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A large collection of etchings from the late 19th century periodical 'The Etcher', pub. Sampson Low, Marston, Searle and Rivington, approx. 75 in total, most in good condition, four laid down onto board, some with faults, plus a quantity of covers and text pages from 'The Etcher' magazines, many with text relating to the etchings themselves. (qty) The majority in good condition, with some light toning and surface dirt marks. Minor edge creases and small tears. A few with larger tears to margins and one badly torn. A small number with heavier paper toning. Four laid down onto board.

AUDEN W. H.: (1907-1973) British-American poet. A.L.S., Wystan Auden, one page, 4to, Kirchstetten, Austria, 1st October n.y., to Mr. Brusar. Auden states that he had thrown away the envelope of his correspondent's letter 'and then found that you had not put the address on your letter itself, so I hope you will receive this' and continues to express his concern that he has not received the new Sop poems and asks where they were sent to, further writing 'Struga was quite fun. The mistake they make is in inviting too many poets. We have a yearly International Poetry Festival in London, which lasts for three evenings. We invite about ten poets (one year Popa was one) so that each gets a chance to present a fair sample of his work. At Struga there were about 250!'. In concluding Auden congratulates Brusar on his new job, remarking 'So far as I can gather, there is in your country, thank God, no Party line on literature'. A letter of good content and association. VG Branko S. Brusar - Serbo-Croatian translator who, with Auden, translated various poems by Nikola Sop in the early and mid-1960s, some of which appeared in Encounter and others in the Zagreb periodical The Bridge. A volume of the translations, Auden's Sop, was published in 1997. Nikola Sop (1904-1982) Yugoslav poet. Vasko Popa (1922-1991) Serbian poet. The Struga Poetry Evenings is an international festival held annually in Struga, North Macedonia, since 1961. From 1966 the festival has presented a Gold Wreath Award, of which Auden was the recipient in 1971.

A collection of 'The Artist' periodical, 1896 onwards, an illustrated monthly journal of applied art

Fiske. White, Horatio S. Willard Fiske. Life and correspondence. A biographical study. New York, London u. a., Oxford University Press, 1925. 8°. Mit 1 Porträt und 53 Abbildungstafeln. XVIII, 485 Seiten. Originaler Leinenband mit goldgeprägtem Titeldruck auf Rücken. (74)* Linde - N. 3067; Betts 43 - 28: "A biography of Fiske based chiefly on his own writings and correspondence ... chapter 3 of his 'early period' (1831 - 1868) being concerned with his connection with chess as organizer (First American Congress), periodical editor (The Chess Monthly), author ... and player." Daniel Willard Fiske (1831 - 1904) war Bibliothekar, Gelehrter und als Schachschriftsteller und -organisator tätig. Zustand: Exlibris auf Innendeckel. Druck auf etwas getöntem Papier. Einband teilweise etwas verblichen und gering bestoßen.

Photographic Society of India. The Journal..., volumes 8-10 & 12, Calcutta, 1895-97 & 1899, each volume with twelve issues and containing photo-etched, photogravure and collotype plates from photographs, occasional spotting, one plate leaf detached and slightly frayed at fore-margin, first volume original cloth titles in gilt and black, remaining volumes half-roan over cloth, all somewhat worn and soiled, 4toQTY: (4)NOTE:Volume 10 shows a photo-etching of an X-Ray of the hand of the Earl of Elgin wearing two rings (March 1897, opposite page 254). This is an early example of X-Ray photography and is credited to Survey of India Offices. Sold as a periodical not subject to return.

