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Lot 85
LG 49 INCH SMART TV ON A MODERN OAK ENTERTAINMENT STAND, TV with remote control, sound bar and speaker, TV curved support bar marked LG Super UHD, 71.5 (overall height) x 109.5cms (W), oak stand with central open shelf, single lower drawer, 54 (H) x 102 (W) x 57cms (maximum depth), E/TProvenance: deceased estate Conwy
Lot 73
Tri-ang Minic Tinplate Clockwork Cars, 17M Vauxhall Tourer, green, 13M Racing Car, red, RN6, 29M Traffic Control Car, dark blue, two lead policeman, 35M Taxi Cab, dark blue, F-G, all lack tyres except 13M, 13M lacks exhaust, 29M lacks loud speaker, 35M lacks one headlight, all motors working at time of cataloguing (4)
Lot 613
TWO BOXES OF MISCELLANEOUS SUNDRIES, to include a set of cast aluminium wall hanging Buffalo Horns, a wall hanging brass oil lamp, a collection of vintage advertising tins, a cast metal stable wall fitting for horse saddle and bridle, copper wash day 'dolly', a Philips LBN1001 loud speaker, a large limited edition life like doll 304/1500 by Denise McMillan, etc. (s.d) (2 boxes + loose)
Lot 1062
Bose Lifestyle 28 System 5 Speaker Surround System & DVD complete with manuals and cables. Comprises a Lifestyle 28 DVD & Cables, five cube speakers and cables, remote control, set up discs and enhancement system, Bose Acoustimass Woofer system, set of manuals. Together with Bose 2nd room extension system, Acoustimass woofer system, two cube speakers, and a second remote control.
Lot 1134
George III design converted mahogany sideboard, crossbanded and ebony strung hinged top, revealing turntable and twin speaker compartments, over faux frieze drawer flanked by twin cupboards, raised on turned tapering supports with boxwood stringingDimensions: Height: 71cm Length/Width: 117cm Depth/Diameter: 46cm
Lot 250
C.Lorenz A.G, a WWII German Third Reich Deutscher Kleinempfanger brown Bakelite cased DKE38 Peoples Radio, with central adjustable dial with tuning knobs, 23x24cm. Looks to be complete – unable to test – no plug attached.,There is a 1cm nick/mark to the top edge of case (see additional picture) and slight difference in colour around the nick? No cracks or other damage to the casing.The front cotton speaker mesh is slightly damaged (see picture)
Lot 151
Joe Simpson signed 8x6 inch colour photo and 6x4 white card attached to A4 sheet. Joe Simpson (born 1960) is a British mountaineer, author, and motivational speaker. While climbing in Peru in 1985, he suffered severe injuries and was assumed dead by his climbing companion Simon Yates after falling into a crevasse, but he survived and managed to crawl back to his base camp. He described the ordeal in his 1988 book Touching the Void, which was adapted into a 2003 documentary film of the same name. Good condition. All autographs are genuine hand signed and come with a Certificate of Authenticity. We combine postage on multiple winning lots and can ship worldwide. UK postage from £5.99, EU from £7.99, Rest of World from £10
Lot 41
A THANGKA OF CHATURBHUJA AVALOKITESHVARA, TIBET, 18TH-19TH CENTURY 西藏十八至十九世紀四臂觀音Distemper on cloth. Seated on a lotus pedestal in dhyanasana with his primary hands holding a jewel at his chest while his secondary hands hold a lotus blossom and mala beads. Clothed in a blue and red dhoti and wearing a billowing green scarf. His serene face with sinuously lidded eyes below elegantly arched brows, a broad nose, and full lips forming a calm smile. His hair arranged in a high chignon topped by the red-skinned head of the Buddha Amitabha behind the five-leaf tiara, backed by a radiating mandorla and green halo.Provenance: From the collection