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GROUP OF MODEL TRAIN TRACKS AND PROPS including a large amount of tracks, locomotive turning circular, train platforms etc.

COLLECTION OF EARLY 20TH-CENTURY CHILDREN MODEL ANIMALS including birds, exotic and domestic, dogs, etc. together with trees and other props Various condition, some loses and damages

COLLECTION OF MODEL RAILWAY LOCOMOTIVE, CARRIAGES, TRACK AND PROPS

A rare 1920's Art Deco Triangtois 'Best Toys In The World' by Lines Brothers childrens puppet theatre. With original features including electric lights, lift-up curtain and foldout pros. Featuring a large quantity of original scenery and props etc. All neatly folds down into a compact form.

Yesterday's World Museum - a selection of Savage's Patent felt hat reviver envelopes and several museum props.

Thalia wooden puppet theatre, made by Joseph Scholz (Germany), c. 1880, comprising various stage parts, including 'Thalia' stage frontage, props, backdrops and characters. Contained within a wooden case which doubles as stage. Case measures 42cm x 32cm. G.

FILM PROPS; A pair of plastic life size tribal style shields, used in The Four Feathers. The Four Feathers is a 2002 action drama film directed by Shekhar Kapur, starring Heath Ledger, Wes Bentley, Djimon Hounsou and Kate Hudson. Set during the British Army's Gordon Relief Expedition (late 1884 to early 1885) in Sudan, it tells the story of a young man accused of cowardice. This film, with altered plot events, is the latest in a long line of cinematic adaptations of the 1902 novel The Four Feathers by A.E.W. Mason. Other versions of the story have been set in the 1890s, with different battle events.

TRIX TWIN TRACK RAILWAY SET circa 1950, comprising three boxed locomotives and tenders, boxed carriages, station, track, two transformers and small props, a lot. Condition varies across the lot, but the locos in good condition and not heavily used.

A 1950s blue leather upholstered styalized wing back armchair standing on circular beech legs, used as a film set prop, brought from a renowned London store, specializing in vintage film props

A Heco WWI RFC Cookhouse Nissen-style hut with brick-painted ends and bearing RFC wings, in 1:32 scale. Black roof and flues, grey extension and brown entrance vestibule, small coal bunker to rear, on metal grass-style base. Overall length 20 cm including coal bunker. With 5 figures and assorted props. In plain pictured box, minor wear, item GC to VGC.

Two James Bond film props all of plastic construction from the film The World is not Enough, including a yellow Russian radioactive canister with black lid, with certificate of authenticity, and a green flammable barrel with yellow Russian lettering, of plastic construction.

Radio control plastic model HMS Nelson, radio gear fitted, twin can motors to power twin props, 3 x Servo controlled main gun turrets plus 40 MHz transmitter , to measure 66 inches long

Radio control plastic model USS Battle Ship Wisconsin, radio gear and 4 can motors powering 4 props, single Servo controlled gun turret with 40 MHz transmitter, 81 inches long

TRIX TWIN TRACK RAILWAY SET circa 1950, comprising three boxed locomotives and tenders, boxed carriages, station, track, two transformers and small props, a lot. Condition varies across the lot, but the locos in good condition and not heavily used.

Dreamgirls (2006) a pair of gloves used & worn by Beyonce Knowles (Deena) in the film Provenance: Certificate from Premier Props

1955 £5 White Banknote L.K.O`Brien And £1 Warren Fisher. Both damages useful for contemporary illustration/props.

James Bond Movie Props. James Bond Golden Eye Movie Prop Russian Warm army hat with Red Star Gold coloured badge. Used on set in opening sequences. James Bond Die Another Day Movie Prop Green Metal Army helmet. Used on set by Moons army. James Bond Die Another Day Movie Prop Green Metal Army helmet with Camouflage cover. Used on set by Moons army. Good condition Est £90-120

Original Snuggle Sac film prop from the Harry Potter film, The Prisoner of Azkaban, plus an extra SnuggleSac to use -J.K Rowling wrote squashy, purple sleeping bags into The Prisoner of Azkaban after having a Snuggle Sac for her daughter. Several hundred Sacs were specially produced by the Norfolk based Snuggle Sac Company as props for the film which included a unique Hogwarts school crest. Those snuggle sacs that weren`t kept by the wizard actors were kept as props, some of which are now on display at Universal Studios London and Wizarding World Orlando. We have one of the original prop snuggle sacs together with a Certificate of Authenticity available to the highest bidder. Also included with this special package is a photo of the Sacs in use and replica purple Snuggle Sac (without crest) for use. A Snuggle Sac is an indoor sleeping bag, suitable for all ages and which measures 200cm x 70cm. It is soft and fleecy on the outside with a 100% cotton Kindly donated by the Snuggle Sac Company Ltd www.snugglesac.com To post this item to you (ParcelForce 48) a charge of £20 will need to added to this item. This item is also available to collect from an EACH hospice or fundraising office. Please state `post` or `collection` at time of payment.

