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Official Photograph During Presentation of the Indian Azad Hind Legion Standarte, shows Sikh troops wearing turbans and wearing the tropical pattern tunics. Indian troop in tropical M-43 field cap holding the regimental standarte of the legion. On the wall behind the speaker is image of the Indian Nationalist leader Chandra Bose. Photograph 14 ½ x 10 ½ cms. Some clipping to the corners and creasing.
A KENWOOD SEPERATES HI-FI comprising a Kenwood P29 turntable, DP-R49 cd player, RX-49 integrated amplifier, multi command unit and double cassette deck with one Kenwood LS-29 speaker (PAT pass and working) along with a Richard Allan surround sound speaker system with bass box and four speakers model numbers (unknown) no speaker wire or power cable (UNTESTED)
A pair of Bose 501 Series II Reflecting Speakers,1977-1980, the tops and plinths with mahogany veneer, with mottled brown wool speaker cloths, with manufacturer's labels and marks, 37cm square, 58cm highCondition ReportWith scuffs and marks to the edges. Some fading to the veneer. The paper labels yellowed and dried.
Tudor Taxation.- The reasons to prove that the loane is moste discontent full the people than the Subsidie bee, manuscript, 2pp. & conjugate blank, [c. 1553] § Notes for the monnye of the subsidie in the comons house, 4½pp., Hand and Crown watermark, 17th February 1575 § The copie of the commission for the taxing and leviuinge of the second paymt of one intro subsidy graunted Ano Regni... septimo, [docket title], manuscript in Latin, 1p. with conjugate blank, tear with loss but not affecting text, superscribed at foot, "Phelips", [Sir Edward Phelips (c. 1555-1614), Speaker of the House of Commons, builder of Montacute House], 1609/10, manuscripts in Secretary hand, first and third Pot watermarks, folds; and 14 other documents, mostly relating to taxation and mostly Tudor, v.s., v.d. (17).⁂ First mentioned with docket title: "The duke of Northumberland against Queene marie The Increment of a lone... bee parl by privie seale." A time of political instability, but also financial instability. The crown was heavily in debt, largely due to Henry VIII, a tyrant who not only destroyed England's cultural and religious heritage, but by debasing the coinage, the country's finances as well. Northumberland was driven by expediency to address some of these financial problems.
7x Corgi Toys Chipperfields Circus vehicles. Including 2x boxed examples; Crane Truck (1121). Giraffe Transporter (503). Boxes with some wear/damage. Together with unboxed vehicles; Animal Cage. Scammell Articulated Trailer. Land Rover. Loud Speaker Land Rover. Platform Trailer. GC-VGC. £60-80
BRITISH POLITICS: Small selection of T.Ls.S. etc. by various British politicians, a few of them Prime Ministers, comprising Clement Attlee (ink signature, alongside that of his wife Violet, on one half of an 8vo Christmas greetings card, 1952), Alec Douglas-Home (in part, 'We now have a great task ahead of us in preparation for the time when the country will again be asked to choose a Conservative Government', November 1964), Jeremy Thorpe, Bettie Harvey Anderson (the first woman to become a Deputy Speaker of the House of Commons), Glenda Jackson, Nicholas Ridley and Lord Hailsham (to Ridley concerning legislation on married women's domicile, 1972). Some very light, extremely minor age wear. Generally VG, 7
KENNEDY ROBERT: (1925-1968) American Politician, United States Attorney General 1961-64. Programme signed, the printed 8vo programme for an Award Dinner in honour of Dr. John S. Millis and Dr. T. Keith Glennan hosted by the National Conference of Christians and Jews at the Hotel Carter, Cleveland, Ohio, 3rd December 1961. Signed by Kennedy, who was guest speaker at the event, in blue ink with his name alone to a clear area of the front cover. Also signed to the cover by Anthony Celebrezze (1910-1998, American Politician, Mayor of Cleveland 1954-61). Accompanied by an unsigned printed invitation card to the dinner. Some very light, extremely minor staining, otherwise VG
