Working remote-controled automaton organ player on tricycle with papier-mâché head and hands, dummy barrel organ with built-in tape recorder, on solid tricycle with electric drive. Built-in rechargeable battery and remote-control for steering and driving direction. One of the hands is loose. Height: 120 cm. Width: 45 cm. Depth: 110 cm. Condition: Good. Location: The Netherlands, Tilburg. Video: https://youtube.com/shorts/ar1dzQhUySI
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Highwayman broadside.- A full and true account of the apprehending James Whitney, the notorious high-way-man; near Bishopsgate. With his examination and confession before Sir Thomas Cook, Sheriff, and the recorder of the city of London. This may be printed, Edmund Bohun, trimmed at foot, affecting imprint, lightly stained and browned, [Wing F2300], 299 x 189mm., [Printed, for Randal Taylor, near Stationers-Hall], [1692].⁂ Exceedingly rare, with ESTC and WorldCat recording a BL copy only.
A NEGRETTI & ZAMBRA CAMPBELL STOKES SUNSHINE RECORDER, MK 3, ENGLISH, LATE 19TH CENTURY,engraved LAT 45' -65', the glass sphere pivoted in brass arc and mounted on tripod base with levelling screws, together with a collection of recording cards, 9 1/2in (24cm) high Footnotes:The sunshine recorder was invented in 1853 by the scholar John Francis Campbell, before undergoing additional improvements in 1879 by the renowned physicist Sir George Stokes. The instrument focuses the sun's rays through the glass sphere to burn through the accompanying cards. By the end of the day, the condition of the card denotes the duration of sunshine. Negretti & Zambra was a London-based optical instruments firm operating from 1850 through to 1985.For further information on this lot please visit Bonhams.com
Venetian School, c. 1620 Ottoman Honey Merchant Oil on unlined canvas Dimensions: 77 (H) x 103 cm. (L)  (30 3/8 x 40 ½ inches) This incredibly rare early depiction of an Eastern Mediterranean or North African honey merchant is thought have been painted circa 1620. It predates the Flemish-French painter Jean Baptiste Vanmour (1671-1737) by around 100 years. Vanmour has been considered, until the emergence of this painting, to be the earliest and most refined recorder of Ottoman secular life. In the present painting, the honey merchant sits in his carpeted tent in obvious control of the trade around him. His accountant sits in deference whilst the apiarists and their workers present their straw skeps, or hives. This fascinating scene of everyday life in the Ottoman world, an Empire which included the Eastern Mediterranean and North Africa, illustrates much more than at first glance. Such an early depiction executed in oil on canvas is exceptional. Aside from the two iconic painters Gentile Bellini (active about 1460; died 1507), with his portrait of the Sultan Mehmet II of 1480 in the National Gallery, London and the aforementioned Van Mour, there are scarce western depictions of Ottoman or North African existence.  The artist of Ottoman Honey Merchant was probably Venetian both on stylistic and cultural grounds. The artist seems to be aware of the Bassano family of artists, reflecting their same blocky figures. The book-keeper turned away from the viewer is also familiar stylistically tothe Bassano dynasty. Certainly the strong and particular narrative content suggests therecording of a first-hand experience, although the potential name of this itinerant artist is not currently known.  Venetians were still the largest foreign community in Istanbul during the sixteenth century and remained the Ottomans’ most important international trading partners well into the seventeenth century. This mutually beneficial relationship provided each partner with access to key ports and valuable goods. Though territorial wars intermittently interrupted their relationship, both empires relied on trade for their economic well-being. As a Venetian ambassador expressed, ‘being merchants, we cannot live without them.’  The Ottomans sold wheat, spices, raw silk, cotton and ash (for glass making) to the Venetians, while Venice provided the Ottomans with finished goods such as soap, paper and textiles. The same ships that transported these everyday goods and raw materials also carried luxury objects such as carpets, inlaid metalwork, illustrated manuscripts and glass.  Honey was a highly significant commodity in Ottoman Empire during the period 1200 to 1700.  