George III. A Diary of the Royal Tour in June, July, August, and September, 1789. Interspersed with anecdotes, poetry, and descriptions, historical, typographical, &c. &c. To which is added, that of their Highness the Prince of Wales, and Duke of York, to York, &c. &c. with characters of The King, Prince of Wales, and the Dukes of York and Clarence; By an observer of the times, London: J. Southern, Scatcherd and Whitaker, 1789, half-title, edges untrimmed, modern dark blue half calf, gilt decorated spine, 8vo, together with:George III, A Faithful Account of the Processions and Ceremonies observed in the Coronation of the Kings and Queens of England: Exemplified in that of their late Most Sacred Majesties King George the Third, and Queen Charlotte: with all the other interesting proceedings connected with that magnificent festival, London: John Major, 1820, folding engraved frontispiece, folding plan and two engraved plates, occasional light dust-soiling, edges untrimmed, original printed boards, rebacked, boards dust-soiled and worn to extremities, 8vo,Sermons, A Sermon preached in Tunstall Church, on Wednesday evening, February 16th, on occasion of the Death of his Majesty, King George the Third..., by the Rev. W. Carus Wilson, Preston: Printed and sold by L. Clarke, 1820, some browning and spotting, bound with three other early 19th century sermons, modern half calf, 8vo,Yeomanry, An Address to the Yeomanry of England, by a Field Officer of Cavalry, London: J. Walter, 1795, half-title, publisher's advert leaf at rear, modern half calf, 8vo,Hallack (Thomas), Origin and Progress of the Proceedings which ultimately led to the Coronation Dinner on Parker's Piece, Cambridge, June the 28th, 1838. On which occasion upwards of fourteen thousand persons dined together, Cambridge: Printed by S. Wilson, [1838], folding lithograph plan frontispiece (strengthened to outer corners), some toning, modern boards, 8vo,Le Mesurier (Havilland), Thoughts on a French Invasion, with reference to the probability of its success, and the proper means of resisting it, 2nd edition, London: J. Wright, 1798, half-title and title with ink stamps, publisher's advert leaf at rear, bound with British Navy, Interesting particulars of the glorious victory, obtained over the Batavian fleet, on the 11th of October, 1797; by the British Fleet, under The Command of Admiral Duncan, by an Officer, Gosport: Printed by J. Watts, 1797, four engraved diagrams on two folding plates, with contemporary hand-colouring, light dust-soiling and few damp stains, 20th century marbled wrappers, 8vo, plus other 18th & 19th century pamphlets and periodical parts etc., some including reference to royal ceremonies and occasions QTY: (18)

* Worsley (Frank, 1872-1943). New Zealand sailor and explorer who served on Ernest Shackleton's Imperial Trans-Antarctic expedition 1914-1916, as Captain of Endurance. Autograph Letter Signed, 'Lieut F. Worsley RNR / (Commanding S.Y. Endurance)', Buenos Aires, October 1914, to [Percy] Home, apologising for the lateness in replying and thanking him for his 'very handsome present of a volume of the Sphere, and the copies of the Sphere of Aug 1st & 8th. They have been very much appreciated by the Staff, Officers and myself, and I am sure the volume will be a very great boon while in the Antarctic', continuing to say that they called at Funchal, The Salvages, and Tenerife (these places underscored in black, presumably by the recipient), referring to Mr Clark who has made daily hauls of Plankton &c, continuing, 'We were boarded by Neptune crossing the Line, who performed the prescribed rites on 8 new subjects. Our Staff and Officers are an A.1 lot and are all looking forward eagerly to their work with Sir Ernest in the Antarctic', concluding that they have begun a periodical entitled The Dog Watch, 'but you needn't be alarmed that the Sphere circulation will suffer in consequence', a little minor soiling including old sellotape stain to inner margin of first page not touching any handwriting, 3 pages on the first, third and fourth page of S.Y. Endurance letterhead, 8voQTY: (1)NOTE:Percy Home, was editor of the Sphere, and Shackleton was under agreement to supply the journal with an account of the voyage to the Antarctic regions. The Endurance left Buenos Aires for South Georgia on 26 October 1914. Within three months it was marooned in pack ice and when the ship was eventually abandoned, Worsley navigated the 20-foot James Caird, with Shackleton and four others, on the 800-mile voyage from Elephant Island to South Georgia.

Illustrated London News.Volumes 18 - 25, January 1851 - Dec 1854, eight half-yearly volumes, folio, all but vol. 20 with a large fold-out frontis depicting; Crystal Palace (exterior), Crystal Palace (interior); Funeral of the Duke of Wellington; Panorama of Edinburgh; The British Fleet; The House of Commons and Commanders of the Allied Armies (the latter with repaired tear), worn half roan bindings [periodical] (8)

Teesside Periodical.[McPherson (Angus) and North (Tom Herbert)], The Dominie, A Local Serio-Comic Journal ... Vol. I, Nos. 1-26; Vol II, Nos 27-52; Vol. III, Nos 53-78.Stockton & Middlesbrough: B. H. Heslop then T. H. North, May 15 1875 to November 4th 1876, 78 weekly parts bound in three volumes, each part with frontis caricature of local 'worthy', half morocco bindings (rubbed);Hoc (N E) [Cohen (?Reuben), Briefs, A Jocular Jurisdiction.Waterlow et al., 1909, original wraps (Reuben Cohen was a solicitor in Stockton-on-Tees) (4)

