Große Anbietschale mit Dekor "Roter Drache" aus der Königlichen Hof-ConditoreiRunde, gemuldete Form mit glattem Rand. Im Spiegel zwei kreisförmig angeordnete Phönixe, umgeben von gestreuten Blumen und Insekten. Auf der ansteigenden Fahne langgestreckte, chinesische Drachen im Wechsel mit Arrangements von buddhistischen Symbolen der sog. "Acht Kostbarkeiten". Eisenrote, in Gold gehöhte Camaieumalerei. Im Boden bez. K.H.C. in Purpur sowie mit alter Dresdener Inv.-Nr. I.C.46. in Rot. Schwertermarke. D. 42 cm. Der Dekor "Roter Drache" gehörte um 1730 zu den ersten Servicegestaltungen für den sächsischen Hof unter August dem Starken. Ab 1737 gehörten Meissener Porzellanstücke mit dem eisenroten Drachendekor unter der Bezeichnung K.H.C. zur Ausstattung der Sächsischen Hofkonditorei.Vgl. Rückert, Kat. Meißener Porzellan, Bayer. Nationalmuseum, Nr. 305.; Pietsch, Triumph, Nr. 236; Jedding, Museum Hamburg, Nr. 124.A large porcelain bowl with "Red dragon" decor from the Royal court confectionery. Crossed swords with K.H.C. confectioner‘s mark in purple. Old Dresden inventory no. in red.Meissen. Um 1735 - 1740.
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The Wild One (1968) British Quad film poster starring Marlon Brando on a Triumph Thunderbird 6T, folded, 30 x 40 inches. Provenance: From The Michael Armstrong Cinema Collection.Condition Report: Fine condition, faint extra fold line, small hole at cross fold, light ageing, pencil title to reverse.
Dinky - Corgi - Britains - A collection of 27 loose play worn vehicles in mainly 1:43 scale including Dinky # 103 Spectrum Patrol Car, Corgi # 231 Triumph Herald Coupe, Loner Star Bren Gun Carrier. All vehicles show signs of play use and some have damage / parts missing. Conditions range from Poor to Good.
Meccano, Oxford Diecast, Others - 2 Boxed Meccano sets with a collection of Top Gear related items. Meccano sets including Tintin 4x4 and tuning radio control set. Both boxes are sealed and unchecked for completeness. Tintin box has some storage wear and tearing on the front. Top Gear items include 2 Triumph Herald Sailboat models, remote control ATV, 2 ceramic Stig money banks. Items appear Mint with some storage imperfections on the packaging. The remote control ATV models box has some damage and tape repairs.
A sculpted limestone model of the Samothrace Nike, 20th century, carved after the Antique, with wings outstretched and drapery billowing around, atop a cylindrical stone plinth, the figure 200cm high, the base 100cm high; the height overall 300cmBidders from the UK and outside of the European Union should be aware that additional import charges may applyThe Winged Victory of Samothrace, discovered in 1863, is thought to have been created around 200-190 BC. The work is 2.44 metres (8 feet) in height and was commissioned to commemorate victory in a sea battle as well as in honour of the goddess. It is famed for the way in which it conveys a sense of action and triumph as well as portraying artful flowing drapery, the goddess being portrayed as descending to alight upon the prow of a warshipRendered in grey and white Thasian and Parian marble, the figure originally formed part of the Samothrace temple complex dedicated to the Great gods, Megaloi Theoi. It stood on a rostral pedestal of grey marble from Lartos representing the prow of a ship (most likely a trihemiolia), and represents the goddess as she descends from the skies to the triumphant fleetThe Hellenistic original is currently held in the Louvre collection in ParisCondition Report: The Nike and the base have a relatively clean appearance to the surface reflecting the objects relative lack of age, although discolouration through weathering is starting to occur from its storage and use in an external settingSome moss and lichen growth to the surfaceSome knocks and chips to the fluted base The foot missing by design, the head and arms are also truncated by design and after the antique.The wings are formed of separate elements and joined to the rest Please refer to additional images for visual reference to condition The weight of the Nike is approximately 1000 kg; The weight of the base is approximately 800 kg. The best way to transport a figure like this is probably to transport it standing up, in a custom made crate. Please contact the suggest shippers (Neumann & Vettin) who will be able to provide a quote. Dreweatts are unable to assist in this matter. Condition Report Disclaimer
A sculpted Carrara marble fountain modelled as an eagle grasping a serpent, 17th century, the bird standing on rockwork and holding the snake between its beak and left talon, 103cm high, 43cm wideBidders from the UK and outside of the European Union should be aware that additional import charges may applyThe motif of an eagle grasping a serpent is probably a portrayal of the triumph of good over evil, and has appeared in one way or another in art since the Roman period. Indeed a comparable sculpted stone group of an eagle and a serpent was excavated in the City of London as recently as 2013, with the serpent held in the beak of the bird in a similar way to the composition of the group offered in this lot. Other Roman examples include a fragmentary sculpture found at Keynsham Roman Villa, Somerset, and an example found at Khirbet et Tannur, Jordan, now held at the Cincinnati Art MuseumCondition Report: Marks, knocks, scratches, abrasions consistent with age and use, The object appears to have been professionally cleaned, but there is weathering to the upper surfaces which has caused he upper surfaces to have a granular feel. The fountain is flat-backed and the middle body section of the serpent does not stretch down the back this is by intent, the back not having been intended to be seen. There is a small crack in this areaThe metal waterspout is held in place by a hard composite material the remnants of a lead pipe protrude at the back.There are small chips overall including the top 'lip' of the snake and the lower jaw of snake missing - probably removed to accommodate the pipework Please refer to additional images for visual reference to condition Condition Report Disclaimer
Three Arthur Bryant Books Published by Collins to Include 1942 Edition of The Years of Endurance 1793-1802, 1944 Edition of Years of Victory 1802-1812 and November 1959 Second Impression of Triumph in the West All Complete with Dust Jackets (Condition Flaws to Include Wear and Loss to Jackets etc)
1969 Triumph Vitesse 2.0 Convertible Make: Triumph Model: Vitesse Convertible Year: 1969Mileage: 68743VIN: HC51945CVConfiguration: Right Hand DriveRegistration: YGK992GTransmission: manualTriumph Vitesse Mark II Convertible with overdrive - genuine factory convertible with CV chassis number. An older restored car in Royal blue with contrasting shadow blue interior trim and black weather gear. Described by the vendor as in very nice overall condition with good bodywork, chassis and interior. He says it runs and drives very well with smooth overdrive operation and no overheating issues. Recently fitted with a new three piece clutch. It comes with MoT history to 2016 when last issued at 68,681 miles and owner's handbook. The mileage is currently recorded at 68,743. PLEASE SEE BELOW FOR VIDEO PRODUCED 16TH APRIL BY ACA OF THIS CAR.
