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Click here to subscribeELLA ENCHANTED (2004) - FOUR PIECE OUTFIT comprising a navy blue velvet and patterned jacket designed by Maribou, with a front eyelet and cord fastening, a black and multi-coloured elasticated neck top by oJapan, a blue and black elasticated waste gypsy style full length skirt and an over skirt with teal lining and orange sheer fabric, WG #12's outfit, Accompanied by a Premiere Props certificate of authenticity. The film stars Anne Hathaway and Joanna Lumley
ALONG CAME POLLY (2004) - JAVIER'S SHIRT & PANTS - PLAYED BY JSU GARCIAAdidas size XL red tracksuit bottoms, Canari royal blue half zip top, accompanied by Premiere Props certificate of authenticity. The film also stars Ben Stiller, Jennifer Aniston, Debra Messing, Philip Seymour Hoffman and Alec Baldwin
ALONG CAME POLLY (2004) - SANDY'S NYLON SHIRT - PLAYED BY PHILIP SEYMOUR HOFFMANCustom made black polyester long sleeved top, intended for but not used in production, accompanied by Premiere Props certificate of authenticity; together with ALONG CAME POLLY (2004) - SALSA CLUB BARTENDER'S CUBAVERA SHIRT, the rust/red Cubavera shirt with black embroidery down the right and side, size medium, accompanied by Premiere Props certificate of authenticity. The film also stars Ben Stiller, Jennifer Aniston, Debra Messing, and Alec Baldwin(2)
ALONG CAME POLLY (2004) - REUBEN'S SCREENWORN PANTS & SHOES - PLAYED BY BEN STILLERBanana republic 33 inch waist 32 inch inside leg brown trousers, including brown lace-up Prada shoes size marked as 10.5. Accompanied by a Premiere Props Certificate of Authenticity and Costume department tags. The film also stars Jennifer Aniston, Debra Messing, Philip Seymour Hoffman and Alec Baldwin
THE RUNDOWN (2003) - SWENSON'S DISTRESSED SCREENWORN OUTFIT - PLAYED BY STUART F. WILSONDistressed and stained gents vest, size small, accompanied by Premiere Props certificate of authenticity. The British title of this movie was Welcome to the Jungle. The film also stars Dwayne Johnson, Seann William Scott and Christopher Walken
BECAUSE I SAID SO (2007) - MILLY WILDER'S SUIT JACKET AND TOP - PLAYED BY MANDY MOOREDKNY Ladies 93% wool, 5% cashmere and 2% spandex fitted one buttoned suit jacket size 6, red ladies short sleeved blouse, with pearl buttons to front and a mesh yoke, together with costume jewellery and a black satin clutch bag, Accompanied by a Premiere Props Certificate of Authenticity and Costume department tag. The film also stars Diane Keaton
Alice Cooper signed 7x5 black and white photograph. Alice Cooper (born Vincent Damon Furnier, February 4, 1948) is an American singer, songwriter, and actor whose career spans over 50 years. With a raspy voice and a stage show that features numerous props, Cooper is considered by music journalists and peers to be The Godfather of Shock Rock. Good condition. All autographs come with a Certificate of Authenticity. We combine postage on multiple winning lots and can ship worldwide. UK postage from £4.99, EU from £6.99, Rest of World from £8.99
A 32 page 'Camera Script' for an ABC TV produced 'Blackpool Night Out' special on the 19th July 1964 featuring The Beatles, with script signed to page 21 (lyrics to 'A Hard Day's Night') clearly and boldly by George Harrison, John Lennon, Paul McCartney and Ringo Starr. This was the first ever performance of Hard Day's Night to be aired on TV. Other pages bear signatures from other performers in the show: Lionel Blair (page 3), Bernie Winters (6), Chita Rivera (7). The pages measure approx 20.5 x 33cm. The first page of the script is loose and shows wear, the main body of the pages (inc signed page) are in very good, clean condition. Also included is a pair of timpani drumsticks which according to the vendor were used by Ringo Starr during the performance and collected by the vendor on the night after they were left on the floor. Provenance: the vendor was responsible for props backstage at the theatre and worked on 2 other occasions when The Beatles played in Blackpool. A letter of provenance will be provided to go with the autographs and drumsticks. The Beatles autographs have been authenticated by Roger Epperson prior to this sale.
3 PAIRS GENTS MID 20TH CENTURY SHOE TRESS VIC-TREE & CHURCHES A nice collection of gents size 8-9 shoe trees from the mid 20th century. All made in England and in immaculate condition. 2 pairs by churches shoes, 1 articulated metal pair circa 1950s and 1 wooden pair circa 1980s. The other more collectable, Vic-Tree pair are sprung and have makers marks, as do the others. Belonging to one, well travelled gentleman. Great props/stock for a vintage clothing retailer.
