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Seven Bell & Howell 16mm Cine Projectors, a Filmosound Autoload 1585, no lens, no speaker/front cover, 1655 TQ II Specialist, with 2 inch f/1.2 lens, elements F, two 1680, one missing speaker/front cover, both with Bell & Howell 2 inch f/1.2 lens, elements G, Filmosound 1692 TQ III, with Bell & Howell 32-65mm f/1.3 cine zoom lens, elements G, missing speaker/front cover, Filmosound 1694 TQ III, with Bell & Howell Super D Proval 2 inch f/1.4 lens, elements G and a 1695 TQ III Specialist, with Bell & Howell 2 inch f/1.2 lens, elements G, missing speaker/front cover, all untested, al would benefit from a clean, F
LINN AV 5120 LOUD SPEAKER by John Paul Wedlock together with two National Panasonic SB-208L stereo speakers, a Miller and Kreisel Sound VX-II powered sub woofer, a Hercules XPS 2.40 Slim sub woofer, a Teknics stereo tuner ST-X933L and a Dual turntable. Condition Report:Available upon request
Radio receiver, a Sterling 'Threeflex' three-valve and crystal receiver in 'smoker's cabinet' walnut case with three D.E. 3 valves, 3 RFT transformers, instructions in door, compass on top, folding frame aerial with control knob (non functional) and a Sterling 'Audivox' horn speaker on tripod base, circa 1923 (aerial not capable of fully unfolding, various defects to cabinet, lacking front to battery compartment)UK postage approx £37.50+VAT
A KitSound MD332 speaker with Ipod dock, a unbranded sound bar, an Akai alarm clock radio, a dashcam, an unbranded wireless Bluetooth keyboard, four laptop sleeves, a iTech VR 3D headset, two third party Playstation controllers, a wireless HD video scanner and keyboard, An Feiyutech G5 3-axis gimbal, compatible with GoPro Heroes 3 through 5, complete in box and 8 small form factor PCs by a Open, dated roughly around 2010
A 1930’S EKOC TYPR A.C. 76 SUPERHET RADIO having a black bakelite case and cream dial surrounding a circular speaker40.5cm highThere is a light scratch to the top of the case, also a steel cap off one of the knobs is missing, and there is a small split on the tuner dial. extra images have been uploaded. WHen plugged in the tuner rotates the light on the dial, there are faint voices but lots of background noise.
A VINTAGE B77 MKII REEL TO REEL STEREO TAPE RECORDER47cm highThis is in good working condition. When plugged in, the lights come up on the dials. The play, fast forward, rewind and stop buttons function correctly. When played, the dials don’t move. Possibly a blank tape. It is 18.3kg. Comes with a power cable, a speaker wire and only one tape that it came with. We haven't tested it through a speaker system.
Circle of James Gandy (1619-1689) “The Piked Eustace” Portrait of Sir Maurice Eustace, O.O.C., c. 1689, 122cms x 93cms (48" x 36 1/2"). (1) Having settled in Ireland at the time of the Anglo-Norman invasion, the Eustaces were a prominent ‘Old English’ family in Co. Kildare. The family seat was at Harristown, but little remains of the original castle. As the centuries passed, the family fortunes waxed and waned, with some Eustaces becoming Protestant, while most remained Catholic. There were several Maurice Eustaces active in Leinster in the late seventeenth century. Knighted around 1640, the wealthy lawyer and politician, Sir Maurice Eustace, was appointed Lord Chancellor of Ireland after the Restoration of Charles II. He lived at Harristown and had a townhouse “Damask” in Dublin, bounded by Dame Street and the River Liffey, on what is now Eustace Street. He had an illegitimate son, also named Maurice Eustace, who lived at Portlester in Co. Meath. The Lord Chancellor had a first cousin, also Maurice Eustace, who married Margaret, daughter of the Jacobite soldier, Sir Thomas Newcomen, of Sutton in Co. Dublin. According to family tradition, it is this Maurice Eustace who is depicted in the portrait. Created a baronet in 1685, and a privy councillor the following year, in 1689 Eustace was a Captain of Foot and raised a Regiment of Infantry, becoming a Colonel. Like his father-in-law, he was a Jacobite, fighting for James II, and after the defeat at the Battle of the Boyne was attainted and forced into exile in France. He continued in military service, and died in 1698. The Lord Chancellor also had a nephew (son of the Lord Chancellor’s younger brother William) also named Maurice Eustace, who inherited Harristown and was knighted in 1662. He married twice, firstly to Ann Colville and secondly to Clotilda Parsons. As he served as MP for Harristown in 1692, this Maurice must have avoided involvement in the war between James II and William of Orange. He died in 1708. The three-quarter length portrait is by an artist working in the Flemish Baroque tradition. This Continental style was introduced to Britain and Ireland by Van Dyke and made popular by his followers, including Peter Lely and Godfrey Kneller. Stylistically, the portrait can be attributed to the Dublin-born artist Charles Jervas, or to James Gandy or his son William Gandy, both of whom worked in Ireland. Wearing a large powdered wig, bright red coat and white cravat, with his left hand tucked into an embroidered waistcoat, Maurice Eustace looks very much an Irish gentleman squire of the late seventeenth century. His status is enhanced by the finery of his clothing; both waistcoat and red coat are adorned with spiral-patterned gilt buttons, and he wears a signet ring. The redcoat suggests a military context, as does the pommel of a sword visible at his waist. As well as his clothing, the sitter’s elegant stance, left hand on waist, two fingers extended, is typical of Jervas and Gandy portraits, as is the classical landscape in the background. The handling of fabric is also typical of their work. The overly large wig perhaps suggests a late seventeenth-century date. The damage left by the pike is clearly visible. However, the politics and dates of Jervas the painter do not tie in easily with those of the Jacobite Maurice Eustace. Born in Shinrone