EXTRA LOT: A two phase Startrite band saw, serial number 146.3477, a router, metal cabinets, three acrow props, a blacked painted garden gate, three similar panels, and other items (qty)

A GERMAN TOY THEATRE of lithographed paper covered wood or card, the proscenium arch inscribed THALIA with painted cotton curtain, candle footlights and scenery, props and actors, 76cm h, 64cm w, c1900 ++Wear consistent with use and age

2 original Only Fools and Horses set props, a large ceramic biscuit jar and slate picture of mice. Collected by the vendor from the set.

Two boxes containing various costumes and props believed to have been produced for Oliver Messel (1904-1978) - English artist, leading costume and set designer from the 1930s-50s. Our vendor confirms that Messel`s sister Lady Anne Messel, Countess of Rosse would send the packages to her secretary and companion Daphne Dengate (addressee on both boxes). Dresses, a hood, jacket, feathers, fans, a bird etc. See photographs.

A quantity of magic show related props etc.

Aladdin: approximately 60 pantomime costumes for Aladdin, including Widow Twanky, a Chinese dragon, props, wigs, etc.

Snow White and the Seven Dwarfs: approximately 33 pantomime costumes, props, wigs, etc.

TWO JOUSTRA AIR FRANCE LARGE TIN PLANES. 1) Blue F-Aero four prop passenger plane with battery operated light. Mechanism for rolling forward and all props spinning. Very colorful and desirable aviation toy. 2) Large red-orange Air France passenger plane with working battery operated headlight. Plane is marked ""F-PA-N-AM"" as well as ""With Service to Paris - New York"". SIZE: Largest has 24"" wingspan. Blue plane has 20"" wingspan. CONDITION: 1) Near excellent and working. 2) Shows light fading to fuselage. Mechanism is hesitant and needs light oiling. Otherwise very good. Electrics have not been tested. 1-13711

An unusual collection of 8 hand-made wooden model aircraft. All of impressive large scales similar to the lager models as produced by Corgi. Aircraft include – a Short Sunderland Flying Boat, an American B-17 Bomber, a German Focke Wulfe fighter, a Naval Fairey Battle twin propped fighter, Fairey Swordfish, a clipped wing P.51 Mustang, a twin engined De Havilland civil aircraft and a De Havilland ‘Albatross’ 4-engined airliner ‘G-AFDI’. All well-made and painted. One with props missing. GC-VGC. See the-saleroom.com

DINKY AEROPLANES. 70A Avro York G-A GJC (Silver) (Fair, paint worn, missing 2 x props). 70C Gloster Meteor (Silver.) (Good), 715 Bristol 173 Helicopter. (Lt Blue/Red props.) (Good-chips), Palitoy 1945/6 plastic WELLINGTON BOMBER. (Fair.) WWII LEAD WHITLEY BOMBER c.1940. (Fair, paint gone), 2 x 1950`S die cast bombers (Poor) (7)

A Sutcliffe Bluebird II Speedboat, boxed, with key, together with Sutcliffe Sea Wolf Atomic Submarine, boxed, an airliner flying toy, tin plated Air France aeroplane and an Adventure Tank, boxed.(5). CONDITION REPORT: Bluebird - excellent, working order. Some writing and perforations on lid. Submarine, intermittently working, no key, lots of box wear. Tin plate aeroplane, missing two props. Battery powered tank, box damaged. Airline flying toy, incomplete.

Bindings. Large collection of over 60 volumes of 'Public General Statutes, County of Huntingdonshire.' All 8vo qtr. bound with ribbed spines, maroon gilt labels and marbled boards. Impressive and decorative additions for the domestic study/library shelves or superb 'props' for the film studio or theatre stage.

A scratch built remote control fishing boat with twin motors and props 'Confident', with red and black hull, part grey deck and mustard yellow superstructure with mustard yellow and black funnel with several fittings including lifeboats etc, length 100cm

LURES (2): Allcock`s Dazzle bait 1.5" long body with 3 rotating twin fin props in red/silver/blue and a 2.25" Feathero spoon in green/blue with painted eye, boxed swivel and hook.