It was produced in huge quantities in almost every non-arid coastal region, from the Black Sea all the way to modern day Morocco, although it was most abundantly harvested in Attica and Turkey. The honey was used as a sweetener but also as a preservative for fruitsand fresh produce like meat, the wax from the bees was a pleasant-smelling core source of lighting and the honey could also be used medicinally as a natural antiseptic. Unsurprisingly, the Ottoman rulers had their own tax code for honey, with the duty collected being one akcËeor two akcËes from each beehive, depending on the locality and custom. The painting is redolent with period detail:  the merchant sits on a flat weave rug; in front of him is a painted tray (possibly either metal or papier maché) with a brass coffee pot and a white, glazed cup and saucer.  He wears prayer beads on his wrist.  The blue and white tent has been erected close to a town gateway which can bee seen beyond.  The book-keeper wears what appears to be a black burnous with a white hood;  this garment derives from the Berber Nomadic tribes and therefore strongly suggests that the scene could be identified as being North African.  To the right are three black men, almost certainly enslaved (the middle of the three being heavily disguised in a dark hood).  There was an ancient slave trade across the Sahara to the Mediterranean coast and also up the East coast of Africa and the Red Sea As there were restrictions on the enslavement of Muslims, “pagan†areas further to the South became an important source of enslaved people.  Ottoman areas of Anatolia and Attica tended to enslave Christians from the Black Sea and the Balkans, often prisoners of war.  Therefore the existence of the three figures to the right emphasises the likely location of this picture as being North Africa.  A secular painting of such antiquity of any trade is profoundly rare.  But the fact that the trade illustrated is the buying and selling of honey and beeswax is even more enthralling, it being one of the most universal and ancient of foods, sources of light and medicine.  There is evidence of human harvesting of honey from over 8,000 years ago.  And the honeybee itself has become a symbol of the natural health of the planet: bees are vital for the preservation of ecological balance and biodiversity in nature. They provide one of the most recognisable ecosystem services, that being pollination, which makes production of food possible. By doing so, bees protect and maintain ecosystems as well as animal and plant species, and contribute to genetic and biotic diversity.  Bees also act as indicators of the state of the environment. Their presence, absence or quantity tells us when something is happening with the environment and when appropriate action is needed. Therefore, this painting is a uniquely complex and layered object, addressing the history of art, trade, culture, race, dress, custom, food and natural sciences.
An 18 carat yellow gold open face pocket watch, the white enamel dial named Fattorini & Sons Bradford, Watch & Chronometer Manufacturers having a Roman numeral chapter ring and 0-300 recorder in a plain polished case, hallmarked Chester1896, makers mark RJP, numbered 819, stem wind movement number 15819 named JFattorini & Sons Bradford, diameter of dial 45mm, case 53mm, gross weight 108.8gms, hands set with pin, watch is fully wound and is not running.Condition report:Please see additional uploaded images of the back and movement. The watch is not running at the present time.
An 18 carat yellow gold "Centre Seconds Chronograph" open face pocket watch, the white enamel dial having a Roman numeral chapter ring, outer minutes and 0-300 recorder in plain polished outer and inner cases, hallmarked London 1932, makers mark EW, numbered 47531, stem wind movement number 47531 named John Hawley & Son, London, diameter of dial 42mm, case 50mm, gross weight 109gms, hands set with pin, chronograph stop/start and reset not working, watch is running at present time although no guarantee is given.Condition report:Please see additional uploaded images of the back of the case and movement.
National Time Recorder Co Ltd - A vintage early 20th Century oak cased clocking in and out timepiece having a painted dial with Roman numeral chapter ring and shaped hands. Elongated case with glazed door front with clocking in/out mechanism below, on wooden plinth base, clock face signed 'Aquinas Street London SE1'. Measures approx; 100cm x 34cm x 27cm. COLLECTION; Anyone wishing to collect this item in-person, please note this lot is located offsite and collection will be required from a 'BA' (Bath) postcode, by appointment only. Exact location given after payment received. For anyone else, our usual courier service is available as usual, please find details on the shipping tab .