1965 Triumph TR4AMake: Triumph Model: TR4AYear: 1965Mileage: 6056VIN: CTC532590Configuration: Right Hand DriveRegistration: JGU223CTransmission: manualOwned by our vendor for the past six years. The heritage certificate shows this to be a UK supplied RHD example, originally fitted with overdrive although this has since been removed. Understood to have been restored in the 1990's and refurbished in recent years, work includes an engine rebuild with unleaded cylinder head, respray in Signal Red, rebuilt axle, gearbox and wheel hubs with new bearings and seals, rebuilt prop and drive shafts with new UJ's and bearings, front and rear suspension rebuilt. Benefits from a new fibreglass Surrey top. Receipts on file for around £9,000. Our vendor has asked us to mention that the front right chassis leg appears to have been damaged in the distant past and although perfectly useable as is, it may benefit from some remedial work in the future. Magazine featured in 1997. Comes with the Heritage Certificate, a large quantity of invoices and some MoTs dating from 2003 to the present. The mileage is recorded at 6,056. PLEASE SEE BELOW FOR VIDEO PRODUCED 21ST APRIL BY ACA OF THIS CAR.
1981 Triumph TR7 ConvertibleMake: Triumph Model: TR7 Convertible Year: 1981Mileage: 59043VIN: TPADJ7AT208086Configuration: Right Hand DriveRegistration: EOU332WTransmission: manual1,998cc. Finished in Triton with navy and check interior. This TR7 was purchased by the second registered owner when it was eight months old and retained by him for thirty-seven years until 2018. following a three year period off the road, the vendor advises that recent recommissioning work included the fitting of a new clutch, rear shock absorbers, four tyres and a full service. It comes with a large quantity of invoices and twenty-nine MoTs dating back to 1986 to the present. Three registered owners from new. 59,043 warranted miles.
1974 Triumph Stag 3.0 AutoMake: Triumph Model: StagYear: 1973Mileage: 60623VIN: LD25420BWConfiguration: Right Hand DriveRegistration: WPH97MTransmission: automatic Purchased by the vendor from ACA in 2016, this Stag has undergone a mechanical overhaul since. Works carried out include an engine rebuild, reconditioned automatic gearbox, engine cooling ECU, stainless exhaust and manifold, new Mohair soft‑ top, new interior trim, alloys and tyres. Would benefit from some attention to the paintwork. Comes complete with BMIHT Heritage certificate, drivers handbook, workshop manual, nearly all MoTs dating from 1987 to 2017 when last issued, receipts including one for £8,279 in 2017 and tax discs. Six owners from new. The mileage is recorded at 60,623.PLEASE SEE BELOW FOR VIDEO PRODUCED 20TH APRIL BY ACA OF THIS CAR.
1981 Triumph TR7 Convertible Make: Triumph Model: TR7 Year: 1981Mileage: 50452VIN: TPADJ7AA404154Configuration: Right Hand DriveRegistration: FNP159WTransmission: manual1,998cc. This TR7 convertible was restored several years ago and has been garaged since. Last on the road in 2014, it will require some recommissioning before full road use. It has been registered to the last owner for fifteen years. The history file contains receipts and MoTs. The mileage is recorded at 50,452. Details to be updated on car's arrival.
1979 Triumph Dolomite 2.0 SprintMake: Triumph Model: Dolomite Sprint Year: 1979Mileage: 0VIN: VA30684DL0Configuration: Right Hand DriveRegistration: HHK460TTransmission: manualOff the road for around ten years, this 2.0 Sprint was last MoT'd in 2010 at 72,158 miles. Sold as a non-runner. Eight registered owners. Comes without documents except the MoT history from 2006 to 2010.
1980 Triumph Dolomite 2.0 Sprint Make: Triumph Model: Dolomite Sprint Year: 1980Mileage: 0VIN: TWTLD5AT111381Configuration: Right Hand DriveRegistration: GAV735WTransmission: ManualFor restoration. This Dolomite Sprint had been subject to much expenditure in the 1980's and 1990's but has been left to deteriorate over the last twenty years. The vendor advises that the interior is in reasonable condition. Six registered owners. Comes complete with an extensive quantity of receipts, MoTs dating from 1984 to 2001 when last issued, the original service passport stamped to 1984 and original Sprint handbook.
1970 Triumph Herald 13/60 Convertible Make: Triumph Model: Herald 13/60Year: 1970Mileage: 0VIN: GE63266CVConfiguration: Right Hand DriveRegistration: XHT51HTransmission: manual1,296cc. Offered for full restoration. Sold as non-running. The car was exported to Northern Ireland in 2001 and brought back into the UK by the last registered owner in 2005. Comes with Heritage certificate confirming the issue of the registration number from new, Northern Ireland MoT and copy ownership details. The mileage is recorded at 60,573.
1972 Triumph 2000Make: Triumph Model: 2000Year: 1972Mileage: 82000VIN: ME52546DL0Configuration: Right Hand DriveRegistration: TDO912KTransmission: manualAcquired by our vendor's uncle from the first owner in 1976 and remaining in his ownership until he passed away last year. Ownership was then taken over by our vendor. Always garaged during the uncle's ownership and described as his pride and joy, it has remained on SORN for quite a few years since he moved into a care home. Will require some recommissioning. Three owners from new. Comes with an original handbook and MoT history dating from 2006 to 2014 when last issued at 81,412 miles. The mileage is currently recorded 81,569. PLEASE SEE BELOW FOR VIDEO PRODUCED 16TH APRIL BY ACA OF THIS CAR.
