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A Victorian silver salver, mark of John Hunt & Robert Roskell, London 1873, 'Chippendale' style with shell and scroll rim, the field engraved with decorative foliage, raised on four pierced scrolling feet, marked to the underside HUNT & ROSKELL LATE STORR & MORTIMER 6498, 49cm diameter, 82.3oztOverall in good condition with no obvious sign of damage or repairs. Some surface scratching as to be expected and commensurate with use. Wobbles a little when on a flat surface. Central cartouche is vacant.

A George III 18ct gold vesta case, mark of Alexander J. Strachan, London 1810, of rectangular form with concave sides, decorated all over with fine engine turned engraving, part marked piano hinged cover similarly decorated, steel strike to the rear, 6 x 4cm, 54.8gAlexander James Strachan, the pre-eminent box maker of the period, supplied the Royal retailers, Rundell, Bridge & Rundell, with the majority of their boxes and has consequently been described as the "Paul Storr of box makers".

A William IV silver teapot, mark of Paul Storr, London 1834, of plain squat circular form, part marked flush fitting and hinged cover topped with a cast foliate finial, brown handle and leaf capped spout, monogrammed to the top, raised on a spread foot, stamped 268 to the underside, 19.8oztOverall in good condition with no obvious sign of damage or repair. some minor surface scratches, as to be expected and commensurate with age and use. Hallmark clear and readable. Handle firm in the socket.

A pair of George III silver cast wine labels, mark of Paul Storr, London 1818, each of two-piece convex kidney-shaped form, outer border of foliage, shell and scroll decoration, the applied centre section marked with CLARET and MADEIRA respectively raised over a textured ground, suspended from a short length of ‘belcher’ link chain, 8 x 5cm, 3.4ozt gross (2)Paul Storr was England's most celebrated silversmith during the first half of the nineteenth century and his pieces, historically and currently, adorn Royal palaces and the finest stately homes throughout Europe and the world.

PAUL STORR four piece silver tea and coffee service of circular baluster design with floral and acanthus leaf decoration to bodies, acanthus applied decoration to rims and to the cast feet, leaf capped handles and rosebud finials to the coffee pot and teapot, each item bearing an armorial, a crest of two swords piercing a heart above a rose, each item clearly hallmarked for London 1836, the teapot and coffee pot both impressed beneath Storr & Mortimer, each having ivory insulators to handles, g/w 3028gms (4) (Cities Ref: U5QAM75K)

A GEORGE III SILVER SPIRIT BURNER STANDThe tripod form stand decorated with reeded edges, probably London 1792, maker William Frisbee & Paul Storr, with a later spirit burner, London 1907, weight 177 gmsCondition Report  Internal diameter of top rim 7.5cm. The pieces are otherwise in good condition, note the spirit burner is of a later associated date.  Overall height 10.2cm

A PLAIN GEORGE III SILVER BEAKER by PAUL STORR. 3.5ins high. Signed, London 1818.

A GEORGE III SILVER CENTREPIECE PAUL STORR, LONDON 1811 With an acanthus leaf and mask capital to a scroll and shell pedestal, to a tapering reeded column, to three scrolled lion leg and claw feet, the base engraved with a crest 73.5cm (29in) high 4045g (130.05 oz) The arms of Charles DUNDAS (1751-1832) Esquire of Barton Court and his first wife Anne WHITLEY (1760-1812) daughter and heir of Ralph WHITLEY (died 1761) of Aston Hall co. Flint. They were married 1782 at Richmond, Yorkshire. Charles DUNDAS was the son and eventually heir of Thomas DUNDAS (1710-1786) of Perth, Scotland by Janet MAITLAND (1720-1805). He was an MP for Richmond 1774/1784-6, for Orkney and Shetland 1781-4 and Berkshire 1794-1832. From 1783 he was the first Chairman of the Kennet and Avon Canal Company. From his first marriage Charles inherited great wealth and property, which included Aston Hall. In 1822 Charles married for a second time Margaret BARCLAY (1754-1841) the daughter of Charles BARCLAY and twice widowed: Firstly Charles OGILVY. Secondly Major Archibald ERSKINE. In 1832 Charles DUNDAS was created Baron of Amesbury and Barton Court, Berkshire and Aston Hall, Flintshire. The short-lived title became extinct on Charles's death at his property in Pimlico, his only issue being two daughters from his first marriage.  Condition Report: Later drilled for a light fittingThree numbered apertures for arms/branchesThe centrepiece has some wear commensurate with age and use such as light scuffs and scratches, some slight rubbing to the high relief from polishing, stands true. The engraving is crisp Condition Report Disclaimer

