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A "POOLE POTTERY" VASE, hand painted with leaping deer, amidst polychrome flowers, impressed and painted marks to base, purple dash rim, 21.5cm high

A "POOLE POTTERY" VASE, hand painted with leaping deer, amidst polychrome flowers, impressed and painted marks to base, green dash rim, 21cm high

A service of Poole pottery Twin tone dinner wares,decorative ceramics and other items (five boxes)

SIX VICTORIAN WINE GLASSES with green glass bowls; along with a modern Poole pottery vase and wooden incense holder

A POOLE POTTERY THE TREE OF LIFE CHARGER. NO 254/500. Dia.40cms.

A Carter, Stabler and Adams Poole Pottery Red Earthenware Vase, of ovoid form, painted in the 'Blue Bird' pattern amongst flowers by Marjorie Batt (1925-35), painted and impressed marks, 11cm high. A Circular Dish, in the same design, 24cm diameter. (2)

A Carter, Stabler and Adams Poole Pottery Red Earthenware Large Two Handled Vase, of tapered baluster form, painted with stylised leaves and flowers in shades of yellow, green, mauve and black by Truda Rivers (1922-32), pattern ZA, painted and impressed marks, 27cm high.

A Carter, Stabler and Adams Poole Pottery Red Earthenware Two Handled Vase, of ovoid form, painted with flowers and foliage in shades of yellow and grey by Marjorie Batt 91925-35, pattern YE, painted and impressed mark, 14cm high.

A Carter, Stabler and Adams Poole Pottery Red Earthenware Vase, of baluster form, painted with a geometric design of yellow dots, blue swirls and a green band, by Ruth Pavely (1922-65), painted and impressed marks, 14cm high; A Similar Jug and a Jam Pot and Cover. (4)

A Carter, Stabler and Adams Poole Pottery Red Earthenware Vase, of ovoid form, painted with pink, yellow and mauve flowers by Jacqueline Way (1958-64), pattern ZW, painted and impressed marks, 21cm high; A Similar Cylindrical Vase, 25.5cm high. (2)

A Carter, Stabler and Adams Poole Pottery Red Earthenware Jam Pot and Cover, painted in the 'Blue Bird' pattern, amongst flowers by Marjorie Batt (1925-35), wicker handle, painted and impressed marks, 11cm high; A Floral Decorated Jam Pot and Cover, 12cm high. (4)

A Carter, Stabler and Adams Poole Pottery Red Earthenware Vase, of globular form, painted in the blue, purple and green Paisley by Myrtle Bond (1927-42), pattern OR, painted and impressed marks, 9cm high; Another, in the same pattern, 11cm high; A 'PR' Pattern Geometric Vase, 18cm high (cracked). (3)

A Carter, Stabler and Adams Poole Pottery Red Earthenware Vase, of baluster form, painted with pink, yellow and mauve flowers by Norah Preston (1934-41), pattern ZW, painted and impressed marks, 25cm high; A Shaped Cylindrical Vase, in pattern BM, 22cm high. (2)

A Carter, Stabler and Adams Poole Pottery Red Earthenware Two Handled Vase, of ovoid form, painted with flowers and foliage by Ruth Pavely (1922-65), pattern EB, painted and impressed marks, 18.5cm high; Another, a two handled vase in pattern YO, 18cm high. (2)

A Carter, Stabler and Adams Poole Pottery Red Earthenware Chinese Blue Bowl, of circular form, impressed marks, 22.5cm diameter; A Bursley Ware Circular Shallow Bowl, painted with pink flowers and berries, 30cm diameter. (2)

A Carter, Stabler and Adams Poole Pottery Red Earthenware Biscuit Barrel and Cover, with wicker handle, painted with flowers by Marjorie Batt (1925-35), painted and impressed marks, 17cm high; A Similar Jug and Two Vases. (5)

A Carter, Stabler and Adams Poole Pottery Red Earthenware Jug, painted with a floral border by Eileen Prangnell (1924-37), pattern GX, painted and impressed marks, 21cm high; A Similar Dish, Vase and Two Bowls. (5)

Seven Poole Pottery Medieval Calendar Plates, designed by Tony Morris and limited to a production of 1000 each, January 646/1000, February 609/1000, March 868/1000, April 407/1000, May 198/1000, June 919/1000 and December 765/1000, four boxed with certificates. (7)

A Carter, Stabler and Adams Red Earthenware Poole Pottery Vase, of baluster form, painted by Ann Hatchard (1918-36) with stylised flowers in shades of yellow, brown. green and black within line and dash borders, pattern ZB, impressed and painted marks, 28.5cm high.