BLAGDON (FRANCIS WILLIAM)A Brief History of Ancient and Modern India, for the Earliest Periods of Antiquity to the Termination of the Late Mahratta War, additional stipple-engraved frontispiece 'taken from the pediment of the portico to the East-India-House' by James Godby after E. Orme, letter-press title, hand-coloured stipple-engraved group portrait of 'The Native Judges and Officers of the Court of the Recorder, Bombay', 1805; 24 Views in Hindostan Drawn by William Orme from the Original Paintings by Mr. Daniell, engraved title, 24 hand-coloured aquatint views by J.C. Stadler, H. Merke, J. B. Harraden and others after F. S. Ward, T. and W. Daniell and others, 1805-- HUNTER (JAMES) Picturesque Scenery from the Kingdom of Mysore from Forty Drawings taken on the spot by James Hunter, Lieutenant in the Royal Artillery; Serving in a Detachment from that Corps under Marquis Cornwallis in the War with Tippoo Sultan, letter-press title, hand-coloured stipple-engraved portrait of Tippoo Sultan, 40 hand-coloured aquatint views by H. Merke, J. C. Stadler, J. B. Harraden and others after Hunter, 1805 [watermarks 1801-1802], 3 works bound in 1 vol., light off-setting, some spotting to first leaves and to some internal margins, contemporary red morocco gilt, gilt dentelles, g.e., minor abrasions and spotting to sides [Abbey Travel 425], large oblong folio (433 x 526mm.), W. Bulmer and Co. for E. OrmeThis lot is subject to the following lot symbols: •• Zero rated for VAT, no VAT will be added to the Hammer Price or the Buyer's Premium.For further information on this lot please visit Bonhams.com
3 Tonbandgeräte, 1 Kassettenrekorder und Tonbandspulen1) Teac A-3300SX, Stereo-Spulentonband, Japan, um 1977, für Spulen von 26,5 cm, 3 Motoren, 3 Köpfe, mit 2 Metallspulen, funktioniert. - 2) Braun TG 1000, ab 1971, 2-Spur-Spulentonband, 110-240 Volt Wechselstrom, 3 Bandgeschwindigkeiten: 4,75, 9,5 und 19 cm/s, Design von Dieter Rams, Motoren funktionieren, ohne Band getestet. - 3) Sony TC-378, Viertelspur-Spulentonband, Japan, 1976, 3 Bandgeschwindigkeiten, ungetestet. - 4) Braun C301M, Kassettendeck, um 1980, 2-Motoren-Laufwerk, funktioniert, ansonsten nicht getestet. - Und: 5) 3 Metallspulen, 26,5 cm, und 5 1000m-Tonbänder von Agfa in Schachteln. Start Price: EUR 240 Zustand: (3+/-)3 Tape Recorders, a Cassette Recorder and Tape Reels1) Teac A-3300SX, stereo reel-to-reel tape recorder, Japan, c. 1977, for 26.5 cm reels, 3 motors, 3 heads, with 2 metal reels, works. - 2) Braun TG 1000, 1971 onwards, 2-track reel-to-reel tape, 110-240 volts AC, 3 tape speeds: 4.75, 9.5 and 19 cm/s, design by Dieter Rams, motors work, tested without tape. - 3) Sony TC-378, quarter-track tape-to-tape recorder, Japan, 1976, 3 tape speeds, untested. - 4) Braun C301M, cassette deck, c. 1980, 2-motor drive, works, otherwise untested. - And: 5) 3 metal reels, 26.5 cm, and 5 Agfa 1000m tapes in boxes. Start Price: EUR 240 Condition: (3+/-)
