We found 2151 price guide item(s) matching your search

Paul Storr - a substantial William IV Rococo Revival silver melon shaped tea kettle on stand, hinged cover with flower finial, the stand with spirit burner and shell feet, 40cm over raised handle, London 1832, 90.5oz gross

A George III silver flatware servicePaul Storr, London 1812 - 1819 Coburg pattern, comprising: thirteen table forks, five table spoons, twelve dessert forks, six dessert spoons, eleven teaspoons, weight 113oz. (47)This lot is subject to the following lot symbols: ** VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.For further information on this lot please visit Bonhams.com

A George III silver basting spoonPaul Storr, London 1816 Coburg pattern, engraved with the arms of Alexander GORDON (1779-1839), length 31.5cm, weight 6oz.This lot is subject to the following lot symbols: ** VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.For further information on this lot please visit Bonhams.com

A George III silver basting spoonPaul Storr, London 1813 Coburg pattern, crested, length 31cm, weight 6.5oz.This lot is subject to the following lot symbols: ** VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.For further information on this lot please visit Bonhams.com

A George III silver basting spoonPaul Storr, London 1816 Coburg pattern, length 31.5cm, weight 5.5oz.This lot is subject to the following lot symbols: ** VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.For further information on this lot please visit Bonhams.com

A George III silver serving spoonPaul Storr, London 1812 Coburg pattern, length 32cm, weight 6.5oz.This lot is subject to the following lot symbols: ** VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.For further information on this lot please visit Bonhams.com

A George III silver-gilt dessert servicePaul Storr, London 1817 Coburg patter, comprising a large ice spade and six spoons, crested, length 29cm, weight 20oz. (7)This lot is subject to the following lot symbols: ** VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.For further information on this lot please visit Bonhams.com

A pair of George III silver-gilt serving spades and forksPaul Storr, London 1811 King's variant pattern, Double Shell & Laurel, crested, length of spades 25.5cm, weight 17oz. (4)Footnotes:Two pieces from this set are illustrated in 'Silver Flatware, English, Irish and Scottish 1660-1980', Ian Pickford, page 126.This lot is subject to the following lot symbols: ** VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.For further information on this lot please visit Bonhams.com

A collection of assorted antique silver knivesvarious dates and makers Eight Old English thread and shell pattern table knives, maker's mark of Paul Storr visible on five, circa 1815, later bladed, crested, six Thread and Shell (four Moses Brent, London 1815), six thread and shell dessert knives, George Adams, six cake knives, bead and thread handles, four Victorian King's Husk pattern dessert knives, William Chawner, London 1824, twelve pistol grip cake knives, six pistol grip forks, with steel prongs, maker's mark IS, a carving knife and fork.For further information on this lot please visit Bonhams.com

A George III part canteen of silver fiddle and thread pattern flatware, mostly Paul Storr, comprising eight tablespoons, London 1819, twelve table forks, London 1810/1811 and twelve teaspoons (six by Storr, London 1813, six by William Eley & William Fearn, London 1821), each bearing an armorial, approximately 2180gm CONDITION REPORT: Aside from the six teaspoons by Eley & Fearn the rest of this flatware is Paul Storr. The armorial is uniform throughout the part service - including the Eley & Fearn pieces. I have been unable to establish the person to whom the armorial relates although being in a lozenge it is presumably a widow. I would describe condition as good, there is little or no wear to the spoon tips or edges, there is minor wear to the outer tines of some of the forks. The armorials remain crisp as do the marks. I can see no evidence of repairs.Tablespoons - 21.8cm longTable forks 20.2cm longStorr teaspoons 15cm longEley & Fearn teaspoons 14.1cm long

Teekern. Paul Storr, London wohl 1817, Sterling, bestehend aus Teekanne mit Elfenbeinhenkel und -deckelknauf, Zuckerschale und Rahmgießer, Innenvergoldung, Wandung innen und außen godroniert, reliefiert, auf der Schulter Blattwerk mit Muschelungen, Henkelansätze mit Voluten mit Blattwerk, Tüllen mit Akanthus und Palmette, Wandung graviert mit Monogramm sowie gebundenes Ährenbündel mit Motto, seitl. gemarkt PS in Kartusche, Sterling, London, Jahresbuchstabe wohl b in Kartusche (verputzt) sowie George III, unters. Modellnr. 280, Elfenbeinhenkel locker u. min. besch., H. Kanne 15,5 cm, Gesamtgew. 2209 g.- Provenienz: Ehemals Bremer Adelsbesitz