1965 Lotus Seven 1700Make: Lotus Model: Seven Year: 1965Mileage: 36290VIN: SABLVL03595295024Configuration: Right Hand DriveRegistration: AHJ28CTransmission: manual1,700cc Ford "X" flow 711 M block, balanced with lightened fly wheel, twin 40 Webers, gas flowed head, high pressure fuel pump, valve seats hardened for unleaded fuel and fast road cam. It's gearbox is the Ford 5-speed (believed type 9), wheels 61/2 J Magna with cast J A Pearce wheel centres, Triumph Dolomite axle strengthened with torsion plate and stainless re-stuffable exhaust system. Caterham adjustable leather seats, full harness seatbelts, fuel gauge and original instruments. It is believed that the engine was rebuilt around 2005 when new front shock absorbers, 5-speed gearbox, twin cam bonnet were fitted and a respray. Less than 2,000 miles have been covered since. Described as running and driving well. The car was re-registered in 1985 by the previous owner who had been abroad for several years and was unable to verify it's year of manufacture. An age related plate was issued but it has since been confirmed that it's first registration was CYD 654C and had been owned by the previous keeper for several years prior to 1985. It now registers two owners, the last recorded since 2017. It's history file contains some varied photographs prior to 1985 and also of it's rebuild, owner and DVLA correspondence, various MoTs dating from 1976 through to 2017 and various receipts. The mileage is recorded at 36,290. PLEASE SEE BELOW VIDEO PRODUCED OF THIS CAR ON THE 16TH APRIL BY ACA
1973 Triumph Stag 3.0 Auto Make: Triumph Model: Stag Year: 1973Mileage: 62772VIN: LD20173BWConfiguration: Right Hand DriveRegistration: JWD284LTransmission: AutomaticThis Stag has been owned by the vendor for six years. Retaining it's original V8 Triumph engine, it also benefits from a stainless exhaust, electronic ignition, fitted rear seat belts, spin-on oil filter and battery isolator. A box of assorted spares is also included in the sale. Its history file contains a folder of receipts dating from 2010 to 2018, MoTs from 2000 to the present, tax discs covering 2001 to 2015 and handbook. The mileage is recorded at 62,772. PLEASE SEE BELOW FOR VIDEO PRODUCED 9TH APRIL BY ACA OF THIS CAR.
1981 Triumph TR7 Grinnall V8 4.0 Convertible.Make: Contact AuctioneerModel: Contact AuctioneerYear: 0Mileage: 0VIN: TPADJ7AT209752Configuration: Right Hand DriveRegistration: MMK 364WTransmission: Contact AuctioneerPurchased by our vendor in 1998 from the previous owner who had had it from new (the V5 does record one more previous owner indicating that it may have been pre-registered) In 1990, the original car, having covered approximately 42,000 miles, was converted to full Grinnall 4.0 V8 specification including the fitting of a 4.0 Rover V8 engine with JE101 camshaft, modified head, Holley Carburettor, body styling kit, leather re-trim at a cost of £13,619. At the same time the mileage was set at zero. In the current ownership, the Grinnall has always been garaged when not in use. Driven to the auction and stated to run very well. Comes with MoT certificates back to 1984, the Grinnall conversion specification list and a good quantity of invoices. 36,789 recorded miles
Pair of Vienna porcelain cabinet plated, hand painted with titled scenes, "Triumph der Nimphen" and "Amor und Nimphen", cobalt blue and gilt borders, 24cm, and a Meissen porcelain cabinet plate, central painted panel of a courting couple, the border with landscape vignettes, trellis panels and flowers, crossed swords mark, 24cm, chip to reverse.
A set of three pictures commissioned by John Jervis (1735-1823), later Earl St. Vincent, to commemorate his victory at the Battle of Cape St. Vincent, 14th February, 1797 ATTRIBUTED TO LT. WILLIAM ELLIOTT R.N. (CIRCA 1784) Commodore Nelson leading the boarding party up H.M.S. ‘Captain’s’ bowsprit to take the Spanish three-decker ‘San Nicolas’Oil on canvas Each -- 27¼ x 46½in. (69 x 118cm.) (3, a group) Provenance: John Jervis, The Earl St. Vincent (1735-1833), Meaford Hall (removed 1943 when Hall sold), and thence by descent.Footnote: Before battle was joined on St. Valentine’s Day 1797, Admiral Sir John Jervis, C. in C. Mediterranean fleet, turned to those with him on the flagship’s quarterdeck and said “A victory is very essential to England at the moment”, the truth of which was all too obvious to everyone who heard it. Despite some early successes, most notably the battle of the Glorious First of June (1794), the war with Revolutionary France and her allies was not going well for Great Britain as 1796 drew to a close. A Franco-Spanish expedition to Ireland was being prepared and the large, albeit undermanned, Spanish fleet had been ordered to join its French counterpart already making for Brest. The Spaniards, under Admiral de Cordova, put to sea from Cartagena with twenty-seven ships-of-the-line in company with twelve frigates, only to find Jervis lying in wait for them off Cape St. Vincent. On 13th February Jervis was joined by Commodore Nelson’s squadron and, the following day, Jervis brought the enemy to action in what proved a landmark victory despite the numerical superiority of Cordova’s fleet. On the morning of the battle, Cordova was hampered by hazy weather although Jervis knew exactly where they were thanks to Nelson’s accurate reporting of their position when he arrived the previous day. The Spanish were in three straggling lines whereas Jervis, sailing south, had put his ships into two tight columns. As the haze began to clear, Victory’s flag captain began to count the enemy ships as they emerged into view – 8, 20, 25, 27, at which Jervis interrupted him with a curt “Enough Sir, no more of that; the die is cast, and if there are 50 sail, I will go through them.” At about 11.30am. H.M.S. Culloden, Captain Thomas Troubridge, fired the opening shots of the day as he passed the windward division of the Spanish fleet and afterwards crashed through the enemy line. With the line breached, Jervis decided to concentrate his main attack on the enemy’s windward division of seventeen ships as Cordova had only placed nine to leeward. What