Kunst the clown and friends, Lebenson Gallery, Paris and The truth is out there, (SOLO) Roman Road Gallery, London. Shortlisted awards: 'The Signature Art Prize' (2014), 'Young Masters Art Prize' (2014), 'The Taking Shape Prize (2016), 'Blooom Award' (2016) and received the 'Butterbiggens Prize in British Painting' in 2019 and 'Repaint History' in 2021. Statement about AOAP Submitted Artwork 'Hawez' and 'Nah Man' are largely based on the same titled 'Hawez, Nah Man!' diptych from 2020. I chose to refashion a study from this canvas for AOAP as when I think of post cards I think of travel and contacting loved ones. Both of these delights were curtailed in 2020 due to Covid 19. 'Hawez, Nah Man' was in my solo show 'We didn't start the fire' at VOLT, Eastbourne that year. The show was extended for two months but only physically open for a week due to two national lockdowns. Although a very limited number of people were able to see the work IRL prints of which sold quickly through the Artist Support Pledge and enabled me to connect with people again virtually and physically whilst queuing for/posting the items. You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists, and directly jeopardizes the charitable work we do. Anyone found doing will subject to legal action.
Thiago Barbalho Untitled 2022, 2022 Colour Pencil, Ballpoint Pen, Permanent Marker and Pencil on Paper Signed on Verso 15 x 10cm (5¾ x 3¾ in.) About Thiago Barbalho (1984) was born and raised in Natal, in the Northeast of Brazil. He lives and works in São Paulo. Thiago studied philosophy and law and holds a master's degree in philosophy. The artist started his career as a writer, having published short stories, novels and poetry, and founded Edições Vira-lata, an independent press that published several fanzines in collaboration with visual artists. After experiencing what he describes as 'a crisis in relation to the limitations of written language', the artist embraced pictorial language as his preferred means of expression. He is the author of the short stories collection Um Homem Bom [A Good Man] (Iluminuras, 2017), the poetry collection Doritos (Edições Vira-lata, 2013) and the novel Thiago Barbalho vai ao fundo do poço [Thiago Barbalho Reaches Rock Bottom] (Edith, 2012). He is one of the artists in the book 'Vitamin D3: Today's Best in Contemporary Drawing' (Phaidon Press, UK, 2021). Education MA in Philosophy at Universidade Federal do Rio Grande do Norte Select Exhibitions/Awards Some selected exhibitions: Solo shows: Correspondência (Galeria Marilia Razuk, São Paulo, 2019); Thiago Barbalho (Kupfer project space, London, 2018). Group shows: Voyage (Bergamin & Gomide, São Paulo, 2017); Rocambole (Pivô, São Paulo, 2018; Kunsthalle Lissabon, Lisbon, 2019); Electric dreams (Nara Roesler, Rio de Janeiro, 2021). Works acquisition include Pinacoteca de Sao Paulo and some private colections. Statement about AOAP Submitted Artwork This work is part of my late practice developing elemental figures in a drawing technique that I call 'explosive writing'. Bringing gesture, colour, wonder and deep thoughts together, I come to symbols that ressembles both dawn, fingers and eyes as a portal to the experience of apparition. It brings to centre dense element mergered from my interest in subjects such as misticism, cartoon, writing poetry and the elements of metamorphosis found in nature. You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists, and directly jeopardizes the charitable work we do. Anyone found doing will subject to legal action.
Hardeep Pandhal Tolkien Artist, 2022 Ink and Watercolour on Paper Signed on Verso 15 x 10cm (5¾ x 3¾ in.) About Inspired by actual events, Hardeep Pandhal works with extremely rare images and voices to transform feelings of disinheritance and disaffection into generative spaces that bolster interdependence and self-belief. Applying practices of associative thinking, his research-led artworks exhibit syncretic strains of post-brown weirdness. Across media, his works are imbued with acerbity and playful complexity, at once confrontational and reflective. Education 2013 MFA. The Glasgow School of Art, Glasgow 2007 BA (Hons) Fine Art. Leeds Beckett University, Leeds 2004 Foundation Diploma. Birmingham City University, Birmingham Select Exhibitions/Awards Paul Hamlyn Awards for Artists Gallery Representation Jhaveri Contemporary Statement about AOAP Submitted Artwork The work is associated with an ongoing graphic Bildungsroman, which began in the mode of a sword and sorcery adventure based on reality, telling the story of a brown man on a collective quest to see a performance by a Tolkien-inspired black metal band. This story culminated in a battle between the brown man's party and a group of black metal fans, climaxing with "tentative stomps to the head" of the brown protagonist. This moment, and its retelling, enabled the artist Hardeep Pandhal to both enter and sense himself entering what he calls MIDIevil states of being, states in which rare and honest parallel thoughts are manifested in images and sounds. The wider project that Tolkien Artist belongs to is concerned with detailing the causes and effects of becoming MIDIevil. You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists, and directly jeopardizes the charitable work we do. Anyone found doing will subject to legal action.
