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A William IV silver ewer, by Paul Storr, London 1837, raised on a circular foot, the ovoid body embossed with stiff leaf design to the base, the broad splayed spout below a hinged cover with a rose finial, insulated leaf capped handle, 25.75cm high, 22.4oz

A Victorian silver three-piece coffee set,by Hunt & Roskell, London 1875,of vase shape with waisted necks on pedestal circular feet with egg and dart borders, decorated with foliate swags and additional bands of foliage against matted backgrounds, the coffee pot with pineapple finial, the reeded scroll handles terminating in bifurcated foliage, with vacant cartouches, stamped 'HUNT & ROSKELL, LATE STORR & MORTIMER', '7002' on base of coffee pot and '7001A' on two-handled sugar bowl and cream jug, all with gilt interiors, 22.5cm high to top of coffee pot finial, 36.2oz (3)

A GEORGE III SILVER WAITER, PAUL STORR FOR RUNDELL, BRIDGE & RUNDELL, LONDON, 1812 shaped circular, engraved with the Ogilvy coat of arms below a Baron's coronet, the applied gadroon rim interrupted by shell motifs, on four scroll-capped paw feet, stamped No.8OO 16.3cm diameter, 297gr (9oz 10dwt) Provenance: The Earls of Airlie, by descent. The arms (with a mark of cadency) are those of David Ogilvy (1785-1849), Baron Ogilvy (later 9th Earl of Airlie). This waiter (and the mustard pot of the same pattern and workman's mark in the following lot) probably formed part of a larger order from Rundell's for his new household, following Lord Ogilvy's marriage to Clementina Drummond on 7 October 1812.

A GEORGE III SILVER SPOUTED EWER AND COVER, PAUL STORR FOR RUNDELL, BRIDGE & RUNDELL, LONDON, 1810 in the form of an Antique oinochoe, the otherwise plain body engraved on one side with a crest, applied with two bearded masks in sizes, one below the scroll handle, the other below the short curved spout, gadroon borders, plain bun knop to the detachable cover, gilt interior 18.5cm high, 986gr (31oz 14dwt) Provenance: The Collection of J. Anderson Rose; The Collection of Charles Chichele Oman (1901-1982), thence by descent. Charles Oman (1901-1982) is a name which is familiar to most collectors of old silver, partly because of his position and influence as Keeper of Metalwork at the Victoria and Albert Museum from 1945 until 1966 and partly because of his books and numerous articles on the subject. His English Domestic Silver was published in 1933, which was followed by English Church Plate (1957), The English Silver in the Kremlin, 1557-1663 (1961), Caroline Silver, 1625-1688 (1971) and English Engraved Silver, 1150-1900 (1978). These standard works are accompanied by various articles which demonstrated the breadth of Oman's knowledge and interests, including the ground-breaking Apollo article of 1966, 'A Problem of Artistic Responsibility' in which he explored the contribution made by William Theed the elder, John Flaxman, E.H. Baily and other artists in the success of the royal goldsmiths, Rundell, Bridge & Rundell's plateworking activities.Beyond the relatively narrow world of antique silver scholarship, Oman was also known for his deep knowledge of English historic buildings and cathedrals. Early in his career at the Victoria and Albert Museum, which he joined in 1924 as an assistant keeper in the department now known as Prints and Drawings, he researched and wrote a catalogue of the museum's collection of early wallpapers, published in 1929. This jug, formerly one of a pair, was shown with its companion at 'The Fine Art Exhibition of the Worshipful Company of Cordwainers' at no. 7, Cannon Street, City of London during April and May 1890. Admission was one shilling and the proceeds raised were 'applied to the FUND for the RELIEF of the SURVIVORS of the BALACLAVA CHARGE.' The exhibition, which brought together a wide range of pictures and works of art, all contributed by members of the Company, including old English pottery and Greek and Etruscan vases sent by Sir Henry Doulton. By far the largest group of paintings and objects exhibited belonged to the then Master of the Cordwainers' Company, James Anderson Rose (1820-1890), great-uncle of Charles Oman, the well-known authority on antique silver, to whom this jug descended. Rose, a lawyer, was a familiar figure in creative circles, being solicitor to Whistler, Rosetti and many other artists of the Victorian period. According to the Cordwainers' 1890 exhibition catalogue, this jug and its pair, described as coffee pots, were of 'Etruscan shape. Head of Jupiter on handles, designed by John Flaxman, R.A. for the Prince Regent and formerly in his possession.' This is quoted by N.M. Penzer in his book, Paul Storr, Last of the Goldsmiths (London, 1954, p. 142, pl. XXXII), who states that the design of the jugs was based on Roman originals (urceus and lagona), which, he says, have been discovered as far apart as Kent and Pompeii. No exact ancient parallel has been found, however, indicating that the pattern was based on an invention by one of Rundell, Bridge & Rundell's resident artists, the most likely candidate being William Theed (1764-1817). Other, similar jugs of oinochoe form and applied with the same masks, maker's mark of Paul Storr for Rundell's, London, 1812, have been recorded, including one from the collection of the Marquess of Ormonde, an important patron of Rundell, Bridge & Rundell (Christie's, New York, 19 October 2010, lot 114). It should be noted that these examples do not represent Paul Storr's earliest essays in 'pure' classical form. A silver jug in the shape of an Etruscan bronze oinochoe, hallmarked London, 1798/99, when he was an independent manufacturing silversmith to the trade, was sold in these rooms, Matthew Barton Ltd., 21 May 2013, lot 273.