of Dr. Wou Kiuan. Wou Lien-Pai Museum, coll. no. P.46. Dr. Wou Kiuan (1910-1997) was a Chinese diplomat and noted scholar of Chinese art. His father, Wou Lien-Pai (1873-1944), was one the leading political figures of early 20th century China, remembered for his role as speaker and leader of parliament during the turbulent years of the Republican era. Dr. Wou himself embarked on an illustrious career in diplomacy until his retirement in 1952, when he settled in London and devoted the rest of his life to the study of Chinese art. It was no doubt fortuitous that Dr. Wou's years of collecting coincided with an abundant availability of exceptional Chinese art on the London market. From the mid-1950s to the late 1960s he was able to form a collection of well over 1,000 works that together represented virtually every category of Chinese art. At the heart of Dr. Wou's drive to collect was a burning desire to preserve the relics of China's rich historical past scattered across Europe, and to promote Chinese art and culture. It is unclear when Dr. Wou conceived of the idea to create a place to house his collection, but in 1968 he opened the doors to the Wou Lien-Pai Museum, named in honor of his father. Over the years the Museum became a 'must see' destination for collectors, academics, and visiting dignitaries, and Dr. Wou would delight in leading his visitors through the galleries, recounting stories of China's glorious history. Condition: Good condition with minor wear, minimal soiling, creasing, few small losses.Dimensions: Image size 44 x 29.5 cm, Size incl. frame 65.9 x 51.9 cm The lower register with Manjusri seated in dhyanasana on a lotus throne, wielding his sword with his right hand and holding a lotus in his left coming to full bloom at the shoulder supporting a book, and Mahakala striding in alidhasana, wearing a tiger skin, engulfed in flames. All within a verdant landscape with fruiting leafy peach branches below the sun and moon.Literature comparison:Compare a related thangka of Chaturbhuja Avalokiteshvara, dated to the 19th century, in the Tibet House Museum in New Delhi, illustrated on Himalayan Art Resources, item no. 72057.Auction result comparison: Type: Related Auction: Christie's New York, 14 September 2010, lot 154 Price: USD 6,250 or approx. EUR 8,000 converted and adjusted for inflation at the time of writing Description: A thangka of Chaturbhuja Avalokiteshvara, central Tibet, Menri style, 19th century Expert remark: Compare the closely related subject and manner of painting. Note the size (65.5 x 44.5 cm).Auction result comparison: Type: Related Auction: Christie's New York, 18 September 2013, lot 277 Price: USD 11,875 or approx. EUR 14,500 converted and adjusted for inflation at the time of writing Description: A painting of Chaturbhuja Avalokiteshvara, Tibet, 18th century Expert remark: Compare the closely related subject and manner of painting. Note the different mandorla and the size (64.1 x 43.2 cm). 西藏十八至十九世紀四臂觀音布面膠畫。本唐卡中的主尊為四臂觀音，雙跏趺坐於蓮花月輪上，身色潔白如月。黑髮結頂髻，頭戴花蔓寶冠，佩戴珠寶，面相豐滿，柳葉細眉微微彎曲，雙目微閉，自然下視，小口緊閉，表情呈慈悲像。一頭四臂，其中兩手持摩尼寶珠於胸前結合掌印，另外兩手之右手持水晶念珠。左手拈白蓮花。觀音下方有文殊菩薩與大黑天。文殊菩薩坐蓮花座，右手執劍，左手持蓮花莖，在肩部盛開，托著書；大黑天身披虎皮，邁開大步，火焰光背。周圍祥花環繞，背後福山壽海，祥雲環繞，佛光照耀。 來源：吳權博士收藏；吳蓮伯美術館，館藏編號 P.46。吳權(1910-1997)博士 曾是一位中國外交家以及知名中國藝術收藏家。他的父親吳蓮伯 (1873-1944)先生曾是二十世紀初中國重要政治人物，因在民國動蕩歲月中擔任國會議員及議長而聞名。1952 年，吳博士在外交領域走上了輝煌之路，直到他退休後定居倫敦，並將餘生奉獻給了對中國藝術的研究。毫無疑問，吳權博士多年的收藏，與大量中國藝術珍品現身倫敦藝術市場上時間點相呼應，這無疑是幸運的。從 1950 年代中期到 1960 年代後期，他收集了 1,000 多件藏品，涵蓋了中國藝術的每一個門類。吳博士之所以收藏，其原因主要是爲保護散落歐洲各地的中國文物與推廣中國藝術與文化。尚不清楚吳博士何時想到創建一個美術館來歸置他的收藏的，但在 1968 年，他打開了以他父親的名字命名的 吳蓮伯美術館的大門。多年來，美術館已成為收藏家、學者和來訪政要的必經之地，而吳博士總是很樂意給參觀者介紹美術館，講述中國光輝歷史的故事。 品相：狀況良好，有輕微磨損、少量污染、摺痕和缺損。 尺寸：畫面 44 x 29.5 厘米，總65.9 x 51.9 厘米文獻比較： 比較一件相近的十九世紀四臂觀音唐卡，收藏於新德里Tibet House博物館，見Himalayan Art Resources，編號72057。 拍賣結果比較： 形制：相近 拍賣：紐約佳士得，2010年9月14日，lot 154 價格：USD 6,250（相當於今日EUR 8,000） 描述：十九世紀西藏中期四臂觀音唐卡 專家評論：比較非常相近的主題和繪畫風格。請注意尺寸(65.5 x 44.5厘米)。 拍賣結果比較： 形制：相近 拍賣：紐約佳士得，2013年9月18日，lot 277 價格：USD 11,875（相當於今日EUR 14,500） 描述：十八世纪西藏四臂觀音唐卡 專家評論：比較非常相近的主題和繪畫風格。請注意不同的光背和尺寸(64.1 x 43.2厘米)。