WRIGHT FRANK LLOYD: (1867-1959) American architect, designer & writer. Typed manuscript, unsigned, five pages, 4to, Taliesin, Spring Green, Wisconsin, August 1939, being a draft of Wright's article entitled To the Fifty-Eighth, with a number of ink corrections in Wright's hand, in part, (Wright's corrections marked in bold text), 'If printed reactions to my talks in London - no speaker really - which should HAVE reached me there x but now reach me at Taliesin mean anything, I have succeeded in getting myself pretty thoroughly misunderstood and well disliked, especially by those who should have been quick to understand me. I refer to the 58th variety - “the fruit of my own orchard”? For such pains as I took in the circumstances I am accused of disowning the “fruit of my own orchard” when I intended only to cut DOWN out saplings interfering with good fruit. Therefore certain intellectualists (saplings) are saying I am changed to “escapist”. A bad word, their word “escapist”? Boys, Why call names? Why not go to work? Go on…do something on THEIR your own that doesn't take refuge with the incompetent in a “universal” pattern for something that (should it abide with principle) ought to be as alive and various as human character is itself! AND have I “changed” or ONLY simply smashed myself as an idol? I intended to smash that IDOL but only to let idol worshippers a little closer than they NOW seem to want to go. Hero worship is sometimes pretty awful. That any of mine can now bear hide nor hair of me would be a surprise to me……Once and for all concerning this constantly repeated reference to my contribution to Architecture as a kind of romanticism: because any attempt on their part to establish a “contemporary vernacular” is defied by the revelations of principle eternally fresh and new in every building I build - they DRAG IN THE term “Romanticism” is dragged in to conceal their own impotence whereas it only really explains it. I love romance as I love sentiment. But just as I dislike sentimentality I would dislike their “Romance”. Corbusier or Gropius - I suggest you put a gently sloping roof on any LE CORBUSIER OR GROPIUS just to see what you have left of the so-called International Style after proper deductions have been made…..But where is that creative force today? THE man is not using the Machine! The machine is using the man and is using him so he is losing himself….becoming a “thing” beneath his push button and steering wheel….I see now as I saw then - that the only way man can use the machine - not let it use him - is to get it as a working principle into the hands of the great human forces we used to call the creative artist. Well…again, where is he?.....So, bid to England, I came with another “Declaration of Independence”. This time ONE concerned, not with taxes, but with independence of any aesthetic whatsoever where this matter of life as structure is now concerned - social, political, or artistic. I said that the only way man can use his machine and keep alive what is best in him is to go by means of it to the larger freedom the machine makes possible - go toward decentralization instead of continuing the centralization the machine exploits and, so far as any great human benefit goes, will soon explode. Simple enough? Do I continue to fog the issue? If so the Machine itself will prove me right. Meantime I can wait and work'. A few minor staple holes to the upper edge of each page, not affecting the text, and with some very light, minor age wear, VG Wright's article was published in the Journal of the Royal Institute of Architects in October 1939 and served as a rebuttal to criticisms levelled at him after a lecture he delivered in in London in May 1939 attacking the 'international style' of architecture.
