The Lord of the Rings - green glass and metal vessel with metal and cork stopper, used as set dressing for Rivendell, 4 1/2 x 4 1/2 x 8 1/2 inches approximately and a continuity photograph of Gandalf's staff 2 'movie 1 Rivendell to Moria'. (2)Provenance: The vendor owned an event planning company in the early 1990s until 2008. They organised the Lord of the Rings Cannes Press Festival in 2001. New Line chairman Bob Shaye and Dir. P. Jackson presented 25 minutes of footage from the film, which featured a montage introducing key characters, as well as a 14-minute excerpt of a chase sequence in the Mines of Moria and previews of the second and third installments of the trilogy, due in December 2002 and 2003, respectively.The event culminated in a party that was held at the Chateau de Castellaras near the town of Mougins, where they reconstructed a lot of the sets and displayed set dressings and props from the actual movies (flown in especially from New Zealand). After the event, everything was deconstructed and sent back to NZ but the vendors got the permission to keep these few items as a gift.
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The Lord of the Rings - metal swan vase used as set dressing for Rivendell, the swan motif reappeared in much of the set decor for Rivendell, 6 1/2 inches high approximately.Provenance: The vendor owned an event planning company in the early 1990s until 2008. They organised the Lord of the Rings Cannes Press Festival in 2001. New Line chairman Bob Shaye and Dir. P. Jackson presented 25 minutes of footage from the film, which featured a montage introducing key characters, as well as a 14-minute excerpt of a chase sequence in the Mines of Moria and previews of the second and third installments of the trilogy, due in December 2002 and 2003, respectively.The event culminated in a party that was held at the Chateau de Castellaras near the town of Mougins, where they reconstructed a lot of the sets and displayed set dressings and props from the actual movies (flown in especially from New Zealand). After the event, everything was deconstructed and sent back to NZ but the vendors got the permission to keep these few items as a gift.
The Lord of the Rings - a pair of brass candlesticks with twisted stems used as set dressing for Rivendell, each 8 1/2 inches high approximately. (2)Provenance: The vendor owned an event planning company in the early 1990s until 2008. They organised the Lord of the Rings Cannes Press Festival in 2001. New Line chairman Bob Shaye and Dir. P. Jackson presented 25 minutes of footage from the film, which featured a montage introducing key characters, as well as a 14-minute excerpt of a chase sequence in the Mines of Moria and previews of the second and third installments of the trilogy, due in December 2002 and 2003, respectively.The event culminated in a party that was held at the Chateau de Castellaras near the town of Mougins, where they reconstructed a lot of the sets and displayed set dressings and props from the actual movies (flown in especially from New Zealand). After the event, everything was deconstructed and sent back to NZ but the vendors got the permission to keep these few items as a gift.
The Lord of the Rings - a pair of 'elvish' metal rings of plaited design used to hold some of the parchment scrolls from the library in Rivendell, each 2 1/2 inches in diameter approximately. (2)Provenance: The vendor owned an event planning company in the early 1990s until 2008. They organised the Lord of the Rings Cannes Press Festival in 2001. New Line chairman Bob Shaye and Dir. P. Jackson presented 25 minutes of footage from the film, which featured a montage introducing key characters, as well as a 14-minute excerpt of a chase sequence in the Mines of Moria and previews of the second and third installments of the trilogy, due in December 2002 and 2003, respectively.The event culminated in a party that was held at the Chateau de Castellaras near the town of Mougins, where they reconstructed a lot of the sets and displayed set dressings and props from the actual movies (flown in especially from New Zealand). After the event, everything was deconstructed and sent back to NZ but the vendors got the permission to keep these few items as a gift.
The Lord of the Rings - an 'elvish' metal bracelet used in the films and also worn by actors at the party in Chateau de Castelleras to make the end of the LOTR Cannes Press Festival in 2001, of scrolling design with stone set in the middle, 1 1/2 inches wide approximately.Provenance: The vendor owned an event planning company in the early 1990s until 2008. They organised the Lord of the Rings Cannes Press Festival in 2001. New Line chairman Bob Shaye and Dir. P. Jackson presented 25 minutes of footage from the film, which featured a montage introducing key characters, as well as a 14-minute excerpt of a chase sequence in the Mines of Moria and previews of the second and third installments of the trilogy, due in December 2002 and 2003, respectively.The event culminated in a party that was held at the Chateau de Castellaras near the town of Mougins, where they reconstructed a lot of the sets and displayed set dressings and props from the actual movies (flown in especially from New Zealand). After the event, everything was deconstructed and sent back to NZ but the vendors got the permission to keep these few items as a gift.
The Lord of the Rings - 2 glass inkwells and a small glass carafe used as set dressing for Rivendell, the carafe 6 inches high approximately. (3)Provenance: The vendor owned an event planning company in the early 1990s until 2008. They organised the Lord of the Rings Cannes Press Festival in 2001. New Line chairman Bob Shaye and Dir. P. Jackson presented 25 minutes of footage from the film, which featured a montage introducing key characters, as well as a 14-minute excerpt of a chase sequence in the Mines of Moria and previews of the second and third installments of the trilogy, due in December 2002 and 2003, respectively.The event culminated in a party that was held at the Chateau de Castellaras near the town of Mougins, where they reconstructed a lot of the sets and displayed set dressings and props from the actual movies (flown in especially from New Zealand). After the event, everything was deconstructed and sent back to NZ but the vendors got the permission to keep these few items as a gift.