A SET OF FOUR GEORGE III SILVER TEASPOONS, by Paul Storr, London 1810, Kings pattern; together with A MATCHING SET OF EIGHT SILVER TEASPOONS, by William Eaton, London 1835. (12) 13.6cm long, 12.5 troy ouncesThe absence of a Condition Report does not imply that a lot is without imperfections. Please note carefully the exclusion of liability for the condition of lots contained in the Conditions of Sale.Each engraved with a crest. Marks are clear. In generally good condition.

A WILLIAM IV SILVER WARMING STAND FOR A COFEE POT, by Paul Storr, London 1833, stamped Storr & Mortimer 191, segmented circular form, pierced with anthemion, engraved with the motto 'DEUS PASCIT CORVOS' and Corbett family crest to both stand and burner. 17cm diameter, 14.1 troy ouncesThe absence of a Condition Report does not imply that a lot is without imperfections. Please note carefully the exclusion of liability for the condition of lots contained in the Conditions of Sale.Marks well struck and well spaced - full set to base of stand; monarch, lion passant, conforming date letter and maker's mark to base of burner. Minor dings to shoulder. Small nicks to top rim of burner. Light surface scratches to both pieces, commensurate with age and use. The wick holder is missing. 

A FINE SET OF EIGHTEEN GEORGE III SILVER SOUP/TABLE SPOONS, by Paul Storr, London 1810, Kings pattern.  22cm long, 63.62 troy ouncesThe absence of a Condition Report does not imply that a lot is without imperfections. Please note carefully the exclusion of liability for the condition of lots contained in the Conditions of Sale.All marks match. Some marks a little rubbed. Each engraved with a crest to the underside. In generally very good condition commensurate with age.

Robert Roskell and John Mortimer Hunt - Prestigious and Important Pair of Large and Impressive Sterling Silver 5 Light Candelabra,. Hallmark for London 1877, Partly Lobed Circular Bases, Octagonal Stems with Gadrooned Shoulders and Knops, The Detachable Tops with Central Light and Four Faceted Scroll Branches, Banded Campana Form Sconces. Bases Engraved with Crest Under a Coronet and Military Inscriptions, Makers Mark for Roskell and Hunt - Footnote ( Late Storr and Mortimer ) Silver Weight 214 ozs. Heights 23.5 Inches - 51 cms. Wonderful Condition and Quality - Please Confirm with Photo.

A good heavy seven bar toast rack. London. By Hunt & Roskill, late Storr & Mortimer. Approx. 323 grams. Est. £150 - £200.

PAUL STORR: A circular silver teapot stand with gadroon rim. London. Approx. 14.5 cms in diameter. Approx. 241 grams. Est. £250 - £300.

A SUPERB PAUL STORR GEORGE III SILVER TEA KETTLE, STAND AND BURNER. London 1813. Maker: Paul Storr, also stamped STORR & MORTIMER. Weight: 96ozs. The base inscribed "FROM THE PATRIOTIC FUND at LLOYDS, TO JAMES ATHOL WOOD ESQ., CAPTAIN OF HMS LATON, for the CONQUEST of CURACAO by a daring COUP DE MAIN on the first day of January 1807 and recorded in the London Gazette Extraordinary on the 22nd February 1807.

Set of Six George III silver handled Kings pattern dinner knives (London 1812), maker Paul Storr, with steel blades stamped 'E. Tessier, 26 New Bond St, London', each knife 27.3cm in overall length (6)Condition report: The steel blades retain a good amount of their original polish, although there are some spots and corrosion on them. The engraved armorials are slightly rubbed and all the knives have some minor denting and scratching to them. The handles are filled and also marked for Paul Storr.