A GEORGE III SILVER SUGAR BOWL AND MILK JUG SET, PAUL STORR FOR RUNDELL, BRIDGE & RUNDELL, LONDON, 1814 oblong, each body and short pedestal foot with a band of lobes, engraved above with the initials WO below the Ogilvy crest, applied with shell interrupted gadroon rims, leaf-capped reeded scroll handles and gilt interiors, stamped No.284 milk jug 21cm wide, 803gr (25oz 16dwt) Provenance: The Earls of Airlie, by descent. The intials and crest are for Walter Ogilvy, de jure 8th Earl of Airlie (1733-1819).

A PAIR OF GEORGE III SILVER SALVERS, PAUL STORR FOR RUNDELL, BRIDGE & RUNDELL, LONDON, 1810 shaped circular, each engraved with Ogilvy coat of arms below a Baron's coronet, the applied gadroon rims interrupted by shell motifs, on four formal foliate and panel feet 26.5cm diameter, 1428gr (45oz 18dwt) Provenance: The Earls of Airlie, by descent. The arms are those of David Ogilvy (1785-1849), Baron Ogilvy (later 9th Earl of Airlie).

A VICTORIAN SILVER SHIELD SHAPED VASE AND COVER finely chased in high relief with scenes of warriors reserved on a textured ground, the cover applied with the figure of Victory, 62cm h, fully marked, by Hunt & Roskell, London 1875, stamped HUNT & ROSKELL LATE STORR & MORTIMER 6965, 103ozs ++Of fine quality in fine condition with light polish wear. No repairs

Records : Vintage green case of soul/funk 7" singles - various labels/artists incl Storr, Shirelles, Marvelettes etc, all good/vgc, 30+.

A GEORGE III SILVER OVAL SHAPED DISH with a chased foliate and scroll decorated edge and later chased foliate, scroll and fruit decoration, 31cm long, with marks for Paul Storr, London 1804, 16.6 troy oz

A small shaped rectangular silver Tray, Birmingham 1907, approx. 16 ozs; and an unusual circular Sterling silver Bowl with decorated pierced rim, by Black Storr & Frost, 9 1/4" diameter, approx. 14 ozs. (2)

A Georgian cast silver serving dish handle formed as a coiled serpent, in the manner of Paul Storr, 6.6oz troy approx

A George III silver cream jug by Paul Storr, London, 1808, oval, half-fluted, with gadroon borders and richly gilt interior, 9.5 cm. high, wt. 188 gm.Good marks, good condition, no crest or initials, sides are solid, not thin

