Seventeen assorted poetry/private press titles etc, all either signed or limited editions, including Vernon Watkins: 'Uncollected Poems', London, Enitharmon Press, 1969, No.274 of 300 copies, 4to, original cloth, Paul Ableman: 'Bits', Latimer Press, 1969, limited edition, No. 49 of 50 copies, signed, original cloth gilt, D.H. Lawrence: 'That Women Know Best', Black Sparrow Press, 1994, one of 50 copies only, stated "Estate of D.H. Lawrence" in pen & ink on limitation page, orig. boards, dust wrapper, 'Songs of the Press and other poems related to printing', Black Pennell Press, No.92 of 120 copies, orig. boards, d/w, Seamus Heaney: 'Dylan the Durable? On Dylan Thomas', Bennington College, 1992, No.661 of 1,000 copies, orig. printed wraps, plus others signed including John Fairfax, Kathleen Raine, Peter Riley, Kevin Crossley-Holland, Michael Mackmin, Grace Schulman, Val Vane 'Sex and Sadism' limited edition signed, plus others James Dodds/Jardine Press, Priory Press, etc (17)
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A card and paper lithographed weather vane house, German circa 1890, the traditional style house with clock, balcony, thermometer and two painted carved wooden figures surrounded by two arches, in a glazed wooden case, 9 ½” (24cm) tall, together with a charming painted wooden traditional Swiss style chalet with hinged front door, (2 items) .
A VINTAGE PINE TOOL CHEST, with twin metal handles, on castors, width 94cm x depth 55cm x height 67cm, containing various metal wear, to include a weather vane in the form of a fox, two galvanized tubs, a handle, etc. (condition report: chest in need of repair, due to losses, loose handles, surface marks and scratches) (5+)
JOHNS, W.E.; a collection of works, including First Editions: “Gimlet Takes a Job” (1954), “Worrals In The Wastelands” (1949), “Gimlet Off The Map” (1951); “Biggle Cuts It Fine” (1954); “Biggles Goes To School” (1951) - all with dust wrappers un-clipped; “Worrals Goes Afoot” (1949, no dust wrapper); also “Sky Fever”, “Dr Vane Answers The Call”, & “Biggles In Spain” (all with no publication details); Twenty vols. of Biggles printed by Geoffrey Camberlege, Oxford University Press, later editions, all with dust wrappers; & Ten other W.E. Johns novels. (39).
STAR WARS: RETURN OF THE JEDI (1983) - Left Inner Speeder Bike Steering VaneA speeder bike steering vane from Richard Marquand's Star Wars: Return of the Jedi. Leia (Carrie Fisher) and Luke (Mark Hamill) used speeder bikes to chase down escaping Imperial Stormtroopers on the forest moon of Endor.This metal steering vane has been painted brown and features two holes on its curved edge, where it would have been secured to the rear of the bike. Accompanying it is a gold-coloured metal display plaque with the engraving "Return of the Jedi Speederbike lower front steering vane". The vane exhibits scuffs and scratches to the paint from production use and age. Dimensions (vane): 43 cm x 15.5 cm (17" x 6 1/4")Estimate: £4,000 - 8,000 Ω View all lots from STAR WARS: RETURN OF THE JEDI (1983)View all lots from STAR WARS - ALL ITEMSBidding for this lot will end on Sunday, November 12th. The auction will begin at 3:00PM BST and lots are sold sequentially via live auctioneer; tune in to the live streaming broadcast on auction day to follow the pace. Note other lots in the auction may close on Thursday, November 9th, Friday, November 10th or Saturday, November 11th.
Vintage advertising interest, a group of fifteen painted metal motor oil and other cans including Shell X100, Holts Glycolmaster Anti-Freeze, Duckhams motor oil, Andersons Stoniflex Mastic can, Armstrong Super Hydraulic Absorber Fluid, Luvax Girling Vane Type Damper oil, DP Gunk Solution, etc. (15)
GRAHAM, RODNEY1949 Abbotsford/Kanada - 2022 Vancouver/KanadaTitel: Weather Vane (für Parkett 64). Datierung: 2002. Technik: Schwarz lackierter rostfreier Chromstahl. Darstellungsmaß: 68cm. Blattmaß: 63cm. Bezeichnung: Signiert und nummeriert auf beiliegendem Zertifikat. Herausgeber: Parkett-Verlag, Zürich (Hrsg.). Exemplar: 1/70. Zustand:Vereinzelt minimale Oberflächenbereibungen. Ansonsten in sehr gutem Zustand.Mit beiliegendem Zertifikat. Mit Parkett-Magazin.".caught up in the loops of their own company, Graham's solitaries have a tendency to leave even themselves behind for periods, and journey inwards as we all do, at least in sleep. Graham keeps taking us back to the same impossible, giddy place; leading us right up to the border of someone else's thought; his thought; our own thought; the 'Edge of a Wood.'" Mathew Hale, Parkett Nr. 64, 2002.Artikel zu Werk und Künstler aus Parkett Edition Nr. 64. Rodney Graham Kanada Multiples 2000er Mann Multiple Stahl LuftErläuterungen zum Katalog
Waterman, a gold fountain pen, circa 1940, inscribed 'To Lady Mairi, from friends at Mount Stewart, 10.12. 40', length 11.3cm, British hallmarks for 9ct gold, signed Waterman, fitted case stamped WatermanProvenance: Lady Mary Elizabeth ('Mairi') Bury, née Vane-Tempest Stewart (1921-2009), aviator and philatelist, daughter of the 7th Marquess and Marchioness of Londonderry, on the occasion of her marriage to the Hon. Derek William Charles Keppel, later Viscount Bury, on December 10th 1940, thence by descent
