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10165 Los(e)/Seite
Los 39
Studer A710 Cassette Tape Recorder Professional-grade cassette recorder. Precision mechanics for quality playback. Durable build, top-tier audio fidelity. (C) Tested. Powers up, passes signal but has various faults and/or dirty controls and sockets and definitely needs a service. No guarantee or warranty implied. Operational status may change during shipping. See the main Buying Page for further important information. Works but definitely needs a service of pots, sockets etc.
Los 95
Glensound (Ex-BBC) Broadcast Mixing Desk GSNT/1. Complete with original service manuals & schematics. A very unusual piece of broadcasting history - an 11(!) channel BBC spec studio broadcast desk from which seems to date from the early 1980s. *Note that this is a brokerage sale item - all info below is from the seller. This was designed as a very elaborate "plug and play" studio hub device of its day which thinks of everything it could possibly have had coming into it or going out of it back in the days of tape machines, music lines, gram decks and green cue lights. Comprises of 4 hi spec mic channels and 7 "repro" (+6db line level) channels, the last of which is dedicated to "Gram deck" inputs. Each channel has Glensound's bespoke RSA eq, a Misc (aux) send and, in the case of the mics, a pan pot. Also an "output bypass" which can send a separate bus away from the main output. Faders are P&G BBC spec so they open "the wrong way round" in the tradition of the time at the corporation (i.e. pull towards the user to increase gain). Fader start functionality is available for each channel with ""red light""/mute monitor switching for the mics. There are also wire-able "hotkeys" below this for fader start or green light announcer cue functions. The unit is self contained for all studio functionality including headphone and control room/studio speaker monitoring, monitor routing matrix and ring main monitoring selector, dual PPM metering, elaborate tone generation, talkback mic and facilities, PPL circuits (the logic of this is a bit muddled and baffled even a BBC engineer who serviced it but it works after a fashion). There is a bantam jack patch bay (I have examples of the leads to include) EDAC connections for much of the function on the back (ditto) as well as standard XLR ins and outs for mics, grams and speaker. It comes with a full service manual bespoke to the BBC mods this particular example has had which explains the full back panel connectivity and myriad of possibilities available. Extra historic features that add to the "Tardis quality" of this item include functionality around the old Cue and Control line outside broadcast practises of the BBC which includes a "linesman's phone" built into the right hand side. There are also facilities for reel to reel tape recorder monitoring "off repro head" during recording on left hand red switches 1 to 4 and even a vari-speed remote control for an A80 Studer machine. A time counter display at the top right of the unit adds an extra curio. Dry stored for the last 3 years, it was previously functional in a private studio for 10 years during which time it had a full overhaul by a BBC qualified engineer. It has its eccentricities in keeping with a unit of this age - there will be scratchy pots and minor oddities and, although much of this was attended to at the last service, I would recommend that it is checked and serviced again by a fully qualified electrical engineer before being put into full use. No guarantee or warranty implied.
Los 124
Studer A710 Cassette Tape Recorder. Professional-grade cassette recorder. Precision mechanics for quality playback. Durable build, top-tier audio fidelity. The better of the two in this auction, this one seems to be working well. (B) Tested and working - powers up and appears to work as intended, not all functions checked. No guarantee or warranty implied. Operational status may change during shipping. See the main Buying Page for further important information.
Los 228
MIXED, American issue, postcard size, inc. The Recorder/North Carolina Tobacco, inc. Forgiven, A Joyous Band (2), The Kittens & Soap Bubbles; Johns & Co., Allen & Ginter, Helmes Rail Road Mills Snuff, American Tobacco Co. Jessie Bartlett-Davis (piece missing to bottom left) etc., FR to G, 12
Los 348
* Kotzebue (August Friedrich Ferdinand von, 1761-1819). German dramatist and writer, friend of Beethoven, and consul in Russia and Germany. Autograph Letter Signed, 'Kotzebue', Weimar, 5 October 1817, in German, to Kummer, saying that the copperplates for the almanac are mostly bad and suggesting that they use Mr Muller in the future, suggesting it is possible to find a csakan [Romantic recorder or duct flute], an instrument similar to a flute, in Leipzig and asking for one to be bought and sent on, asking for music from the new Term Catalogue, Weber's Serenade for piano forte and guitar, and other works, and asking for information about his correspondent's health, together with a second letter to Kummer, from Weimar, 23 November 1817, telling his correspondent that he has been suffering from cramps in the chest for a whole month, and that among other things clystorizing has been prescribed but that such a machine is nowhere to be found in Weimar, hoping that Kummer can find and send one from Leipzig, concluding that whoever departs first is now uncertain but that they are likely to meet again as friends [in heaven], signed 'Kotzebue' and with a p.s. querying whether the recently ordered music from the term Catalogue is still not ready, both letter somewhat browned, each 1 page with address panel and Weimar stamp to versos, repaired seal tears, 4to, plus a third earlier autograph letter signed, 'Kotzebue', [Sch]warzen, 22 January 1818, to Kummersehe Buchhandlung, asking them if they will insert an update into the new sheet of the newspaper straight away and informing them that Her Hignhess has pre-ordered 20 copies of Eckarden Schriften and if possible to put her name at the top, 1 page with integral address panel, 4toQTY: (3)NOTE:In his day, Kotzebue enjoyed a great reputation as a poet and dramatist. In 1812 he was approached by Beethoven, who suggested that Kotzebue write the libretto for an opera about Attila, which was never written. Beethoven did, however, produce incidental music for two of Kotzebue's plays, The Ruins of Athens (Beethoven's opus 113) and King Stephen (opus 117). In 1817, one of Kotzebue's books was burned during the Wartburg festival. He was murdered in 1819 by Karl Ludwig Sand, a militant member of the Burschenschaften. This murder gave Metternich the pretext to issue the Carlsbad Decrees of 1819, which dissolved the Burschenschaften, cracked down on the liberal press, and seriously restricted academic freedom in the states of the German Confederation.