GEORGE III VERMEIL DESSERTBESTECK FÜR 18 PERSONEN IM ORIGINALEN KASTEN. Storr, Paul. London. Datierung: 1819. Technik: Silber vergoldet. Die Messer mit Vermeilklinge und Perlmuttgriffen. Beschreibung: Die Besteckgriffe am Ende je mit Muscheldekor. Insgesamt 54 Teile. Bestehend aus 18 Gabeln, 18 Löffeln und 18 Messern. Gewicht: Ca. 1940g. Maße: L. 18/17,5/20,5cm. Maße des Kastens 17x29x25cm. BZ London 1819, BZ Paul Storr (ab 1793, vgl. Grimwade Nr.2235). Beilage: 12 Vermeil Kaffeelöffel. Dublin. MZ verschlagen. Ca.230g. Provenienz:Privatsammlung Rheinland. Erläuterungen zum Katalog

A Fine Mid Victorian Three piece Silver gilt Tea set. Hunt and Roskell and Barnard Brothers. London 1862/69. Each baluster body chased with chinoiserie decoration. leaf capped Scroll handles. 643 grams. Hunt & Roskell was a renowned jewellers and silversmiths on Bond Street in London who for many years held the Royal Warrant of Queen Victoria. The firm was the successor to the celebrated silversmith Paul Storr who had left Rundell, Bridge & Rundell to set up his own workshop on Harrison Street near Clerkenwell in 1819. This is being sold as registered with reference DUYNQ5NA

A George III silver fiddle pattern cheese scoop and other silvervarious dates, makersfirst London, 1814, Robert Rutland, together with a pair of Edwardian berry tablespoons, Sheffield, 1903, Martin Hall & Co., a William IV fiddle pattern runcible spoon, London, 1832, James Beebe, initialled, a Victorian cast spoon with leaf bowl and intertwined naturalistic stem handle with strawberries terminal, London, 1866, Thomas Smily, a Kings pattern dessert spoon, London, 1813, Paul Storr, and two George V mint sauce ladles with strainers, (8)first length 21 cm., weight approx. 12.78oztCondition: Mostly good

RICHTER -- STORR, R. Gerhard Richter. Forty years of painting. (2003). Prof. ill. 4º. Ocl. w. dust-j. (Slight shelfwear). -- U. WILMES, ed. Gerhard Richter. Large abstracts.(2008). Prof. ill. 4º. Ocl. w. dust-j. -- J. YOHE, (ed.). Hans Hofmann. (2002). W. many b&w & cold. illustr. (2 fold.). Ocl. w. an illustr. tipped on front & back. In ohcl. slipcase. -- J. SPRING. Wolf Kahn. (1996). W. many cold. illustr. 4º. Ocl. w. dust-j. -- And 3 o. (7).

rare antique English Georgian cup in Paul Storr signed and marked silver || PAUL STORR (1771 - 1844) zeldzame beker met greep van dé beroemdste Engelse zilversmid in massief zilver, gemerkt "Londen 1801" (binnenin in vermeil) - hoogte : 7 cm - gewicht : 248 gram getekend

A George IV Silver Chamber-Candlestick, by Paul Storr, London, 1824 the base circular and with gadrooned border, with central baluster socket with gadrooned detachable nozzle, the loop handle supporting the tapering extinguisher, the base, nozzle and extinguisher each engraved with a crest17cm wide over handle, 14oz 15dwt, 459grFully marked under base. Further part marked on nozzle and extinguisher. The marks are generally clear, though with some wear to the maker's mark under base. There is the remains of tape residue over the marks. There is some overall surface scratching and wear, consistent with age and use.

A WILLIAM IV SILVER TEAPOT by Paul Storr, London 1831, melon form, realistically moulded and cast with an oak branch and leaf spout, lobed spherical form, on a leafy vine base, the lid as a foliate pad with bud finial. 23cm long, 18 troy ouncesThe marks to the lid are rubbed, the marks on the base are rubbed but legible. The handle is firmly pinned into the sockets. The hinged cover opens and closes well. The teapot does not rock. No personalised engraving or erasure. Some age-related surface wear but generally in good condition.