Anton Kannemeyer The De-Platformed Blues 1, 2022 Acrylic, Pen and Ink on Paper Signed on Verso 15 x 10cm (5¾ x 3¾ in.) About Anton Kannemeyer is a satirical artist and co-founding editor of "Bitterkomix", an anti-apartheid and socio-political comic magazine in South Africa. Anton lectured at three universities in South Africa as senior lecturer for 15 years, and became a full time gallery artist in 2006. Education 1991: BA Fine Arts (Graphic Design) at the University of Stellenbosch, South Africa. 1993: Honnours in BA Fine Arts (Illustration) cum laude at the University of Stellenbosch. 1997: MA in Fine Arts cum laude at the University of Stellenbosch, South Africa. Select Exhibitions/Awards Anton has exhibited his work extensively in South Africa, Europe and the USA (sixteen solo exhibitions in Johannesburg, New York, Paris, Vienna, Lisbon and Cape Town). He is represented by galeries in New York, Paris, and Vienna. His work has been published in numerous publications and catalogues around the world, and is held in many permanent art collections, including the Museum of Modern Art in New York. His book, "Pappa in Afrika", won the best international graphic novel award at the Amadora BD Festival in Portugal in 2015. Gallery Representation Huberty & Breyne, Paris, Jack Shainman, New York and Ernst Hilger, Vienna. Statement about AOAP Submitted Artwork Anton Kannemeyer has lately been criticized for his satirical works dealing with race. The exact same works were praised in articles in "The New York Times", "Art in America", "Modern Painters", "Art South Africa", etc. in the past. His work has always been anti-racist, yet after a series of attacks in social media in 2020, it has become impossible for him to show his work in South Africa - no gallery dares to exhibit his political work anymore. The liberal media, academics and journalists that used to support him, are all very quiet today, afraid of a backlash on social media. There is, according to him, a strong reaction against satire and irony today, and especially against controversial art. The submitted artworks are satirical, showing a "white man" in the position of the traditional American blues guitarist, a metaphor for the loss of political power. You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists, and directly jeopardizes the charitable work we do. Anyone found doing will subject to legal action.
Anton Kannemeyer The De-Platformed Blues 2, 2022 Acrylic, Pen and Ink on Paper Signed on Verso 15 x 10cm (5¾ x 3¾ in.) About Anton Kannemeyer is a satirical artist and co-founding editor of "Bitterkomix", an anti-apartheid and socio-political comic magazine in South Africa. Anton lectured at three universities in South Africa as senior lecturer for 15 years, and became a full time gallery artist in 2006. Education 1991: BA Fine Arts (Graphic Design) at the University of Stellenbosch, South Africa. 1993: Honnours in BA Fine Arts (Illustration) cum laude at the University of Stellenbosch. 1997: MA in Fine Arts cum laude at the University of Stellenbosch, South Africa. Select Exhibitions/Awards Anton has exhibited his work extensively in South Africa, Europe and the USA (sixteen solo exhibitions in Johannesburg, New York, Paris, Vienna, Lisbon and Cape Town). He is represented by galeries in New York, Paris, and Vienna. His work has been published in numerous publications and catalogues around the world, and is held in many permanent art collections, including the Museum of Modern Art in New York. His book, "Pappa in Afrika", won the best international graphic novel award at the Amadora BD Festival in Portugal in 2015. Gallery Representation Huberty & Breyne, Paris, Jack Shainman, New York and Ernst Hilger, Vienna. Statement about AOAP Submitted Artwork Anton Kannemeyer has lately been criticized for his satirical works dealing with race. The exact same works were praised in articles in "The New York Times", "Art in America", "Modern Painters", "Art South Africa", etc. in the past. His work has always been anti-racist, yet after a series of attacks in social media in 2020, it has become impossible for him to show his work in South Africa - no gallery dares to exhibit his political work anymore. The liberal media, academics and journalists that used to support him, are all very quiet today, afraid of a backlash on social media. There is, according to him, a strong reaction against satire and irony today, and especially against controversial art. The submitted artworks are satirical, showing a "white man" in the position of the traditional American blues guitarist, a metaphor for the loss of political power. You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists, and directly jeopardizes the charitable work we do. Anyone found doing will subject to legal action.