Co. Offaly around 1675, Jervas was apprenticed to Godfrey Kneller in London as a teenager. After several years in Paris and Rome, he settled back in London in 1708, and over the years following made regular visits to Dublin. Among his works are a full-length portrait of the Lord Chief Justice, Henry Boyle, 1st Earl of Shannon. He also painted General Godart Van Ginkel, later Earl of Athlone, and Speaker Conolly and his wife Katherine. Judging by the politics of his sitters, and his role as painter to the English court, it is unlikely that Jervas would paint a Jacobite who had fought for James II. It is more likely that the artist was from an earlier generation—perhaps James Gandy, who trained with Van Dyke and was court painter to the Duke of Ormonde, or his son William Gandy. James Gandy painted in a more French style, with softer tones. There were several portraits by him at Malahide Castle. His son William, born around 1655, also trained the Flemish style; among his portraits are those of the First Earl of Rosse, at Birr Castle, and of the Duke of Ormonde, painted around 1685, in the National Maritime Museum in Greenwich. Provenance: By direct descent from the Eustace family to the Mansfields of Morristown Lattin. A document in the Mansfield family archives identifies this portrait, preserved for many years in Scotland, as being of “General Maurice Eustace . . raised a regiment for James II and was excepted in the Treaty of Limerick . . dressed in scarlet with embroidered waistcoat and wears a flowing wig. Relined 1973. 38 in wide 49 in high. Pierced with a pike in 1798” (According to this family tradition, this painting was damaged with a pike during the Rebellion of 1798.) Dr. Peter Murray, 2023
{ Option of lots: 4479, 4480 } Bang Olufsen Beovision 11 40" Hotel LCD TV Resolution: 1920 x 1080 (Full HD) Tucked away under the detachable felt cover are no less than six 32W Class D amplifiers, driving two sets of four-inch woofers, 2in mid-range drivers and three-quarter inch tweeters. As if all that audio hardware wasn’t already startling enough, the BeoVison 11 series of TVs can also power an astounding 10 external speakers, within which you can establish as many as nine different defined speaker groups for different uses in different areas of your living space (NO REMOTE SUPPLIED) ROOM 723
{ Option of lots: 4481 } Bang Olufsen Beovision 11 40" Hotel LCD TV Resolution: 1920 x 1080 (Full HD) Tucked away under the detachable felt cover are no less than six 32W Class D amplifiers, driving two sets of four-inch woofers, 2in mid-range drivers and three-quarter inch tweeters. As if all that audio hardware wasn’t already startling enough, the BeoVison 11 series of TVs can also power an astounding 10 external speakers, within which you can establish as many as nine different defined speaker groups for different uses in different areas of your living space (NO REMOTE SUPPLIED) ROOM 724
{ Option of lots: 4485 } Bang Olufsen Beovision 11 40" Hotel LCD TV Resolution: 1920 x 1080 (Full HD) Tucked away under the detachable felt cover are no less than six 32W Class D amplifiers, driving two sets of four-inch woofers, 2in mid-range drivers and three-quarter inch tweeters. As if all that audio hardware wasn’t already startling enough, the BeoVison 11 series of TVs can also power an astounding 10 external speakers, within which you can establish as many as nine different defined speaker groups for different uses in different areas of your living space (NO REMOTE SUPPLIED) ROOM 730
{ Option of lots: 4490, 4491, 4492 } Bang Olufsen Beovision 11 40" Hotel LCD TV Resolution: 1920 x 1080 (Full HD) Tucked away under the detachable felt cover are no less than six 32W Class D amplifiers, driving two sets of four-inch woofers, 2in mid-range drivers and three-quarter inch tweeters. As if all that audio hardware wasn’t already startling enough, the BeoVison 11 series of TVs can also power an astounding 10 external speakers, within which you can establish as many as nine different defined speaker groups for different uses in different areas of your living space (NO REMOTE SUPPLIED) ROOM 738
{ Option of lots: 4483 } Bang Olufsen Beovision 11 40" Hotel LCD TV Resolution: 1920 x 1080 (Full HD) Tucked away under the detachable felt cover are no less than six 32W Class D amplifiers, driving two sets of four-inch woofers, 2in mid-range drivers and three-quarter inch tweeters. As if all that audio hardware wasn’t already startling enough, the BeoVison 11 series of TVs can also power an astounding 10 external speakers, within which you can establish as many as nine different defined speaker groups for different uses in different areas of your living space (NO REMOTE SUPPLIED) ROOM 728
{ Option of lots: 4486, 4487 } Bang Olufsen Beovision 11 40" Hotel LCD TV Resolution: 1920 x 1080 (Full HD) Tucked away under the detachable felt cover are no less than six 32W Class D amplifiers, driving two sets of four-inch woofers, 2in mid-range drivers and three-quarter inch tweeters. As if all that audio hardware wasn’t already startling enough, the BeoVison 11 series of TVs can also power an astounding 10 external speakers, within which you can establish as many as nine different defined speaker groups for different uses in different areas of your living space (NO REMOTE SUPPLIED) room 732
{ Option of lots: 4488, 4489 } Bang Olufsen Beovision 11 40" Hotel LCD TV Resolution: 1920 x 1080 (Full HD) Tucked away under the detachable felt cover are no less than six 32W Class D amplifiers, driving two sets of four-inch woofers, 2in mid-range drivers and three-quarter inch tweeters. As if all that audio hardware wasn’t already startling enough, the BeoVison 11 series of TVs can also power an astounding 10 external speakers, within which you can establish as many as nine different defined speaker groups for different uses in different areas of your living space (NO REMOTE SUPPLIED) ROOM 735

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10155 item(s)/page