A Carter, Stabler and Adams Red Earthenware Poole Pottery Vase, of two handled globular form, painted by Vera Bridle (1923-33) with a band of flowers within a wavy line neck, pattern YO, impressed and painted marks, 24cm high.

A shelf of various Poole pottery

Coalport Indian Tree, Poole pottery and other ceramics

A Poole Pottery dish with lustre glaze and abstract designs, length 43, width 17.5cm and a Poole Pottery plate with a red ground, diameter 20.5cm.

A Poole Pottery vase, the orange ground with a green and yellow abstract design, number 15 to the base, height 22cm and a smaller similar vase, number 31 and black painted initials BM to base, height 8.5cm.

Three Poole pottery shell form dishes.

A Poole pottery vase on a red background, 26cm high, along with a Poole square vase.13.5cm high

A Poole pottery charger, 27.5cm diameter, along with a Poole vase 16.5cm high

Three pieces of Poole pottery to include a vase on a pedestal base, flared vase and a jug

A Carter's Poole Pottery Noah's Art Series four tile Nursery panel designed by Phyllis Butler, screen-printed and painted with a monkey running from the deluge, in colours on a pale yellow ground, mounted on card marks concealed, 30.5cm. square Catalogue notes These tiles form part of a larger group of nursery tiles produced for children's wards at hospitals including The Kent and Sussex Hospital, Tunbridge Wells in 1935.

A Carter's Poole Pottery Noah's Art Series four tile Nursery panel designed by Phyllis Butler, screen-printed and painted with a Rhino dressed and walking on hind legs, in colours on a yellow ground, mounted on card, marks concealed 30.5cm. square

A Carter's Poole Pottery Noah's Art Series six tile Nursery panel designed by Phyllis Butler, on Pilkington's blanks, screen-printed and painted with a monkey riding an ostrich away from the deluge, in colours on a yellow ground, impressed P mark, painted B numbers, chip to one tile, 53.5 x 30.5cm. (6)

A Carter Stabler & Adams Poole Pottery vase by Eileen Prangnell, pattern EB, painted with flowers and foliage in colours on white ground, impressed mark, painted artist cipher, 17cm. high

A Poole Pottery Plane Ware vase, shape no. 181, flaring cylindrical form on shallow base, spray glazed cream, the foot and applied stepped flanges glazed yellow impressed and printed marks, incised 181, hairline to foot rim, 16cm. high Literature Leslie Hayward & Paul Atterbury Poole Pottery, Richard Dennis page 70 and 71 for comparable examples.

A Poole Pottery vase by Ruth Pavely, shape 966, pattern BR, shouldered cylindrical form, painted with stylised flowers and foliage in green, grey, black and brown on a white ground, impressed and incised marks, painted artist cipher, 24.5cm. high

A Carter's Poole Pottery lustre vase, ovoid with collar neck, covered in a rich deep golden-green lustre glaze, and a Carter, Stabler & Adams lustre octagonal pot, incised marks, 12.5cm. high

A Carter's Poole Pottery lustre dish, covered in a rich, deep red lustre glaze, and two shouldered lustre Carter, Stabler & Adams vases, impressed marks, damages to one vase, 14cm. diam. (3)

A rare Carter's Poole Pottery lustre bowl, footed form, covered in a streaked blue crystalline glaze, impressed Carter's Poole mark, 17cm. diam.

Picardy Peasant a rare Hammersmith Bridge pottery figure designed by Phoebe Stabler in 1914, potted by Harold Stabler, 1915, modelled seated resting her hands on her lap., covered in a mustard brown glaze, impressed Hammersmith Bridge mark, Phoebe Stabler and date 1914, incised to inside Potted by Harold Stabler 1915, 27cm. high Literature Leslie Hayward and Paul Atterbury Poole Pottery, Richard Dennis, page 40 for a later example of this figure produced by Carter, Stabler & Adams at Poole Pottery.