Anton Kannemeyer The De-Platformed Blues 3, 2022 Acrylic, Pen and Ink on Paper Signed on Verso 15 x 10cm (5¾ x 3¾ in.) About Anton Kannemeyer is a satirical artist and co-founding editor of "Bitterkomix", an anti-apartheid and socio-political comic magazine in South Africa. Anton lectured at three universities in South Africa as senior lecturer for 15 years, and became a full time gallery artist in 2006. Education 1991: BA Fine Arts (Graphic Design) at the University of Stellenbosch, South Africa. 1993: Honnours in BA Fine Arts (Illustration) cum laude at the University of Stellenbosch. 1997: MA in Fine Arts cum laude at the University of Stellenbosch, South Africa. Select Exhibitions/Awards Anton has exhibited his work extensively in South Africa, Europe and the USA (sixteen solo exhibitions in Johannesburg, New York, Paris, Vienna, Lisbon and Cape Town). He is represented by galeries in New York, Paris, and Vienna. His work has been published in numerous publications and catalogues around the world, and is held in many permanent art collections, including the Museum of Modern Art in New York. His book, "Pappa in Afrika", won the best international graphic novel award at the Amadora BD Festival in Portugal in 2015. Gallery Representation Huberty & Breyne, Paris, Jack Shainman, New York and Ernst Hilger, Vienna. Statement about AOAP Submitted Artwork Anton Kannemeyer has lately been criticized for his satirical works dealing with race. The exact same works were praised in articles in "The New York Times", "Art in America", "Modern Painters", "Art South Africa", etc. in the past. His work has always been anti-racist, yet after a series of attacks in social media in 2020, it has become impossible for him to show his work in South Africa - no gallery dares to exhibit his political work anymore. The liberal media, academics and journalists that used to support him, are all very quiet today, afraid of a backlash on social media. There is, according to him, a strong reaction against satire and irony today, and especially against controversial art. The submitted artworks are satirical, showing a "white man" in the position of the traditional American blues guitarist, a metaphor for the loss of political power. You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists, and directly jeopardizes the charitable work we do. Anyone found doing will subject to legal action.
Hunter Potter Sunshine Daydream, 2022 Oil Stick, Spray and Acrylic on Paper Signed on Verso 15 x 10cm (5¾ x 3¾ in.) About b. 1990 Syracuse, NY Lives and works in Brooklyn, NY Education 2013 University of Vermont - Burlington, VT BA with Honors, Studio Art Presidential Scholarship recipient Select Exhibitions/Awards 2022 Godspeed - Primary Projects; Miami, FL 2021 Gimme Shelter - Ross+Kramer Gallery; East Hampton, NY I'll Wake Up Older - Richard Heller Gallery; Los Angeles, CA 2020 I Ain't Half The Man I Wanted To Be - Public Gallery; London, UK 2019 Happy To Be Here - Deli Grocery New York; Brooklyn, NY It's a New Life For Me - ChaShaMa Port Authority; New York, NY You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists, and directly jeopardises the charitable work we do. Anyone found doing will subject to legal action.
Akash Bhatt Man Going to Buy Cigarettes, 2022 Mixed Media on Paper Signed on Verso 10 x 15cm (3¾ x 5¾ in.) About Sketchbooks form the main part of my working process. In them I record ideas and imagery drawn from life. Together with this I keep detailed notebooks of writings-the combination of the two are the foundation of any work I produce. I also draw and paint when out on the streets looking for research material. Together with the sketchbooks, I use large sheets of paper on which I draw from direct observation. Back in my studio this information is used in the planning and making of new paintings. Quite often the compositions are finalised on location. This direct connection with the place is vital for me. I enjoy using a variety of mediums: oil, acrylic, watercolour, mixed media, and pen and ink. Normally I have a series of works in progress. Some of the bigger pieces can take up to two years to reach completion. Education 1991-92 Loughborough College of Art-Foundation Studies 1993-96 University of Westminster 1996-98 St Martins School of Art-Post Graduate Diploma Select Exhibitions/Awards 2017 Madhu, Beaux Arts Bath 2015 New Paintings, Beaux Arts Bath 2013 New Paintings, Beaux Arts Bath 2011 New Paintings, Beaux Arts Bath 2015 1st Prize Sunday Times Watercolour Exhibition You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists, and directly jeopardizes the charitable work we do. Anyone found doing will subject to legal action.