Paul Storr George III fiddle pattern tablespoon, London 1815, together with a further Paul Storr George III silver Old English teaspoon, London 1817, 3.5oz approx

Paul Storr, London 1803, of neo-classical baluster form, the heavy bottom with woven borders, the handle of S scroll form with classical mask terminal, the burner stand of similar design with silver gilt burner intact, together with a matching silver gilt twin handled sugar basin and cream jug, John Emes, London 1803, each of Neo-Classical design, the bulbous bodies with woven waists, each with angular handles, the sugar basin pull off lid with budding finial(Height: 31cm, weight: 83.9oz)

Paul Storr, a George III silver gilt wine cooler and cover, Rundell Bridge and Rundell, London 1809, twin handled Campana urn form, cast and embossed with a central group of horses in low relief, between beaded guilloche and egg and dart borders, the handles fluted and modelled as bearded masks, the beaded and petal moulded socle above a splayed foot with berry and ribbon laurel wreath to the border, the reverse with cast roundel and inscription for Newcastle Upon Tyne Stewards 1817, the shallow ogee lid with central rosette chased with honeysuckle and lapped ring, the finial in the form of a wrythen fluted flower seed with everted petals, 38cm high, 119.6ozt

Paul Storr, a William IV silver teapot, Storr and Mortimer, London 1831, melon form, realistically moulded and cast with oak branch and leaf spout, lobed spherical form, on a leafy vine base, the lid as a foliate pad with bud finial, 23cm long, 18.19ozt

Triangular spinet by John Storr built from a kit, walnut case with ebony and ivory faced keys 115cm long with tuning key and spare partsWith article 10 CITIES licence.

A VICTORIAN FOUR PIECE SILVER TEA SET by Hunt and Roskell, Late Storr and Mortimer, comprising coffee/hot water pot, teapot, twin-handled sugar bowl and cream jug, all with conforming repousse foliate decoration, the coffee/hot water pot London, 1871, the teapot, sugar bowl and cream jug London, 1878 (c. 76oz)

A set of six George IV silver teaspoons, Queen's pattern, hall marked London 1821, by Paul Storr, weight approximately 203g

PAUL STORR: An exquisite fine and rare flamboyant silver tureen and cover supported on four cast ostentatious lion mask feet to crested armorial sides with fluted handles, the lift-off cover with reeded handle. Hallmarked to body, lid and handle. London 1812. Approx. 4226 grams. Est. £10,000 - £15,000.

60 Teile Tafelbesteck, England, ca. 1816-1861, MZ: überwiegend Paul Storr, London, aber auch George Whiting, London und Samuel Hayne & Dudley Cater, London, einige Teile mit verschlagener Punze, Sterlingsilber 925/000, mit reichem Reliefdekor, Muschel-, Voluten- und Schuppenmotive, 12 gr. u. 12 kl. Gabeln, 12 gr. u. 12 kl. Löffel (1x rep.), 11 Teelöffel und 1 Suppenkelle, L. bis 34 cm, Gesamtgew. ca. 4710 g60 pieces of table cutlery, England, ca. 1816-1861, maker's mark mostly Paul Storr, London, but also George Whiting, London and Samuel Hayne & Dudley Cater, London, some pieces with chipped hallmark, sterling silver 925/000, with rich relief decoration, shell, volute and scale motifs, 12 gr. and 12 small forks, 12 large and 12 small spoons (1x repaired), 11 teaspoons and 1 soup ladle, l. up to 34 cm, total weight ca. 4710 g

53 Teile Tafelbesteck, England, 1813/1817, MZ: Paul Storr, London, Sterlingsilber 925/000, mit reichem Reliefdekor, ornamentale und Muschelmotive, Monogramm mit Motto, 12 gr. u. 13 kl. Gabeln, 12 gr. u. 7 kl. Löffel, 7 Teelöffel, Heber und Saucenkelle, L. bis 32 cm, Gesamtgew. ca. 4265 g, Provenienz: Adelsgeschlecht Hardt von Wöllenstein53 pieces of cutlery, England, 1813/1817, maker's mark Paul Storr, London, sterling silver 925/000, with rich relief decoration, ornamental and shell motifs, monogram with motto, 12 gr. and 13 small forks, 12 gr. and 7 small spoons, 7 teaspoons, siphon and sauce ladle, l. to 32 cm, total weight ca. 4265 g, provenance: noble family Hardt von Wöllenstein

