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A quantity of ceramics including five Poole Pottery dolphins, two Poole Pottery preserve pots and covers with painted decoration including fruiting vine design, a Poole Pottery tear shaped dish, a set of six miniature Susie Cooper dishes and stands with painted pink lily decoration, five Ridgway Homemaker plates, etc together with a Sylvac flower holder modelled as seashells with impressed numbers to base 4159
An unusual Studio Pottery mirror frame with incised and painted decoration of a pair of stylised figures amongst leaves in a predominantly grey and brown glazed finish (hanging on end of shelves), signed bottom right Narcisse, together with further Studio pottery, a Poole tureen and cover with vegetable design, etc
A large Poole Pottery BN pattern jug, shape 318, painted by Marian Jones, impressed factory mark and shape no. to base, with painted marks for decorator and pattern no.,17cm high CONDITION REPORT: If you require further images of this lot or a condition report please contact us with your request as condition reports have not been included in the description
A pair of Ashtead potters fantail pigeon bookends, each in a grey glaze, printed marks 15½cm (6in) The Ashtead Pottery lasted for only 12 years from 1923 to 1935. It was set up in Ashtead Surrey with the aim of providing employment for disabled ex-servicemen. At its height, it employed 40 men and produced an array of wares from figures to everyday crockery in bold bright Art Deco designs. They also produced commemoratives designed by some of the leading artists of the time including Phoebe Stabler who also designed for Poole and Royal Doulton. The Ashtead Potters exhibited at the Wembley "British Empire Exhibitions" of 1924 and 1925 having working stands where the potters showed off their skills and wares. The pottery closed in 1935 during the Great Depression.

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