18 kt. Gouden sleutelhorloge, 1e helft 19e eeuw. De achterzijde, rand, hangoog en knop met zwart en wit email en gedecoreerd met florale motieven. Met 14 kt. gouden horlogesleutel. In etui van Storr and Mortimer, 156 New Bond Street, Factory 17 Harrison street, Gray's Inn road. Email op hangoog licht beschadigd. bruto 26,4 gr., diam. 34 mm [3] 18 k. gold fob watch, 1st half 19th century. The back, rim and bail with black and white enamel and decorated with floral motifs. With 14 k. gold watch key. In case of Storr and Mortimer, 156 New Bond Street, Factory 17 Harrison street, Gray's Inn road. Enamel on bail slightly damaged.

Paul Storr, a pair of George III silver bottle coasters, each with anthemion gadrooned rim, demi reeded body and circular foot. Turned wood bases with inset rampant lion and arrow coronet crest, London 1814. 17cm diameter. Gross weight 930gm

ALYS, FRANCIS1959 AntwerpenTitel: Ghetto Collector (für Parkett 69). Datierung: 2003. Technik: Zinn, Magnete, Kunststoffschnur und Gummiräder. Maße: 15 x 24 x 14cm. Bezeichnung: Signiert, datiert und nummeriert im Inneren der Tür. Herausgeber: Parkett-Verlag, Zürich (Hrsg.). Exemplar: II/L. Zustand:Das Objekt befindet sich in einem sehr guten Zustand.Außerhalb der Auflage von 99 arabisch nummerierten Exemplaren. Mit Parkett-Magazin."Fragments of refuse, abandoned and divorced from their original purpose are galvanised into action. Like a small artillery of children's pull-toys, or dispirited trash puppies, you can imagine these 'ghetto collectors', as the artist calls them, trailing through urban backlots, gathering debris beneath their already tired wheels. Alys looks at growth and change in society, particularly in urban environments. Here he tracks our insatiable consumption while on a continual path of waste and refuse. This is ironically packaged in the form of a harmless plaything."Robert Storr, Parkett Nr. 69, 2003.Artikel zu Werk und Künstler aus Parkett Edition Nr. 69. Francis Alys Südamerika Zeitgenössische Kunst Multiples 2000er Farbe Multiple Assemblage AbstraktErläuterungen zum Katalog

KABAKOV, ILYA1933 Dniepropetrowsk/Ukraine - 2023Titel: Citation (für Parkett 34). Datierung: 1992. Technik: Farbserigrafie auf leichtem Karton. Auf braunen Karton aufgezogen. Mit Plastikfliege in Objektrahmen. Maße: 35 x 24,5 x 3,5cm. Bezeichnung: Signiert und nummeriert. Herausgeber: Parkett-Verlag, Zürich (Hrsg.). Exemplar: 1/50. Zustand:Das Multiple befindet sich in sehr gutem Zustand. Es ist original eingeschweißt.Auf dem braunen Karton typografischer Texteindruck mit der Übersetzung des Textes aus der Darstellung in Deutsch und Englisch.Mit Parkett-Magazin."No one travels more these days than Ilya Kabakov. And in no one else's work are the suction of finite spaces and the vacuum of infinite spaces more powerfully felt or more deftly shown to be two aspects of the same uncanny force." Robert Storr, Parkett Nr. 34, 1992.Artikel zu Werk und Künstler aus Parkett Edition Nr. 34. Ilya Kabakov USA Konzeptkunst Zeitgenössische Kunst Multiples 1990er Schrift Multiple Serigrafie InsektenErläuterungen zum Katalog

KABAKOV, ILYA1933 Dniepropetrowsk/Ukraine - 2023Titel: Two Friends (für Parkett 34). Datierung: 1992. Technik: Farbserigrafie und 2 Kunststofffliegen in Kartonbox. Maße: 5,5 x 12 x 15cm. Bezeichnung: Signiert und datiert (auf dem Editionsetikett). Herausgeber: Parkett-Verlag, Zürich (Hrsg.). Exemplar: 1/50. Zustand:Das Multiple befindet sich in einem sehr guten Zustand.An der Außenseite der Box Editionsetikett mit typografischen Werkangaben und deutscher und englischer Übersetzung des Textes auf dem Spruchband in der Box.Mit Parkett-Magazin."No one travels more these days than Ilya Kabakov. And in no one else's work are the suction of finite spaces and the vacuum of infinite spaces more powerfully felt or more deftly shown to be two aspects of the same uncanny force." Robert Storr, Parkett Nr. 34, 1992.Artikel zu Werk und Künstler aus Parkett Edition Nr. 34. Ilya Kabakov USA Konzeptkunst Zeitgenössische Kunst Multiples 1990er Tier Multiple Karton InsektenErläuterungen zum Katalog