A George III silver fiddle and thread pattern dessert spoon, by Paul Storr, London, 1818, engraved with crest coronet of the Prince of Wales’s feathers, 17 cm. long, wt. 45 gm.Bruise to edge of bowl that has caused a small split

THE LARGE COPPER (L. dispar rutilus) Introduced into TIPPERARY, IRELAND by Col. E. Bagwell Purefoy c.1914 1 MALE, bred ex. female Tipperary, IRELAND 30.vi.1937, G.W. WILKINSON 1 MALE, bred ex. female Tipperary, IRELAND 27.vi.1936, G.W. WILKINSON 1 FEMALE, bred Tipperary, IRELAND 30.VI.37 1 FEMALE, bred Tipperary, IRELAND 22.VI.37. G.W. WILKINSON, listed in South London Entomological and Natural History Society 1947, living in GOLDTHORPE, YORKSHIRE (LEPIDOPTERA) British Lepidoptera, sold th rough Debenham & Storr 1953

A Victorian silver pierced sugar basket with swing handle, raised on pedestal base to square foot, stamped "218 Hunt & Roskell, Late, Storr & Mortimer" (by Alfred Benson and Henry Hugh Webb, London, 1891), approx 9 oz excluding liner, 11.6 cm high excluding handle CONDITION REPORTS Handle is slightly bent. The blue glass liner has some small chips to the rim and also does not fit the basket properly leaving a gap around the edge - see images. The square base is slightly bent out of square. General light scratches all over with general signs of wear and tear

A Victorian silver gilt mug of cylindrical tapering form decorated with floral set panels and ringed top and base, stamped "Hunt & Roskell, Late, Storr & Mortimer, 7992" to base (by John Hunt & Robert Roskell, London, 1880), 8.7 oz, approx 10 cm high

A George IV silver fruit basket with applied rim and swing handle set with armorial to top (by Paul Storr, London, 1823), approx 34.7 oz, 32 cm wide CONDITION REPORTS The piece rocks on its base very slightly on a flat surface. There are two small dents to one end which we will attempt to photograph. Body with various small scratches throughout. Handle with some minor small dents which we will endeavour to photograph. General small signs of wear and tear throughout

A set of six George III silver forks (by Paul Storr, London, 1817), approx 13.3 oz

A George IV silver soup bowl with gadrooned edge (by Paul Storr, London, 1826), approx 17.9 oz, 24.6 cm wide

A Victorian silver beaker of tapered cylindrical form, the central textured band embossed with grape and vine / wild strawberry pattern and shield shaped plaque to centre inscribed "CEM from CEM 1889", stamped to base "Hunt & Roskell, Late, Storr & Mortimer 6860" (by John Hunt & Robert Roskell, London, 1874), approx 6.4 oz, 8.7 cm high

A William IV silver twin-handled sugar basin with shell decorated rim and Tudor style Rose decorated band to body above a gadrooned base, raised on a circular stepped foot with gilded interior (by Paul Storr, London, 1832), approx 19 oz, 12 cm high including handles CONDITION REPORTS The rim appears to be bent very slightly downwards in place and one handle in particular appears to be very slightly bent. The foot rocks very slightly on a flat surface. There is a deep scratch/impressed mark to the body - see images. The gilt interior is scratched and there appears to be a slight scratch/impressed mark into it. Some small dents to the base, general small signs of wear and tear through age and use

A set of four George III silver open salts of circular pedestal form, raised on a circular base, each bearing engraved armorial with gilded interior (by Paul Storr, London, 1797), 15 oz total CONDITION REPORTS One of the salts does rock on its base and the base is bent out of circular. All of the bases are very slightly bent out of circular. All salts have light scratches with general small signs of wear and tear throughout.

A William IV silver tureen and cover, by Paul Storr, London 1836, shaped circular form, with a detachable reeded scroll handle, the cover with a presentation inscription "Presented by C W Vane Marquis of Londonderry. G.C.B G.C.H G.B.E &C &C to John Andrew Esq of Comber in testimony of his high estimation for the Integrity Talent & Ability displayed by him in the direction and management of his Down Estate after 18 Years Service on his birthday. Nov 15th 1846", the cover numbered 4, the base numbered 3, the underside of the base also stamped 'STORR & MORTIMER 35', diameter 27.5cm, approx. weight 56.3oz.