Miscellaneous collection of detective & crime fiction comprising: Sail a Crooked Ship, by Nathaniel Benchley, 1st, Hutchinson, 1961; What Dread Hand, Christianna Brand, 2nd, Michael Joseph, 1969; No Fear or Favour, Henry Cecil): 1st, Michael Joseph, 1968; Dark Hero, Peter Cheyney, 1st, Collins, 1946; After the Funeral, Agatha Christie, 1st, Collins Crime Club, 1953; Sleeping Murder, Agatha Christie, 1st, Collins Crime Club, 1976; Parcels for Inspector West, John Creasey, 1st, Hodder, 1956; Accident for Inspector West, John Creasey, 1st, Hodder, 1957; Strike for Death, John Creasey, 1st, Hodder, 1958; Death of a Racehorse, John Creasey, 1st, Hodder, 1959; Death in Cold Print, John Creasey, 1st, Hodder 1961; Policeman’s Dread, John Creasey, 1st, Hodder, 1962; The World of Tim Frazer, Francis Durbridge, 1st, Hodder, 1962; Dead Cert, Dick Francis, 1st, Michael Joseph, 1962: ex Boots lib.; Whip Hand, Dick Francis, 1st, Michael Joseph, 1979; Banker, Dick Francis, 1st, Michael Joseph, 1982; The High Game, Paul Geddes, 1st, Michael Joseph, 1968; Lonely Hearts, John Harvey, 1st, Viking, 1989; The Andean Murders, Laurence Hazard, 1st, Arthur Barker, 1960; Sinners and Shrouds, Jonathan Latimer, 1st, Methuen, 1956; The Spy Who Came in From the Cold, John Le Carre, 7th impression, Gollancz, Jan 1964; Saturday Games, Brown Meggs, 1st, Collins Crime Club, 1975; The Secret of the Pit, Laurence Meynell, 1st, Macmillan, 1982; Diamonds Bid, Julian Rathbone, 1st, Michael Joseph 1967; The Speaker of Mandarin, Ruth Rendell, 1st, Hutchinson, 1983; Phantom Holiday, Martin Russell, 1st, Collins Crime Club, 1974; Corpse on London Bridge, Louis Southworth, 1st, Robert Hale, 1969. All but Dead Cert with dust-jackets, most books appear good & bright, some with pale spotting to edges of text-block, jackets in varying condition, some very good, varied, collection sold as found with all faults (27)
A vintage His Master's Voice record and radio cabinet comprising a Garrard model 3500 turntable and tuner, over speaker section and lower storage unit, in mahogany veneered case, 81 x 90 x 44cm. CONDITION REPORT This is for decorative purposes only and not tested. We have no guarantee of working order
NO RESERVE Parliamentary corruption.- Hammond (Anthony) The honest elector; or, unerring reasons for the prevention of chusing corrupt Members to serve in Parliament: with instructions for the choice of a Speaker, woodcut head- and tail-pieces and decorative initials, occasional spotting, disbound, 8vo, Printed for W. Owen, 1747.⁂ Scarce. 'Following the electoral campaign of the New East India Company, which was accused of corruption when the session began, he wrote Considerations upon Corrupt Elections of Members to Serve in Parliament (1701)' (ODNB); the present work being a reprint of this.
Hawking (Stephen).- Israelian (Garik) and Brian May (editors), Origins of the Cosmos, signed with right thumb-print of Stephen Hawking, with authentication inscription to front endpaper "This is right thumb print of Professor Stephen Hawking witness by George Zhao", photographic and colour illustrations, original boards, dust-jacket, one very small scuff mark towards foot of upper joint, some very light creasing or bumping at spine ends and fold corners, Starmus, 2016; plus a letter of authenticity signed by Stephen Grocutt, and 5 others, photographic ephemera relating to Hawking, together all items in a smart wooden box (320 x 320 x 120mm) (7)⁂ Stephen Hawking led the Starmus festival in 2014. A unique science outreach event dedicated to the latest thinking of some of the world's greatest minds on the nature of the Universe, Hawking was keynote speaker, delivering two lectures on the origin of the universe and the origin of black holes. Stephen Grocutt was a member of Stephen Hawking's private healthcare team from 2015-2017, travelling with him around the world. Also included alongside a letter of authenticity signed by Stephen Grocutt is a photograph of Mr Grocutt together with Professor Hawking in London on the evening of his BBC Radio 4 Reith Lecture on blackholes. Qihui Zhao who signs as George Zhao worked as Professor Hawking's medical assistant for many years.

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10155 item(s)/page