LASSNIG, MARIA1919 Kappel am Krappfeld - 2014 WienTitel: A Pair of Gloves (für Parkett 85). Datierung: 2006/09. Technik: Farbserigrafie auf Arches (Wasserzeichen). Darstellungsmaß: 43 x 61cm Blattmaß: 53 x 71cm. Bezeichnung: Signiert und nummeriert. Herausgeber: Parkett-Verlag, Zürich (Hrsg.). Exemplar: 1/45. Rahmen: Rahmen. Zustand:Ein kleiner Fleck am oberen Rand der Darstellung. Verso montiert. Ansonsten sehr guter Zustand.Mit Parkett-Magazin."In short, Lassnig has not settled down; she has geared up. The only tip-off that these were the fantasies of an old woman comes when she herself is the center of the action, as she is in several pictures with unsparing attention to her own nudity. But woe to the spectators who look down the barrel of the gun she points out at them in one such picture, thinking that she won't shoot."Robert Storr, Parkett Nr. 85, 2009.Artikel zu Werk und Künstler aus Parkett Edition Nr. 85. Maria Lassnig Österreich Informel Neoexpressionismus Nachkriegskunst Grafik 2000er Rahmen Gegenstände Druckgrafik Serigrafie KleidungErläuterungen zum Katalog

A collection of silver reference books, including Monteith Bowls, Hennell Salt Cellars, Silver boxes, Paul Storr, The Courtauld Silver, copies of the Silver Society Journal and other volumes. (qty) (Two Boxes).

A George III silver wine label,by Paul Storr, London 1827,rectangular form, gadroon border, incised 'Brandy', length 6cm, approx. weight 0.6oz.

A Victorian presentation silver two-handled tray, by Hunt and Roskell, London 1880, also stamped 'Hunt & Roskell, Late Storr & Mortimer', octafoil form, ribbon and reed border and side handles, the centre engraved with a large armorial and inscribed 'Presented with his Portrait and two Silver Cups to Henry John Trotter Esq. D.L, J.P, &c &c in Commemoration of the Signal Artillery & Honourable Conduct which Distinguished his Candature for Tynemouth at the General Elections Nov. 17th 1868 & April 3rd 1880 & as a Mark of Lasting Regard & Esteem', length handle to handle 59cm, approx. weight 124oz.Provenance: John Trotter Esq., and then by family descent to the present owner.

A George III silver wine label,by Paul Storr, London 1827,rectangular form, gadroon border, incised 'Rum', length 6cm, approx. weight 0.6oz.

A George III silver King's Hourglass pattern sugar sifting spoon,by Paul Storr, London 1813,pierced bowl, the terminal with a crest, plus a George III silver Fiddle pattern salt spoon, by Paul Storr, London 1817, approx. weight 2.9oz. (2)

A George III silver-gilt lion's pelt wine label,by Paul Storr, London 1811,cartouche form, vine decoration, titled 'Port' on a matted background, length 8.5cm, approx. weight 2.6oz.

A George III silver two-handled salt cellar,by William Frisbee and Paul Storr, London 1791, oval form, reeded loop handles and borders, on an oval base, engraved with a crest, plus a George IV silver salt cellar, by Paul Storr, London 1826, circular cauldron form, gadroon border, gilded interior, on four foliate bracket feet, engraved with an armorial, length 11cm, approx. weight 7.8oz. (2)

A George IV silver salt cellar, by Paul Storr, London 1826, oval form, foliate shell and gadroon border, the gilded centre with a dividing section, on four foliate scroll bracket feet, engraved with an armorial, length 11cm, approx. weight 5.9oz.