A 1970's Ideal 'King Kong' board game, a collection of National Periodical Publications Batman cards and a 'The Spectacular Spider-Man' Marvel Special Edition comic book

Daniel Maclise (1806-1870) Design for Cork Art Exhibition Medal,  1852, sepia ink on paper, Inscribed “Daniel Maclise  Design for Cork Art Exhibition Medal   1852” Depicting an allegorical figure of Hope reaching out to assist Hibernia, this sepia drawing by Daniel Maclise is a significant work of art by the most successful painter to have emerged from Ireland in the nineteenth century. It is also a record of a key event in Cork’s economic and social history. The inscription records that the drawing was submitted by Maclise as a design for a medal to commemorate the Cork Exhibition of 1852. Promoted by John Francis Maguire, the first “Irish Industrial Exhibition” was intended to compensate for the low representation of Irish goods at the Great Exhibition held in London the previous year, and also to boost the economy in a part of Ireland badly affected by the Great Famine. In his Dictionary of Irish Artists, (Vol II, p.562) Walter Strickland mentions two medals struck by William Woodhouse (1805-1878) commemorating the Cork Exhibition; both were designed by Maclise. The first was for the overall exhibition, while the second, for which this is the preparatory drawing, included figures of Hope and Hibernia, and was for the opening of the Fine Art section of the exhibition. Displayed in the Fine Art Hall, in the southern transept of the main exhibition building, were paintings and sculptures by Irish artists, including Stephen Catterson Smith, George Petrie, Frederick William Burton, Francis Danby, John Henry Foley and Michelangelo Hayes. The architect John Benson received a knighthood for designing the huge building that housed the Cork Exhibition. Originally sited near City Hall, this wooden structure was later dismantled and the Fine Art Hall was re-erected as the “Athenaeum” theatre, alongside the old Custom House. It served well for over a century as the Cork Opera House, but was destroyed by fire in the late 1950’s. Born in Cork in 1806, Daniel Maclise was a student at the School of Art established in that city while he was still a young teenager. He went on to study at the Royal Academy Schools in London, where he was an award-winning student. His history paintings were often inspired by literary works, such as the plays of Shakespeare, and he produced many designs for engravings in works of literature, such as Tom Moore’s Irish Melodies, the poems of Alfred Tennyson, and woodcuts for the ‘Christmas books’ of Charles Dickens. Many of Maclise’s friendships centred on the periodical Fraser’s Magazine, for which he produced dozens of lithographed portraits of  leading writers and politicians. However, the high point of his career was reached in the mid-1840’s, when he was commissioned to paint murals for the Houses of Parliament. One of these works, The Marraige of Strongbow and Aoife (1854) is now in the National Gallery of Ireland, but the two largest works, The Meeting of Wellington and Blücher (1861) and The Death of Nelson (1865) are in the Royal Gallery in the House of  Lords. After the death of Prince Albert, Maclise discontinued his work in the Houses of Parliament. Although he strove for, and achieved, success, when Maclise was offered the presidency of the Royal Academy, he refused, and he refused also the offer of a knighthood.  

British Military Library. The British Military Library; or, Journal: comprehending a complete body of military knowledge, 2 volumes [all published], London: R. Phillips, 1799, hand-coloured frontispiece (portions of loss, repaired), 28 full-page hand-coloured plates, 40 engraved maps (some folding, some with outline colouring), marginal repairs, spotting, marginal dust-soiling, contemporary speckled calf gilt, boards detached, worn, 4toQTY: (1)NOTE:Colas 450; Tooley 112.Rare periodical, with fine hand-coloured plates of uniforms, designed to keep readers informed of the latest in military advances and knowledge. The title acknowledges that the contents include selections from ‘foreign military publications’, and give accounts of conflicts such as the 1799 Battle of Alkmaar, fought between Anglo-Russian and Gallo-Batavian armies in north Holland, strategic advice on how to hold a bridge, and maps of battlefields.Sold as a periodical, not subject to return.

Books. Nine shelves of antiquarian and general stock, including Burke's Peerage, Baronetage & Knightage 1953; Debrett's 1959; Kelly's 1938 & 1969, (2): Who's Who 1943; Illustrated London News, 1851, disbound part-leather folio; The Ancestor periodical, various; further antiquarian and genealogy; bindings; history; topography; transport, etc.