In order to view full details and any additional images for this lot as well as place advanced bids or bid live, please click here to view this lot on the auctioneer's websiteThe Royal Guelphic Order, G.C.H. (Military) Knight Grand Cross, breast star, by Storr & Mortimer, London, 78mm, silver, gold, and enamel, with gold crossed swords, the reverse inscribed ‘Storr & Mortimer, 13 New Bond Street’, with gold retaining pin, very minor green enamel damage to wreath, otherwise about extremely fine £5,000-£6,000

Robert Roskell and John Mortimer Hunt - Prestigious and Important Pair of Large and Impressive Sterling Silver 5 Light Candelabra,. Hallmark for London 1877, Partly Lobed Circular Bases, Octagonal Stems with Gadrooned Shoulders and Knops, The Detachable Tops with Central Light and Four Faceted Scroll Branches, Banded Campana Form Sconces. Bases Engraved with Crest Under a Coronet and Military Inscriptions, Makers Mark for Roskell and Hunt - Footnote ( Late Storr and Mortimer ) Silver Weight 214 ozs. Heights 23.5 Inches - 51 cms. Wonderful Condition and Quality - Please Confirm with Photo.

A Victorian silver centrepiece bowlHunt & Roskell, London 1882 Modelled as Pliny's doves, the four birds perched on the edge of the bowl, one drinking, two preening and the other keeping watch, on a square base, height 28cm, diameter of bowl 36.5cm, weight 157.5oz.Footnotes:The design of the current lot is based on a mosaic found at Hadrian's Villa at Tivoli in 1737. This is thought to be a copy of a Greek mosaic which was described by Pliny in his Naturalis Historia: 'There is a dove also, greatly admired, in the act of drinking, and throwing the shadow of its head upon the water, while other birds are to be seen sunning and pluming themselves, on the margin of a drinking-bowl.'The design was much copied by micromosaicists in the late 18th and early 19th centuries, but the earliest three-dimensional representation in silver seems to have been the 1838 Goodwood Cup with the mark of Paul Storr. This was later reproduced by his successors Hunt & Roskell.A similar centrepiece bowl by Hunt & Roskell, London 1874, was sold in these rooms on 21st November 2012, lot 114.This lot is subject to the following lot symbols: ** VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.For further information on this lot please visit Bonhams.com

A pair of George IV silver 'Warwick Vase' wine coolersPaul Storr, London 1821 Modelled as the Warwick Vase from Hadrian's Villa, with typical lion pelt and dramatic mask-head decoration in high relief and elaborately entwined handles, with removable liners and collars, height 20cm, weight 216oz. (2)For further information on this lot please visit Bonhams.com

A George III silver salver from the Onslow servicePaul Storr, London 1812 Shaped-circular form, with a shell and gadroon border, on four feet, engraved with the arms of Onslow, probably for Thomas, 2nd Earl of Onslow (1754-1827), diameter 23.5cm, weight 20oz.This lot is subject to the following lot symbols: ** VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.For further information on this lot please visit Bonhams.com

Robert Roskell and John Mortimer Hunt - Prestigious and Important Pair of Large and Impressive Sterling Silver 5 Light Candelabra,. Hallmark for London 1877, Partly Lobed Circular Bases, Octagonal Stems with Gadrooned Shoulders and Knops, The Detachable Tops with Central Light and Four Faceted Scroll Branches, Banded Campana Form Sconces. Bases Engraved with Crest Under a Coronet and Military Inscriptions, Makers Mark for Roskell and Hunt - Footnote ( Late Storr and Mortimer ) Silver Weight 214 ozs. Heights 23.5 Inches - 51 cms. Wonderful Condition and Quality - Please Confirm with Photo.

A collection of silver salt and condiment spoons, to include: A silver old English stem mustard spoon, with shovel bowl by Hester Bateman, a pair of George III silver old English stem salt spoons, by William Sumner, London 1798,  a George III silver fiddle and thread condiment spoon, by Paul Storr, London 1819, together with other silver salt, mustard and teaspoons, including continental examples, and two pairs of silver sugar tongs. (condition varies). (total weight 312.5g). (21)

Early Paul Storr warmer stand with burner, London 1792. Probably for warming brandy. Fully Hallmarked to burner base and to stand plus duty mark, lion passant and maker?s mark to wick holder. 7.5 troy ozCondition- no dings or damage beyond a small repair and surface nick to inside of burner. Some tarnish.