STIK (B. 1979)Children of Fire 2011 spray paint on steel garage door 211.3 by 211.2 cm.83 3/16 by 83 1/8 in. This work was executed in 2011. Footnotes:Provenance Private Collection, UKLamberty Art Gallery, LondonAcquired directly from the above by the present owner in 2013LiteratureJack Fogg Ed., STIK, London 2015, p. 114, 117, illustrated in colourInsightful and unwavering, Children of Fire is a masterful meditation on our political moment by the renowned street artist STIK, capturing a sense of community and the significance of togetherness in the face of political and social strife. Created in response to the infamous London Riots which took place across the capital in August 2011, Children of Fire documents the civil unrest, triggered in the wake of the death of 29-year-old British man Mark Duggan, who was fatally shot by police in north London. It is a work that distils an unnerving sense of despair and yet exudes an unshakeable hope. It is as invigorating as it is simple and reticent. In the nascent history of contemporary Street Art, few works embody the spirit of the street artist as a documenter; a phantom beyond reciprocity, creating artworks in the public sphere that stand to call attention to the architecture, the arbitrators, and headlines of our day. Children of Fire is such a work. A 'street' piece – such examples are rarely granted permission to be sold publicly – it is testament to its time and the importance of the movement over the last two decades. Lasting for five days, the London Riots in 2011 sparked outrage and shook London, with widespread violence, looting, arson and ultimately five fatalities. A chain reaction of unrest took hold of the nation as the violence spread across the country, raising fists and fire in protest against perceived injustice. Images of burning vehicles and damaged buildings are reminiscent of an apocalyptic scene from a movie rather than the streets of the country's capital. STIK experienced the riots first hand in his home borough of Hackney in East London. Taking to the streets, he was surely one of the only artists to have documented this historic event in the moment. Preparatory studies were drawn amid the riots, and the present mural was painted in the following days on the garage door of Pogo Café, a vegan café and anarchist information centre. Two years later, Pogo Café sold Children of Fire to fund proceeds for related social causes. In the present work, the artist sets the scene against a vibrant canary yellow backdrop. A bright flame rises from the bottom of the composition surrounding three children in a golden, fiery halo. With proportions that are distinctly childlike, the figures are depicted in STIK's iconic, rudimentary, and enigmatic style. An array of emotions are subtly implied. Bewildered, and imbued with a vulnerable innocence, the children glance at their surroundings in apparent dismay. There is a whisper of sadness emanating from the hunched figures, yet there is, nonetheless, a defiance and ambition that shines through. Like a phoenix rising from the ashes, those who have burnt the city to the ground are countenanced by those who would build it from its rubble. It illustrates a city and generation in flux. Many of the perpetrators of the London Riots were adolescents and young adults. The legacy of the events of August 2011 has undoubtedly been one of horror, of the brutality that gripped a country and the criminal opportunism that led to the snowballing of an initial spark. Yet the riots left the country with a deeper sense of obligation and community, and in Children of Fire this feels asserted in the most striking of images.STIK's dynamic six-line two dot figures have become superbly iconic, with their friendly figures appearing across buildings and walls across the globe. Like other acclaimed street artists such as Banksy and his emblematic Girl With Balloon or OSMGEMEOS' memorable cartoon-like characters, STIK's figures are much loved landmarks and members of the community in their own right. Despite their seemingly simplistic form, each figure possesses its own distinguishable character as the artist assembles them with idiosyncratic personalities. A tilt of the head, a slight curve in the back, a raised arm, or the positioning of their remarkably expressive eyes can communicate as much emotion as a fully painted portrait. It is testament to STIK's ability as an artist and his sensitivity to body language and sentiment. Executed in 2011, this impressive work by STIK is arguably the most significant piece to come to market. It is an artwork that establishes some wonderful dichotomies: undoubtedly one of the rarest and most monumental paintings by the artist, it is humbly executed on a commonplace garage door. Making it rarer still, additional elements including the backdrop with the burning flame are scarcely seen, the artist generally favouring a single or two-figure image set against a monochrome surround. The inclusion of a rare third character is a composition STIK only employed in a short period of his output. Furthermore, this particular garage door became a repeat canvas for STIK at the Pogo Café, where he would revisit and paint three separate works over three years. The first mural was to appear in 2008, Radical, a painting showing a defiant vegan holding an asparagus raised high and proudly above the figure's head. The second mural titled Woman featuring a lone figure on the garage door, and the third and final work Children of Fire were both executed sequentially in 2011. Originally found in the artist's neighbourhood in East London, STIK's connection to this object as a surface and message-board for his paintings makes it a piece that is utterly unique amongst comparable works to be offered. Signalling the importance of community, brotherhood, and political action, Children of Fire is unquestionably one of the great works by STIK and represents an opportunity to acquire a painting that is laden with history and lore by one of the definitive street artists of the last two decades.This lot is subject to the following lot symbols: AR TPAR Goods subject to Artists Resale Right Additional Premium.TP Lot will be moved to an offsite storage location (Cadogan Tate, Auction House Services, 241 Acton Lane, London NW10 7NP, UK) and will only be available for collection from this location at the date stated in the catalogue. Please note transfer and storage charges will apply to any lots not collected after 14 calendar days from the auction date.For further information on this lot please visit Bonhams.com

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