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A Ravenscroft & Willis barrister's gown - 1950s, the nametape handwritten in ink 'Rose Heilbron QC' by the celebrated lawyer. Condition - good. (Dame Rose Heilbron DBE (1914-2005) was, after Helena Normanton KC, the second woman to take silk. She was at the age of 34 the youngest to do so since Thomas Erskine in 1783. She was the first woman to lead the defence in a murder trial, to sit at the Old Bailey and to be appointed a Recorder. In 1974 she became the United Kingdom's second female High Court judge (after Elizabeth Lane, who had been appointed in 1965).
Audio interest. Vintage TEAC X-10R reel to reel stereo tape recorder. Dual capstan drive, bi-directional record, 240v, 50hz, 88w. Cream face with dark walnut sides. This machine was restored to a high spec by the previous owner and we have a video of it working. Please note the two empty metal spools and nab adaptors are for illustration purposes only and not for sale. W 47cm, D 24cm, H 49cm.
A PAIR OF GEORGE II CAST SILVER CANDLESTICKS WILLIAM GRUNDY, LONDON 1759 The shaped square sconces engraved with a crest, reel capitals, knopped stems to shaped square bases with shells to the corners and engraved with armorials 26cm (10 1/4in) high 1463g (47.05 oz)These are the arms and crest of Benjamin INCLEDON (1730-1796) of Pilton House nr Barnstaple, Devon and his wife Margaret NEWTON (died 1803). They were married in 1757. Benjamin INCLEDON was the second son and heir of Robert INCLEDON (1676-1758) former mayor of Barnstaple and builder of Pilton House by his second wife Penelope SANDFORD (died 1738) daughter of John SANDFORD of Minehead, Somerset. The INCLEDON family originate from the estate of INCLEDON in the parish of Braunton, Devon. Benjamin INCLEDON was an antiquarian and genealogist and from 1758 served as Recorder for Barnstaple. Margaret NEWTON was the second daughter and coheir of John NEWTON of Tiverton, Devon, the family having been earlier of Cheshire, Gloucestershire, Norfolk and Somerset. Condition Report: Candlestick 1 - Marks are partially obscured, badly wobbles, corners slightly upturned, engraving clear, knock to the top of the capitalCandlestick 2 - Marks are partially obscured, but better than the first, badly wobbles, one corner upturned slightly, engraving clearBoth with light scratches and wear commensurate with age and useCondition Report Disclaimer
A LARGE QUANTITY OF VINTAGE RADIOS, comprising three Bush portable FM radios, a TR130 Bush portable radio, an Alba karaoke machine, a Carmen 3 Electronica S632A LW vintage radio, a Murphy A372 radio, an Aiwa TP-32A Reel to Reel recorder, a vintage Eckon transistor radio, an Auny modern replica record player in case, a 1950's Ekco U195 and an electric heater (11) ( Condition Report: untested/may require rewiring, s.d)
Y Andrew Plimer (1763-1837) Portrait miniature of Sir John Silvesterwatercolour on ivorywearing a grey wig, white stock and black coat, clouds beyond6.8 x 5.4cm. CITES Submission reference RP9MKXXH Sir John Silvester, 1st Baronet (1745-1822), FRS, FSA, DCL, was an English lawyer and Common Serjeant of London from 1790 to 1803, and Recorder of London from 1803 until his death in 1822. CITES is a multilateral treaty to protect endangered plants and animals. CITES is a multilateral treaty to protect endangered plants and animals. ***CONDITION REPORT***Light loose surface dirt otherwise good. Small scuffs to the ebonised frame. Old paper backing inscribed with the sitters' name. PLEASE NOTE:- Prospective buyers are strongly advised to examine personally any goods in which they are interested BEFORE the auction takes place. Whilst every care is taken in the accuracy of condition reports, Gorringes provide no other guarantee to the buyer other than in relation to forgeries. Many items are of an age or nature which precludes their being in perfect condition and some descriptions in the catalogue or given by way of condition report make reference to damage and/or restoration. We provide this information for guidance only and will not be held responsible for oversights concerning defects or restoration, nor does a reference to a particular defect imply the absence of any others. Prospective purchasers must accept these reports as genuine efforts by Gorringes or must take other steps to verify condition of lots. If you are unable to open the image file attached to this report, please let us know as soon as possible and we will re-send your images on a separate e-mail.