Sammlung Detektorradios, Kopfhörer, Zubehör und weitere Teile, um 1920-601) Kleiner Detektorempfänger, Schweden, rundes Gehäuse, mit Kristall und Ericsson-Kopfhörer, 2000 Ohm. - 2) Detektorradio, Baltic, Schweden, rundes Metallgehäuse, mit Kristall. - 3) Detektorradio, Telefunken, rundes Gehäuse. - 4) Schiebespulen-Detektor, vermutlich Eigenbau. - 5) Detektorradio, L.M. Ericsson, Stockholm, rundes Nußbaumgehäuse. - 6) Detektorradio, unbezeichnet, mit Radiola-Kristall. - 7) Detektorradio, ASU, mit Kristall und Spule. - 8) 4 Detektorradios, unbezeichnet, 3 davon mit Kristall. - 9) 4 Steckspulen. - 10) 8 Kopfhörer, 2000 Ohm, Hersteller: Tefag, BL, Telefunken und andere. - 11) 2 elektrische Tonabnehmer, für Grammophone, Radio Gram und Eltron. - 12) Phono Trix, Tonbandgerät für Aufnahme und Wiedergabe, komplett mit Mikrophon, Lautsprecher und Betriebsanleitung. - Und: 13) Südfunk Kofferradio, Südfunk-Apparatebau, Dr. Ing. Robert Ott, Stuttgart, 2 Röhren, 5 Transistoren, Langwelle und Mittelwelle. Start Price: EUR 240 Zustand: (3/-)Group of Detector Radios, Headphones, Accessories and Additional Parts, c. 1920-601) Small detector receiver, Sweden, circular case, with crystal and Ericsson 2000-ohm headphones. - 2) Detector radio, Baltic, Sweden, circular metal case, with crystal. - 3) Detector radio, Telefunken, circular case. - 4) Sliding coil detector, probably home-built. - 5) Detector radio, L.M. Ericsson, Stockholm, circular walnut case. - 6) Detector radio, unmarked, with Radiola crystal. - 7) Detector radio, ASU, with crystal and coil. - 8) 4 detector radios, unmarked, 3 with crystals. - 9) 4 plug-in coils. - 10) 8 2000-ohm headphones by Tefag, BL, Telefunken and others. - 11) 2 electric pickups, for gramophones, Radio Gram and Eltron. - 12) Phono Trix, tape recorder for recording and playback, with microphone, loudspeaker and operating instructions. - And: 13) Südfunk Transistor Portable, Südfunk-Apparatebau, Dr. Ing. Robert Ott, Stuttgart, with 2 tubes, 5 transistors, long wave and medium wave. Start Price: EUR 240 Condition: (3/-)
2 Kompaktanlagen von "Bang & Olufsen"Dänemark. 1) Beosound Century 2000, 1993, bestehend aus Bedienfeld, Receiver, CD-Player, Kassettenrecorder hinter automatisch gleitender Glasabdeckung und 2 Aktivlautsprechern. Eine außergewöhnliche HiFi-Anlage, ausgezeichnet in Design und Klang, Tür öffnet nicht automatisch, ansonsten gut funktionierender Zustand. Mit Fernbedienung. - Und: 2) Beomaster 6000, Typ 2251, um 1980, UKW-Radioempfänger mit programmierbaren Stationstasten, Stereoverstärker, 2 x 75 Watt, 8 Ohm, und Zeitschaltuhr, funktioniert nur bis ca. 1/3 Lautstärke, danach Abschaltung. Start Price: EUR 240 Zustand: (3/3)2 Bang & Olufsen Sound SystemsDenmark. 1) Beosound Century 2000, 1993, consisting of control panel, receiver, CD player, cassette recorder behind automatically gliding glass cover and 2 active loudspeakers and remote control, glass cover does not open automatically, otherwise in good working condition. An extraordinary Hi-Fi system, excellent in design and sound. - And: 2) Beomaster 6000, type 2251, c. 1980, FM receiver with a pre-tuned radio section, powerful amplifier, 2 x 75 watts, 8 ohms, and programmable timer, only works up to about 1/3 volume, then switches off. Start Price: EUR 240 Condition: (3/3)
Tonaufzeichnungsgerät Telegraphon, um 1920Hersteller: Telegraphon Aktiengesellschaft, Berlin. Type T, Gerät zur Aufzeichnung von Telephonaten, Radiosendungen oder Diktaten auf Wachswalzen, Serien-Nr. 396, Eichengehäuse, elektrischer Antrieb, Tonarm gebrochen, ohne Haube, sehr selten. Start Price: EUR 80 Zustand: (3-4/-)Type T Telegraphon Sound Recorder, c. 1920Telegraphon Aktiengesellschaft, Berlin. Serial no. 396, device for recording telephone calls, radio broadcasts or dictations on wax cylinders, oak case, electric drive, tone arm broken, without lid, very rare. Start Price: EUR 80 Condition: (3-4/-)