A George III silver soup plate, by Paul Storr, London 1816, circular form, foliate and gadroon border, engraved with an armorial, diameter 26.5cm, approx. weight 23oz.

A William IV silver-gilt spoon, by Paul Storr, London 1832, the handle with intertwined and pierced grape-vine decoration, the reverse of the bowl with a crest, length 12.8cm, approx. weight 0.7oz. The crest is probably that for James George Stopford, 3rd Earl of Courtown, co. Wexford (1810-1835).

A George III silver fiddle and thread pattern table spoon by Paul Storr, London, 1818, engraved with crest coronet with Prince of Wales’s feathers, 21.6 cm. long, wt. 78 gm.

Paul Storr: An Old Sheffield plate oval meat dish cover, lobed and fluted, the chased silver detachable handle, Paul Storr, London 1837, engraved with a crest and motto 'Sapienter si Sincere', 45cm wide and a Victorian oval electroplate meat dish cover, 46cm wide (2).

Silver, comprising; twelve silver bladed dessert or fruit knives, with loaded King's pattern silver handles, by Paul Storr, London 1812, twelve dessert or fruit forks, with plated prongs and with loaded shell pattern handles, London 1845, a tennis spoon, Birmingham 1939 and an associated mahogany case.

Fine quality Victorian silver meat dish of oval form, with large bead border and engraved crest, underside stamped - 6976 Hunt & Roskell Late Storr & Mortimer (London 1854), John Samuel Hunt. All at approximately 44ozs, 41cm across

SILVER SERVING BOWL, George III, of oval form, London 1792, maker Paul Storr, weight 22.50 ozt, 29cm L x 20cm W x 10.5cm H.

A fine early Victorian silver bread basket by John Samuel Hunt, marked to underside with Hunt & Roskell, Late Storr Mortimer & Hunt, 3249, on rococo style scroll feet base with raised floral decoration and pierced sides and having pierced handle, dated London 1847, approx 38ozt.

A PAIR OF GEORGE III SILVER BASTING SPOONS BY PAUL STORR Fiddle and Thread pattern, crested, maker's mark, London 1815, 13ozs ++Both in the same fine condition and of superlative quality expected of this illustrious maker, of very heavy gauge

A Victorian silver tea potOf baluster form, engraved with acanthus leaf and scroll decoration, monogrammed to the cartouche, the leaf capped scroll handle with ivory insulators, the finial realistically cast as a flower by Hunt and Roskell (late Storr & Mortimer), London 1853, height 23.5cm, weight 29 troy oz CONDITION REPORT: Overall good conditionLid, finial and handle partially markedHallmarked to base, in good conditionGeneral wear and surface scratchesCracking to ivory

A pair of Victorian cast silver gilt two light candelabrum, Hunt & Roskell, London 1888, in George III style, with campana shape sconces and bead and gadroon borders, 19.5cm high, 34ozs, previously drilled for electricity. ** * Incuse marked Hunt & Roskell late Storr & Mortimer 9542 & 9595.Illustrated.

A diamond floral spray brooch, each flowerhead with a central ruby, fitted in a Hunt & Roskell Late Storr & Mortimer London box See front cover colour illustration Condition report Report by NG Approx. 8.8 g (all in) Approx. 58 mm high Approx. 22 mm wide

AN ELECTROPLATED THREE PIECE TEA SERVICE in the style of Paul Storr, the round gadrooned bodies with bifurcated serpent handles and a cape rim.