A George III silver tablespoon, in the Fiddle pattern, maker Paul Storr, London 1815; a later example by William Eaton, London 1827; another by Charles Boyton, London 1842; one in the Old English pattern by Stephen Adams, London 1788; and two English silver dessert spoons, gross weight 10.9oz (6)

A pair of George III silver dinner plates by Paul Storr (1770-1844), each of typical plain dished form, with gadrooned edges, opposing engraved crested monograms, each incise numbered 18 verso, 36oz, London 1800, dia.25.3cmCondition report: One with small dent to rim.Both with numerous fine surface scratches.Otherwise good.

Gerhard Richter 1932 Dresden - lebt und arbeitet in Köln Ohne Titel (5. Mai 1998). 1998. Öl auf Karton. Links unten signiert und datiert sowie verso nochmals signiert und datiert. 29,6 x 41,8 cm (11,6 x 16,4 in). • Zum ersten Mal auf dem internationalen Auktionsmarkt (Quelle: www.artprice.com). • Mesmerisierende Leuchtkraft der Farbe Blau. • Durch das Zusammenspiel verschiedener Techniken erzielt Richter eine spektakuläre Komposition der Oberfläche. • Die Überarbeitung der Oberfläche durch die Rakel wird für den Karton übernommen. Mit einer schriftlichen Expertise von Herrn Dr. Dietmar Elger, Gerhard Richter Archiv, Dresden, vom 26. März 2018. PROVENIENZ: Privatsammlung Süddeutschland. 'Das Abstrakte hat mich immer schon fasziniert. Es hat so viel Geheimnis, so wie Neuland.' Gerhard Richter, 2011 Wasser. Fluss. Tiefe. Anziehend. Abstrakt. Lebendig. All dies sind mögliche Assoziationen, die das Werk 'Ohne Titel (5. Mai 1998)' von Gerhard Richter im Betrachter auslöst. Die blaue Farbe überzeugt nicht nur durch seine zahlreichen Gedankenketten, sondern auch durch seine enorme Leuchtkraft. Als Element nimmt es mehr als die Hälfte der Oberfläche in Beschlag und ist deshalb bildbestimmend. Auf der linken Seite hat sich das Blau dann scheinbar verflüchtigt und einem strahlenden Weiß und vermischten Rottönen Platz gemacht. Die Bildkomposition scheint regelrecht im Fluss zu sein – dieser Eindruck wird durch den nuancierten Farbverlauf und genannte Assoziationen verstärkt. Die Flüchtigkeit des Augenblicks erhärtet sich im Bild und wird durch die von Richter verwendeten Techniken zur Bilderzeugung noch deutlicher hervorgehoben. Richters Werk lässt keinen Pinselduktus im traditionellen Sinne erkennen. Dies ist auf die Malweise des Künstlers zurückzuführen. In einem Interview mit Nicholas Serota aus dem Jahr 2011 antwortet Richter auf die Frage, wie er mit seinen abstrakten Bildern beginnt, folgendermaßen: 'Ach, der Anfang ist eigentlich sehr leicht, weil ich da ja noch ziemlich frei irgendetwas, eine Farbe, eine Form, setzen kann. Und so entsteht bald ein Bild, das auch eine Weile gut aussehen kann, so leicht und bunt und neuartig. […] Und dann beginnt die Arbeit – ändern, zerstören, neu entstehen lassen usw., bis es fertig ist.' (zit. nach: Gerhard Richter. Panorama, Ausst.