A Victorian silver wine cup, cast with fruiting vine, branch handle, stepped skirted base, 8.5cm high, Hunt & Roskell Late Storr & Mortimer, London 1877, 194g

Paul Storr - a George III silver boat shaped oil and vinegar cruet stand, gadrooned borders, beaded bezel, acanthus scroll handles, 30cm wide, London 1808, 798g, lately utilised as an inkstand, the associated hobnail-cut glass bottles with hinged covers

Antique unmarked gold stick pin set with 3 pearls & a diamond (6.5cm long) and in original Hunt & Roskell ex (Paul) Storr & Mortimer, 156 New Bond Street London

RP ROBERTS, OLD MAN OF STORR ink and gouache on card album cover, signed31cm x 31cm RP Roberts has been creating custom landscapes for people for the past 6 years, focusing on Alpine, winter landscapes.HeI paints predominantly in acrylic and aerosol, using his background in graffiti to influence his techniques and colour choice. The artist has completed many commercial commissions for various clients including Jones Snowboards. For the last three winters he has created original paintings and designs that have been used as snowboard graphics, on T-shirts and on hats. Instagram: rp_roberts

Retailed by Hunt & Roskell, a Victorian garnet, cranberry glass and gold scent bottle, 19th century, the deep pinkish-red glass bottle incised in a grid pattern encased with gold cagework, to a gold base and an engraved gold lid with cabochon garnet push piece, measuring 9.7 x 4.1 x 3.0cm, original fitted case stamped Hunt & Roskell, late Storr & Mortimer

PAUL STORR: A Georgian silver carving set. London 1820. Approx. 274 grams of gross weight. Est. £300 - £500.

Two George III silver entrée dishes and covers on Old Sheffield plate warming basesPaul Storr, entrée dishes, the bases London 1810, the covers London 1813, both covers stamped 1 and 3, also stamped with number 1110 and scratch number 5681, bases numbered 1 and 4 and both stamped 470S, handle and calyx on one both stamped 1, the handle and calyx on the other stamped 2 and 4Circular form, with a cast frieze of alternating shells and anthemions in relief, the shaped dome cover with a broad band of quilting, removable acanthus leaf and reed handles with two lion head junctions on a leafy roundel / calyx, the entrée dish bases, with gadroon rims embellished with shell and leaf and anthemion motifs, on Old Sheffield plate two-handled warming bases with removable dish, the part fluted sides with four stiff leaf applications above each of the four ornate bracket supports with paw feet.Each of the covers with engraved armorial and the bases with engraved crests for Hon. Sir Galbraith Lowry COLE (1772-1842) GCB, height 23cm, length handle to handle 32cm, diameter of entrée dish bases 28cm, weight of silver 128oz. (2)Footnotes:This lot comes with copies of two card indexes, these are headed 'Christies 29th November 1972' 'The Worshipful Company of Coachmakers and Coach Harness Makers.' and describe three entrée dishes and covers on plated bases similar to those on offer here.Property of a ladyThe combined engraving represents the complete armorial for Hon. Sir Galbraith Lowry COLE, GCB (1 May 1772 – 4 October 1842) who was an Anglo-Irish British Army general and politician.Born Dublin on 1 May 1772, the second son of the Irish peer, William Willoughby COLE (1736-1803), who in 1789 was created first Earl of Enniskillen, by his wife, Anne LOWRY-CORRY (1742-1802) of Tyrone. On 15 June 1815 he married Lady Frances HARRIS (1784-1847) daughter of James Harris (1746-1820), 1st Earl of Malmesbury by Maria AMYAND (1761-1830). They had issue seven children.Cole was a professional soldier with an impressive military career, being first commissioned a cornet in the 12th Dragoon Guards on 31 March 1787. A lieutenancy in the 5th Dragoon Guards was purchased for him in 1791. He then succeeded to the 70th Foot as a captain in 1792 and a major 1793. He was appointed lieutenant colonel in Ward's late regiment of foot in 1794 and lieutenant colonel in the late General Villette's corps in 1799.On 1 January 1801, the day on which the British-Irish Act of Union came into operation, Cole was promoted colonel in the Army and appointed to command the regiment with which his family was associated, the 27th Inniskillings. He assumed the command at Malta in 1805, and from Malta he proceeded to Sicily and commanded his own regiment and a battalion of grenadiers as brigadier-general. As second in command, he commanded the 1st Brigade at the battle of Maida on 4 July 1806. In 1808 he was promoted to major-general and left Sicily in 1809.During the French Revolutionary and Napoleonic period Cole had served in Ireland, the West Indies, Egypt, Malta, Italy and the Iberian Peninsula. In 1809 Cole asked to be transferred to the Peninsula where he was to gain further distinction when he was given command of the 4th division under Wellington. The 4th division showed its strength at Albuhera where Cole was wounded in May 1811.Cole then left the division and took his seat in the House of Commons, to which he had been elected in 1803 as MP for County Fermanagh. Cole re-joined the Army and command of the 4th division in June 1812, to be present at the great battle of Salamanca in July 1812 when in the attack Cole was shot though the body.On 5 March 1813 Wellington invested Cole with the Order of the Bath (KCB) and promoted to lieutenant general on 4th June 1813.For having served with distinction in the battles of Maida, Albuhera, Salamanca, further successes at Vittoria, Pyrenees, Nivelle, Orthez and Toulouse, he received the Army Gold Cross with four clasps, along with the order of the Tower and Sword of Portugal. Cole was invested as a Knight Grand Cross, Order of the Bath (GCB) on 2 January 1815. Cole missed the Battle of Waterloo on 18 June 1815, much to Wellington's chagrin, because he was on his honeymoon, having married three days earlier Lady Frances Harris. On 15 August, however, Cole joined the army of occupation in France, and commanded the division until the final evacuation of France in November 1818.As well as representing Enniskillen and Fermanagh in Parliament Cole retired this position and went on to also serve terms as 2nd Governor of Mauritius (1823-1828) and Governor of Cape of Good Hope (1828-1833). Cole was one of the few successful Cape governors. Ably supported by Lady Cole, he played a prominent part in social philanthropy in the Cape. Colesberg, a town in the Cape, is named after him, as is Sir Lowry's Pass near Cape Town. Cole was also governor of Gravesend and Tilbury from 1818 until his death.Cole was promoted a full general in 1830. In 1833 he returned home with his family. He settled at Highfield Park, Hampshire where he died in 1842. He was buried in his family's vault at St Macartin's Cathedral, Enniskillen and is commemorated in Enniskillen by a statue surmounting a 30-metre (98 ft) column in Fort Hill Park, carried out by the Irish sculptor, Terence Farrell. Erected between 1845 and 1857, The Cole Memorial Column is a prominent feature of the Enniskillen skyline.For further information on this lot please visit Bonhams.com