Y Andrew Plimer (1763-1837) Portrait miniature of Lady Harriet Silvesterwatercolour on ivorya white sash in her hair, wearing a low cut white dress, clouds beyond7.3 x 6cm. CITES Submission reference YATL7XKD Wife of Sir John Silvester, 1st Baronet (1745-1822), FRS, FSA, DCL, an English lawyer and Common Serjeant of London from 1790 to 1803, and Recorder of London from 1803 until his death in 1822.She is most noted for her comments upon meeting in 1824 with the fossil finder Mary Anning - “The extraordinary thing in this young woman is that she had made herself so thoroughly acquainted with the science that the moment she finds any bones she knows to what tribe they belong… By reading and application she has arrived at that greater degree of knowledge to be in the habit of writing and talking with professors and other clever men on the subject, and they all acknowledge that she understands more of the science than anyone else in this kingdom.” - Lady Harriet Silvester’s diary, 1824. CITES is a multilateral treaty to protect endangered plants and animals. CITES is a multilateral treaty to protect endangered plants and animals. ***CONDITION REPORT***A few loose dirt specks but essentially good condition. Ebonised frame with title of the sitter inscribed verso and later addition '(Harriet) 1793'. PLEASE NOTE:- Prospective buyers are strongly advised to examine personally any goods in which they are interested BEFORE the auction takes place. Whilst every care is taken in the accuracy of condition reports, Gorringes provide no other guarantee to the buyer other than in relation to forgeries. Many items are of an age or nature which precludes their being in perfect condition and some descriptions in the catalogue or given by way of condition report make reference to damage and/or restoration. We provide this information for guidance only and will not be held responsible for oversights concerning defects or restoration, nor does a reference to a particular defect imply the absence of any others. Prospective purchasers must accept these reports as genuine efforts by Gorringes or must take other steps to verify condition of lots. If you are unable to open the image file attached to this report, please let us know as soon as possible and we will re-send your images on a separate e-mail.
GEORGE JOHN PINWELL (BRITISH 1842-1875) THE WAGON MAKER Watercolour heightened with bodycolour 22 x 17.5cm (8½ x 6¾ in.) Provenance: Sale, Christie's, London, 23 April 1974, lot unknown Sale, Christie's, London, 19 July 1977, lot 234 J. Pepys-Whittley Agnews Gallery, London W.N. Fielding James Thorpe (1876-1949) Aldridge Bros. The Little Gallery, Worthing Literature: The Old Count. Wayside Posies, 1867, p.58 Picture Posies, 1874, p.231 D.P.W., Country Life, 12 October 1961, 'A Recorder of Victorian Country Scenes' Condition Report: Some of the green pigment perhaps a little discoloured but overall the colours appear to be good. Some light undulation to the sheet under the frame. The work appears to be in good original condition commensurate with age. Unexamined out of glazed frame.Condition Report Disclaimer
ROBERT HOME (BRITISH 1752-1834) PORTRAIT OF LIEUTENANT-COLONEL WILLIAM SYDENHAM AND HIS WIFE, WITH ST THOMAS'S MOUNT, MADRAS IN THE BACKGROUND Oil on canvas 77.5 x 92.1cm (30½ x 36¼ in.)Painted circa 1791.Provenance: Arthur Tooth, London, 1946-7 (advertisement in The Connoisseur, March 1946) Private collection, UK Literature: Mildred Archer, India and British Portraiture 1770-1825, London 1979, pp.306-8, pl.212 William Sydenham (1752-1801), the son of Samuel Sydenham and Alice (née Chapman) of Minehead, came from a distinguished Devonshire family. He joined the East India Company's Madras Artillery as a Cadet in 1768. In 1776 he married Amelia Prime, niece of General Horne, who had also served with the Artillery in India. In 1786, at the time of the war with Tipu Sultan of Mysore, Sydenham was promoted to Lieutenant-Colonel in command of the First Battalion at St Thomas's Mount near Fort St George, Madras, which can be seen in the background of this painting. Home was a fine landscape painter and detailed landscape backgrounds give extra vividness to his portraits. William Sydenham was promoted to Major-General, Commandant of Artillery and AuditorGeneral of Fort St George in January 1801, but died in June of that year. Robert Home