Los 112
A Berning Robot Recorder Sweedish Military 35mm Camera, chrome, serial no. 'nr. K-124388a Mod.I', engraved with a crown & Sweedish military code 'KFl 87' engraved to the top plate, shutter not working, together with a Schneider-Kreuznach Xenagon f/3.5 30mm lens, serial nr. 4329624, also engraved with matching Sweedish military crown, optics G-VG, very faint haze present, with maker's lens cap,
Los 204
GEORGIAN POCKET WATCH. A Georgian pair case pocket watch by Thomas Gurney, London. The fusee movement named & numbered 568. The pair case, tortoiseshell veneered & decorated with rivets. Inside, a watch paper for Saunders of Wallingford, Berks. Note: Thomas Gurney moved to London in 1737 to work as a clock & watch maker, but he was perhaps better known for studying & applying himself to the skill of taking shorthand & worked for many years recording trials at the Old Bailey, making him the first official shorthand writer for the Government. He was appointed Old Bailey shorthand writer in 1748. He also became the House of Commons first official parliamentary Recorder. As this work was modestly paid, he continued his profession as a clock & watch maker. All watches in this auction are previously owned & are offered on behalf of private vendors. We cannot guarantee that any watch is in continuous working order or may not require attention. If detail on condition is required on any lot(s) PLEASE ASK FOR A CONDITION REPORT BEFORE BIDDING. The absence of a condition report does not imply the lot is perfect.WE CAN SHIP THIS LOT, but NOT if part of a large, multiple lots purchase.
Los 156
A pine bed storage box containing various items including a large cheese mixing spoon, a walking stick, a rolling pin, a carved ball, a travel clock, a recorder, a woodwind instrument, a stylised coathanger in the form of a bird, a flask, a small bell etcAt present, there is no condition report prepared for this lot, this in no way indicates a good condition, please contact the saleroom for a full condition report
Los 784
Thomas Wyck (1616-1677) Portrait of Oliver Cromwell on Horseback, with Moorish Attendant c 1655O.O.C., 87cms x 69cms (34" x 27"). (1) Provenance: Erasmus Earle (1590-1667), thence by descent; William Bulwer-Long, Heydon Hall, Norfolk, thence by descent until with The Weiss Gallery, Jermyn Street, London; Private Collection, IrelandLiterature:The Weiss Gallery, illustrious company; early portraits 1545-1720, 1998, no.21The Weiss Gallery - 25 Years (Illustrated, p. 150) In 1657, when Parliament offered the title of King to Oliver Cromwell (1599-1658), he stayed true to his principles and refused. However, there was no escaping the fact that during these years he was effectively the sole ruler of Britain. Cromwell was concerned to project a public image that was anti-monarchical, and was determined not to be idealised. He had his portrait painted by artists as diverse as Peter Lely, Robert Walker and Samuel Cooper, all of whom were faithful to his instructions to depict him ‘warts and all’. However, some artists, notably Walker and Thomas Wyck, preferred to paint Cromwell with at least some of the trappings of monarchy. The present impressive portrait by Wyck, painted around 1655, hung for many years in Heydon Hall, seat of the Bulwer family. Built in Elizabethan times, the house has strong historical associations with Cromwell: In 1648 Erasmus Earle, lawyer, Member of Parliament and Recorder of Norwich, was appointed Cromwell’s Serjeant-at-Law. Two years later, Earle purchased Heydon Hall in Norfolk. There is a tradition of Cromwell having visited the house on several occasions, and an oak tree in the park is named “Cromwell’s Oak”. Wyck’s portrait of the Lord Protector would have been at home in this setting, and it remained at Heydon even after the house passed to the Bulwer family in the mid eighteenth century. It is a unique portrait, and no other version of it is known. Seated on a white horse, dressed in half armour, and wearing a blue sash, Cromwell holds a marshal’s baton. Beside him, with a red cape draped over his knee, stands a Moorish servant, handing him a helmet. The portrait is evidently set in North Africa, in a rocky desert landscape, with sea in the background. In April 1655, Cromwell ordered the bombardment of Tunis, and successfully secured the release of prisoners held hostage by Barbary pirates. This decisive military action would have raised him even higher in the estimation of the English