1980, as seen in 'Keeper of Traken' 5T with Tom BakerImages of items use in episode shown in images,The Peter Logan collection of original Dr. Who Props Peter Joined Visual the BBC’s Effects Dept in July 1967 where he worked on many episodes as a design assistant making props for visual effects and operating them in the studio and on location. His filming, and studio recording, for the BBC with Dr. who was as follows: Aug 1967 ABOMINABLE SNOWMAN Designers Ron Oats & Ulrich Grosser1967 ICE WARRIORS Designers Bernard Wilkie & Ron Oats Feb 1968 FURY FROM THE DEEP Designers Peter Day & Len Hutton1970 INFERNO Designer Len Hutton1971 CLAWS OF AXOS Designer John Horton May 1972 DR. WHO AND THE MUTANTS1973 CARNIVAL OF MONSTERS Des. John Horton1973 TIME WARRIORS Des. Jim Ward1976 BRAIN OF MARBIUS Des. John Horton Mar 1977 THE SUNMAKERS Des. Peter Day & Peter Logan (Location) Jun 1977 THE SUNMAKERS Acting Des. Peter Logan Dec 1977 INVASION OF TIME Des. Richard Conway & Colin Mapson Jun 1978 ANDRIODS OF TARA Des. Len Hutton Then on 16 Jan 1979 he became head designer and was involved in: Jun. 1979 DESTINY OF THE DALEKS Des. Peter Logan Dec 1980 KEEPER OF TRAKEN Des. Peter Logan Jun. 1981 KINDA Des. Peter Logan Jan. 1982 TIME FLIGHT Des. Peter Logan
An Original Doctor Who Propbelieved to be in Shada as part of the Doctors Medikit The Peter Logan collection of original Dr. Who Props Peter Joined Visual the BBC’s Effects Dept in July 1967 where he worked on many episodes as a design assistant making props for visual effects and operating them in the studio and on location. His filming, and studio recording, for the BBC with Dr. who was as follows: Aug 1967 ABOMINABLE SNOWMAN Designers Ron Oats & Ulrich Grosser 1967 ICE WARRIORS Designers Bernard Wilkie & Ron Oats Feb 1968 FURY FROM THE DEEP Designers Peter Day & Len Hutton 1970 INFERNO Designer Len Hutton 1971 CLAWS OF AXOS Designer John Horton May 1972 DR. WHO AND THE MUTANTS 1973 CARNIVAL OF MONSTERS Des. John Horton 1973 TIME WARRIORS Des. Jim Ward 1976 BRAIN OF MARBIUS Des. John Horton Mar 1977 THE SUNMAKERS Des. Peter Day & Peter Logan (Location) Jun 1977 THE SUNMAKERS Acting Des. Peter Logan Dec 1977 INVASION OF TIME Des. Richard Conway & Colin Mapson Jun 1978 ANDRIODS OF TARA Des. Len Hutton Then on 16 Jan 1979 he became head designer and was involved in: Jun. 1979 DESTINY OF THE DALEKS Des. Peter Logan Dec 1980 KEEPER OF TRAKEN Des. Peter Logan Jun. 1981 KINDA Des. Peter Logan Jan. 1982 TIME FLIGHT Des. Peter Logan
An Original Doctor Who Prop: A ScrollFrom an unknown episode, paper scroll with a handwritten proclamation with a wax seal The Peter Logan collection of original Dr. Who Props Peter Joined Visual the BBC’s Effects Dept in July 1967 where he worked on many episodes as a design assistant making props for visual effects and operating them in the studio and on location. His filming, and studio recording, for the BBC with Dr. who was as follows: Aug 1967 ABOMINABLE SNOWMAN Designers Ron Oats & Ulrich Grosser 1967 ICE WARRIORS Designers Bernard Wilkie & Ron Oats Feb 1968 FURY FROM THE DEEP Designers Peter Day & Len Hutton 1970 INFERNO Designer Len Hutton 1971 CLAWS OF AXOS Designer John Horton May 1972 DR. WHO AND THE MUTANTS 1973 CARNIVAL OF MONSTERS Des. John Horton 1973 TIME WARRIORS Des. Jim Ward 1976 BRAIN OF MARBIUS Des. John Horton Mar 1977 THE SUNMAKERS Des. Peter Day & Peter Logan (Location) Jun 1977 THE SUNMAKERS Acting Des. Peter Logan Dec 1977 INVASION OF TIME Des. Richard Conway & Colin Mapson Jun 1978 ANDRIODS OF TARA Des. Len Hutton Then on 16 Jan 1979 he became head designer and was involved in: Jun. 1979 DESTINY OF THE DALEKS Des. Peter Logan Dec 1980 KEEPER OF TRAKEN Des. Peter Logan Jun. 1981 KINDA Des. Peter Logan Jan. 1982 TIME FLIGHT Des. Peter Logan
A Selection of BBC Props,including an exploding cigar, a thrown knife prop, a retracting knife, and more, The Peter Logan collection of original BBC Props Peter Joined Visual the BBC’s Effects Dept in July 1967 where he worked on many episodes as a design assistant making props for visual effects and operating them in the studio and on location.