Morant (Philip). The History and Antiquities of the County of Essex, 2 volumes, (incorporating the second edition of The History and Antiquities of the most ancient Town and Borough of Colchester), London: T. Osborne et al., 1768, EXTRA ILLUSTRATED AND EXTENDED TO 5 VOLUMES, plus a Manuscript Index, 1908, the contents mounted on large paper, the whole being lavishly extended with hundreds of extra illustrations of varying sizes, containing approximately 36 maps, some coloured, including examples by or after Christopher Saxton, Johannes Blaeu, Jan Jannson, John Chapman and Peter Andre, Philip Lea, Thomas Dix, Ordnance Survey, Richard Blome and Robert Morden, plus approximately 20 watercolours and drawings and 750 prints including portraits and views, coloured aquatints by Havell and Merigot, other coloured plates by Alken and Daniell, mezzotints by J. Smith, C. Turner, J. Faber and McArdell, lithographs, stipple etchings, line engravings, india proofs, woodcuts, facsimiles, etc., the five text volumes with additional printed title-pages for this unique copy dated 1908, the manuscript Index volume comprising 24 leaves (plus 18 blank), completed alphabetically in a very neat hand on rectos only, burgundy morocco gilt bookplate of W. A. Foyle, Beeleigh Abbey to all front pastedowns, early 20th-century red crushed levant full morocco gilt by Morrell, inner dentelles gilt, wide and richly roll-tooled panels in gold and blind, gilt-decorated spines with raised bands, Index volume bound in red crushed levant half morocco gilt to match, all with some slight rubbing and a few scuff marks, some darkening from old scorch marks to lowest raised bands and foot of spines and board edges, a little wear and some strengthening to tailcaps, folio (560 x 385 mm)QTY: (6)NOTE:Provenance: W. A. Foyle, Beeleigh Abbey (bookplates).A truly sumptuous and very handsome imperial folio set of this major county history. The contents are largely in very clean and good condition and the whole has been assembled with fastidious care. Sadly, there is no evidence as to who it was done by or who owned it before William Foyle.The maps include those by Christopher Saxton, Johannes Blaeu, Jan Jannson, Emanuel Bowen (7), John Norden and W. Kip, C & J Greenwood, Philip Lea, John Rocque, Henry Overton, Robert Morden, Richard Blome, Thomas Kitchin, John Cary, James Pigot, J. Roper and Thomas Dix, plus a large-scale 25-sheet map by John Chapman & Peter Andre (220 x 285 cm), and a 4-sheet county map by Colonel Mudge (OS maps), and a large-scale county map by C. & J. Greenwood.There are watercolour views of Woodford by W. H. Bartlett, 1832, (330 x 495 mm); St Botolph's Priory by G. F. Phillips, 1807; Mr Trott's Farm near Romford by J. C. Nattes; Great Canfield by A. Barfield, 1844; large sepia wash drawing of Nether Hall [by Laporte]; large plan of Colchester Barracks by J. Parkyns, 1806; unsigned views of Waltham Abbey, Tilty Abbey, Thaxted (pencil), Southend (2), South Bemfleet (sepia), House of Mrs Masson at Hornchurch; plus portraits of Lady Anne Lucas by T. Athow, Thomas Littleton and Sir Thomas Hervey (fine copy).Among the numerous portraits are approximately 14 mezzotints of Oliver Cromwell (trimmed to oval), George Capel, Earl of Essex, James I, Duke of Albemarle, Admiral Sir George Pocock, Samuel Bosanquet (relined; not in Index), Bishop Compton, Lady Fairfax (small), John Knight and family, Thomas Wood, Edward Bright, Henry Vane, John Morley and Thomas Lane.
AN ENGLISH WROUGHT IRON AND BRASS TURRET CLOCK MOVEMENT TOGETHER WITH AN EARLIER 'SETTING DIAL'THE MOVEMENT UNSIGNED, CIRCA 1800, THE DIAL SIGNED FOR WILLIAM SKIKELTHORPE, LONDON, DATED 1737The frame composed of wrought-iron vertical strips with spoon-shaped finials at the angles joined via square threaded nuts to an arrangement of horizontal bars forming hoops to top and bottom, each braced with flat bars front-to-back at the centre and applied with vertical pivot bars for the going and striking trains set side-by-side within the frame between brass bush pivot inserts, the four-wheel going train with large wooden-walled barrel and offset anchor escapement regulated by long cylindrical-bob pendulum with an effective length of around 48 inches, the internal countwheel strike train with conforming barrel and lifting via an arm spanning across to engage with a pin to the rim of the second wheel of the going train, the front with twin-vane fly over substantial winding squares and the rear with brass pendulum suspension cock over squared take-off for the remote motionwork, with pulleys, lines, universal take-off joint, bell hammer, crank winder and remote motionwork assembly; the earlier 5.875 inch brass break-arch setting dial with matted centre within applied minute ring annotated with Arabic five minutes and with the spandrels engraved to provide the date 1, 7, 3, 7, the arch applied with circular boss signed William Skikelthorp, LONDON flanked by engraved foliate scroll infill, (2).The turret clock movement 52cm (20.5ins) high, 60.5cm (23.75ins) wide, 54.5cm (21.5ins) deep including crutch and winding squares. William Skikelthorpe is recorded in Loomes, Brian Watchmakers and Clockmakers of the World, Complete 21st Century Edition as working in London circa 1720.
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