A George III silver Fiddle and Thread pattern basting spoonPaul Storr, London 1817, length 31.2cm, weight 6oz.For further information on this lot please visit Bonhams.com

A George III silver Old English pattern basting spoonPaul Storr, London 1816 length 31.3cm, together with a George III silver Old English pattern basting spoon, William Sumner, London 1790, and a silver Old English pattern soup ladle, Mappin & Webb, Sheffield 1904, a toddy ladle, Hester Bateman, London 1782, oval bowl with pouring lip and bead rim, with turned wood handle, and two other ladles with whalebone twist handles, weight of silver 17oz. (6)Footnotes:From the collection of the late John HiltonFor further information on this lot please visit Bonhams.com

A Victorian silver entrée dish and coverJohn Samuel Hunt, London 1863, also stamped HUNT & ROSKELL LATE STORR & MORTIMER, pattern number 2216Shaped-circular, the cover with shell scroll band and centred with a bayonet fastening acanthus scroll handle, rim of base with scroll and shells with two larger shell handles either side, length 33.2cm, weight 60.5oz.For further information on this lot please visit Bonhams.com

A silver sugar bowl and cream jugGeorge Lambert, London 1898 In the style of Paul Storr, each of compressed circular form, with lobed bands to the shoulders and spreading circular base, applied girdle and with serpent handles, weight 29.9oz. (2)For further information on this lot please visit Bonhams.com

A George IV silver Kings Husk pattern table spoon, Paul Storr, London 1820, of typical form with crest to reverse of terminal depicting head of stag, 22cm long, with a set of five Victorian silver Kings Husk pattern table spoons, Chawner and Co, London 1850, with matched crest to reverse of terminal, 22.5cm long, gross weight 18ozt (6)

A Victorian silver dish, John Samuel Hunt, London 1844, with shell and scroll border, marked Hunt & Roskell late Storr, Mortimer & Hunt beneath, 23.5cm wide approximately 479g CONDITION REPORT: Condition information is not usually provided in the description of the lot but is available upon request; the absence of a condition report does not imply that a lot is without imperfection

Two George III silver sugar tongs. Comprising; a fiddle, thread and shell example, engraved with a crest, maker's mark of Paul Storr, London circa 1809(?), (the marks rubbed and the handle repaired at the end), 53g; together with an Irish tongs with shaped handles, maker's nmark of James England, and with the alderman's mark of Jacob West, Dublin 1818, 42g

A Victorian Silver Beaker, by John Samuel Hunt, London 1864 and stamped Hunt & Roskell Late Storr & Mortimer 3183, with moulded rim, chased and embossed with hops, 3.5ins high, weight 4.7ozs

Victorian silver salver, John Samuel Hunt, London 1863, stamped "Hunt & Roskell Late Storr & Mortimer 2345", serpentine edge, embossed and engraved decoration, on three scrolled feet, 20.5cm, 10.5oz.