was to prove a very complex action then began to play out during the afternoon, and the day ended with England having fully regained the initiative for the naval war at sea. Aided by Nelson’s tactical brilliance at a crucial moment in the battle, Jervis had decimated the Spanish fleet and forced what little remained of it to withdraw to Cadiz. Jervis’s flagship Victory, built at Chatham in 1765, emerged from the battle with her reputation as one of the finest fighting platforms in the fleet assured; Nelson had little more to do to immortalise her. Salvador del Mundo put up a tremendous fight in this action and initially surrendered to H.M.S. Excellent, 74, thanks to Captain Collingwood’s expert gunnery and rapid broadsides. However, when Excellent turned away to tackle her next target, Salvador del Mundo briefly raised her colours again until Victory’s broadside (seen above) forced her final surrender and subsequent capture as a prize. Nelson, recently promoted Commodore and given his own, albeit small, squadron, was flying his flag in the 74-gun H.M.S. Captain when he rendezvoused with Jervis in advance of the major engagement off Cape St. Vincent. On the morning of the battle, Jervis ordered his two columns of ships into a single line-of-battle, but the procedure proved painfully slow and, at a critical moment, Nelson realized that, unless he broke formation, the bulk of the Spanish fleet was liable to get away and run for Cadiz. Without a moment’s hesitation, he took H.M.S. Captain out of her station, closely followed by Collingwood in Excellent and Troubridge in Culloden, whereupon a furious action commenced at the head of the Spanish line. In the confusion, two enemy ships, the 80-gun San Nicolas and the 114-gun San Josef, collided with each other and Nelson seized his opportunity. Laying the already damaged Captain alongside the San Nicolas, he personally led the boarding party which, having captured her, crossed her decks and then took the even larger San Josef immediately afterwards. The men of the fleet dubbed the feat ‘Nelson’s patent bridge for boarding First Rates’, an accolade which delighted Nelson and cemented his growing bond with Jervis. It was, without doubt, a triumph of dash and daring, and although Nelson had technically broken his orders to achieve it, he emerged from the battle with his reputation made. Promotion to Rear-Admiral of the Blue and a Knighthood of the Bath followed swiftly, together with a recognition by the British public that they had discovered a new hero to win the war for them.Condition report: Windward Fleet: Relined c.1940’s; dirty varnish, needs to be cleaned; Under UV old overpaint, old restoration covering bitumen craquelure; scattered overpainting in sky, sails have scattered restoration, sea scattered retouching throughout, old masking varnish; Jervis’s Victory: Slight retouching in sky; retouching to sails; old craquelure, retouching throughout sea; Nelson Boarding: Scattered retouching throughout sky, smoke and sea, dirty varnish. All would benefit from and respond well to good restoration and cleaning.
CLASSIC/HEAVY/BLUES ROCK - LP COLLECTION. Quality collection of 45 classic LPs. Artists/titles include Peter Green's Fleetwood Mac (Blue Horizon mono 7-63200 - VG some surface marks nothing heavier/VG some shelf/edgewear, solid example), Deep Purple - In Rock (boxed RE - note G+/VG), Fireball, Made In Europe, Machine Head, Rainbow - On Stage and Rising, Curved Air - Air Conditioning (K 56004), Baker Gurvitz Army, Haystacks Balboa (UK Polydor 2489-002 - clean Ex record/please note no sleeve), Stray Dog - Stray Dog (K 43506), Electric Sun - Earthquake (0060.196, Brain), Horslips, A Foot In Coldwater, Asleep At The Wheel, Streetwalkers, Strapps, Atlanta Rhythm Section, Brand X, Triumph, Eric Clapton, Bad Company, Gillan, Focus and Barclay James Harvest. Condition is generally VG to Ex+ though some can vary.
A gentleman's steel and gold plated Omega De Ville Automatic Turler wrist watch, a gentleman's steel Ingersoll Triumph manual wind wrist watch, a white metal fob watch and four pairs of assorted white metal mounted earrings.CONDITION: De Ville case diameter 34mm ex. crown. Dial cover badly scratched at 11 o'clock. Watch currently ticking and the hands and date adjust.Ingersoll- Case diameter 31mm ex. crown. Crown probably a replacement?? Dial with some small pit spots/specks and possibly a little discoloured. Dial also has some damage around the edges. Dial cover has some scratches. Case sides has numerous nicks and scratches and some loss to the plating in places. Watch ticks then stops, so in need of some attention. No strap.
REMBRANDT HARMENSZ. VAN RIJN Leiden 1606 - 1669 Amsterdam: Der Triumph des Mardochäus. Radierung um 1641. Bartsch 40. Seidlitz 40, I (von II). White-Boon 40. Nowell-Usticke 40, I (von II). Hinterding/Rutgers (New Hollstein) 185, III (von IV). - Auf feinem China. 17,6 x 21,6 cm. Mit schwacher Papierquetschfalte unterhalb der Nische links. Im Torbogen rechts oben ein winziges restauriertes Löchlein. Mit kleinem hinterlegtem Einriss am 2,5 cm breiten Oberrand und vereinzelten schwachen Knickspuren sowie rechte untere Ecke und Oberrand minimal fleckig. Prachtvoller Frühdruck mit schönem spürbaren Grat in interessanter grünschwarzer Farbgebung. Besonders für wertvolle Drucke verwandte Rembrandt das hier vorliegende feine Chinapapier, das er aus den holländischen Kolonien in Asien bezog. Schon das Drucken auf hauchdünnes Papier erfordert meisterliches Können und der resultierende Abdruck zeigt feinste Linien in präziser Schärfe auf gelblich mattem Grund. Sammlungen F. Winzinger (Lugt 2600a), „AB“ (ligiert im Kreis; Bruninx (?), Antwerpen; Lugt 78b), „MFE“ und „WFM jr.“ (beide nicht bei Lugt). [bg]
ANDREA ANDREANI 1541/46 - Mantua - 1623: Der Triumphzug des Julius Caesar: Vasenträger, geschmückte Opferochsen und Fanfarenbläser. Clair-obcur in Schwarz, Grau und Beigegrau nach Andrea Mantegna 1599. Bartsch Bd. XII, Teil VI, Nr. 11.4. TIB Bd. 48, S. 160 (Abb.). - Mit der Nummer „4“ unterhalb der Darstellung im Stock. Auf kräftigem Bütten. 38,2 x 37 cm (Blatt: ca. 39 x 37,2 cm). Mit 2 hinterlegten Randeinrissen in einer der 3 geglätteten vertikalen Knickfalten. Leicht stockfleckig. Als Vorlage für die Holzschnitt-Clair-obscur-Folge dienten die Aquarelle von Bernardo Malpizzi, die dieser von Mantegnas neunteiligem Triumph-Fries angefertigt hatte. Abdruck mit Druckrelief auf der Rückseite. [ms]