The Lord of the Rings - 'elvish' metal ring set with red stone, used as set dressing in Elrond's office/library in Rivendell. Provenance: The vendor owned an event planning company in the early 1990s until 2008. They organised the Lord of the Rings Cannes Press Festival in 2001. New Line chairman Bob Shaye and Dir. P. Jackson presented 25 minutes of footage from the film, which featured a montage introducing key characters, as well as a 14-minute excerpt of a chase sequence in the Mines of Moria and previews of the second and third installments of the trilogy, due in December 2002 and 2003, respectively.The event culminated in a party that was held at the Chateau de Castellaras near the town of Mougins, where they reconstructed a lot of the sets and displayed set dressings and props from the actual movies (flown in especially from New Zealand). After the event, everything was deconstructed and sent back to NZ but the vendors got the permission to keep these few items as a gift.
The Lord of the Rings - glass and metal carafe and matching pair of glasses used as set dressing in Gondor. (3) Provenance: The vendor owned an event planning company in the early 1990s until 2008. They organised the Lord of the Rings Cannes Press Festival in 2001. New Line chairman Bob Shaye and Dir. P. Jackson presented 25 minutes of footage from the film, which featured a montage introducing key characters, as well as a 14-minute excerpt of a chase sequence in the Mines of Moria and previews of the second and third installments of the trilogy, due in December 2002 and 2003, respectively.The event culminated in a party that was held at the Chateau de Castellaras near the town of Mougins, where they reconstructed a lot of the sets and displayed set dressings and props from the actual movies (flown in especially from New Zealand). After the event, everything was deconstructed and sent back to NZ but the vendors got the permission to keep these few items as a gift.
The Lord of the Rings - metal brooch set with amber 'stone' used as set dressing in Gondor, 1 3/4 inches in diameter and a continuity photograph of a Gondorian Prologue Helmet Movie I. (2)Provenance: The vendor owned an event planning company in the early 1990s until 2008. They organised the Lord of the Rings Cannes Press Festival in 2001. New Line chairman Bob Shaye and Dir. P. Jackson presented 25 minutes of footage from the film, which featured a montage introducing key characters, as well as a 14-minute excerpt of a chase sequence in the Mines of Moria and previews of the second and third installments of the trilogy, due in December 2002 and 2003, respectively.The event culminated in a party that was held at the Chateau de Castellaras near the town of Mougins, where they reconstructed a lot of the sets and displayed set dressings and props from the actual movies (flown in especially from New Zealand). After the event, everything was deconstructed and sent back to NZ but the vendors got the permission to keep these few items as a gift.
The Lord of the Rings - grey glazed pottery vessel used as set dressing in Saruman's chamber, 8 1/4 inches high.Provenance: The vendor owned an event planning company in the early 1990s until 2008. They organised the Lord of the Rings Cannes Press Festival in 2001. New Line chairman Bob Shaye and Dir. P. Jackson presented 25 minutes of footage from the film, which featured a montage introducing key characters, as well as a 14-minute excerpt of a chase sequence in the Mines of Moria and previews of the second and third installments of the trilogy, due in December 2002 and 2003, respectively.The event culminated in a party that was held at the Chateau de Castellaras near the town of Mougins, where they reconstructed a lot of the sets and displayed set dressings and props from the actual movies (flown in especially from New Zealand). After the event, everything was deconstructed and sent back to NZ but the vendors got the permission to keep these few items as a gift.
The Lord of the Rings - two clear glass vessels with cork stoppers, a wooden spoon and hexagonal tankard used as set dressing. (4)Provenance: The vendor owned an event planning company in the early 1990s until 2008. They organised the Lord of the Rings Cannes Press Festival in 2001. New Line chairman Bob Shaye and Dir. P. Jackson presented 25 minutes of footage from the film, which featured a montage introducing key characters, as well as a 14-minute excerpt of a chase sequence in the Mines of Moria and previews of the second and third installments of the trilogy, due in December 2002 and 2003, respectively.The event culminated in a party that was held at the Chateau de Castellaras near the town of Mougins, where they reconstructed a lot of the sets and displayed set dressings and props from the actual movies (flown in especially from New Zealand). After the event, everything was deconstructed and sent back to NZ but the vendors got the permission to keep these few items as a gift.
MAGIC, selection, inc. signed (2), Betty Davenport (playing card), Ron Ramsdell (cheque, Harry Blackstone manager); hardback edition of Victorian Magic by Lamb; props, Billy McComb thumb tips (3); disappearing candle tube; metal magic club lapel badges (3); Darren Brown flyers (1+5), G to EX, Qty.
An Excalibur King Arthur modern Sword (for props), length 116cm.We are sorry but Plymouth Auction Rooms are unable to provide an in-house shipping service for this lot. We recommend contacting Mailboxes on 01752 257224. They will be able to provide a pre-auction quote for you. We can, if needed, hold the lot at our Salerooms for collection.