George III silver strawberry dish, Paul Storr, London 1798, circular form with wrythen fluted rim, embossed with a hunting scene, diameter 14cm, 3.4oz.Condition report:Makers mark slightly worn but others are ok, no splits or significant dents visible.An image of the marks has been uploaded to the lot page on our website for you to view.

George III Coburg pattern silver gilt sauce ladle, Paul Storr, London 1818, 15cm, 1.9oz.“Designed for Rundell Bridge & Rundell in about 1810, this rare pattern was made by Paul Storr and is perhaps the pattern for which he is best known.” Ian Pickford, Silver Flatware, 1998, p. 134.

A GEORGE III SILVER ENTREE DISH AND COVER PAUL STORR, LONDON 1818 With a reeded loop handle issuing from foliage, gadrooned border and engraved with two armorials and crests 31cm (12 1/4in) long With an Old Sheffield plated twin handled warming stand by Nathaniel Smith & Co., with twin reeded and foliate loop handles, on four lion paw feet, 37cm (14 1/2in) long 1877g (60.35 oz) weighableThe armorial of William MOUNT (1787-1869) of Wasing Place, Thatcham, Berkshire, and his wife Charlotte TALBOTT (1792-1879). They were married in 1818 at Westminster and this is likely to be a marriage piece.  William MOUNT was the only son of William MOUNT (1753-1815) of Wasing Place, Thatcham, Berkshire and stationer of Postern Row, Tower Hill, London by Jane PAGE (1762-1843) daughter of Thomas PAGE (1730-1781) of East Sheen and Poynters, Surrey by Sarah COGGS (1735-1814). William junior served (1818-9) as MP for Yarmouth, Isle of Wight and (1831-2) Newport, Isle of Wight. The mount family were squires in Berkshire. Charlotte TALBOTT was the daughter and co-heir of George TALBOTT (1763-1836) of Temple Guiting, Gloucestershire by Charlotte Elizabeth DRAKE (1765-1817).  Condition Report: Entrée dish Marks to base clear Marks to cover clear Makers mark to handle partially obscured Two corners of handle turned upwards Play to the handle when fitted to the cover Cover wobbles when sat in the body Body slightly wobbles Engraving crispWarming stand Entrée dish sits well into the stand Stand wobbles Mark to base clear Solder in the inside edge Gap to one handleAll with light scratches and wear commensurate with age and use1877g (60.35 oz) weighable - This is for the entree dish, cover and handle only. The warming stand is not included in this weightCondition Report Disclaimer

DIAMOND CLUSTER NECKLACE, LATE 19TH CENTURYComposed of sixteen clusters, graduating in size from the centre, each collet-set old brilliant-cut diamond, within a target surround of old brilliant-cut diamonds, mounted in silver and gold, diamonds approximately 50.00 carats total including seven diamonds over 1.00 carat, each approximately 1.00, 1.00, 1.30, 1.30, 1.55, 1.55, 2.00 carats, length 37.3cm, fitted case by Hunt & Roskell, Late Storr & Mortimer, LondonFor further information on this lot please visit Bonhams.com

A pair of George III Paul Storr silver entree dishes and covers, Paul Storr, London 1807, each of circular form with gadrooned rim and engraved crest, the domed covers with stylised snake loop handle mounted to acanthus leaf surround, the rims and covers numbered '1' and '2', 26.5cm diameter, 17cm high, total weight approx 106.5oz (2)Condition:Hallmarks on the the inner covers clear, hallmarks to the bases rubbed, both the lids have mis-shape/compressions to the rims so do not sit completely flush with the bases, one of the bases with a couple of small dents/creases, both handles are hallmarked, general wear commensurate with age, refer to images

A large George IV mazarine and dish Paul Storr, London 1821, each of shaped oval outline with a cast gadrooned and leaf clasped shell border, engraved Gothic D to one side of rim, crest and coronet to the other side, the mazarine with a flat rim and stylised pierced star decoration, engraved crest and letter D to the centre Dimensions:Width of dish: 48cm, combined weight: 101.5oz Note: Heraldry: The Crest of Murray, Earl of Dunmore Crest: A demi-savage proper wreathed about the temples and waist his arms extended and holding in his right hand a sword and in his left hand a key all proper, the crest is ensigned with an earl’s coronet.