as seen in 'Keeper of Traken' 1981, (Tom Baker)Two of Five know rings, used as 'keys' to summon the 'Keeper of Traken' as seen pictured,Condition: One ring is in very good condition, the other has damage to the band, The Peter Logan collection of original Dr. Who Props Peter Joined Visual the BBC’s Effects Dept in July 1967 where he worked on many episodes as a design assistant making props for visual effects and operating them in the studio and on location. His filming, and studio recording, for the BBC with Dr. who was as follows: Aug 1967 ABOMINABLE SNOWMAN Designers Ron Oats & Ulrich Grosser1967 ICE WARRIORS Designers Bernard Wilkie & Ron Oats Feb 1968 FURY FROM THE DEEP Designers Peter Day & Len Hutton1970 INFERNO Designer Len Hutton1971 CLAWS OF AXOS Designer John Horton May 1972 DR. WHO AND THE MUTANTS1973 CARNIVAL OF MONSTERS Des. John Horton1973 TIME WARRIORS Des. Jim Ward1976 BRAIN OF MARBIUS Des. John Horton Mar 1977 THE SUNMAKERS Des. Peter Day & Peter Logan (Location) Jun 1977 THE SUNMAKERS Acting Des. Peter Logan Dec 1977 INVASION OF TIME Des. Richard Conway & Colin Mapson Jun 1978 ANDRIODS OF TARA Des. Len Hutton Then on 16 Jan 1979 he became head designer and was involved in: Jun. 1979 DESTINY OF THE DALEKS Des. Peter Logan Dec 1980 KEEPER OF TRAKEN Des. Peter Logan Jun. 1981 KINDA Des. Peter Logan Jan. 1982 TIME FLIGHT Des. Peter Logan
as seen in Dr. Who (tom Baker) Episode: 'The Sun Makers' (1977), designed to fire flash wool pellets,also with a written note describing the use of the prop, including notes on production decisions regarding the health and safety of the prop,in the episode, the prop was carried by several soldiers, one of which is seeming killed by a bloodthirsty K-9 in part two, shown in images, also carried by the Doctor's companion of the time, Leela portrayed by Louise Jameson, we also see the pyrotechnic effects used, Leela being shot by said weapon, the weapons also featured in scenes with Tom Baker throughout the episode,Condition: peeling to paint on body of weapon,94cm x 9cm x 20cm The Peter Logan collection of original Dr. Who Props Peter Joined Visual the BBC’s Effects Dept in July 1967 where he worked on many episodes as a design assistant making props for visual effects and operating them in the studio and on location. His filming, and studio recording, for the BBC with Dr. who was as follows: Aug 1967 ABOMINABLE SNOWMAN Designers Ron Oats & Ulrich Grosser1967 ICE WARRIORS Designers Bernard Wilkie & Ron Oats Feb 1968 FURY FROM THE DEEP Designers Peter Day & Len Hutton1970 INFERNO Designer Len Hutton1971 CLAWS OF AXOS Designer John Horton May 1972 DR. WHO AND THE MUTANTS1973 CARNIVAL OF MONSTERS Des. John Horton1973 TIME WARRIORS Des. Jim Ward1976 BRAIN OF MARBIUS Des. John Horton Mar 1977 THE SUNMAKERS Des. Peter Day & Peter Logan (Location) Jun 1977 THE SUNMAKERS Acting Des. Peter Logan Dec 1977 INVASION OF TIME Des. Richard Conway & Colin Mapson Jun 1978 ANDRIODS OF TARA Des. Len Hutton Then on 16 Jan 1979 he became head designer and was involved in: Jun. 1979 DESTINY OF THE DALEKS Des. Peter Logan Dec 1980 KEEPER OF TRAKEN Des. Peter Logan Jun. 1981 KINDA Des. Peter Logan Jan. 1982 TIME FLIGHT Des. Peter Logan
as seen in Dr. Who (Tom Baker) Episode: 'Invasion of Time' (1978), screenshots of use shown,Condition: peeling to paint on body of weapon, The Peter Logan collection of original Dr. Who Props Peter Joined Visual the BBC’s Effects Dept in July 1967 where he worked on many episodes as a design assistant making props for visual effects and operating them in the studio and on location. His filming, and studio recording, for the BBC with Dr. who was as follows: Aug 1967 ABOMINABLE SNOWMAN Designers Ron Oats & Ulrich Grosser1967 ICE WARRIORS Designers Bernard Wilkie & Ron Oats Feb 1968 FURY FROM THE DEEP Designers Peter Day & Len Hutton1970 INFERNO Designer Len Hutton1971 CLAWS OF AXOS Designer John Horton May 1972 DR. WHO AND THE MUTANTS1973 CARNIVAL OF MONSTERS Des. John Horton1973 TIME WARRIORS Des. Jim Ward1976 BRAIN OF MARBIUS Des. John Horton Mar 1977 THE SUNMAKERS Des. Peter Day & Peter Logan (Location) Jun 1977 THE SUNMAKERS Acting Des. Peter Logan Dec 1977 INVASION OF TIME Des. Richard Conway & Colin Mapson Jun 1978 ANDRIODS OF TARA Des. Len Hutton Then on 16 Jan 1979 he became head designer and was involved in: Jun. 1979 DESTINY OF THE DALEKS Des. Peter Logan Dec 1980 KEEPER OF TRAKEN Des. Peter Logan Jun. 1981 KINDA Des. Peter Logan Jan. 1982 TIME FLIGHT Des. Peter Logan