-Kat. München, 2012, S. 17). Die Überarbeitung des Bildes ist eine wesentliche Eigenschaft der Kunst Richters und auch die vorliegende Ölarbeit zeigt deutliche Spuren transformativer Prozesse. Die entstandenen Strukturen verweisen auf drei verschiedene Techniken, die Richter stellenweise überlagert. Für die Bildgenese hat Richter die Farbe mit einer Rakel, einer langen, schmalen Leiste aus Kunststoff, über das Papier gezogen. Diese Art des Farbauftrags verwendet er auch für seine großformatigen Gemälde auf Leinwand. Durch den Einsatz der Rakels kommt es zu Überlagerungen, Vermischungen und Aufrissen, die Farbe gewinnt so an materieller Existenz. Der amerikanische Maler und Kunstkritiker Robert Storr spricht deshalb berechtigt von 'geologischen' Bildstrukturen. An verschiedenen Stellen im Bild sind zudem Farbraster erkennbar. Die amerikanische Kunsthistorikerin Rosalind E. Krauss hat die Struktur des Rasters als ein 'Emblem der Moderne' bezeichnet und als wesentliches Element in modernen Kunstwerken von Künstlern wie Piet Mondrian oder Josef Albers identifiziert. Auch Richter greift das Motiv des Rasters auf, allerdings ist sein System nicht vollständig, sondern aufgebrochen und durch andere Farbschichten überlagert. Der rötliche Bereich lässt zudem Erhöhungen erkennen, die vermutlich durch einen Papierabklatsch und das folgliche Herauf- und Abziehen der Farbe entstanden sind. Die Verwendung dieser Techniken führt dazu, dass das Aussehen des finalen Bildes nicht kontrolliert werden kann und im Wesentlichen ein Produkt des Zufalls ist. Dieser nimmt einen erheblichen Stellenwert in Richters Kunst ein, denn '[…] Ich möchte ja gern etwas Interessanteres erhalten als das, was ich mir ausdenken kann' (zit. nach: Butin/Gronert/Olbricht (Hrsg.), Gerhard Richter. Editionen 1965-2013, Ostfildern 2014, S. 44). Gerhard Richter gehört zu den bedeutendsten Künstlern der Gegenwart und hat über mehr als sechzig Jahre hinweg ein äußerst umfangreiches und komplexes Œuvre geschaffen, zu welchem Zeichnungen, übermalte Fotografien, Aquarelle oder Ölarbeiten in jeglichen Größen gehören. Während Richter vor allem zu Beginn auch gegenständlich malt, erfährt seine Malerei ab Mitte der 1970er Jahre eine erhebliche Wendung: Von nun an dominieren die Ungegenständlichkeit, eine enorme Farbigkeit und ein emphatischer Farbauftrag seine Kunst. 'Ohne Titel (5. Mai 1998)' steht repräsentativ für diesen abstrakten Malstil. Die 1990er Jahre sind für Richter nicht nur künstlerisch äußerst fruchtbar. Seiner Kunst wird international große Anerkennung entgegengebracht und zahlreiche Museen wie die Tate Gallery, London, oder die Marian Goodman Gallery in New York – die zudem seine Galerievertretung in den USA übernimmt – widmen ihm Einzelausstellungen. Ein Jahr vor der Entstehung unserer Ölarbeit, 1997, erhält Richter den Goldenen Löwen auf der 47. Biennale in Venedig und die Documenta X in Kassel zeigt sein monumentales Werk 'Atlas'. Auf derzeit 802 Tafeln hat der Künstler Fotografien, Zeitungsausschnitte und Skizzen angebracht, die sein Leben und Schaffen über mehr als vierzig Jahre hinweg dokumentieren. Diese Werkzusammenfassung und die vorliegende Arbeit sind vor allem vor dem Hintergrund der neuesten Entwicklungen von Bedeutung, sind sie doch wichtige visuelle Manifeste seiner Arbeit. Im September 2020 verkündet Richter, mit dem Malen aufhören zu wollen. Die Kirchenfenster für das Kloster Tholey im Saarland, die im selben Monat enthüllt worden sind, und einige Zeichnungen sollen die letzten Arbeiten des Künstlers sein. 'Irgendwann ist eben Ende', sagt er. 'Das ist nicht so schlimm. Und alt genug bin ich jetzt.' (Quelle: Deutsche Presse-Agentur) [SL] Aufrufzeit: 11.12.2020 - ca. 18.01 h +/- 20 Min. Dieses Objekt wird regel- oder differenzbesteuert angeboten.