A large 0-gauge model of a railway station, reputed to be a station on the Severn Valley Railway, extending to sidings and the edge of a town, including a fish and chip shop 'Pratts', a locomotive shed, water bowser, coal bunkers, station master's cottage, level cossing, garage etc, complete with lamps, signals and vehicles, some damage and losses, in sections and raised on trestle supports, approximately 490cm long x 46cm deep, with carrying case, fitted for rolling stock, includes control panel, transformer etc. (qty)Condition report: Some damage, including one metal lamp post - lantern broken-off and another lacking lantern. Chips, dents and scratches consistent with usage. Playworn.Losses, including some paving slabs and some vacant holes indicate some track-side 'props' are missing.In working order in saleroom, but not extensively tested. Points appear to function, but need re-commissioning/restoring.
Theatre.- Pollock's Juvenile Drama. Sleeping Beauty in the Wood! or Harlequin and the Magic Horn, 26 loose wood-engraved plates, including sheets with characters in costume, stage designs and props, each approx. 170 x 215 mm (6 3/4 x 8 1/2 in), some surface dirt and browning, with original printed text booklet, n.d. [c. 1870]; together with a miscellaneous collection of 34 further plates from Pollock's Characters & Scenes in the Forty Thieves, and others, wood-engravings, each sheet approx. 170 x 215 mm (6 3/4 x 8 1/2 in), all loose, unframed, [circa 1870] (Sm. qty.)
A pair of large replica Tudor ships cannons, on wooden bases. These are thought to have been used as props in the film Elizabeth I (2)each 278cm longCondition report: These look convincing and are well made, but the body is fibreglass and the frames are wooden. They can be lifted by two or three people to move them. They have been used outside for display on the estate, so are weathered.
2021 Shepherds Hut by Hannam & Taylor Transmission: manualMileage:The shepherd's hut (or shepherd's wagon) was, since the 15th century and into the 20th century, used by shepherds during sheep raising and lambing, primarily in the United Kingdom and France. They often had iron wheels and corrugated iron tops. Sometimes the sides were also made of corrugated iron. Use of shepherd's huts by farmers reached a peak in the late 19th century and dwindled in the 20th century with the advent of mechanised farm machinery and electric power reaching even remote farms. Their use persisted in some northern counties in the United Kingdom, particularly Westmoreland and Northumberland, where the terrain of the uplands supports little else but sheep farming. There have been numerous different materials used to construct shepherd's huts and after World War I, when metal was in short supply the chassis were often built with wood and the sides built with interlocking planks of larch or spruce. Sometimes the roof covering would be constructed from felt and tar and insulated with lambswool. Cast iron wheels were frequently recycled from other farm machinery. The shepherd's hut was a kitchen, dining room, bedroom, sitting room and storeroom all rolled into one. The designs vary but all were constructed to provide the shepherd with practical and durable accommodation. The old huts had a stove in one corner for warmth and cooking, and a window on each side so the shepherd could see the flock. A hinged stable door, which was always positioned away from the prevailing wind, enabled him to hear the flock, and strong axles with cast iron wheels were used to withstand the constant movement from field to field. This brand new Shepherds Hut which measures 18ft X 8ft is custom made with box section metalwork chassis on a turntable with drawbar. It has stud work walls, floor and ceiling insulated with organic recycled sheeps wool with an engineered oak floor over. It has textured hand painted redwood internal cladding walls with a Tongue and Groove barrel roof, oak featheredge cladding to the exterior and oak double width steps. The owner has bestowed this wonderful Hut with bespoke hardwood doors and windows with five lever locks to the door and hand forged window furniture. For those who like to be cosy on those chilly evenings/days, a delightful ‘Hobbit’ wood burner has been installed to full HETAS regulations. Vintage LED style wall lights have also been installed with two bulkhead lights to the exterior to finish off that authentic look and feel. At one end there is a fold-down double bed on gas pistons and at the other end one can install a desk for those working ‘at home’ or just wanting to read quietly in tranquillity. The Hut doesn’t include any groundwork, mains connections, or installation, all of which can be quoted separately. Also buyers please note that this Shepherds Hut does not include, any interior props or free standing furniture which can be seen in the photographs or whilst on display. *Delivery within a 50 mile radius (only ‘Standard’ delivery with easy access) £600.00 is being offered by the owner. Buyers please note that the purchase price will include VATInterested parties should satisfy themselves as to the description and condition of each lot prior to the sale. Accordingly, buyers are on notice that each vehicle is offered ‘as is/as seen’ subject to the Terms and Conditions for the auction. Buyers are advised to inspect the vehicle in person or use a professional to carry out this service. Historics will not entertain disputes over descriptions.
James Bond Goldeneye (1995) - Factory Entertainment Prop Replica Lens & Arming Keys accurately based on the hero props used in the Film. Limited Edition to 500 worldwide, 1:1 scale replicas on a display stand with a numbered plaque & Certificate. Numbered 10 of 500. Includes the same edge lit illumination feature as seen on screen. With original 007 branded packaging & booklet.