as seen in Dr. Who (Tom Baker) Episode: 'Invasion of Time' (1978), screenshots of use shown,Condition: peeling to paint on body of weapon, gas cylinders not present when compared to similar props, The Peter Logan collection of original Dr. Who Props Peter Joined Visual the BBC’s Effects Dept in July 1967 where he worked on many episodes as a design assistant making props for visual effects and operating them in the studio and on location. His filming, and studio recording, for the BBC with Dr. who was as follows: Aug 1967 ABOMINABLE SNOWMAN Designers Ron Oats & Ulrich Grosser1967 ICE WARRIORS Designers Bernard Wilkie & Ron Oats Feb 1968 FURY FROM THE DEEP Designers Peter Day & Len Hutton1970 INFERNO Designer Len Hutton1971 CLAWS OF AXOS Designer John Horton May 1972 DR. WHO AND THE MUTANTS1973 CARNIVAL OF MONSTERS Des. John Horton1973 TIME WARRIORS Des. Jim Ward1976 BRAIN OF MARBIUS Des. John Horton Mar 1977 THE SUNMAKERS Des. Peter Day & Peter Logan (Location) Jun 1977 THE SUNMAKERS Acting Des. Peter Logan Dec 1977 INVASION OF TIME Des. Richard Conway & Colin Mapson Jun 1978 ANDRIODS OF TARA Des. Len Hutton Then on 16 Jan 1979 he became head designer and was involved in: Jun. 1979 DESTINY OF THE DALEKS Des. Peter Logan Dec 1980 KEEPER OF TRAKEN Des. Peter Logan Jun. 1981 KINDA Des. Peter Logan Jan. 1982 TIME FLIGHT Des. Peter Logan
as seen in Dr. Who (Tom Baker) Episode: 'Invasion of Time' (1978), screenshots of use shown,Condition: peeling to paint on body of weapon, gas cylinders are loose, adhesive needs re-applying, The Peter Logan collection of original Dr. Who Props Peter Joined Visual the BBC’s Effects Dept in July 1967 where he worked on many episodes as a design assistant making props for visual effects and operating them in the studio and on location. His filming, and studio recording, for the BBC with Dr. who was as follows: Aug 1967 ABOMINABLE SNOWMAN Designers Ron Oats & Ulrich Grosser1967 ICE WARRIORS Designers Bernard Wilkie & Ron Oats Feb 1968 FURY FROM THE DEEP Designers Peter Day & Len Hutton1970 INFERNO Designer Len Hutton1971 CLAWS OF AXOS Designer John Horton May 1972 DR. WHO AND THE MUTANTS1973 CARNIVAL OF MONSTERS Des. John Horton1973 TIME WARRIORS Des. Jim Ward1976 BRAIN OF MARBIUS Des. John Horton Mar 1977 THE SUNMAKERS Des. Peter Day & Peter Logan (Location) Jun 1977 THE SUNMAKERS Acting Des. Peter Logan Dec 1977 INVASION OF TIME Des. Richard Conway & Colin Mapson Jun 1978 ANDRIODS OF TARA Des. Len Hutton Then on 16 Jan 1979 he became head designer and was involved in: Jun. 1979 DESTINY OF THE DALEKS Des. Peter Logan Dec 1980 KEEPER OF TRAKEN Des. Peter Logan Jun. 1981 KINDA Des. Peter Logan Jan. 1982 TIME FLIGHT Des. Peter Logan
as seen in 'Keeper of Traken' (Tom Baker) 1981, interacted with by Tom Baker during a later scene, the item appears to be part of the tools used by 'The Master' during his clandestine takeover of the planet featured in the episode, The Peter Logan collection of original Dr. Who Props Peter Joined Visual the BBC’s Effects Dept in July 1967 where he worked on many episodes as a design assistant making props for visual effects and operating them in the studio and on location. His filming, and studio recording, for the BBC with Dr. who was as follows: Aug 1967 ABOMINABLE SNOWMAN Designers Ron Oats & Ulrich Grosser1967 ICE WARRIORS Designers Bernard Wilkie & Ron Oats Feb 1968 FURY FROM THE DEEP Designers Peter Day & Len Hutton1970 INFERNO Designer Len Hutton1971 CLAWS OF AXOS Designer John Horton May 1972 DR. WHO AND THE MUTANTS1973 CARNIVAL OF MONSTERS Des. John Horton1973 TIME WARRIORS Des. Jim Ward1976 BRAIN OF MARBIUS Des. John Horton Mar 1977 THE SUNMAKERS Des. Peter Day & Peter Logan (Location) Jun 1977 THE SUNMAKERS Acting Des. Peter Logan Dec 1977 INVASION OF TIME Des. Richard Conway & Colin Mapson Jun 1978 ANDRIODS OF TARA Des. Len Hutton Then on 16 Jan 1979 he became head designer and was involved in: Jun. 1979 DESTINY OF THE DALEKS Des. Peter Logan Dec 1980 KEEPER OF TRAKEN Des. Peter Logan Jun. 1981 KINDA Des. Peter Logan Jan. 1982 TIME FLIGHT Des. Peter Logan