A Carter's Poole Pottery lustre vase, 1906, waisted cylindrical form, covered in a streaked green lustre glaze, incised mark dated 1906, firing crack to base, 32cm. high

A tall Carter's Poole Pottery lustre vase, dated 1904, slightly swollen cylindrical form, covered in a golden lustre glaze incised marks, firing crack to base, 39.5cm. high

A Poole Pottery Atlantis vase by Alan White, compressed ovoid form, incised with abstracted lines, glazed white, two others similar with orange highlights and another similar, impressed mark, incised monogram, 12cm. diam. (4)

A Poole Pottery Studio vase probably designed by Robert Jefferson, compressed form with flaring neck, decorated with bubble designs in green on a white ground, another similar and a small lamp base, printed Studio mark, 9cm. high, (3)

A pottery flat fish by Guy Sydenham, modelled with striations of coloured clay, incised fins and eye, and five Poole Atlantis pebble vases, incised GS monogram 20cm. wide (6)

A Poole Pottery Atlantis vase by Guy Sydenham, tapering form with flaring broad rim, incised with bands of zig-zag decoration , glazed white and black on a terracotta ground, another glazed green and a bowl by Guy Sydenham internally painted impressed marks, incised monogram, 17cm. high, (3)

A Poole Pottery Studio vase presented to Dame Evelyn Sharp in 1963, low, footed cylindrical form, incised with vertical decoration glazed turquoise, black and white, and three Poole Pottery Studio vases, printed TV mark, painted inscription, 20cm. diam. (4)

A Poole Pottery Studio vase, shouldered, barrel form, painted with a band in green on a white ground, a Poole Pottery Studio flaring vase and three footed vases impressed Poole Studio mark, 15cm. high (5)

A Poole Pottery Atlantis pebble vase by Jennie Haigh, compressed ovoid form incised with radiating dashes, glazed brown, four others similar and an Atlantis vase, impressed and incised marks, 12cm. diam. (6)

A Poole Pottery Studio vase designed by Robert Jefferson, thrown by Guy Sydenham, swollen form with tapering neck and everted top rim, glazed white, resist decorated with black round panels painted with white enamel abstract decoration, printed Poole Studio TV mark, 31cm. high Provenance Cottee's Auctioneers, 14th November 2015 lot 313 Private collection. Literature Poole Pottery in the 1960s Nicolaus Boston & New Century, 4-13 February 1993, page 19 catalogue 31 for a comparable vase by Robert Jefferson and Guy Sydenham.

A small collection of Poole pottery, to include an unusual Dolly Varden original by Patricia Hodgson, a jardiniere or small vase decorated with flowers etc., and a plate

Miscellaneous Art Deco style and later pottery, to include a Black Ryden vase, Poole pottery vase, a Woods relief moulded jug and matching lamp base etc.

A James Kent Old Foley Eastern Glory pattern part tea service, a Poole Pottery dish, another tea service, and other ceramics

Various items of studio pottery, Poole pottery, Minton tile with penguin and other decorative items (11)

Susie Cooper tete-a-tete, two Poole pottery serving dishes and two Poole pottery vases

A Box of Ceramics to Include 2 Wenlock Pottery Jugs and large Wenlock Green Dish, Poole Plate, Teapot, Mug, Decorated Plates

Good quality Poole Pottery charger with an orange ground, decorated with green, yellow and red swirl to centre, printed mark to base, 35cms diam

A Poole pottery Aegean pattern charger, painted with a bird by D.Davis 35cm.

Four Pieces of 20thC Pottery Including Poole and Carlton Ware

Set of six Edinburgh International crystal wine glasses, cut glass decanter with silver-plated collar, silver-plated tantalus, Portmeirion coffee set, Poole pottery vase, drinking glasses etc in two boxes Condition Report Click here for further images, condition, auction times & delivery costs

A modern Poole pottery Vortex pattern part tea and dinner service on a pale yellow ground with red flecked decoration

Two boxes of miscellaneous china to include Royal Doulton Robbie Burns series ware plate D6344, Victoria ironstone butter dish and cover, Poole pottery tablewares, etc