James Bond Die Another Day (2002) - A Prop MI6 Envelope. This envelope set can be seen on Moneypenny's (Samantha Bond) desk as James Bond (Peirce Brosnan) greets her after he returns from Cuba. Framed, with a corresponding still signed by Samantha Bond (19x13 inches). Provenance: Originally part of a group of props obtained from The Propstore of London. With copy of Certificate.
James Bond Skyfall (2012) - Patrices Licence Plate from the memorable opening scenes of the Film. The Turkish License Plate with number 34 UE 641 was fitted to the Audi A5 driven by Patrice (Ola Rapace). On the reverse is written Patrice Audi with two holes where it would have fitted to the vehicle. James Bond (Daniel Craig) & Moneypenny (Naomi Harris) chase Patrice through the streets of Istanbul after he steals a hard drive containing details of undercover agents. Mounted inside a framed display (17x29 inches). Provenance: With Certificate from Hero Props.
A large 0-gauge model of a railway station, reputed to be a station on the Severn Valley Railway, extending to sidings and the edge of a town, including a fish and chip shop 'Pratts', a locomotive shed, water bowser, coal bunkers, station master's cottage, level cossing, garage etc, complete with lamps, signals and vehicles, some damage and losses, in sections and raised on trestle supports, approximately 490cm long x 46cm deep, with carrying case, fitted for rolling stock, includes control panel, transformer etc. (qty)Condition report: Some damage, including one metal lamp post - lantern broken-off and another lacking lantern. Chips, dents and scratches consistent with usage. Playworn.Losses, including some paving slabs and some vacant holes indicate some track-side 'props' are missing.In working order in saleroom, but not extensively tested. Points appear to function, but need re-commissioning/restoring.
Film / Production Crew Issued Clothing: BAND OF BROTHERS - A pair of production crew shirts comprising one short sleeve (khaki) video production 'M' together with a Special Props (sand) 'L' - PROVENANCE: These came from a private vendor who worked for many years on the production crew of numerous films and was issued these items as were all crew members - Authentic item and comes with an Excalibur Auctions Certificate of Authenticity
A large collection of cigarette cards and matchboxes and other ephemera, including an array of loose sporting, military, historic themed cigarette cards, as well as some potential props: retro confectionery/household cardboard boxes and other containers (empty), and late 20th century Royal commemorative items. (5 boxes)
This lot will be auctioned on Thursday, July 1st. The auction will begin at 9:00am PDT and lots are sold sequentially via live auctioneer; tune in to the live streaming broadcast on auction day to follow the pace. Note other lots in the auction may close on June 29th or June 30th. A light-up Starfleet communicator from the sci-fi television series Star Trek: Enterprise. Starfleet officers used communicators throughout the series. In later seasons, production used licensed prop reproductions with modifications, along with original scratch-built props. This production-used replica communicator features a black and silver-color plastic body with a spring-loaded front panel that releases with a button on the left side and a button-operated illuminating screen with button details and signal and battery readings. It is in good overall condition with minor handling scuff throughout. Dimensions: 3.5" x 2" x 1" (9 cm x 5.25 cm x 2.75 cm) Contains electronic and mechanical components; see notice in the Buyer's Guide. Estimate: $1,500 - 2,500
This lot will be auctioned on Tuesday, June 29th. The auction will begin at 9:00am PDT and lots are sold sequentially via live auctioneer; tune in to the live streaming broadcast on auction day to follow the pace. Note other lots in the auction may close on June 30th or July 1st. A painting by Leo Leibelman for Lucasfilm and X3 Productions' "Indiana Jones and the Adventure of Archaeology" exhibit. Presented in partnership with National Geographic from 2011 to 2016, the touring exhibit showcased props, costumes, and research materials from the making of the Indiana Jones films. This painting of Indiana Jones' (Harrison Ford) shadow and bullwhip by fantasy artist Leibelman was used as the official poster image for the exhibit. The painting is rendered in mixed media on canvas framed with dark brown wood and affixed with a hanging hook. It is in excellent overall condition with only minor signs of handling. Dimensions: 45" x 34" x 1.5" (114.5 cm x 86.5 cm x 4 cm) Sold without copyright; see notice in the Buyer's Guide. Estimate: $7,000 - 9,000
This lot will be auctioned on Thursday, July 1st. The auction will begin at 9:00am PDT and lots are sold sequentially via live auctioneer; tune in to the live streaming broadcast on auction day to follow the pace. Note other lots in the auction may close on June 29th or June 30th. ID Props and a continuity binder from Tim Story's action comedy Taxi. Bumbling NYPD officer Andrew Washburn (Jimmy Fallon) relied on skilled taxi driver Belle Williams (Queen Latifah) to help him solve a series of bank robberies committed by models. This lot consists of a pair of three-ring binders that contain continuity photos of the cast, locations, documents, and 17 plastic IDs. It exhibits signs of wear from age and use including some staining and separation of the documents, but remains in good overall condition. Dimensions: 5" x 3.5" x 1" (12.75 cm x 9 cm x 2.5 cm) Estimate: $600 - 800