Porzellan, farbiger Aufglasurdekor, goldener Randstreifen. Geschweift kannelierte Fahne mit gelber Mosaikkante, gerahmt von feinen Purpurrocaillen. Das Steigbord emailblau anstaffiert. In Spiegelmitte eine Landschaftsinsel mit einem Hasen, an Sträuchen knabbernd. Blaumarke Schwerter, Drehernummer 65. Kratzer und leichter Berieb der Glasur. D 24,3 cm.Meissen, 1762/63, das Geschirrmodell von Johann Joachim Kaendler.Noch während des Siebenjährigen Kriegs sucht der preußische König Friedrich II. den Meißener Modelleur Johann Joachim Kaendler auf, um ihm seine Wünsche für ein Service mit eigenen Zeichnungen persönlich mitzuteilen. Otto Walcha publizierte 1961 eine Aktennotiz Kaendlers vom 11. November 1762, die sich auf das Japanische Service bezieht. Daraus geht hervor, dass Friedrich II. Kaendler einen französischen Silberteller als Modell übergab, aber auch genaue Angaben zum Dekor lieferte: "Die Mahlery betreffend So soll solcher Servis am Rande gelb mit Mosique gemahlet und an der innern Cante etwas glinde wie gewöhnlich mit schönen Blau, daß sich das Gelbe hebet angedufftet werden. Zu jede Schüssel und Teller haben Ihro Königl. Majt. befohlen ein à partes Indianisches Thier und Vogel schön proportionirlich zu mahlen, als Camele, Elephanten, Renozeros, Panter-Thier, Pavian, Affen Straußen, Casuaries, unterschiedliche Pappagoyen und andere indianische Thiere und Vogel (…)“ Diese Notiz wurde von Friedrich II. gegengezeichnet. Das „bizarrste aller“ Service war für das 1764 fertiggestellte Chinesische Haus im Park von Sanssouci vorgesehen und bestand ursprünglich aus 96 Tellern und 72 Desserttellern sowie vier Terrinen und im Dutzend hergestellter Vorlegeschüsseln. Wieviel davon vor dem Frieden von Hubertusburg fertiggestellt wurde, lässt sich nicht mehr rekonstruieren. Die Teller und Schalen sind heute verstreut in zahlreiche Museen und Sammlungen, teilweise auch nur noch in Fragmenten vorhanden.ProvenienzSammlung Erich von Goldschmidt-Rothschild.Christie´s Genf am 9. Mai 1988, Lot 164.Sammlung Renate und Tono Dreßen.AusstellungenKönigliche Eleganz Preußische Pracht, 250 Jahre Königliche Porzellanmanufaktur Berlin KPM, Hetjens-Museum Düsseldorf, 2013.LiteraturAbgebildet im Kat. Königliche Eleganz Preußische Pracht, 250 Jahre Königliche Porzellanmanufaktur Berlin KPM, Düsseldorf 2013, Nr. 6.Abgebildet im Kat. Blütenlese, Berlin-München 2018, Nr. 114.Vgl. Walcha, Friedrich II. letzte bedeutende Porzellanbestellung in Meißen, in: Keramos 12/1961, S. 31 ff.Vgl. Beaucamp-Markowsky, Rhinozeros und Panter-Tier. Eine wieder aufgefundene Terrine aus dem Meißener "Japanischen Service" Friedrichs des Großen. Erich Köllmann zum 75. Geburtstag, in: Keramos 94/1981, S. 17 ff.Vgl. Wittwer, "hat der König von Preußen die schleunige Verferttigung verschiedener Bestellungen ernstlich begehret" Friedrich der Große und das Meißener Porzellan, in: Keramos 208/2010, S. 64 ff.Vgl. Kat. Triumph der Blauen Schwerter. Meissener Porzellan für Adel und Bürgertum 1710 - 1815, Dresden 2010, Nr. 299.The scalloped rim decorated with a yellow mosaic border framed by fine purple rocailles, the lip in enamel blue. The centre of the well decorated with a rabbit-like creature nibbling on a shrub. Blue crossed swords mark, dreher's no. 65. With scratches and minor wear to the glaze. D 24.3 cm.1762/63, plate model designed by Johann Joachim Kaendler.Even whilst the Seven Years' War was still ongoing, the Prussian King Friedrich II sought out the Meissen model maker Johann Joachim Kaendler personally to discuss his wish for a service after his own designs. In 1961, Otto Walcha published an archived note from Kaendler referencing the Japanese service. The note states that Friedrich II presented him with a French silver plate as a model and provided detailed instructions for the décor: “With regards to the painting, the borders of the service should be painted with yellow mosaic, the inner rim with a fine blue, slightly paler than usual, so that the yellow stands out more. His royal majesty requests that each bowl and plate be painted with an Indian animal or bird in fine proportions; camels, elephants, rhinoceros, panthers, baboons, monkeys, ostrich, cassowaries, various parrots and other Indian animals and birds (...)”. The note was countersigned by Friedrich II. This “most bizarre” of all services, intended for the Chinese House in the park of Sanssouci Palace, was completed in 1764. It originally comprised of 96 dinner plates, 72 dessert plates, four tureens and dozens of serving dishes. It is not known how many of these pieces were completed prior to the Peace of Hubertusburg. Today, dishes and plates from the service can be found scattered throughout numerous museums and collections, with some only surviving in fragments.Provenance"Collection of Erich von Goldschmidt-Rothschild.Christie´s Geneva, 9th May 1988, lot 164.Collection of Renate and Tono Dreßen."ExhibitionsKönigliche Eleganz Preußische Pracht, 250 Jahre Königliche Porzellanmanufaktur Berlin KPM, Hetjens-Museum Düsseldorf, 2013.LiteratureIllus. in cat. Königliche Eleganz Preußische Pracht, 250 Jahre Königliche Porzellanmanufaktur Berlin KPM, Düsseldorf 2013, no. 6. Illus. in cat. Blütenlese, Berlin-Munich 2018, no. 114. Cf. Walcha, Friedrich II. letzte bedeutende Porzellanbestellung in Meißen, in: Keramos 12/1961, p. 31 ff. Cf. Beaucamp-Markowsky, Rhinozeros und Panter-Tier. eine wieder aufgefundene Terrine aus dem Meißener "Japanischen Service" Friedrichs des Großen. Erich Köllmann zum 75. Geburtstag, in: Keramos 94/1981, p. 17 ff. Cf. Wittwer, "hat der König von Preußen die schleunige Verferttigung verschiedener Bestellungen ernstlich begehret" Friedrich der Große und das Meißener Porzellan, in: Keramos 208/2010, p. 64 ff. Cf. cat. Triumph der Blauen Schwerter. Meissener Porzellan für Adel und Bürgertum 1710 - 1815, Dresden 2010, no. 299.