An Original Doctor Who Prop: A 'Correction Helmet',1977, as seen in 'The Sunamkers' with Tom Baker The Peter Logan collection of original Dr. Who Props Peter Joined Visual the BBC’s Effects Dept in July 1967 where he worked on many episodes as a design assistant making props for visual effects and operating them in the studio and on location. His filming, and studio recording, for the BBC with Dr. who was as follows: Aug 1967 ABOMINABLE SNOWMAN Designers Ron Oats & Ulrich Grosser 1967 ICE WARRIORS Designers Bernard Wilkie & Ron Oats Feb 1968 FURY FROM THE DEEP Designers Peter Day & Len Hutton 1970 INFERNO Designer Len Hutton 1971 CLAWS OF AXOS Designer John Horton May 1972 DR. WHO AND THE MUTANTS 1973 CARNIVAL OF MONSTERS Des. John Horton 1973 TIME WARRIORS Des. Jim Ward 1976 BRAIN OF MARBIUS Des. John Horton Mar 1977 THE SUNMAKERS Des. Peter Day & Peter Logan (Location) Jun 1977 THE SUNMAKERS Acting Des. Peter Logan Dec 1977 INVASION OF TIME Des. Richard Conway & Colin Mapson Jun 1978 ANDRIODS OF TARA Des. Len Hutton Then on 16 Jan 1979 he became head designer and was involved in: Jun. 1979 DESTINY OF THE DALEKS Des. Peter Logan Dec 1980 KEEPER OF TRAKEN Des. Peter Logan Jun. 1981 KINDA Des. Peter Logan Jan. 1982 TIME FLIGHT Des. Peter Logan
A Doctor Who Prop: The Face of Mara & Mould,as seen in the episode 'Kinda' 1982, both the face and the mold are in very good condition, The Peter Logan collection of original Dr. Who Props Peter Joined Visual the BBC’s Effects Dept in July 1967 where he worked on many episodes as a design assistant making props for visual effects and operating them in the studio and on location. His filming, and studio recording, for the BBC with Dr. who was as follows: Aug 1967 ABOMINABLE SNOWMAN Designers Ron Oats & Ulrich Grosser 1967 ICE WARRIORS Designers Bernard Wilkie & Ron Oats Feb 1968 FURY FROM THE DEEP Designers Peter Day & Len Hutton 1970 INFERNO Designer Len Hutton 1971 CLAWS OF AXOS Designer John Horton May 1972 DR. WHO AND THE MUTANTS 1973 CARNIVAL OF MONSTERS Des. John Horton 1973 TIME WARRIORS Des. Jim Ward 1976 BRAIN OF MARBIUS Des. John Horton Mar 1977 THE SUNMAKERS Des. Peter Day & Peter Logan (Location) Jun 1977 THE SUNMAKERS Acting Des. Peter Logan Dec 1977 INVASION OF TIME Des. Richard Conway & Colin Mapson Jun 1978 ANDRIODS OF TARA Des. Len Hutton Then on 16 Jan 1979 he became head designer and was involved in: Jun. 1979 DESTINY OF THE DALEKS Des. Peter Logan Dec 1980 KEEPER OF TRAKEN Des. Peter Logan Jun. 1981 KINDA Des. Peter Logan Jan. 1982 TIME FLIGHT Des. Peter Logan
The ex-R M 'Bob' Gilbert; highly successful historic racing1936 Bentley 4¼-Litre Racing Two-SeaterCoachwork by ShapecraftRegistration no. JR 5544Chassis no. B186HKEngine no. D5BF•Rebuilt as a competition car in the late 1980s•Extensively campaigned in VSCC and BDC events•Podium finisher at Le Mans in 2006•Well known and well documentedFootnotes:In the previous vendor's ownership for 33 years, chassis number 'B186HK' was originally completed by Park Ward as a four-door sports saloon and first registered on 27 October 1936. The original registration document does not exist but a continuation document issued on 1 December 1958 records a Capt Maurice Herbert Cousins of London SE 12 as its owner. The Bentley was later acquired by a Mr Stanley Aston of Hall Green, Birmingham (in 1960). The last evidence of its road use is an MoT certificate dated 28 April 1965. After that the car was left in an orchard in Wythall near Birmingham for 18 years. It was acquired by the previous owner on 28 March 1983. The Bentley was in a very sorry state (see pictures on file) and was completely beyond restoration in its then condition. At the same time a friend and colleague of the then owner acquired a similar car in a similar state. With the help of VSCC member Mr Bruce Spollon (subsequently the Club's President) work started on building two identical cars with the aim of competing in VSCC and other historic racing events. The other car was subsequently sold to a German competitor who unfortunately wrote it off at the Nürburgring. 