PAUL STORR: A fine quality silver chamber stick with fluted border together with matching snuffer with crested decoration. Approx. 398 grams. Est. £1000 - £1500.

A fine mid-Victorian gilt brass carriage clock by Hunt & Roskell of London, circa 1870, the architectural case having twelve plain columns with embossed capitols, finely engraved silvered Roman dial, blue steel hands, eight-day going movement with platform escapement, signed to the backplate Hunt & Roskell London, the whole raised upon a stepped inverted square plinth to probably original ebonised oak stand, clock h.16.7cm, gross h.20.7cm Note: Founded in 1819 by Paul Storr, Hunt & Roskell held the Royal Warrant from Queen Victoria for their Bond Street showrooms. Many of their clocks were made by Thomas Cole and this example bears many indications that it may be his work.

PAUL STORR; A pair of fine Georgian silver sugar tongs, London 1819, in the neoclassical style, cast with a frieze-type scene depicting battling figures, the bowls with mask decoration, 15cm, 64gms 2.05toz Condition Report:Appears there has been a repair halfway up one of the tongs. Otherwise the bowls look fine and the casting remains crisp

A RARE VICTORIAN SILVER STAG HUNT PATTERN DESSERT SPOON by Aldwinckle & Slater, London 1890, 18cm long, 2 tr. ozsNote: The Stag Hunt pattern designed by Storhard for Rundell, Bridge & Rundell and first used by Paul Storr

Four Hennell copper and brass example silversmithing pieces, each engraved with the original maker of the style and also its weight, comprising David Willaume, Henry Chawner, John Emes and Paul Storr, diameter of largest 12.5cm

Two Paul Storr Georgian hallmarked silver fiddle pattern ladles, London 1818, length 17.5cm, weight 123g

A pair of George IV silver Kings husk pattern table forks, Paul Storr, London 1820, of typical form with crest to reverse depicting head of stag, 21cm long, with a set of three Victorian silver Kings Husk pattern table forks, Chawner and Co., London 1850, with matched crest to reverse of terminal, 21cm long, gross weight 16ozt (5)

Marjorie-Ann Watts, British active c.1955 - One Day the Clever Wolf caught Polly and ate her all up, c.1955; ink, gouache and pencil on paper, 8.6 x 12.5 cm (ARR) Provenance: Elaine Moss (1924-2020) and thence by descent Note: illustration for 'Clever Polly and the Stupid Wolf' by Catherine Storr, published in 1955. Watts was an illustrator and writer and daughter of the 'Punch' cartoonist Arthur Watts (1883-1935). Elaine Moss was a vital and highly important figure in children's books, working variously as an advisor, reviewer, editor and writer, producing works including 'Wait and See Book' in 1963, 'Twirly' in 1964 and 'Polar' in 1975. From the 1970s, she was the selector for the National Book League’s Children’s Books of the Year awards and she later won the Eleanor Farjeon Award for her outstanding contribution to the world of children’s books in 1976. 

AMENDED WEIGHT APPROX 365ozt  Military interest: a substantial early Victorian silver breakfast service, comprising a 58cm diameter salver with shell and scroll rim and scrolling bracket feet, a globular kettle on stand with swing handle and shell feet, four-piece tea and coffee service of tapering octagonal form, coffee pot stand with burner, four egg cups on stand, butter dish cover with cow finial and stand, octagonal muffineer and associated toast rack; all by Robert Hennell III, London 1841/42, except the butter dish cover and stand, makers JA & GA, London 1841, coffee pot stand burner, John Tapley, London 1841 and toast rack, Robinson Edkins & Aston, Birmingham 1842, total weight 328 troy ounces all in; the set is contained in a bespoke iron-bound oak chest with fitted baize lining and lift-out trays with labelled compartments, supplied by Mortimer & Hunt (late Storr & Mortimer); the salver with presentation inscription 'This Salver accompanied with a Complete Breakfast Service, was presented to A. Hair Esqr. MD, on his retiring from the Service, by his Brother Officers of the Royal Horse Guards, and by 31 Noblemen and Gentlemen. who formerly served in that Regiment with him, in Grateful Remembrance of his Professional Service and Warm Friendship evinced on all occasions.  June 2 1843'.  Note: Archibald Hair (c.1785-1869) was surgeon to the Royal Horse Guards and Medical Adviser to Charles Gordon-Lennox, 5th Duke of Richmond (1791-1860) Ivory Submission Reference number PVRRMKGD