Porzellan, Camaieudekor, Vergoldung. Modell "preußisch-musikalisches Dessin". Um die eisenroten indianischen Blumen in Spiegelmitte sechs goldgeränderte Kartuschen mit Trophäen und Musikinstrumenten und, alternierend, Blumen in Relief. Um den Rand ein eisenroter Fondstreifen mit goldenen Schuppen. Blaumarke Schwerter, Drehernummer 36, Ritzzeichen. Kleiner restaurierter Randchip. D 26,3 cm.Meissen, um 1761/62.König Friedrich II. bestellte 1760 in Meißen ein Service mit „Mathematischen Instrumenten" für Jean-Baptiste Boyer Marquis d´Argens (1703 - 1771), das nach seinen eigenen Entwürfen bemalt im folgenden Jahr ausgeführt wurde. Meißen nannte das aufwändige Relief „preußisch-musikalisches Dessin". Das „Taffel-Service mit roth Mosaique Rand und rothen Indianischen Bluhmen gemahlt" umfasste ursprünglich 144 Speiseteller, 48 Suppenteller, zahlreiche Schüsseln und Terrinnen, aber auch Besteckgriffe, Butterbüchsen, Salzfässer, Blattschalen (als Wein- und Pappelblatt), Wärmeglocken, Leuchter und Tafelaufsätze. Zu der indianischen Blume, die das rote Service ziert, existiert eine Handzeichnung des Königs und einen Aktenvermerk: „In Ansehung der Mahlerey ist zu bemerken, dass auf den gesammten Stücken keine andere Farbe als roth, und zwar von der Couleur, welche des Königs von Pohlen Majht. vorzüglich lieben, mit Gold untermischet, angebracht werden soll". 1763 wurde das Service um Dessertteller und Blattschalen erweitert.Wir wissen heute nicht, ob und wie der König das Service nutzte. 20 Jahre später, 1781, verschenkte Friedrich II. das Service an seinen General, Wichard von Möllendorff, nach dem das Service heute benannt ist.ProvenienzSammlung Renate und Tono Dreßen.LiteraturVgl. Wittwer, "hat der König von Preußen die schleunige Verferttigung verschiedener Bestellungen ernstlich begehret" Friedrich der Große und das Meißener Porzellan, in: Keramos 208/2010, S. 54 ff.Vgl. Kat. Triumph der Blauen Schwerter. Meissener Porzellan für Adel und Bürgertum 1710 - 1815, Dresden 2010, Nr. 294.In “Prussian musical design”. Decorated with “indianische blumen” in iron red surrounded by six gilt rimmed cartouches with trophies and musical instruments alternating with flowers in relief. The iron red border with gold scale-pattern décor. Blue crossed swords mark, dreher's number 36, incised marks. With a minor restored rim chip. D 26.3 cm.C. 1761/62.In 1760, King Friedrich II ordered a service with “mathematical instruments” from Meissen for Jean-Baptiste Boyer Marquis d´Argens (1703 – 1771). The service was decorated using his own designs and produced in the following year. Meissen referred to this elaborate relief décor as “Prussian musical design”. The “dinner service with red mosaic borders and painted with red 'indianische blumen'” originally comprised 144 dinner plates, 48 soup bowls, numerous dishes and tureens as well as cutlery handles, butter dishes, salt barrels and leaf-shaped bowls (designed as vine leaves and poplar leaves), cloches, candlesticks and centrepieces. A hand drawing by the king himself exists describing the oriental flowers that were to decorate the service along with the note: “With regards to the painted décor, it should be observed that on all of the pieces no other colour is to be used but red, namely the colour preferred by his royal majesty the king of Poland, mixed with gold”. Dessert plates and additional leaf-shaped dishes were added to the service in 1763. Today, we no longer know whether the king used the service, and if so in what capacity. It is only known that he gave it as a gift to his general Wichard von Möllendorff, after whom it is now named, 20 years later in 1781.ProvenanceCollection of Renate and Tono Dreßen.LiteratureCf. Wittwer, "hat der König von Preußen die schleunige Verferttigung verschiedener Bestellungen ernstlich begehret" Friedrich der Große und das Meißener Porzellan, in: Keramos 208/2010, p. 54 ff. Cf. cat. Triumph der Blauen Schwerter. Meissener Porzellan für Adel und Bürgertum 1710 - 1815, Dresden 2010, no. 294.