This lot will be auctioned on Thursday, July 1st. The auction will begin at 9:00am PDT and lots are sold sequentially via live auctioneer; tune in to the live streaming broadcast on auction day to follow the pace. Note other lots in the auction may close on June 29th or June 30th. A shadow box of props from George Miller's fantasy comedy The Witches of Eastwick. This dark red-brown wooden shadow box with a floral-patterned edge contains a rust-color wooden wand; a brown twine-wrapped black wooden wand; a brown leather-wrapped white resin bone wand; a black metal prod with a brown wooden handle; four white paper "The Bread Shop Eastwick Est. 1848" bags printed with the "Bread Shop" logo; a white wax voodoo doll stuck with white feathers and metal pins; and a plastic-laminated card reading "Witches of Eastwick Starring Jack Nicholson." It is in good overall condition with scuffing to the frame's dark finish, revealing lighter wood underneath, and various other signs of production use throughout. Dimensions: 23" x 19" x 3" (58.5 cm x 48.5 cm x 8 cm) Estimate: $3,500 - 5,500
This lot will be auctioned on Tuesday, June 29th. The auction will begin at 9:00am PDT and lots are sold sequentially via live auctioneer; tune in to the live streaming broadcast on auction day to follow the pace. Note other lots in the auction may close on June 30th or July 1st. A pair of production-made James Bond (Roger Moore) Sharper Image credit cards from John Glen's spy film A View to a Kill. Bond used his gadget-credit card from The Sharper Image, which slide open revealing electronics in the film, to break into Stacey Sutton's (Tanya Roberts) house. This lot consists of two matching copper-color and black plastic The Sharper Image credit card faces and matching backplates. The props were made with a separate front and backplate to allow for the slide-open electronics functionality seen in the film. The card fronts are both labeled "007," signed "James Bond'' on back, and engraved with the card number "560121 0027538153" and expiration date "11 87," while the backs feature the signature of Bond. These do not have the electronic elements seen on the hero prop in the film. The production-made cards are in good overall condition with minor wear. Dimensions: 3.5" x 2.25" x 0.25" (9 cm x 5.75 cm x 1.5 cm) Estimate: $1,500 - 2,500
This lot will be auctioned on Tuesday, June 29th. The auction will begin at 9:00am PDT and lots are sold sequentially via live auctioneer; tune in to the live streaming broadcast on auction day to follow the pace. Note other lots in the auction may close on June 30th or July 1st. Jean-Luc Picard's (Patrick Stewart) Ressikan flute, box and a costume continuity script from the sci-fi TV series Star Trek: The Next Generation. Picard acquired his flute in the Season 5 episode "The Inner Light," where he lived 25 years as "Kamin" on the planet Kataan while in a coma aboard the Enterprise. He kept the flute as a memento of his alternate life, and also played it in the Season 6 episode "Lessons" as he fell in love with Lieutenant Commander Nella Daren (Wendy Hughes). The box the flute comes in screen-matches the one seen in the "The Inner Light" through the paint pattern. "The Inner Light" is considered by the fandom to be one of the best of the entire series, as well as being Stewart's favourite episode. The flute itself is one of the most memorable and important props from the show and it was toured around the US prior to being sold in a previous auction, with fans regularly asking to see and hold it. To make sure Picard's fingering was correct in "Lessons", musician Bryce Martin sat just out of frame, giving the impression that his hands were Picard's. The flute is made of brass with six drilled holes down the shaft and holes drilled in both ends. A white cotton tassel is wrapped around the shaft. The flute does not produce musical notes, which Stewart found amusing when it was originally sold in auction. The box is resin decorated with jagged shapes, airbrushed and spattered paint and features a silver-color foam lining to protect the flute. The script for "The Inner Light" features costume continuity photographs and notes for prominent characters in the episode, including Kamin (Stewart), Eline (Margot Rose) and Batai (Richard Riehle). It also includes a "Final Draft" copy of the script, dated "March 24, 1992" and printed on different colored pages. The script features "225 The Inner Light" handwritten in black marker on its spine. The flute has some wear from production use and age, including tarnishing on the brass. The string has unwrapped itself slightly from the shaft, and one of the metal pieces from the side of the mouthpiece has come away, revealing the glue beneath. The inside of the box has some silver-color paint transfer inside the lid. The script has some curled corners and creasing from production use. Overall the collection remains in excellent overall condition. Dimensions: (flute) 10.25" x .75" x .75" (26 cm x 2 cm x 2 cm); (box) 12.25" x 3.5" x 3.5" (31 cm x 9 cm x 9 cm); (script) 11" x 8.75" x 1" (28 cm x 22 cm x 2.5 cm) Estimate: $50,000 - 70,000