'JR 5544' is the sole survivor of the two identical cars. The aim was to build cars that were both beautiful and looked the part, and the 'bare metal' restoration of 'JR 5544', which is fully documented and photographed, took some six years to complete. The car retains its original engine, gearbox and drive train while incorporating minor modifications as suggested by Rusty Russ-Turner in an article in the VSCC bulletin. Hass Motorsport completely rebuilt the engine. Chassis modifications involved a reduction in wheelbase of 10' by 'cutting and shutting' the original frame, while the front and rear track were widened by 1½' and 2' respectively. The original-pattern lever-type shock absorbers were retained, as were the standard drum brakes, though the original lever/rod mechanism was replaced by a twin-circuit hydraulic system. An aluminium two-seater body was produced by Shapecraft of Northampton to the owner's design and specification, using the original cast bulkhead and reconstructing the engine cover and bonnet around the original item. The interior was re-trimmed and re-upholstered by Ray Banks who, interestingly, was the designer and supplier of many upholstered props in the original 'Star Wars' films. The car was granted a VSCC eligibility certificate in August 1991. 'JR 5544' was subsequently campaigned extensively in VSCC hill climbs and race meetings, being always very competitive and much admired. Over the years it has been considerably modified as a racing car, although it is still road registered. The modifications include 2' SU carburettors, gas-flowed stainless steel inlet and exhaust manifolds. A new cylinder head was specially manufactured by Bentley specialists, Fiennes Engineering. Subsequently the car has been extremely quick and trouble-free. 'JR 5544' has competed extensively in VSCC and Bentley Drivers' Club events, nearly always being in the top three of any race in which it competed and often winning. It was also part of the winning team for two successive years in the VSCC's endurance race at Donington Park. This car is featured in Ray Roberts' book 'Bentley Specials and Special Bentleys' where he describes it as the best Bentley special he had ever seen. Despite competing, the car regularly won the BDC's Concours d'Élégance prize at its annual race meeting, and on many occasions won the award for the car BDC members would most like to take home. The car's last major competitive outing was in 2006 when it was invited to run in the 100th Anniversary race at Le Mans where, fittingly, it repeated the result of the works entry driven by Eddie Hall in 1936 by finishing 3rd and on the podium. The current vendor purchased the Bentley at Bonhams' sale at the Goodwood Festival of Speed in June 2016 (Lot 239), since when it has benefited from some mechanical refurbishment but has seen hardly any use. New Lucas headlamps and sidelights have been fitted, the radiator recored, brakes overhauled, the engine received a new alloy 'head and valves and its been returned to standard compression ratio. The engine will now require careful running in.The car comes complete with the special Bentley tools to remove the hubs and access the brakes. 'JR 5544' has a V5C document, VSCC eligibility papers and an FIA passport (which will require renewal) making it eligible to race in many historic events overseas. Numerous photographs exist of its original restoration and competition outings, together with all the original documentation relating to expenditure on the car over the years. For further information on this lot please visit Bonhams.com
Alice Cooper, 16x19 colour mounted presentation photograph featuring a 4x4 black and white signed photo. Coopers career spans over 50 years. With a raspy voice and a stage show that features numerous props, including pyrotechnics, guillotines, electric chairs, fake blood, reptiles, baby dolls, and duelling swords, Cooper is considered by music journalists and peers to be The Godfather of Shock Rock. He has drawn equally from horror films, vaudeville, and garage rock to pioneer a macabre and theatrical brand of rock designed to shock audiences. Good condition. All autographs come with a Certificate of Authenticity. We combine postage on multiple winning lots and can ship worldwide. UK postage from £4.99, EU from £6.99, Rest of World from £8.99.