Porzellan, Camaieudekor, Vergoldung. Modell "preußisch-musikalisches Dessin". Um die eisenroten indianischen Blumen in Spiegelmitte sechs goldgeränderte Kartuschen mit Trophäen und, alternierend, Blumen in Relief. Um den Rand ein eisenrotes Fondfeld mit goldenen Schuppen. Blaumarke Schwerter, Drehernummer 36, Ritzzeichen. D 26,5 cm.Meissen, 1761/62.König Friedrich II. bestellte 1760 in Meißen ein Service mit „Mathematischen Instrumenten" für Jean-Baptiste Boyer Marquis d´Argens (1703 - 1771), das nach seinen eigenen Entwürfen bemalt wurde. Diese Motive wurden für die beiden im folgenden Jahr georderten Service mit grünem und eisenrotem Schuppenrand in Relief ausgeführt. Meißen nannte das aufwändige Relief „preußisch-musikalisches Dessin".Das „Taffel-Service mit roth Mosaique Rand und rothen Indianischen Bluhmen gemahlt" umfasste ursprünglich 144 Speiseteller, 48 Suppenteller, zahlreiche Schüsseln und Terrinnen, aber auch Besteckgriffe, Butterbüchsen, Salzfässer, Blattschalen, Wärmeglocken, Leuchter und Tafelaufsätze. Die indianische Blume, die das rote Service ziert, geht auf eine Handzeichnung des Königs zurück, und auch die Farbwahl wurde von ihm getroffen: „In Ansehung der Mahlerey ist zu bemerken, dass auf den gesammten Stücken keine andere Farbe als roth, und zwar von der Couleur, welche des Königs von Pohlen Majht. vorzüglich lieben, mit Gold untermischet, angebracht werden soll". 1763 wurde das Service um Dessertteller und Blattschalen erweitert, gleichfalls nach den Wünschen des Königs exakt ausgeführt. Wir wissen heute nicht, ob und wie er das Service nutzte. 20 Jahre später, 1781, verschenkte Friedrich II. das Service an seinen General, Wichard von Möllendorff, nach dem das Service heute benannt ist.LiteraturVgl. Wittwer, "hat der König von Preußen die schleunige Verferttigung verschiedener Bestellungen ernstlich begehret" Friedrich der Große und das Meißener Porzellan, in: Keramos 208/2010, S. 54 ff.Vgl. Kat. Triumph der Blauen Schwerter. Meissener Porzellan für Adel und Bürgertum 1710 - 1815, Dresden 2010, Nr. 294.The iron red “indianische blumen“ in the centre surrounded by depictions of trophies alternating with flowers in relief within reserves. The border with gold scale pattern decor on iron red ground. D 26.5 cm.1761/62.In 1760, King Friedrich II ordered a service with “mathematical instruments” from Meissen for Jean-Baptiste Boyer Marquis d´Argens (1703 – 1771). The service was decorated using his own designs and produced in the following year. Meissen referred to this elaborate relief décor as “Prussian musical design”. The “dinner service with red mosaic borders and painted with red 'indianische blumen'” originally comprised 144 dinner plates, 48 soup bowls, numerous dishes and tureens as well as cutlery handles, butter dishes, salt barrels and leaf-shaped bowls (designed as vine leaves and poplar leaves), cloches, candlesticks and centrepieces. A hand drawing by the king himself exists describing the oriental flowers that were to decorate the service along with the note: “With regards to the painted décor, it should be observed that on all of the pieces no other colour is to be used but red, namely the colour preferred by his royal majesty the king of Poland, mixed with gold”. Dessert plates and additional leaf-shaped dishes were added to the service in 1763.Today, we no longer know whether the king used the service, and if so in what capacity. It is only known that he gave it as a gift to his general Wichard von Möllendorff, after whom it is now named, 20 years later in 1781.LiteratureCf. Wittwer, “hat der König von Preußen die schleunige Verferttigung verschiedener Bestellungen ernstlich begehret“ Friedrich der Große und das Meißener Porzellan, in: Keramos 208/2010, p. 54 ff.Cf. cat. Triumph der Blauen Schwerter. Meissener Porzellan für Adel und Bürgertum 1710 - 1815, Dresden 2010, no. 294.
Porzellan, Camaieudekor, Vergoldung. Modell "preußisch-musikalisches Dessin". Um die eisenroten indianischen Blumen in Spiegelmitte sechs goldgeränderte Kartuschen mit Trophäen und, alternierend, Blumen in Relief. Um den Rand ein eisenrotes Fondfeld mit goldenen Schuppen. Blaumarke Schwerter, Drehernummer 36. Ein Brandriss im Boden. D ca. 26,5 cm.Meißen, 1761/62.König Friedrich II. bestellte 1760 in Meißen ein Service mit „Mathematischen Instrumenten" für Jean-Baptiste Boyer Marquis d´Argens (1703 - 1771), das nach seinen eigenen Entwürfen bemalt wurde. Diese Motive wurden für die beiden im folgenden Jahr georderten Service mit grünem und eisenrotem Schuppenrand in Relief ausgeführt. Meißen nannte das aufwändige Relief „preußisch-musikalisches Dessin".Das „Taffel-Service mit roth Mosaique Rand und rothen Indianischen Bluhmen gemahlt” umfasste ursprünglich 144 Speiseteller, 48 Suppenteller, zahlreiche Schüsseln und Terrinnen, aber auch Besteckgriffe, Butterbüchsen, Salzfässer, Blattschalen, Wärmeglocken, Leuchter und Tafelaufsätze. Die indianische Blume, die das rote Service ziert, geht auf eine Handzeichnung des Königs zurück, und auch die Farbwahl wurde von ihm getroffen: „In Ansehung der Mahlerey ist zu bemerken, dass auf den gesammten Stücken keine andere Farbe als roth, und zwar von der Couleur, welche des Königs von Pohlen Majht. vorzüglich lieben, mit Gold untermischet, angebracht werden soll“. 1763 wurde das Service um Dessertteller und Blattschalen erweitert, gleichfalls nach den Wünschen des Königs exakt ausgeführt. Wir wissen heute nicht, ob und wie er das Service nutzte. 20 Jahre später, 1781, verschenkte Friedrich II. das Service an seinen General, Wichard von Möllendorff, nach dem das Service heute benannt ist.Provenienz1978 erworben bei Heinz Reichert, München.Privatsammlung Niedersachsen.LiteraturVgl. Wittwer, "hat der König von Preußen die schleunige Verferttigung verschiedener Bestellungen ernstlich begehret" Friedrich der Große und das Meißener Porzellan, in: Keramos 208/2010, S. 54 ff.Vgl. Kat. Triumph der Blauen Schwerter. Meissener Porzellan für Adel und Bürgertum 1710 - 1815, Dresden 2010, Nr. 294.The iron red “indianische blumen“ in the centre surrounded by depictions of trophies alternating with flowers in relief within reserves. The border with gold scale pattern decor on iron red ground. A firing crack to the underside. D c. 26.5 cm.1761/62.In 1760, King Friedrich II ordered a service with “mathematical instruments” from Meissen for Jean-Baptiste Boyer Marquis d´Argens (1703 – 1771). The service was decorated using his own designs and produced in the following year. Meissen referred to this elaborate relief décor as “Prussian musical design”. The “dinner service with red mosaic borders and painted with red 'indianische blumen'” originally comprised 144 dinner plates, 48 soup bowls, numerous dishes and tureens as well as cutlery handles, butter dishes, salt barrels and leaf-shaped bowls (designed as vine leaves and poplar leaves), cloches, candlesticks and centrepieces. A hand drawing by the king himself exists describing the oriental flowers that were to decorate the service along with the note: “With regards to the painted décor, it should be observed that on all of the pieces no other colour is to be used but red, namely the colour preferred by his royal majesty the king of Poland, mixed with gold”. Dessert plates and additional leaf-shaped dishes were added to the service in 1763.Today, we no longer know whether the king used the service, and if so in what capacity. It is only known that he gave it as a gift to his general Wichard von Möllendorff, after whom it is now named, 20 years later in 1781.CertificateAcquired from Heinz Reichert, Munich, in 1978. Private collection, Lower Saxony.LiteratureCf. Wittwer, “hat der König von Preußen die schleunige Verferttigung verschiedener Bestellungen ernstlich begehret“ Friedrich der Große und das Meißener Porzellan, in: Keramos 208/2010, p. 54 ff.Cf. cat. Triumph der Blauen Schwerter. Meissener Porzellan für Adel und Bürgertum 1710 - 1815, Dresden 2010, no. 294.