Two Jumeau bebe sisters size 7 and 8, the larger a Tete Jumeau size 8 with fixed brown glass eyes, heavy brown brow, open mouth with top row of teeth, pierced ears, brown plaited hair wig on cork pate, jointed papier-mache body, original white ribbed cotton dress and jacket with pale blue embroidered trim, cotton underclothes and kid boots -19in. (48.5cm.) high (large chip around left ear piercing hole); and the other just impressed 7 with fixed blue glass eyes, heavy brown brow, open mouth with top row of teeth, pierced ears, black hair wig on cork pate, jointed papier-mache body, red tartan dress, white cotton underclothes and kid boots -18in. (46cm.) high (broken and glued across forehead, mainly hidden under fringe and eyes have become unstuck), both dolls have a matching mushroom silk plush coat and matching hat with brown silk trim and a pair of gloves, the larger doll also has a green tartan dress and gilt metal toy fob watch; also included is a bone hair brush and comb, two silvered clothes brushes and a flannel; the head of the second doll was stuffed with a 1903 page from The Sphere, a periodical featuring a Cadbury’s advertisement - the childhood toys of Christabel Browning (b.1897) and her sister Eileen Browning (b.1896)

Original vintage Batman poster for The Caped Crusader featuring a colourful illustration of the comic book superhero wearing his grey and blue costume, mask and cape with the bat logo on a yellow background on his chest. Artwork by the notable American comics artist Carmine Michael Infantino (1925-2013). An iconic and popular superhero character, Batman was created by Bob Kane (artist) and Bill Finger (writer); he first appeared in issue 27 of Detective Comics in 1939 published by DC Comics and he continues to appear in radio and TV shows, movies and games. Printed by G & F Posters NYC official licensees Copyright National Periodical Publications Inc 1966. Very good condition, creasing. Country of issue: USA, designer: Carmine Infantino, size (cm): 101x69, year of printing: 1966.

A quantity of 'National Periodical' bubblegum cards, including batman, tarzan, thunderbirds, football, James Bond,  etc., (a lot)

Yorkshire ballooning.- Brown (C.H.) A Letter to a Friend, descriptive of two excursions, with Mr. Coxwell's Balloon, which ascended from the Leeds Royal Gardens March 24th, and 25th, 1856, original light brown pictorial wrappers, chip to top corner of upper cover, lightly stained and creased, 12mo, Leeds, H. Buckley, 1856.⁂ Rare, with only a BL copy traced. Henry Tracey Coxwell (1819-1900), balloonist and surgeon-dentist. In 1845 he founded and edited the first periodical devoted to ballooning, The Balloon, or, Aerostatic Magazine, of which about twelve numbers appeared.

ASSIETTE AU BEURREL'Assiette au Beurre, issues 1-467 (lacking nos. 122, 140, 141, 168, 191 and 192) bound in 9 vol., illustrations throughout (mostly printed in colours) by Felix Vallotton, A. Guillaume, Van Dongen, Kupka, Stenlein, Forain, Paul Iribe, Caran d'Ache, Willette, Juan Gris, and others,5 issues with some small losses, early black morocco-backed marbled boards, gilt lettered on spines, publisher's pictorial colour-printed wrappers to each issue and 9 volume wrappers bound in, some rubbing and abrasions, 4to, Paris, 1901-1909; together with approximately 180 duplicate issues (and nos. 122 and 140), most in publisher's pictorial wrappers, some detached, sold as a periodical not subject to return (quantity)Footnotes:An extensive run of the first nine years to L'Assiette au Beurre, a weekly magazine satirising and attacking bourgeois and establishment institutions, and addressing social and political issues of the Belle Epoque era. Each issue was illustrated by a single artist, including Felix Vallotton, Juan Gris, Theophile Steinlen, A. Guillaume and Paul Iribe.This lot is subject to the following lot symbols: •• Zero rated for VAT, no VAT will be added to the Hammer Price or the Buyer's Premium.For further information on this lot please visit Bonhams.com

INTERNATIONAL TIMES - COUNTER CULTUREA large collection of issues of The International Times (a.k.a. IT), including the first 10 issues, illustrations, some printed in colours, mostly newspaper format, a few magazine, old folds, a few frayed, some duplicates, 4to and folio, mostly 1966-1973, sold as a periodical not subject to return (quantity)Footnotes:A good run of issues, mostly from the years 1966 to 1973 with some from later period, of The International Times, or IT as it became known, 'Britain's – and Europe's – first underground newspaper, a radical weekly publication which covered art, literature, politics and news of alternative lifestyles. The paper was launched in October 1966 with a huge gig at the Roundhouse; with Pink Floyd and Soft Machine playing, this was a seminal event which signalled the burgeoning of the new counter-culture in Britain....' (British Library, website).This lot is subject to the following lot symbols: •• Zero rated for VAT, no VAT will be added to the Hammer Price or the Buyer's Premium.For further information on this lot please visit Bonhams.com