P.. Storr (English School, 19th century),A full length study of a gentleman reading,signed and dated 1891,watercolour,31.5 x 21 cm CONDITION REPORT: Typical even discolouration

Paul Storr (1770-1844) - a pair of large silver dishes, oval bodies with gadrooned rims, both engraved with crest belonging to Bolton of Tullydonnell, by Paul Storr, London 1800, each 2.5cm high, 44cm wide, 29.5cm deep, 3302gms (2) (bodies scratched)The crest probably pertains to Captain John Bolton of Maine, Castle Bellingham & Tullydonnell, an officer in the 5th Royal Irish Dragoons (born 1753). His second son, John Henry Bolton (later of Tullydonnell Co. Louth) was baptised in 1800 which may have been the raison d'être of these very superior objects. Provenance: Tullydonnell (now demolished).

A Suite of Four Silver-Gilt Historismus Tazze in the Renaissance Revival Manner: one pair by Hunt & Roskell London 1915, incuse stamped "Hunt & Roskell Ltd, Late Storr and Mortimer 3260", The other pair German stamped "13" (standard mark) and two marks (distorted), circa 1860: the pierced borders depicting Bacchus & entwined cherubs amongst scrolling, fruiting tendrils, each with a central plaque depicting playful cherubs, astride a serpent and rowing a boat, the cast stem formed as four ostrich legs capped with a bearded mask raised on domed bases decoration with chickens. H 16cm x Diameter 21cm (approx weight 90 Troy ounces) CONDITION REPORT: The English of pr Tazze. By Hunt + Roskell, hallmarks clear to each section, colour of gilding is buttery, yet one dish is tarnished. No apparent losses in decoration, however, to one top the surface is uneven. The English examples are heavier than the German example. The German pr of Tazze. Overall condition good, as is the colour of gilding. Areas of tarnishing, marked on edge. Mark visible, yet distorted. One toe on claw lacking as broken off.

A George IV silver mustard pot, by Paul Storr, London 1826, circular baluster form, leaf capped scroll handle, chased foliate scroll and shell decoration, the domed cover with a wrythen finial, on a circular foot, engraved with a crest, height 11.5cm, approx. weight 6oz.

A George III silver wine label, by Paul Storr, London 1818, shaped form, heavily decorated with flowers, vines and shell decoration, embossed 'SHERRY', length 8.2cm, approx. weight 1.6oz.

A George III cast silver-gilt leopard's pelt wine label, by Paul Storr, London 1810, shaped form, titled 'PORT' on a textured background, length 8.8cm, approx. weight 2.2oz. Provenance: The Lank Collection, Bonhams Knightsbridge, London, October 6, 2010, lot 52.

A mixed lot of silver flatware, various dates and makers, comprising: a George III Fiddle pattern table fork, by Paul Storr, London 1816, the reverse of the terminal initialled, plus a set of six Old English pattern dessert forks, London 1820, with later decoration, plus a Chester teaspoon, 1836, and a pair of Peter and Ann Bateman sugar tongs, approx. weight 11.5oz. (9)

A George III silver caster, maker's mark worn, possibly by Paul Storr, London 1812, vase form, rocaille decoration, gadroon border, domed pierced cover, with a cipher, on a raised circular foot, height 7cm, approx. weight 2oz.

A George III silver wine label, makers mark P.S only, for Paul Storr, London circa 1810, shaped oval form, with Bacchus mask and grapevine decoration, pierced 'OLD HOCK', length 6.2cm, approx. weight 0.8oz.

Pair of 19th Century silver plated patent candle snuffers marked Paul Storr

A Victorian silver tea set, with engraved basket weave and embossed floral decoration, John Samuel Hunt, London, 1862, retailed by Hunt & Roskell, late Storr & Mortimer, oak cased, comprising teapot, cream jug, sugar bowl, pair of sugar tongs, pair of teaspoons and a twin handled tray, 50.63toz.