public.In creating this image of Cromwell, Thomas Wyck would have been familiar with Anthony Van Dyke’s equestrian portrait of Charles II, painted in 1633, which was in Hampton Court during those years (it is now in Buckingham Palace). Depicting the King at the gates of Paris, it was painted one year after Van Dyke was appointed ‘Painter in Ordinary’ to the monarch, and some eight years after Charles’s accession to the throne. It was engraved in 1655 by Pierre Lombart, who replaced the head of Charles I with that of Cromwell. Like Van Dyke, Wyck travelled to England from the Netherlands in search of commissions. He painted views of the city of London before the Great Fire of 1666. Although his depiction of the Protector is closely based on Van Dyke’s portrait of Charles II, he made several changes, including replacing the figure of Pierre Antoine Bourdon, Charles II’s riding master, with a Moorish servant, and substituting the triumphal arch symbolising the gates of Paris with a setting on the coast of North Africa. Cromwell’s pose is identical to Charles II in the Van Dyke portrait, although he is clean-shaven, while the King was bearded. In keeping with his wishes not to idealised, Cromwell’s hair is greying, his eyes are drooping slightly and the infamous wart is clearly visible on his chin.Dr. Peter Murray
Los 473
THREE BOXES OF VINTAGE CAMERAS AND AUDIO EQUIPMENT, to include a Sony cassette recorder/player in original black carry case, a Minolta Minoltina -P camera, a Kodak Brownie Vecta, a Miranda 630CD flash, a Prinz Lightmatic 200, a Mamiya 8mm zoom cine camera, a Sawyer's View-Master, a Goblin Teasmade Model D21, a Kodak Brownie 8mm Movie Camera, a Noris 8 Junior, etc. (s.d) (3 boxes)
Los 176A
An amazing Range Rover Classic, with just 16,976 miles from new - used to transport Mike Tyson in June 2000 to Hampden Park, Glasgow.The 1994 stretched limousine Range Rover offered here is the work of one of the best-known conversion companies of the time ,Townley Cross Country Vehicles Ltd., who were responsible for converting several hundred examples, many of them tailored to the specific requirements of wealthy Middle Eastern clients.Based on an end-of-the-line, soft-dash 1994 Range Rover Classic LSE, a desirable model in its own right, it took nine months to build and was originally commissioned by the Sultan of Brunei for his younger brother, Prince Jefri. At a reputed cost of around £135,000, Townley stretched the chassis and body by 40″, incorporating two additional fixed Range Rover doors in the centre and a roof raised by 8″. They also installed a laminated sunroof together with darkened windows and a one-piece opening tailgate. Interior features include a full electric centre division with glass panel; three rear seats (two electrically operated); full air conditioning; stereo/CD player and two remote control 8″ television monitors with a VHS recorder.The exterior was painted in Rolls-Royce Mason Black and the interior trimmed in black-piped Oxblood Connolly hide with Wilton carpeting and Burr Walnut embellishments. Two televisions, VHS player, stereo system and picnic tables are just some of the fantastic extras included on this Range Rover. In June 2000, L23 PWT enjoyed its own 15 minutes of fame when it was used to ferry World Heavyweight Boxing Champion Mike Tyson around Glasgow when he fought at Hampden Park (press cuttings on file). At that time, it was reported that the car had covered 10,000 miles from new and was being offered for sale by the Glasgow Car Company. The vehicle passed to an owner in Denmark in January 2008, but since returning to the UK, it has returned to its original registration L23 PWT and been looked after by Range Rover experts Bishop's Heritage. Purchased by our vendor at the NEC Classic Motor Show auction in 2020, the Range Rover has formed part of his large private collection. Serviced and MOTd in May 2023, the Range Rover has now covered just 16,976 miles.Properly engineered by a renowned specialist and in superb condition, this striking vehicle would be ideal for corporate ventures and promotional events or taking your extended family out to lunch.SpecificationMake: LAND ROVERModel: RANGE ROVERYear: 1994Chassis Number: SALLHBM33MA648288Registration Number: L23 PWTTransmission: AutoEngine Number: 40D09761BDrive Side: Right-hand DriveOdometer Reading: 16976 MilesMake: RHDInterior Colour: Red Leather
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10165 Los(e)/Seite