Auto-Reverse-Spulentonband Philips N4450, um 1972Philips Österreich. 4-Spur-Gerät, 3 Bandgeschwindigkeiten: 4,75, 9,5 und 19 cm/s, Frequenzbereich 4,75 cm/s: 60 bis 8.000 Hz, 9,5 cm/s: 40 bis 15.000 Hz, 19 cm/s: 40 bis 20.000 Hz, 6 Tonköpfe, Vor- und Hinterbandkontrolle, Echo, Nachhall, Multiplay, drei Motoren, automatische Umschaltung des Bandlaufs am Bandende, maximaler Spulendurchmesser 26,5 cm, eingebauter Verstärker 2 x 20 Watt Sinus, 5 Eingänge, 3 Ausgänge, 8 Schieberegler, Zählwerk, Zeitschaltuhr und weitere technische Besonderheiten. 110-127, 220-240 Volt Wechselstrom, 50/60 Hz. In Holzgehäuse mit Kunstlederbezug, Plexiglas-Abdeckung, unterer Teil klappbar für einfachen Zugang zur Schalteinheit, Gewicht ca. 20 kg, damaliger Verkaufspreis 2.495,- DM. - Das luxuriöseste Tonbandgerät der Philips-Baureihe. - Guter Zustand, läuft momentan nur im Wiedergabe-Modus, Verstärker funktioniert. Start Price: EUR 120 Zustand: (2-3/3-)Philips N4450 Auto-Reverse Tape Deck, c. 1972Philips Austria. Four-track unit, three speeds: 7 ½, 3 ¾ and 1 ? ips, frequency range 1 ? ips: 60 to 8000 Hz, 3 ¾ ips: 40 to 15000 Hz, 7 ½ ips: 40 to 20000 Hz, six sound heads, pre- and back-band control, echo, reverberation, multiplay, three motors, automatic reversing, maximum reel diameter 10 ½ in., built-in amplifier, output power 2 x 20 watts sinus, five inputs, three outputs, eight sliders, counter, timer and other technical features. Mains voltages/frequency: 110-127, 220-240 V AC; 50/60 Hz. In wood case with imitation leather cover, transparent lid, lower part hinged for easy access to controls, weight approx. 20 kg, original retail price 2,495 DM. - The most luxurious tape recorder in the Philips range. - Good condition, currently running in playback mode only, amplifier works. Start Price: EUR 120 Condition: (2-3/3-)
Historische Büromaschinen1) Adler No. 7, um 1910, Serien-Nr. 147144, 3-reihige Stoßstangen-Schreibmaschine mit doppelter Umschaltung, schwedische Tastatur. - 2) Brunsviga Nova 13, um 1910, Sprossenrad-Rechenmaschine, Grimme, Natalis & Co., Braunschweig. Serien-Nr. 127351, 9, 8 und 13 Stellen, Kurbellöschung. - 3) Loga Calculateur 2,4m, Schweizer Rechenwalze nach Daemen-Schmid-Patent, Breite 32 cm. - 4) Mechanische Stempeluhr von L.M. Ericsson. - 5) Addiermaschine, um 1950, Bell Punch Company, England, Mechanik hakt. - 6) Facit T, um 1935, schwedische Sprossenrad-Rechenmaschine mit Zehner-Tastatur. - 7) Summira S, um 1960, Addiermaschine mit Einstellrädern und Druckwerk, Mechanik hakt. - 8) Simplex Time Recorder, um 1940, Stempeluhr, elektrisch, 220 Volt. - 9) Original-Odhner, um 1955, schwedische Sprossenrad-Rechenmaschine, Mechanik hakt. - 10) Paymaster X-9000, um 1950, amerikanischer Scheckschreiber, mit Hebel. - 11) Contex-20, um 1965, elektrische Rechenmaschine, Dänemark. - 12) Summira 7, um 1955, Zahnscheiben-Rechenmaschine, leicht defekt. - 13) Dänische Heftmaschine, Model RTP. - Und: 14) 5 Zahlenschieber-Rechenmaschinen. Start Price: EUR 240 Zustand: (3+/-)Historical Office Machines1) Adler No. 7, c. 1910, serial no. 147144, 3-row thrust-action machine, Swedish keyboard. - 2) Brunsviga Nova 13, c. 1910, spoked-wheel calculator, Grimme, Natalis & Co., Braunschweig. Serial no. 127351, 9, 8 and 13 digits, crank clearance. - 3) Loga