Gold and sanguine jasperCarver as a boot with applied body armour protections of raised and engraved decoration of superb detailsTop engraved with armorial for the Duke of Palmela and heel engraved with Duke's coronetIn the original case for the maker "C.F.Hancock" a successor of "Storr & Mortimer" Jeweller and Goldsmith to Queen Adelaide and His Imperial Majesty the Empereur of RussiaEurope, 19th centuryProvenance: D. Manuel de Souza e Holstein-Beck Collection, Count of Póvoa. Length: 9.2 cm

A George III pedestal bowl by Paul Storr, London 1804, of circular form with gadrooned rim and later embossed decoration and with engraved presentation 'Presented to Col E.D.W Sibthorp M.P...Aug 9th 18**', 20cm high, 29cm diameter, weight approx 68.2ozCondition report: Hallmarks clear, some small dents/creases in keeping with age, general wear, refer to images

A pair of quality silver serving dishes attractively mounted with scrolls and flowers. London 1841. By Storr & Roskill. Approx. 2055 grams. Est. £1500 - £2000.

A Victorian silver and gilt goblet, with foliate engraving within woven borders, raised on circular foot, 12cm high, London 1864, engraved Hunt and Roskell late Storr & Mortimer No. 2149, ___6oz, (creased stem).

Fine heavy pair of William IV circular salts having wavy gadrooned rim, applied floral and foliate garlands, limited engraved detail and each supported on four grotesque mask and hoofed leg supports, diam at top 7.5cm, max width 10cm, height 5cm, London 1834 by Paul Storr. One salt is further stamped "Storr & Mortimer" complete with blue glass liners plus two hour glass and shell pattern salt spoons, London 1839, maker's marks partially erased, total weight (including spoons) 524gms net (4)

A set of twelve late George III silver hexafoil soup plates by Paul Storr, London 1813, numbered 982, the gadrooned rim with foliage at intervals, 25.5cm (10in) diameter, 8180g (263 oz)The crest is that used by the BISS family. The full arms were granted in 1637 in Ireland, although the family are likely to have settled there from England. Blazon for crest: an eagle preying on a partridge all proper. Condition Report: Marks are clearCrests are crispLight to heavy scratches to the surfacesNo signs of erasuresSome light rubbing to high points of the bordersCondition Report Disclaimer

Y A Victorian silver ovoid kettle on stand by John Samuel Hunt, London 1860, stamped Hunt & Roskell late Storr & Mortimer 467, the fixed serpentine handle over with ivory spacers, a flower finial to the domed cover, embossed and engraved with bold flower groups, rocaille and trellis panels, engraved with arms, the stand collar conformingly embossed and engraved, a cast pierced flower and foliate apron, on three cabriole supports with openwork rocaille feet, with a burner, 41cm (16in) high, 2235g (71.85 oz) The arms of PRAED quartering MACKWORTH with EUAN in pretence.Condition Report: Marks are clearSplits to ivoryHinge goodSlight gap to coverStands wellOne retaining pin chain detached, the other missing chainEngraving is crispLight scratches and wear commensurate with age and use Condition Report Disclaimer

An early Victorian silver octolobed salver by John Samuel Hunt, London 1845, stamped Hunt & Roskell late Storr & Mortimer 2103, the reed and ribbon rim with leafage, engraved with a band of flowering scroll foliage and with an unidentified crest, on four openwork shell feet, 37.5cm (14 3/4in) diameter, 1347g (43.3 oz)Condition Report: Marks are well struckStands wellEngraving is crispBorder goodSome heavier scratches to the surfaceLight scratches and wear commensurate with age and useCondition Report Disclaimer

A George III silver Ambassadorial entree dish by Paul Storr, London, 1806, rectangular with slightly incurved sides, the gadroon rims with double shells and foliage at the angles and centering the sides, the exteriors engraved on one side with the Royal Badge, on the other with the Hamilton crest under a Duke's coronet, marked and with stamped number 120, 28.7cm (11/4in) long, 1119g (36 oz) Alexander Hamilton, 10th Duke of Hamilton, 7th Duke of Brandon, KG, PC, FRS, FSA (1767-1852) was a Scottish politician, art collector and ambassador to the court of St. Petersburg until 1807.Condition Report: Hallmarks - corner of maker's mark is partially obscured, the others are clear and readable. The engraving is crisp. Slight scuffs and scratches commensurate with age and use, no bruises or dents. Wobbles slightly on a flat surface. NB - there is no cover with this dish.Condition Report Disclaimer