Penzer, N.M: Paul Storr 1771-1844 Silvesmith and Goldsmith, 1971 and Harrison, M: Exeter & West Country Silver 1700-1900, 2014 (both with dust wrappers) (2)

A GEORGE IV BUTTER SHELL on two small cast periwinkle feet, engraved with two crests, by Paul Storr, London 1824 and another butter shell of similar form on three shell feet, also engraved with two crests (to match), by Matthew Boulton, Birmingham 1830; the latter 6" (15.2 cms) wide; 11.1 oz (2)

DOUGLAS ROULSTON, SKYE, THE CALLING OF STORR oil on board, signed with intitals, further signed, titled and dated 2016 verso 58cm x 57cm Framed

A George IV Paul Storr silver teapot of compressed circular shape embossed with flowers, handle cast as a flower, maker Paul Storr, London 1828, 17.5oz gross

A George III/George IV composite silver-gilt campaign set,mixed makers and dates,comprising:two fiddle thread and shell pattern dessert spoons,by Paul Storr, London 1816/21, anda knife with detachable blade, by same maker,another two knives and three detachable steel blades,two dessert forks with pseudo hallmarks to front of forks,a beaker of plain tapering cylindrical form,7.5cm high, andfour mounted glass bottles,three by Thomas & James Phipps II, London 1816,the fourth probably same date and maker,the screw-off covers with gadroon borders, with silver gilt mounted cork stoppers with ring handles,7cm high,in a fitted red leather case with applied circular cartouche,part monogrammed or engraved with the coronet of a marquis with initials 'EC' below,19.5cm high

Paul Storr. A George III silver waiter, of circular form with gadrooned border applied with anthemions, atop four similar form feet, with central presentation inscription, hallmarks struck to the underside, sponsor's mark for Paul Storr, London 1815, diameter 21 cm, weight 439 g / 14 ozt approx Note: Paul Storr is considered by many to be the most important silversmith of the nineteenth century and produced significant commissions for Royalty and Admiralty. Storr worked with the firm of Rundell, Bridge and Rundell who obtained the Royal Warrant to King George III in 1806. Together they produced many important commissions including The Nelson Service, The Wellington Service and pieces for The Royal Collection. See Penzer, N. M 1954. Paul Storr 1771-1844 Silversmith and Goldsmith

Paul Storr. A George III silver entree fork, fiddle pattern, with engraved crest of a seated whippet, Paul Storr, London 1816, length 17 cm, weight 47 g / 1.5 ozt approx

A set of four George IV silver pedestal table salts, each of good size, having gilt washed bowls, knopped stems, egg and dart foot rims, 21.7oz, maker Paul Storr, London 1821, dia.9.4cm

Hunt & Roskell, (late Storr & Mortimer, jewellers to the Queen and Royal family) . Good quality christening set - comprising silver bowl/porringer, silver cream jug and silver child's spoon, h'mkd "F.H." on spoon and " S.H." on jug and bowl " London 1860". Weight 10oz approx.

A William IV silver oval dish by Paul Storr, London 1837, with gadrooned rim and engraved crest, Out of a ducal coronet a falcon rising with wings outstretched, 11¼in. (28.5cm.) long, weight 14.75 tr.oz. * Condition: Two small dents to centre of well and faint 1cm. line dent to one end of well. Some old scratching to surface of silver throughout. Good crisp marks.  

A George IV silver wine coaster by Paul Storr, London 1820, the silver interior with engraved armorial, rising to a scalloped edge bordered by a gadroon, shell, anthemion and foliate rim, on wooden base, 6½in. (16.5cm.) diameter, gross weight 15.6 tr.oz. * Condition: Marks slightly rubbed but remain clearly legible. Silver interior also marked. In good condition, with no damage or repairs. Replaced baize to base.

A George III silver coffee biggin, the slight baluster shaped body with bold reeded base, the domed cover with French gadroon mounts and with carved ivory angular handle and reeded ivory knop, on moulded circular footrim, 8.5ins high, by Paul Storr, London 1813 (gross weight 23ozs)

George III mahogany eight day longcase clock circa 1760, maker Marmaduke Storr of London, the arched brass dial with makers name above strike / silent dial. Roman / Arabic chapter, the matt centre having seconds dial and date aperture, the figured corner CONDITION REPORT: Veneer losses around hood. Door columns loose, door warped, astragal damaged, base split. Some wormholes to reverse and side of hood. Two weights and pendulum. 206cm tall. Missing finials.