This lot will be auctioned on Tuesday, June 29th. The auction will begin at 9:00am PDT and lots are sold sequentially via live auctioneer; tune in to the live streaming broadcast on auction day to follow the pace. Note other lots in the auction may close on June 30th or July 1st. Qui-Gon Jinn's (Liam Neeson) prototype lightsaber from George Lucas' Star Wars: The Phantom Menace. Jedi Master Jinn used his lightsaber to fight battle droids aboard the Trade Federation command ship to defend Anakin Skywalker (Jake Lloyd) from Darth Maul (Ray Park) on Tatooine, and in his fatal duel against Maul on Naboo. This lightsaber is a production-made prototype, as evidenced by the metal rod embedded in the emitter, which here is completely smooth but was changed to a threaded rod for the final film-used props. The threaded rod added extra security that the blade would remain attached to the hilt. The piece is built of resin hand-painted black and silver to appear metallic with a red extending button and the unique slotted grip. This prototype version features slightly different paint details to final pieces, as evident around the bottom endcap. It is in good overall condition with some wear from production and age, including chips to the button, grime and dust along the handle, and scuffed paint throughout. Dimensions: 17" x 1.5" x 1.5" (43.25 cm x 4 cm x 4 cm) Estimate: $8,000 - 10,000
This lot will be auctioned on Tuesday, June 29th. The auction will begin at 9:00am PDT and lots are sold sequentially via live auctioneer; tune in to the live streaming broadcast on auction day to follow the pace. Note other lots in the auction may close on June 30th or July 1st. An Obi-Wan Kenobi (Alec Guinness) lightsaber replica made from accurate real-world industrial components to those used on the original filming prop for George Lucas' Star Wars: A New Hope. Obi-Wan's lightsaber was assembled in a brilliantly creative manner, re-purposing found components of similar diameter to fashion a futuristic lightsaber handle. The original prop is lost to history. This replica of one of the most beloved props in Star Wars is made from the exact same components used on the original build, which are extremely difficult to locate today. From top to bottom, the prop's components are: a "female" balance pipe from a Rolls Royce Derwent jet engine; a 1916 No. 3 WWI Mk1 inert fragment grenade intended to be fired from a rifle; a Graflex clamp from a Graflex flash unit; a bubble set from a 1970s Exactra calculator; a "booster" from a Browning machine gun barrel; and a sink knob or handwheel made by Armitage Shanks in the U.K. The components were assembled around a threaded rod by a professional prop-maker. The real-world components have a beautiful natural patina from age that mimics the patina of the original filming prop. The piece remains in excellent condition, showing the age of its components. Dimensions: 10.75" x 1.5" x 1.5" (27 cm x 4 cm x 4 cm) Estimate: $8,000 - 10,000
This lot will be auctioned on Tuesday, June 29th. The auction will begin at 9:00am PDT and lots are sold sequentially via live auctioneer; tune in to the live streaming broadcast on auction day to follow the pace. Note other lots in the auction may close on June 30th or July 1st. A limited edition melted Darth Vader helmet replica made by Propshop for the promotion of J.J. Abrams' Star Wars: The Force Awakens. In the film, Kylo Ren (Adam Driver) brooded over the charred remains of Lord Vader's (David Prowse) helmet. Propshop, the industry prop and set decoration fabricator who created many props for The Force Awakens, released only 500 made-to-order, 3D-printed replicas of the melted helmet in partnership with Disney and Lucasfilm. The pieces were made from original 3-D scan data from the production to ensure they were as accurate as possible. This helmet is constructed of a range of proprietary synthetic materials, hand-painted in Vader's signature charcoal-black, sanded, and affixed with metal details near what was once the breathing apparatus. Also included is a black plastic display stand with a plaque featuring the film's logo and the original packing including a cardboard box, and custom wood crate featuring Lucasfilm's logo and the film logo. This lot is in excellent overall condition with minor signs of handling to both boxes and the original plastic wrapping removed. Dimensions (boxed): 23.5" x 30" x 17" (59.75 cm x 76.25 cm x 43.25 cm) Estimate: $5,000 - 7,000
This lot will be auctioned on Tuesday, June 29th. The auction will begin at 9:00am PDT and lots are sold sequentially via live auctioneer; tune in to the live streaming broadcast on auction day to follow the pace. Note other lots in the auction may close on June 30th or July 1st. A Chewbacca (Peter Mayhew) bowcaster replica based on J.J. Abrams' Star Wars: The Force Awakens. Propshop, the industry prop and set decoration fabricator who created many props for the film, released only 500 made-to-order replicas of Chewie's bowcaster in partnership with Disney and Lucasfilm. The pieces were made from original 3D scan data from the production to ensure the utmost accuracy. This black bowcaster is made of high-density resin with metal and acrylic elements. It features a binocular scope, circular side greebles, a pressable trigger, and a green woven strap with metal clips. It is housed in a foam-lined wooden crate featuring Star Wars, Lucasfilm, and Propshop logos. The lot is in fair overall condition, with some wear including scuffing and visible signs of the stock having been previously broken off and since repaired. Dimensions (in crate): 40" x 40" x 18" (101.75 cm x 101.75 cm x 45.75) Estimate: $2,000 - 3,000
This lot will be auctioned on Tuesday, June 29th. The auction will begin at 9:00am PDT and lots are sold sequentially via live auctioneer; tune in to the live streaming broadcast on auction day to follow the pace. Note other lots in the auction may close on June 30th or July 1st. A set of Syd Mead production design transparencies from Ridley Scott's sci-fi classic Blade Runner. This set consists of 57 total 35mm color transparencies documenting production designs rendered by Mead, the film's visionary visual futurist. These transparencies, rendered on both color and black-and-white film, include design images for a variety of the film's sets, props and vehicles. They exhibit signs of wear from age and use, but remain in excellent overall condition. Dimensions: 11.5" x 9.25" x 0.5" (29.25 cm x 23.5 cm x 1.25 cm) Estimate: $2,000 - 3,000