The Prudence Kitten archive and original television puppets, Prudence Kitten, an original production puppet with velvet head and feet, painted features with whiskers, mounted around a kid glove with original clothing; Primrose Kitten, Prudence’s sister, a similar original production puppet with glass eyes; Puffer dog, Prudence’s friend, a brown brushed cotton glove puppet, contained in an oil-cloth carrying case; Nelson, Primrose’s husband who is in the Merchant Navy puppet, contained in a metal trunk; two artificial-silk plush and felt mole glove puppets, Mr Mud, one with glasses, hat and scarf, both with glass eyes and whiskers; a white wool plush Polar Bear glove puppet (British), possibly baby; additional characters for Sleeping Kitten; and a Steiff Teddy Baby brown mohair glove puppet; a hand written script for Prudence & Puffer by Annette Mills; seven type script copies - 8th May 1959 ‘Prudence has a Surprise’, 11th November 1960 ‘Prudence plants the roses’; eight press photographs; various other scripts and letters; some original sketched artwork; and a large quantity of production props including a television; a painted back drop; a camera; kitchen items; and a camera

Antique Dolls’ house gilt metal pieces, props from Prudence Kitten, including an ink well stand (missing ink wells), a light fitting (broken in two); four various candlesticks; and a blotter; a leather miniature violin case, possibly a sweet box; a miniature sand picture of The Needles; and other items

Antique large scale dolls’ house drawing room furniture, props from Prudence Kitten, of pale wood with embossed gold paper trim and pink silk upholstery, comprising a day bed with canopy and gilt metal crown finial - 15in (38cm) high, a cupboard, a table, six arm chairs and a carpet (some damage)

Corgi & Motor Max, including Corgi Fighting Machines (7), 100 Years Of Flight (4), The Corgi Collection (7), Fire Heroes (2), Fighter Scramble, Motor Max Commando Force (5), Classic Props (2) and others, in original boxes, VG-M, boxes F-VG (31)

An archive collection of photographs from the family of Gilbert Butler, Property Master at Shepperton Studios from the 1930`s-60`s, These photographs include behind the scenes, layout, props, production, on location and camera crew from films including Elephant Boy, Single-Handed, London Town, Wilson Keppel & Betty, The Belle`s of St Trinians, An Ideal Husband, Bonnie Prince Charlie, Anne of the Thousand Days, The Elusive Pimpernell and others, the folder also contains signed photos dedicated to `Albert/Albie` from stars including Alec Guinness, Celia Johnston, Jane Baxter, Harry Corbett, Robert Donat, Adam Faith, Ronald Shiner, Anne Bancroft and others (230+ photographs mostly 10"x8")

Vickers Viscount turboprop airplane toy by Tomiyama of Japan for Tomy toys: This toy has friction operated props driven by the rear wheels. Friction Toy has a red light in the cockpit that says "Fasten Seat Belts No Smoking" behind the pilots, 1950s to mid 1960s. Toy is 17 3/4 inches long and 19 1/4 inches long. (Please note the Wing has split / Broken but in the original box but worn

40 Various Makes. Including- 4x Vitesse- 2 Mercedes Benz 600 Pullman, Citroen DS19 and a Mini 1000 City E. Retro Vitesse Austin Healey 3000. 3x Richmond Toys- ‘Casualty’ Ambulance, ‘London’s Burning’ Fire Engine and a ‘The Bill’ Vauxhall Police car. Plus 3x Cararama- 2x Porsche 911 and a Volvo C70 coupe. 8 Shell Classico Sports cars series. Solido Military Packard Staff Car. Classic Props series Spitfire. Model Box Ferrari 275GTB. Vanguards Del Boys Reliant van etc. All boxed, minor wear. Contents VGC-Mint

A Taxidermy Study of a Recumbent Lion, pre 1947, 168 cm in length, prepared for the props department, Snowdonia Taxidermy Studios 1970, used in several television comedy/drama productions

HARRY POTTER COLLECTIONMemorabilia - (MEM)An excellent collection of Harry Potter memorabilia that has come to us via a film crew member, comprising: 1 as new "HP3 Crew" Karrimor bag with original tags, 1 XL Quidditch `Potter` sports shirt, 2 x printed Harry Potter envelope film props, 1 Harry Potter car sticker, 1 Harry Potter `Cast & Crew 2001` watch in presentation box, 3 x Harry Potter hardback books (each signed by Daniel Radcliffe) 2 x Harry Potter paperback books (both signed by a young Daniel Radcliffe - one waterstained). Further images on request. Viewing recommended. An excellent lot.