Lot 123
A RARE CARVED BONE FIGURE OF A TIGER, SHANG DYNASTY 商代罕見臥虎形骨觿China, 11th century BC. Well carved in the round as a crouching tiger with tucked-in legs, curled tail and forward-facing head, the rib cage neatly incised, the ears pricked and eyes open in an alert expression. The bone has a superb, naturally grown, warm patina. Provenance: From the collection of Dr. Wou Kiuan. Wou Lien-Pai Museum, coll. no. E.4.13. Dr. Wou Kiuan (1910-1997) was a Chinese diplomat and noted scholar of Chinese art. His father, Wou Lien-Pai (1873-1944), was one the leading political figures of early 20th century China, remembered for his role as speaker and leader of parliament during the turbulent years of the Republican era. Dr. Wou himself embarked on an illustrious career in diplomacy until his retirement in 1952, when he settled in London and devoted the rest of his life to the study of Chinese art. It was without doubt fortuitous that Dr. Wou's years of collecting coincided with an abundant availability of exceptional Chinese art on the London market. From the mid-1950s to the late 1960s he was able to form a collection of well over 1,000 works that together represented virtually every category of Chinese art. At the heart of Dr. Wou's drive to collect was a burning desire to preserve the relics of China's rich historical past scattered across Europe, and to promote Chinese art and culture. It is unclear when Dr. Wou conceived the idea to create a place to house his collection, but in 1968, he opened the doors to the Wou Lien-Pai Museum, named in honor of his father. Over the years, the museum became a 'must see' destination for collectors, academics, and visiting dignitaries, and Dr. Wou would delight in leading his visitors through the galleries, recounting stories of China's glorious history. Condition: Good condition, commensurate with age. Displaying exceptionally well. Extensive wear, minor losses, chips, expected age cracks and other natural flaws in the bone, minor old repairs, signs of weathering and erosion, encrustations. Note that the patina took more than 3,000 years to develop and therefore is not only spectacular in appearance, but literally one-of-a-kind.Weight: 61.5 g Dimensions: Length 12.5 cm Bone was widely used for both practical and decorative purposes in ancient China. It was made into vessels, spoons, and personal adornments. With its coiled tail and long muzzle, this bone carving of a tiger was probably used as an amulet or talisman, protecting its wearer from harm and danger.The tiger, called hu or laohu in Chinese, is among the most recognizable of the world's charismatic megafauna. Originating in China and northern Central Asia, the tiger was known to the earliest Chinese, who likely feared, admired, and respected it for its strength, ferocity, and regal bearing. Though its precise symbolism in Shang times (c. 1600-c. 1046 BC) remains unknown, the tiger doubtless played a totemic, tutelary, or talismanic role. By the Western Han period (206 BC-AD 9) - a thousand years after this pendant was made - the tiger was regarded as the 'king of the hundred beasts', or baishou zhi wang, due to its power and ferocity and especially for the markings on its forehead which typically resemble the character