This lot will be auctioned on Tuesday, June 29th. The auction will begin at 9:00am PDT and lots are sold sequentially via live auctioneer; tune in to the live streaming broadcast on auction day to follow the pace. Note other lots in the auction may close on June 30th or July 1st. Vasquez's (Jeanette Goldstein) screen-matched lightweight M-41A pulse rifle from James Cameron's sci-fi action sequel Aliens. USMC Private Vasquez used her M-41A pulse rifle throughout the mission to Hadley's Hope on Planet LV-426 while she looked for survivors of what was revealed to be an attack by xenomorphs. This exact rifle screen-matches to the sequence where Vasquez used her welding torch to seal a door between herself and a group of attacking aliens. The M-41A pulse rifle was designed by director James Cameron and created by Simon Atherton, the head of movie armorers Bapty and Co. It is designed around a World War II era M1A1 Thompson submachine gun with a SPAS-12 shotgun cage below the barrel to simulate a grenade launcher. This example is a lightweight version cast in a rigid urethane foam, a style utilized during filming when the firing rifles were not needed as the lightweight versions were easier for the actors to carry. This lightweight pulse rifle was originally sold by Prop Store in the 1990s and while other lightweight pulse rifles exist, this is believed to be the only screen-matched example. In addition to numerous matching details in the paint and air bubbles in the casting, the rifle has unique marks on the bottom of the magazine base including two circular pour holes that are seen frequently on lightweight pulse rifle props in the film. The barrel assembly has been modified from its original state, presumably during production, to make the end of the main barrel line up with the grenade launcher rather than overhanging. As the hero pulse rifles were all broken down, re-assembled and repainted after filming, this unmodified original is one of the finest examples in existence. The piece shows signs of use, age and wear throughout, including paint chipping and a missing component of the shoulder stock, but remains in good overall condition. Dimensions: 28" x 10.5" x 3" (71.25 cm x 26.75 cm x 7.75 cm) Ownership may be restricted in some countries; see replica firearm notice in Buyer's Guide. Estimate: $30,000 - 50,000
This lot will be auctioned on Tuesday, June 29th. The auction will begin at 9:00am PDT and lots are sold sequentially via live auctioneer; tune in to the live streaming broadcast on auction day to follow the pace. Note other lots in the auction may close on June 30th or July 1st. Ellen Ripley's (Sigourney Weaver) harpoon gun from James Cameron's sci-fi action sequel Aliens. In the opening sequence, the harpoon gun from Ripley's final battle with the xenomorph at the end of Ridley Scott's Alien remained jammed under the door of the shuttle in which she was in stasis 57 years later. As the original props from Alien were not available when the sequel was shot, a new prop harpoon gun had to be fabricated for the sequence. Loosely based on the original version, this harpoon gun is made of resin with cast greebles for detailing throughout and painted black. It includes cording below the barrel to simulate a harpoon's tow line. It is in good overall condition with wear from production and age, including scuffing in its black painted finish. Dimensions: 17" x 7" x 2" (43.25 cm x 18 cm x 5.25 cm) Ownership may be restricted in some countries; see replica firearm notice in Buyer's Guide. Estimate: $4,000 - 6,000
This lot will be auctioned on Tuesday, June 29th. The auction will begin at 9:00am PDT and lots are sold sequentially via live auctioneer; tune in to the live streaming broadcast on auction day to follow the pace. Note other lots in the auction may close on June 30th or July 1st. Henry Hill's (Ray Liotta) pinky ring and pills from Martin Scorsese's crime drama Goodfellas. Hill popped pills and wore his pinky ring while headed to jail for working with the Mafia. This lot consists of a faux-gold metal pinky ring embedded with a faux diamond and an orange and white plastic pill bottle with prop Xanax inside. Also included is a Letter of Authenticity signed by prop master Robert Griffon Jr. stipulating that this exact ring was the only ring used on-screen. The lot is in good overall condition with stains to both the ring and pill bottle from production, as well as fading to the pills' original color from age. The pills are props and are not safe for consumption. Dimensions (bottle): 4" x 3" x 3" (10.25 cm x 7.75 cm x 7.75 cm); (ring): 1" x 1" x 0.5" (2.5 cm x 2.5 cm x 1.5 cm) δ Estimate: $5,000 - 7,000