Angus McBean - pedestal masks of Ivor Novello and Greta Garbo, apparently used as photographic props, Novello h.46cm

The props used for the McBean Christmas card 1982, being three seated porcelain dolls with table, miniature copy of the Sunday Telegraph etc, all housed under a glass dome and on ebonised wooden plinth, dome dia.29cm

The props used for the McBean Christmas card 1983, being glass dome containing a collection of nude porcelain dolls with centre seated gentleman, dome dia.21cm

0VER 400 ALBUMEN CARTE D`VISITE STUDIO PORTRAITS, 3RD QUARTER 19TH CENTURY. A large variety of images of single males, females, family groups and children, many depicted with period props and furnishings, in various poses ranging from head and shoulder to full length, the majority with studio back stamps, includes two ornate leather albums and some tintypes. Average size 2.5 inches x 4.25 inches (6.5 x 11 cm).

THREE POSTCARDS DEPICTING SEMI-NAKED WOMEN IN VARIOUS POSES - CLOTHES AND PROPS APPEARING ON THE TILTING OF THE CARDS.

Joseph O'Reilly (1865-1893) Contributions Earnestly Solicited Oil on canvas, 91 x 61cm (35¾ x 24") Signed and dated 1890. Inscribed with title verso. Exhibited: R.H.A. annual exhibition 1891, cat. no. 97, for £30. Born in Dublin and educated at The Royal Hibernian Academy School, Joseph O'Reilly won numerous prizes for his paintings. He was awarded a bronze and a silver medal, and by 1887 had won the The Albert Scholarship, quickly establishing himself as a landscape and figure painter, and commanding robust prices for the titles that he showed at the R.H.A. between 1885 and 1893. This was the work that won him The Taylor Scholarship, enabling him to travel to Paris to paint. He was encouraged to make this trip by celebrated Irish impressionist and portrait painter Walter Osborne (1859-1903). Taylor was evidently much influenced by Osborne, who had himself won the same scholarship and spent time painting in France in the early 1880's. There are striking similarities between this painting and Osborne's 'A Tempting Bait' (shown at the RHA in 1883, no. 129), especially in the pose of the begging fox terrier, and that of the young boy looking down at his dog, with his ankles crossed and legs dangling. Osborne's arrangement is darker, and its story, with a rat-trap being set, is more strongly narrative. Walter Osborne's father William Osborne, was also a prolific painter of animals, and his painting of 'The Dogs' Parliament' (exhibited RHA 1887) shows a terrier in a closely similar pose to O'Reilly's. As a way of successfully demonstrating his artistic talents, O'Reilly seems deliberately to have set himself the challenge of depicting light on a variety of surfaces: metal, earthenware, glass, bare flesh, draped wool and eggshell. His choice of objects is a favourite one of earlier genre painters, who often arranged vignettes such as the one shown here in the lower left corner, to show off their skills at painting difficult transparent or reflective things. The scene hovers between farm kitchen and studio. His small boy sits on a Thonet bentwood chair, but the rest of the props are more suggestive of an Irish farmhouse. The spaniel sits high to beg on a creepie stool draped with a cloth, the striped blue and white jug rests on a Carpenters' Chair, and in the background, where sunlight falls through the window, is a scrubbed-top table of a type common in Irish farmhouses. Strickland considered O'Reilly's work to be 'brilliant and successful', but it was cut short by his death of consumption, aged only 28, so his surviving works are very rare. By Claudia Kinmonth PhD M.A. (R.C.A.) author of Irish Country Furniture 1700-1950 & Irish Rural Interiors in Art (Yale University Press, 1993, 2006).

Two stoneware sash window props; and four copper lustre mugs and dishes.