wang, or 'king'. In addition, not only did the tiger figure among the twelve animals of the Chinese zodiac, but it gained a place among the auspicious animals that symbolize the four cardinal directions - the White Tiger, or baihu, of the west, the Azure Dragon of the east, the Vermilion Bird of the south, and the Black Tortoise of the north.Literature comparison: Compare a related bone carving of a tiger, 4.3 cm long, dated 13th-11th century BC, in the Metropolitan Museum of Art, accession number 1985.214.119. Compare a related bone carving of a tiger, 11.1 cm long, dated late Shang dynasty, 11th century BC, illustrated and exhibited by Eskenazi in Early Chinese Art from Private Collections, 3-25 November 2016, London.Auction result comparison: Type: Closely related Auction: Christie's New York, 22 March 2013, lot 1192 Price: USD 30,000 or approx. EUR 36,000 converted and adjusted for inflation at the time of writing Description: A rare carved bone figure of a tiger, late Shang dynasty, 11th century BCExpert remark: Compare the related pose, with similar coiled tail and long muzzle, and patina. Note the size (11.1 cm). 商代罕見臥虎形骨觿中國，公元前十一世紀。該虎為長條形，張口露齒，方眼短角，長身卷尾，四肢前屈，作伏臥狀。自然包漿，色澤溫暖。 來源：吳權博士收藏；吳權(1910-1997)博士曾是一位中國外交家以及知名中國藝術收藏家。他的父親吳蓮伯 (1873-1944)先生曾是二十世紀初中國重要政治人物，因在民國動蕩歲月中擔任國會議員及議長而聞名。1952 年，吳博士在外交領域走上了輝煌之路，直到他退休後定居倫敦，並將餘生奉獻給了對中國藝術的研究。毫無疑問，吳權博士多年的收藏，與大量中國藝術珍品現身倫敦藝術市場上時間點相呼應，這無疑是幸運的。從 1950 年代中期到 1960 年代後期，他收集了 1,000 多件藏品，涵蓋了中國藝術的每一個門類。吳博士之所以收藏，其原因主要是爲保護散落歐洲各地的中國文物與推廣中國藝術與文化。尚不清楚吳博士何時想到創建一個美術館來歸置他的收藏的，但在 1968 年，他打開了以他父親的名字命名的 吳蓮伯美術館的大門。多年來，美術館已成為收藏家、學者和來訪政要的必經之地，而吳博士總是很樂意給參觀者介紹美術館，講述中國光輝歷史的故事。 品相：品相良好，大面積磨損、輕微缺損、預期的年代裂縫和骨骼中的其他自然缺陷，輕微的小修、風化和侵蝕的跡象、結殼。請注意，包漿經過3,000 多年才形成，外觀獨特。 重量：61.5 克 尺寸：長 12.5 厘米 骨器古代出土的遺物中佔有重要地位，種類多樣，用途廣泛，製造成各種生活用器、生產工具、武器、樂器、裝飾品、雕刻藝術品和其他雜器等。 老虎被視為“百獸之王”，古時中國人就知道老虎，他們可能害怕、欽佩和尊重它的力量、兇猛和帝王般的氣度。雖然它在商代（西元前 1600 年至西元前 1046 年）的確切象徵意義仍然未知，但無疑扮演了圖騰、守護或護身符的角色。到了西漢時期（西元前 206 年 - 西元 9 年）此外，老虎不僅在十二生肖中佔有一席之地，而且在像徵四方位的吉祥動物：西方的白虎、東方的青龍，南方朱雀，北方烏龜。 文獻比較： 比較一件相近的公元前十三至十一世紀臥虎形骨觿，4.3 厘米長，收藏於大都會藝術博物館，館藏編號1985.214.119。比較一件相近的公元前十一世紀商代晚期臥虎形骨觿，11.1 厘米長，展於倫敦《Eskenazi in Early Chinese Art from Private Collections》，2016年11月3-25日。 拍賣結果比較： 形制：非常相近 拍賣：紐約佳士得，2013年3月22日， lot 1192 價格：USD 30,000（相當於今日EUR 36,000） 描述：晚商骨雕虎形把件 專家評論：比較相近的姿勢和捲曲的尾巴，以及包漿。請注意尺寸(11.1 厘米)。
Lot 403
Book of Games. The Book of Games; or, a History of Juvenile Sports, practised at a Considerable Academy near London, 1st edition, London: printed for Tabart & Co., by R. McMillan, 1810, 24 engraved plates (2 detached), advertisement leaves at end, some offsetting and toning, previous owner signatures to title and endpapers, contemporary morocco-backed boards, tear and losses at head of spine, rubbed with some edge wear, 12mo, together with The Young Gentleman and Lady's Instructor; or new Reader and Speaker: Being a choice collection of pieces in poetry and prose, designed as a pleasing and useful companion to young persons in general, Lewes: J. Baxter, Sussex Press, 1808, hand-coloured engraved frontispiece, title with wood-engraved vignette, , some light toning and spotting, contemporary morocco-backed boards, upper joint splitting, rubbed with some wear, 8vo, with others related including The Newtonian System of Philosophy... by Tom Telescope, new edition, 1812, Cruikshank v. Agnew, or a view of Sir Andrew Agnew's Bill for the better observance of the Lord's Day, 1833, The Juvenile Lavater; or, a familiar explanation of the passions of Le Brun... by George Brewer, circa 1810, The Country Gentleman's Companion, 2nd edition, Dublin, 1755, and A Series of Prints of Roman History, circa 1800QTY: (16)
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