Y An early Victorian silver five piece baluster tea and coffee service by John Samuel Hunt, London 1845, stamped Hunt & Roskell late Storr & Mortimer and numbers, the tea, hot water and coffee pots with flower finials to the domed covers with rocaillework borders, the S-scroll handles with ivory spacers, embossed with flowers and engraved with foliate fronds and a crest, on leaf and scroll feet, the tea pot 24cm (9 1/2in) long, the hot water pot 18.5cm (7 1/4in) high, the coffee pot 23.5cm (9 1/4in) high, 3317g (106.65 oz) grossCondition Report: Tea pot - Marks are clear, stands well, play to the hinge, cover sits well, handle is tight, splits to the ivory, engraving is crispCoffee pot - Marks are clear, stands well, slight play to the hinge, cover sits well, handle is tight, splits to the ivory, engraving is crispHot water jug - Marks are clear, stands well, play to the hinge, cover sits well, handle is tight, splits to the ivory, engraving is crispSugar bowl - Marks are clear, stands well, engraving is crispCream jug - Maker's mark partially obscured, rest are clear, stands well, engraving is crispAll with light scratches and wear commensurate with age and use Condition Report Disclaimer

A William IV silver shaped circular warming stand for a coffee pot by Paul Storr, London 1834, stamped Storr & Mortimer 271, chased with flowers in segments around a central aperture for the detachable burner, the sides pierced with anthemion, engraved with a crest, 17cm (6 5/8in) diameter, 456g (14.65 oz) The crest of PRAED.Condition Report: Overall nice condition. The outer stand has very crisp decoration with one dent on the underside and one push dent on the side of the lip. Clear, crisp and readable hallmarks. The burner has small surface nicks and scratches to the top, no dents or bruises.Condition Report Disclaimer

Paul Storr - A set of eight George III silver double struck, fiddle, thread and shell pattern dessert spoons, six tablespoons and twelve dessert forks, with engraved crest, London, 1811/3/4/5, 50ozCONDITION: Spoons- Some mild signs of general use, scratches nicks etc. Tips in good order, crests a little worn and some wear to the decoration. Hallmarks clear. Forks in much more used condition and the hallmarks very rubbed in places including the maker's mark.

A handsome pair of Victorian parcel gilt silver oval comports by Hunt & Roskell (lacking glass bowls), each with beaded rim above a turned foliate engraved stem, surmounted with two seated musicians, the base rim engraved 'Hunt & Roskell Late Storr & Mortimer 3821', London, 1866, height 16.5cm, length 27cm, 89oz.CONDITION: Lacking both bowls. Some wear to the gilding in places on both. One is lacking two nuts from the underside of the base. The strings on one of the string instruments are a little mis-shapen to one area. Overall condition is otherwise good. Hallarks clear.

Four 18ct gold studs in Hunt & Roskell, late Storr & Mortimer box and another 18ct gold stud, 7.3g 

Paul Storr, a George IV silver twin handled bowl, London 1827, ogee lobed and footed ovoid form, with cast acanthus scroll handles, gilt interior, 21cm long, 11.85ozt

PAUL STORR; a good pair of George III Fiddle and Thread pattern sauce ladles with engraved crest to the terminals, London 1811, length 17.75cm, approx 4.37ozt/136g.Additional InformationThe crest is a winged bird above a coronet or crown, there is light rubbing to the shell raised decoration and light surface scratches to the bowl, but otherwise ok and the hallmarks are clear.

A Victorian hallmarked silver salver with shell and scroll rim, central armorial engraving, to three scrolling supports, London 1837, Paul Storr, diameter 23cm, approx 16ozt. CONDITION REPORT The bottom is scratched and has black tarnish marks, deep scratch in border. The top is scratched and tarnished. each foot is stamped '253/37' and the base is stamped '371', lion passant and sovereign head marks are indistinct.

A George III circular silver dessert basket, Paul Storr, London 1798, , pierced and semi-fluted rounded bowl with gadrooned rim, reeded and leaf-capped swing handle, plain spreading foot, engraved crest and motto, 36ozs, diameter 27.5cm.

George III silver marrow scoop by Paul Storr, engraved with crest to the reverse of scoop, London 1817, 9" long, 1.8oz t

A pair of George IV silver entrée dishesPaul Storr, London 1831 Of lobed circular form with gadroon borders, surmounted by oak branch handles, crested, diameter 26cm, weight 96oz. (2)This lot is subject to the following lot symbols: ** VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.For further information on this lot please visit Bonhams.com