This lot will be auctioned on Tuesday, June 29th. The auction will begin at 9:00am PDT and lots are sold sequentially via live auctioneer; tune in to the live streaming broadcast on auction day to follow the pace. Note other lots in the auction may close on June 30th or July 1st. A shadow box of props from Patricia Birch's musical -comedy sequel film Grease 2. British exchange student Michael Carrington (Maxwell Caufield) competed with Nogerelli (Adrian Zmed), the leader of the greasers, for Pink Ladies leader Stephanie Zinone's (Michelle Pfeiffer) attention. This lacquered wood and glass box featuring a collage of printed stills consists of two Rydell High banners; Goose's (Christopher McDonald) switchblade and comb; Sharon's (Maureen Teefy) cigarette holder; Nogerelli's sunglasses; a necklace; a cigarette pack; a "T-Birds" bracelet; and a plaque engraved for property master Kent H. Johnson. It was created by a prop company involved in production. It remains in good overall condition with scuffs, chipping, and various signs of production use to the contents. Dimensions: 30.5" x 25" x 3.25" (77.5 cm x 63.5 cm x 8.25 cm) Estimate: $3,000 - 5,000
Ellen Ladell (British, 1853-1928 ), a study of taxidermy in a glass dome, on a marble topped table with roses and a bird’s nest, signed on left of marble slab, oil on canvas, 46cm x 36cm, frame 66 x 58 cmFootnote: Ellen Ladell painted in a very similar style to her husband, Edward Ladell (1821-1886), who was well known for his still lives. Edward Ladell generally used the same props, fruit, flowers and sometimes a bird's nest or another object, on a marble slab. It is thought that they collaberated together on many works.Condition report: Ok
A mid 20th century decoupaged wine bottle appliqued with vintage and antique postage stamps, together with a similarly decorated tape-dispenser. The bottle; 39cm high. (2)Footnote: Provenance: Direct from the estate of Nancy Fouts (1945-2019)See the Dawsons website article for further informationPossibly advertising props made by Nancy whilst running the Shirtsleeve Studio or Fouts & Fowler.
Roger Moore signed book Bond On Bond. This well presented book is approx 12x9 and comes in its own sleeve. Both the book and sleeve are beautifully fabric coated. Inside you will find photos and illustrations of the Bond films and props throughout time. Moore is best known for playing British secret agent James Bond in seven feature films from 1973 to 1985. Good condition. All autographs come with a Certificate of Authenticity. We combine postage on multiple winning lots and can ship worldwide. UK postage from £4.99, EU from £6.99, Rest of World from £8.99
Magic Tricks - a collection of assorted vintage magicians magic tricks all ' disappearing ' in theme. The tricks largely of cylindrical form and of metal and plastic construction having hidden compartments and stacking mechanism. Props comprising plastic fruits, sponge balls, coins and handkerchief included. Largest to measure approx 32cm.
Aardman Animations - Assorted Productions - a collection of assorted production used / made miniature props from unknown productions. Comprising: a set of classic ' Aardman ' character teeth (likely from Creature Comforts), a latex Chicken foot (from Chicken Run), a production used plasticine-over-metal-armature hand (very likely Wallace's hand from A Close Shave), several chocolate-coloured props including a pint of beer and telephone (likely from Aardman's involvement with Cadbury's Crunchie commercials), a full size latex human ear on metal pole, a miniature Hohner harmonica (possibly that used by Mac in Chicken Run) and other miniature items. Fascinating collection.
Aardman Animations - Channel 4 Idents - two screen used production Channel 4 multi-coloured props, as used in their idents in the mid 1990s. Both of wooden construction, each made to appear as if they are separate pieces, but are actually made from just one piece of wood. Multi-coloured painted segments to the fronts. Some wear from use, and mounting holes present. Larger ' 4 ' measures approx 42cm tall. Unique pieces of television memorabilia.
Aardman Animations - Unknown Productions - an assortment of props and related production used items, all likely relating to Aardman Animations' projects (possibly some BolexBrothers), includes; a pair of miniature metal bar stools in yellow, a large 'miniature' wooden packing crate, a Creature Comforts style crab's hand (AF), a model crab, a lifesize plate of soup with accompanying toast (possibly from The Secret Adventures Of Tom Thumb), an unused scale model door and wheel (believed to be from the Wallace & Gromit Renault television adverts), and other related items. Interesting collection.
Aardman Animations - Stage Fright (1997) - an original screen matched miniature prop straw boater / hat. The hat of deliberate ragged form, with a small red bow and various areas of faux damage. The had remains in good production used condition, but would benefit from a clean. This hat forms represents one of the most important props in the short animated film. Measures approx; 5cm diameter.
Aardman Animations - Wallace & Gromit - A Close Shave (1995) - a scarce original production used animation puppet for the character Wendolene (voiced by Anne Reid). The puppet with resin hairpiece and retaining original plasticine face section, with one original earring still set in place. The head is mounted on its original adjustable metal armature. Very likely a screen used puppet which was stripped of its costume and features after production. Measures approx; 24cm tall. Props from any Wallace & Gromit production are seldom seen.
Unknown Productions - Bolexbrothers or Aardman Animations - two production used animation props, believed to be from an unknown BolexBrothers production, comprising; a miniature surreal tree - wooden construction, with plaster over-detail and inner metal armature for posing, and a surreal goat character with twisted horns and inset eyes. Fur to the rear. Both showing signs from production use, but overall display well. Tree measures approx; 38cm tall.

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