Twenty Matchbox 1:72 scale model Aircraft kits, including Lancaster bomber, PK-401 Heinkel, PK-405 Mitchell, PK-407 Marauder, PK-409 Dornier, five Jet fighters Tomcat, Phantom’s Grumman Prowler and McDonnell Voodoo, Boeing Chinook helicopter and nine smaller kits including Hunter and Corsair fighter jets, Walrus flying boat and various twin props, all contents appear complete, but unchecked, boxes generally good few creases, (20 kits).
Thirty Airfix 1:72 scale model Aircraft kits, sealed Navy Firepower and Short Sunderland III, opened D-Day 60th anniversary gift set with four kits contents in sealed bags, seven sealed smaller kits, twelve opened smaller kits including single props, all contents checked and appear complete and eight vintage kits, contents appear complete, but unchecked, boxes generally good some creases, (30 kits).
The Lord of the Rings - a set of promotional gifts and items from the premiere at the LOTR Cannes Press Festival in 2001 including a silver ring in an ornate box, a premiere invitation, LOTR Cannes 2001 guest gift bag, promotional ring in a plastic sleeve. (4)Provenance: The vendor owned an event planning company in the early 1990s until 2008. They organised the Lord of the Rings Cannes Press Festival in 2001. New Line chairman Bob Shaye and Dir. P. Jackson presented 25 minutes of footage from the film, which featured a montage introducing key characters, as well as a 14-minute excerpt of a chase sequence in the Mines of Moria and previews of the second and third installments of the trilogy, due in December 2002 and 2003, respectively.The event culminated in a party that was held at the Chateau de Castellaras near the town of Mougins, where they reconstructed a lot of the sets and displayed set dressings and props from the actual movies (flown in especially from New Zealand). After the event, everything was deconstructed and sent back to NZ but the vendors got the permission to keep these few items as a gift.
The Lord of the Rings - 2 pieces of Orc armour, constructed from painted fibreglass. (2)Provenance: The vendor owned an event planning company in the early 1990s until 2008. They organised the Lord of the Rings Cannes Press Festival in 2001. New Line chairman Bob Shaye and Dir. P. Jackson presented 25 minutes of footage from the film, which featured a montage introducing key characters, as well as a 14-minute excerpt of a chase sequence in the Mines of Moria and previews of the second and third installments of the trilogy, due in December 2002 and 2003, respectively.The event culminated in a party that was held at the Chateau de Castellaras near the town of Mougins, where they reconstructed a lot of the sets and displayed set dressings and props from the actual movies (flown in especially from New Zealand).After the event, everything was deconstructed and sent back to NZ but the vendors got the permission to keep these few items as a gift.
Terminator 2: Judgment Day (1991) - A Replica T-800 Endo Arm. Precision made from metal & resin based on the props used in the Film. Displayed inside an illuminated cylindrical acrylic case (27x6 inches) with a descriptive plaque. In the Film, the T-800 was played by Arnold Schwarzenegger & was sent by Skynet to kill Sarah Conner, the future mother of John Conner, the leader of the future human Resistance.Mains powered.
The Lord of the Rings - Dwarf Urn constructed from clay and used as set dressing around Moria, 8 x 8 x 8 inches approximately. Provenance: The vendor owned an event planning company in the early 1990s until 2008. They organised the Lord of the Rings Cannes Press Festival in 2001. New Line chairman Bob Shaye and Dir. P. Jackson presented 25 minutes of footage from the film, which featured a montage introducing key characters, as well as a 14-minute excerpt of a chase sequence in the Mines of Moria and previews of the second and third installments of the trilogy, due in December 2002 and 2003, respectively.The event culminated in a party that was held at the Chateau de Castellaras near the town of Mougins, where they reconstructed a lot of the sets and displayed set dressings and props from the actual movies (flown in especially from New Zealand).After the event, everything was deconstructed and sent back to NZ but the vendors got the permission to keep these few items as a gift.