JOHN CALLCOTT HORSLEY^ RA (1817-1903) A MERRY CHASE AT HADDON HALL signed and dated 1882^ 90 x 126cm Exhibited:Royal Academy^ 1882^ No 295. Illustrated: Blackburn (H)^ ed.^ Academy Notes 1882^ p32^ |Old English interior and costumes; a bright scene^ difficult to realise in days of sombre costume.| J C Horsley first saw Haddon whilst on a visit to the Barker family in Bakewell in 1835. He later described his impression of this most romantic of English manor houses: |Next morning we sallied forth and walked across the meadows to Haddon. It is absolutely unique... | |I was naturally filled with yearnings to paint pictures^ in which I could use as backgrounds the ancient halls and chambers^ and I dreamed many a dream of pictures to be^ as I sketched diligently the beautiful scenes before me.| (Recollections of a Royal Academician by John Callcott Horsley^ RA^ 1903^ pp101-2). Rent Day at Haddon Hall (1839) his first RA picture^ established his reputation. He was to return to Haddon as the setting for some of his most ambitious compositions. These include Coming Down to Dinner (1876) in Manchester City Galleries. In this^ as in A Merry Chase the scene is set in the same Staircase Hall^ with its venerable stone window and stained glass^ rich hangings^ wainscoting and all such antiquarian details^ wholly in keeping with the 16th century costumes. In both paintings Haddon has been ~restored~ to its former glory probably because Horsley~s Rent Day had been gently criticised for its display of expensive props and textiles being |placed in a desolate weather-stained hall as it is now.| The similarities of the the two are so marked that it is plausible to suppose Horsley was experimenting with staging different scenes in the same place^ just as a director would arrange the players on a stage. In the former picture the Steward stands^ in full ceremony^ at the foot of the stairs and a Negro servant is waiting at the head of the table^ almost out of sight. A Merry Chase^ as the title suggests is a much livelier scene. The Steward is replaced by a man with a tray of victuals^ whilst a scullion drops a pewter plate in the melee. ++In good ready to hang condition^ the varnish requiring a light clean^ lined and conserved for the present local private vendor many years ago and not offered for sale for in access of c 50 years. In 18th c style gilt frame

Star Wars Stormtrooper helmet signed by 12 cast members including Darth Vader (Dave Prowse) and designed by the creator of the original movie helmets Andrew Ainsworth of SDS props in a protective plastic case

A box of assorted magician`s conjuring props and tricks, some 1950`s.

COLLECTION OF BIRD STAGE PROPS including a seagull, a cormorant and a cockerel (4)

OVER 250 EARLY CABINET CARD STUDIO PORTRAIT STILLS/PHOTOGRAPHS, LATE 19TH/EARLY 20TH CENTURY. Both albumen and silver gelatin, all better quality images, depicting single males and females, family groups, married couples and children in a wide variety of period dress and many with interesting or unique props including girl with banjo, photo albums, carved furnishings and Belle Epoch fashions. The majority with studio embossed stamps or trademarks. Average size approximately 4.25 inches x 6.5 inches.

0VER 500 ALBUMEN CARTE D`VISITE STUDIO PORTRAITS, 3RD QUARTER 19TH CENTURY. A large variety of images of single males, females, family groups and children, many depicted with period props and furnishings, in various poses ranging from head and shoulder to full length, the majority with studio backstamps, includes two ornate leather albums and some tintypes. Average size 2.5 inches x 4.25 inches.

A collection of theatrical props comprising a signpost, twin branch street lamp, two spears and a statue

A Lloyd Loom ottoman and a wicker props basket on castors, stamped Magpie.

"James Bond, License to Kill (1989), film props, $20 banknotes (11)"

Ann Payne (British, 20th Century), An Artist`s Studio with Paint Brushes, Books and Props, oil on canvas, 60 x 49cm (23 x 19in). Provenance: The artist`s studio,

Entertainment – Harold Fielding – Pantomime – Cinderella archive of documents concerning Fielding’s production of Cinderella at the London Coliseum in 1958 (starring Tommy Steele, Jimmy Edwards, Kenneth Williams, and also featuring Ted Rogers), including five complete copies of the script (one of which was from the original Broadway production of the show), with many alterations and additions (included is a copy with the Lord Chamberlain certificate which has been stamped for approval throughout). The archive also includes running order, lists of props, with suppliers and costs, minutes of progress meetings by Fielding and his company, costume requirements for each of the principles, schedules for the dancers etc. There is also a list of the salaries paid to the cast members for both the 1958 run at the Coliseum and a subsequent run at Bristol in 1959. An additional list gives salaries for a run of the production at the London Adelphi in 1960 – with Tommy Steele being paid £1, 600 (say £25, 000 in today’s money) while Kenneth Williams only received £125 (£2, 000). A fascinating insight into the staging of a headline pantomime in the West End at the end of the 1950s. The production of Cinderella had transferred from Broadway in 1957 (where it had starred Julie Andrews in the title part) to London. It was written by Rogers and Hammerstein

Good quantity of mostly Britains plastic figures, includes Deetail series, cowboys, knights, guardsmen etc. Together with a selection of Britains plastic trees/battle scene props.