Porzellan, Camaieudekor, Vergoldung. Modell große Sorte, mit Durchbruch. In Spiegelmitte eisenrote indianische Blumen. Korbartig durchbrochene Fahne mit drei eisenrot staffierten Blütenreserven und, alternierend, drei Muschelmotiven. Blaumarke Schwerter, Drehernummer 22. Ein restaurierter Randchip. D ca. 25,5 cm.Meißen, 1763.1763 gingen die Dessertteller für das königliche Tafelservice in Produktion. Der Teller sollte "...nach der Façon des durchbrochenen Confect-Tellers, welche Se. Kgl. Mjt. Selbst inventiret haben..." gefertigt werden. ProvenienzPrivatsammlung Niedersachsen.LiteraturVgl. Wittwer, "hat der König von Preußen die schleunige Verferttigung verschiedener Bestellungen ernstlich begehret" Friedrich der Große und das Meißener Porzellan, in: Keramos 208/2010, S. 54 ff.Vgl. Kat. Triumph der Blauen Schwerter. Meissener Porzellan für Adel und Bürgertum 1710 - 1815, Dresden 2010, Nr. 294.Large plate with pierced rim. Decorated with “indianische blumen“ in iron red in the centre, the border with flowers alternating with shell motifs in reserves. With a restored rim chip. D c. 25.5 cm.1763.Production of dessert plates for the royal dinner service began in 1763. The plates should be decorated, “in the manner of the pierced confect dishes which his majesty designed himself“.CertificatePrivate collection, Lower Saxony.LiteratureCf. Wittwer, “hat der König von Preußen die schleunige Verferttigung verschiedener Bestellungen ernstlich begehret“ Friedrich der Große und das Meißener Porzellan, in: Keramos 208/2010, p. 54 ff.Cf. cat. Triumph der Blauen Schwerter. Meissener Porzellan für Adel und Bürgertum 1710 - 1815, Dresden 2010, no. 294.
Porzellan, Camaieudekor, Vergoldung. In Spiegelmitte eisenrote indianische Blumen. Um den Rand ein eisenroter Fondstreifen mit goldenen Schuppen. Blaumarke Schwerter. Eine Schale mit kleineren Brandrissen. H 5,4, B 21,2, T 18,1 und 18,5 cm.Meissen, um 1761/62.König Friedrich II. bestellte 1760 in Meißen ein Service mit „Mathematischen Instrumenten" für Jean-Baptiste Boyer Marquis d´Argens (1703 - 1771), das nach seinen eigenen Entwürfen bemalt im folgenden Jahr ausgeführt wurde. Meißen nannte das aufwändige Relief „preußisch-musikalisches Dessin". Das „Taffel-Service mit roth Mosaique Rand und rothen Indianischen Bluhmen gemahlt" umfasste ursprünglich 144 Speiseteller, 48 Suppenteller, zahlreiche Schüsseln und Terrinnen, aber auch Besteckgriffe, Butterbüchsen, Salzfässer, Blattschalen (als Wein- und Pappelblatt), Wärmeglocken, Leuchter und Tafelaufsätze. Zu der indianischen Blume, die das rote Service ziert, existiert eine Handzeichnung des Königs und einen Aktenvermerk: „In Ansehung der Mahlerey ist zu bemerken, dass auf den gesammten Stücken keine andere Farbe als roth, und zwar von der Couleur, welche des Königs von Pohlen Majht. vorzüglich lieben, mit Gold untermischet, angebracht werden soll". 1763 wurde das Service um Dessertteller und Blattschalen erweitert.Wir wissen heute nicht, ob und wie der König das Service nutzte. 20 Jahre später, 1781, verschenkte Friedrich II. das Service an seinen General, Wichard von Möllendorff, nach dem das Service heute benannt ist.ProvenienzPfälzische Privatsammlung.LiteraturVgl. Wittwer, "hat der König von Preußen die schleunige Verferttigung verschiedener Bestellungen ernstlich begehret" Friedrich der Große und das Meißener Porzellan, in: Keramos 208/2010, S. 54 ff.Vgl. Kat. Triumph der Blauen Schwerter. Meissener Porzellan für Adel und Bürgertum 1710 - 1815, Dresden 2010, Nr. 294.The wells decorated with a design of “indianische blumen”, the edges with gilt scale pattern over an iron red ground. Blue crossed swords mark. One dish with minor firing cracks. H 5.4, W 21.2, D 18.1 and 18.5 cm.C. 1761/62.In 1760, King Frederick II ordered a service decorated with "Mathematical Instruments" from the Meissen manufactory for Jean-Baptiste Boyer Marquis d'Argens (1703 – 1771). It was painted according to his own designs and executed in the following year. Meissen called the elaborate relief "Prussian musical design". The "Taffel-Service mit roth Mosaique Rand und rothen Indian Bluhmen gemahlt" originally comprised 144 dinner plates, 48 soup plates and numerous bowls and tureens, as well as cutlery handles, butter dishes, salt cellars, leaf shaped bowls (designed as grapevine and poplar leaves), cloches, candlesticks and centrepieces. The “indianische blumen” that adorn the red service were accompanied by a drawing by the king and a note in the file: "With regard to the decoration, it should be noted that no colour other than red should be applied to the entire pieces, namely of the colour that the King of Bohemia's Majesty is particularly fond of, with gold mixed in". In 1763, the service was expanded to include dessert plates and other leaf shaped bowls. We do not know today whether and how the king used the service. 20 years later, in 1781, Frederick II gave the service to his general, Wichard von Möllendorff, after whom the service is named today.ProvenancePrivate collection, Palatinate.LiteratureCf. Wittwer, "hat der König von Preußen die schleunige Verferttigung verschiedener Bestellungen ernstlich begehret" Friedrich der Große und das Meißener Porzellan, in: Keramos 208/2010, p. 54 ff. Cf. cat. Triumph der Blauen Schwerter. Meissener Porzellan für Adel und Bürgertum 1710 - 1815, Dresden 2010, no. 294.
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