The Lord of the Rings - 2 tankards used as set dressing in the Prancing Pony and a prop reference picture for the Prancing Pony used to recreate the pub for the Lord of the Rings Cannes Press Festival Festival in 2001, largest approximately 5 x 5 x 3 inches. (2)Provenance: The vendor owned an event planning company in the early 1990s until 2008. They organised the Lord of the Rings Cannes Press Festival in 2001. New Line chairman Bob Shaye and Dir. P. Jackson presented 25 minutes of footage from the film, which featured a montage introducing key characters, as well as a 14-minute excerpt of a chase sequence in the Mines of Moria and previews of the second and third installments of the trilogy, due in December 2002 and 2003, respectively.The event culminated in a party that was held at the Chateau de Castellaras near the town of Mougins, where they reconstructed a lot of the sets and displayed set dressings and props from the actual movies (flown in especially from New Zealand). After the event, everything was deconstructed and sent back to NZ but the vendors got the permission to keep these few items as a gift.
The Lord of the Rings - jug, wooden meat hammer, ceramic plate and small wine barrel used as set dressing for Bag End, jug 7 x 5 1/2 x 6 inches approximately. (4)Provenance: The vendor owned an event planning company in the early 1990s until 2008. They organised the Lord of the Rings Cannes Press Festival in 2001. New Line chairman Bob Shaye and Dir. P. Jackson presented 25 minutes of footage from the film, which featured a montage introducing key characters, as well as a 14-minute excerpt of a chase sequence in the Mines of Moria and previews of the second and third installments of the trilogy, due in December 2002 and 2003, respectively.The event culminated in a party that was held at the Chateau de Castellaras near the town of Mougins, where they reconstructed a lot of the sets and displayed set dressings and props from the actual movies (flown in especially from New Zealand). After the event, everything was deconstructed and sent back to NZ but the vendors got the permission to keep these few items as a gift.
The Lord of the Rings - 3 Hobbit smoking pipes, 1 made as a prop for the films and 2 functioning pipes made from wood for use by Hobbit actors at the Cannes Press Festival, largest 6 1/2 inches long. (3)Provenance: The vendor owned an event planning company in the early 1990s until 2008. They organised the Lord of the Rings Cannes Press Festival in 2001. New Line chairman Bob Shaye and Dir. P. Jackson presented 25 minutes of footage from the film, which featured a montage introducing key characters, as well as a 14-minute excerpt of a chase sequence in the Mines of Moria and previews of the second and third installments of the trilogy, due in December 2002 and 2003, respectively.The event culminated in a party that was held at the Chateau de Castellaras near the town of Mougins, where they reconstructed a lot of the sets and displayed set dressings and props from the actual movies (flown in especially from New Zealand). After the event, everything was deconstructed and sent back to NZ but the vendors got the permission to keep these few items as a gift.
The Lord of the Rings - 3 candle holders used as set dressing for Bag End and the Prancing Pony and a wax candle used in the Rivendell Library (the Rivendell Library was reconstructed for the party at Chateau de Castelleras to mark the end of the LOTR Cannes Press Festival 2001). (4)Provenance: The vendor owned an event planning company in the early 1990s until 2008. They organised the Lord of the Rings Cannes Press Festival in 2001. New Line chairman Bob Shaye and Dir. P. Jackson presented 25 minutes of footage from the film, which featured a montage introducing key characters, as well as a 14-minute excerpt of a chase sequence in the Mines of Moria and previews of the second and third installments of the trilogy, due in December 2002 and 2003, respectively.The event culminated in a party that was held at the Chateau de Castellaras near the town of Mougins, where they reconstructed a lot of the sets and displayed set dressings and props from the actual movies (flown in especially from New Zealand). After the event, everything was deconstructed and sent back to NZ but the vendors got the permission to keep these few items as a gift.
The Lord of the Rings - large blue glass carafe and a orange glass jug used as set dressing for Rivendell, largest 9 x 7 x 4 inches approximately. (2)Provenance: The vendor owned an event planning company in the early 1990s until 2008. They organised the Lord of the Rings Cannes Press Festival in 2001. New Line chairman Bob Shaye and Dir. P. Jackson presented 25 minutes of footage from the film, which featured a montage introducing key characters, as well as a 14-minute excerpt of a chase sequence in the Mines of Moria and previews of the second and third installments of the trilogy, due in December 2002 and 2003, respectively.The event culminated in a party that was held at the Chateau de Castellaras near the town of Mougins, where they reconstructed a lot of the sets and displayed set dressings and props from the actual movies (flown in especially from New Zealand). After the event, everything was deconstructed and sent back to NZ but the vendors got the permission to keep these few items as a gift.
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