Calculateur 2,4m, c. 1925, Swiss calculating drum, patented by Daemen-Schmid, 12 ½ in. wide. - 4) Mechanical time clock by L.M. Ericsson. - 5) Adding machine, c. 1950, Bell Punch Company, England, mechanism sticks. - 6) Facit T, c. 1935, Swedish spoked-wheel calculator with 10 keys in two rows. - 7) Summira S, c. 1960, adding machine with wheels and printer, mechanism sticks. - 8) Simplex Time Recorder, c. 1940, electric, 220 volts. - 9) Original-Odhner, c. 1955, Swedish spoked-wheel calculator, mechanism sticks. - 10) Paymaster X-9000, c. 1950, American lever-operated check writer. - 11) Contex-20, c. 1965, electric calculator, Denmark. - 12) Summira 7, c. 1955, toothed-wheel calculator, somewhat defective. - 13) Danish stapler, model RTP. - And: 14) 5 addiator calculators. Start Price: EUR 240 Condition: (3+/-)
6 Reporter-Tonbandgeräte und -Kassettenrekorder und 1 Minifon, um 1965-801) Uher 4000 Report Monitor, Deutschland, 4 Bandgeschwindigkeiten: 2,4 cm/s, 4,75 cm/s, 9,5 cm/s und 19,05 cm/s, 3 Tonköpfe, mit Metallhaube, Netzteil und Tragebügel. - 2) JVC KD-2, Japan, Stereo-Kassettendeck, Sen-Alloy-Tonkopf, Dreifach-Stromversorgung: Netz, Batterien oder externe Gleichspannung, kernloser Gleichstrommotor, mit Trageriemen. - 3) Uher 4200 Report Stereo IC, Deutschland, 4 Bandgeschwindigkeiten: 2,4 cm/s, 4,75 cm/s, 9,5 cm/s und 19,05 cm/s, 2 Tonköpfe, Ganzmetallgehäuse. - 4) Grundig TK 3200 Hi-Fi, Deutschland, Mono-Spulentonbandgerät, Halbspur, 3 Bandgeschwindigkeiten, Batteriebetrieb, eine Tastenauflage fehlt, in Kunstledertasche. - 5) Grundig TK 6, Deutschland, Mono-Spulentonbandgerät, Halbspur, 2 Bandgeschwindigkeiten, für Monobatterien, 6- oder 12-Volt-Autobatterien oder 220 Volt Wechselstrom, in Ledertasche. - 6) Uher 4400 Report Stereo IC, Deutschland, 4 Bandgeschwindigkeiten: 2,4 cm/s, 4,75 cm/s, 9,5 cm/s und 19,05 cm/s, 2 Tonköpfe, Ganzmetallgehäuse, mit Tasche und Tragebügel. - Und: 7) Protona Minifon Attaché, Deutschland, um 1960, Batteriebetrieb, für spezielle Tonbandkassetten, mit Mikrophon in Tasche. - Alle ungetestet. Start Price: EUR 280 Zustand: (3/-)6 Reporter Tape or Cassette Recorders and a Minifon, c. 1965-801) Uher 4200 Report Monitor, Germany, 4 tape speeds: 2.4 cm/s, 4.75 cm/s, 9.5 cm/s and 19.05 cm/s, three sound heads, with metal cover, power supply and carrying handle. - 2) JVC KD-2, Japan, stereo cassette deck, Sen-Alloy sound head, triple power supply: mains, batteries or external DC voltage, coreless DC motor, with carrying strap. - 3) Uher 4200 Report Stereo IC, Germany, four tape speeds: 2.4 cm/s, 4.75 cm/s, 9.5 cm/s and 19.05 cm/s, 2 tape heads, all-metal case. - 4) Grundig TK 3200 Hi-Fi, Germany, mono reel-to-reel tape recorder, halftrack, 3 tape speeds, battery-operated, one key pad missing, in imitation leather bag. - 5) Grundig TK 6, Germany, mono reel-to-reel tape recorder, halftrack, 2 tape speeds, for mono batteries, 6- or 12-volt car batteries or 220-volt AC, in leather bag. - 6) Uher 4400 Report Stereo IC, Germany, 4 tape speeds: 2.4 cm/s, 4.75 cm/s, 9.5 cm/s and 19.05 cm/s, 2 tape heads, all-metal case, with leather bag and carrying handle. - And: 7) Protona Minifon Attaché, Germany, c. 1960, battery-operated, for special tape cassettes, with microphone in bag. - All untested. Start Price: EUR 280 Condition: (3/-)

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10165 Los(e)/Seite