was an important recorder of British India in the late eighteenth and early nineteenth century. He studied with Angelica Kauffmann and between 1773 and 1778 worked in Italy. He exhibited twenty paintings at the Royal Academy between 1770 and 1789. His wife died in 1790 and the following year travelled to Madras to seek his fortune, just as General Cornwallis was setting off with the Grand Army for the Third Mysore War against Tipu Sultan. Home accompanied the campaign, making sketches of the forts and engagements; he later produced prints of Select Views in Mysore (1794) and paintings of Lord Cornwallis receiving the sons of Tipu Sultan as hostages and The death of Colonel Moorhouse (both c.1793-4; National Army Museum, London). Influenced by Thomas and William Daniell, who visited Madras in 1792, Home produced a number of landscapes which show exquisite attention to architecture and Indian life. In 1795 Home moved to Calcutta; he made a happy second marriage and his children joined him in India, all four sons becoming members of the East India Company's army. Home, a punctual, amiable and hardworking man, became the chief portrait painter in Calcutta. He painted the Governor-General of India, Marquis Wellesley, and his brother Major-General the Hon. Sir Arthur Wellesley (the future Duke of Wellington), as well as other generals and judges. He made a short visit to Dacca in 1799 to paint the Nawab Nasrat Jang. Home's successful portrait practice was threatened by competition from Thomas Hickey, who arrived in Calcutta in 1807, and by the dashing and eccentric George Chinnery, who arrived in 1811. In 1814 Home took up the post of Court Painter to the Nawab of Oudh at Lucknow. He worked for the Anglophile Nawab Ghazi-ud-din Haidar for thirteen years, painting portraits and court life, and designing Ghazi's crown when he was made King of Oudh in 1819, as well as carriages, boats, furniture, even an elephant goad. Home retired to a 'handsome establishment' at Cawnpore after Ghazi-ud-din's death in 1827, dispensing 'extensive hospitality to the residents of the station' until his own death at the age of eighty-two in 1834 Condition Report: The canvas has been lined. Light craquelure throughout however the paint surface appears stable. There is an old repair (approx. 5cm) running vertically through one of the soldiers to the left of the canvas, and this is visible in natural light. There is a further, very small patch of overpaint visible in natural light, to the sitter's skirt (approx. 5mm). Rubbing and abrasions to the framing edges. Inspection under UV light reveals scattered retouching and infilling throughout.Condition Report Disclaimer
1851 Royal Exhibition literature to include; The Illustrated Exhibiter [John Cassell, London, 1851], The Art Journal Illustrated Catalogue The Industry of All Nations 1851 [Bradbury and Evans, London, 1851] & The Expositor an Illustrated Recorder of Inventions, Designs and Art-Manufacturers Vol. 2 [Joseph Clayton, London]. (3)
A Gledhill-Brook Time Recorder clocking-in machine, on associated cupboard, combined height 183cm***CONDITION REPORT***The clock holds a wind and the movement appears to be working at the time of cataloguing. The ‘clocking in action’ also appears to be functioning. Please note that no guarantee is given regarding whether the mechanism requires servicing or cleaning. PLEASE NOTE:- Prospective buyers are strongly advised to examine personally any goods in which they are interested BEFORE the auction takes place. Whilst every care is taken in the accuracy of condition reports, Gorringes provide no other guarantee to the buyer other than in relation to forgeries. Many items are of an age or nature which precludes their being in perfect condition and some descriptions in the catalogue or given by way of condition report make reference to damage and/or restoration. We provide this information for guidance only and will not be held responsible for oversights concerning defects or restoration, nor does a reference to a particular defect imply the absence of any others. Prospective purchasers must accept these reports as genuine efforts by Gorringes or must take other steps to verify condition of lots. If you are unable to open the image file attached to this report, please let us know as soon as possible and we will re-send your images on a separate e-mail.
ONE BOX OF MIXED VINATGE ITEMS AND A BOX OF SIX ROSEMARY CRYSTAL CUT GLASSES to include a 1930s clockwork Hornby '500' locomotive without winding key or rear tender, six Rosemary crystal cut glasses in their original box, seven vintage reference books, a 1960s Soviet made vintage video recorder in original leather bag, a selection of ornamental figurines, etc (Condition Report: missing Hornby items mentioned in description, glasses in good condition, cameras untested)
Canon, Sony, Olympus, Cosmo, Daevoo Dc - A lot of cameras, lenses, tripods, and DvD players - Lot includes a 28-70 mm Canon E0S 650 camera. A Hoya 55 mm camera lens. An Olympus 7.8-23.4 mm Camedia camera with Olympus lens. A Sony Handycam Video 8 video recorder. A Cosmo PT-33 camera tripod. A Daevoo DC DVD Player, and similar. Some come with their chargers and instruction manuals. All come in their carry cases. (This does not constitute a guarantee) (M)
Miranda, Kodak, Agfa, Vivitar, Asahi Pentax, Other - A lot consisting of mostly cameras and camera lenses, and other items - Lot includes a boxed Miranda EE-2 35 mm Single Lens Reflex camera. An Agfa Jsolette Apotar 8.5cm, 1:4.5 camera. A Sangamo Weston Master 5. A Lloyd's Cassette tape recorder. A small amount of vintage metal razor hair clippers, tweezers, and similar. One empty box. Most cameras and lens comes in either their boxes or cases. (This does not constitute a guarantee) (M)
A collectors' lot to include a Bush radio, a Sanyo stereo Walkman, a boxed Casio LCD colour television TV-1450, a Fergusson three-band radio cassette recorder, a boxed Phillips battery/mains cassette recorder, automatic model N2204, and a boxed Camlink Junior Edit Stereo Audio Visual Editing System (6).Condition Report: - This lot is sold for decorative purposes only, and you must ensure that testing is completed by a qualified electrician before use.
SAISHO; a boxed model PS45EQ personal stereo cassette recorder with headphones, a boxed MS54 personal stereo speaker system, a boxed Unisonic 1048 '8 Digit Pocketable Calculator'.Condition Report: Good condition, hardly used, well looked after, in original boxes, cannot guarantee working order, battery compartments are cleanBoxes have some wearThis lot is sold electrically untested and for decorative purposes only, you must ensure that testing is completed by a qualified electrician before use.
New Kingdom-Late Period, 1550-332 B.C. Underside with standing figure of Thoth facing the symbol for the goddess Neith. 1.65 grams, 14 mm (1/2 in.). Ex North London gentleman's collection, 1990s. Property of a Cambridgeshire, UK, gentleman.Thoth was revered for his association with knowledge, writing, and healing. In a funerary context, Thoth was probably linked to his role as the recorder of the final judgment, which determined whether the deceased had lived a life of virtue. A positive report ensured the rebirth of the deceased in the eternal Afterlife. Neith was a prominent deity in ancient Egyptian mythology, revered as a warrior and mother goddess. Her cult gained significant importance during the Ramesside dynasties when she became closely associated with the sun god. Neith was known for her fierce protection and maternal guidance.
Late Period, 664-332 B.C. Comprising a resting lioness on a rectangular base and the god Thoth in baboon form. 1.30 grams total, 12-15 mm (1/2 - 5/8 in.). From the collection of Doctor Girard, a collector for over 60 years. with Hotel des Ventes de Clermont-Ferrand, 22 May 2017. Property of a French collector.Throughout ancient Egyptian mythology, lioness goddesses played a significant role in the religious beliefs of the people. These goddesses, including Sekhmet, Bastet, and Wadjet were revered as powerful and fierce protectors. Their presence was believed to ward off evil and safeguard the people from harm. The baboon was an animal manifestation of the god Thoth. Thoth was revered for his association with knowledge, writing, and healing. It is likely that the popularity of Thoth amulets as mummy amulets is linked to his role as the recorder of the final judgment, which determined whether the deceased had lived a life of virtue. [2, No Reserve]

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