OZ MAGAZINE - AUSTRALIAOz Magazine, SYDNEY EDITION, issues 2-41, edited by Richard Neville, Richard Walsh, and Martin Sharp, illustrations, subscription form loose in issue 4, pictorial wrappers, 4to, Sydney, 1963-1969; together with 15 duplicate issues, and 20 rarely found later issues (44, 47-57, 59, 65-67, 71, 72 and 48), retaining 9 Oz postage-paid envelopes, 1970, sold as a periodical (quantity)Footnotes:RARE NEAR COMPLETE RUN of the Australian edition of Oz Magazine, which was first published in Sydney in 1963 under the general editorship of Richard Neville, Richard Walsh and Martin Sharp. As an influential counter-culture satirical magazine, its subject matters included homosexuality, police brutality, women's rights, the White Australia policy and the Vietnam War. Issue No. 41 was 'The Final Issue', but subsequent issues did appear, edited by Richard Walsh and Dean Letcher in a much reduced monthly 4-page stapled format, into 1970. Controversy dogged the publication, with obscenity trials brought against the editors on two occasions, the second of which in April 1964 led to a sentence of three months' hard labour, a conviction which was overturned on appeal.This lot is subject to the following lot symbols: •• Zero rated for VAT, no VAT will be added to the Hammer Price or the Buyer's Premium.For further information on this lot please visit Bonhams.com

OZ MAGAZINEA complete run of the 48 issues of the London edition of 'OZ', illustrated throughout, some issues with folding posters (Che Guevera, Hendrix, Janis Joplin, Robert Crumb's 'Honeybunch'), without ephemera inserts, small loss to one leaf in no. 15, publisher's pictorial wrappers, 2 covers loose with short tears to backstrip, a few creases, 4to and folio, Privately Printed, 1967-1973; and 5 additional issues (11, 31, 33, 34, 35), with variant colour covers, sold as a periodical not subject to return (53)Footnotes:A GOOD COMPLETE RUN OF OZ, the most iconic and controversial counter-culture magazine of the sixties and early seventies, covering subjects such as feminism, gay rights, racism, sex, drugs, rock music and the Vietnam War.The magazine's use of visually striking graphic art and innovative printing techniques (including fold-out posters, metallic foils and new fluorescent inks), and provocative photographic images, was accompanied by equally provocative editorial content. Issue 28 (the 'School Kids' issue), including a very adult Rupert Bear, led to obscenity charges being brought in 1971 against the three editors, a trial described by John Mortimer, counsel for the defence, as 'standing at the crossroads of our liberty, at the boundaries of our freedom to think and say and draw and write what we please'. The three were found guilty, but their convictions were overturned following appeal.This set includes the Che Guevara, Robert Crumb's 'Honeybunch/Jail Bait', Jimi Hendrix, and Janis Joplin posters.This lot is subject to the following lot symbols: •• Zero rated for VAT, no VAT will be added to the Hammer Price or the Buyer's Premium.For further information on this lot please visit Bonhams.com

Lilliput.  A bundle of this periodical, 1940's/1950's & a carton of unrelated vols.

Three maps to include: 'Map Showing the Distribution of Cholera in London and its Environs, From June 27th to July 21st, 1866' Published by Day & Son Limited, Lithograph in colours, 90 x 63 cm; 'Isle of Man, Ordnance Survey of England and Wales, first published by The Director General at the Ordnance Survey Office, Southhampton, 1921. with periodical corrected reprints' 86 x 68 cm; 'A Map of The Isle of Man shewing The Railway System, By William Abbott F.R.G.S.', 57 x 44 cm (3)

Thirty-six Amer Czechoslovakia periodical issued metal models of helicopters in original packaging; with thirty-nine issues of 'Helicopter Magazine' in two original binders; together with eight Corgi Collection die-cast military models; all boxed; and two others with small display rack; in three boxesCondition Report:Some packaging with opening and storage damage but most models look to be in virtually mint condition.

Holbrook Jackson. To-Day. A Literary periodical edited by Holbrook Jackson. Four items offered together. Volume 6. Sept 1919 to Feb. 1920 Volume 7. March 1920 to August 1920. Volume 7 contains contributions from Edmund Blunden, Robert Graves, Arthur Symons etc. Single issue in publishers wrappers, June 1921. Contains contributions by Siegfried Sassoon, Edmund Blunden on John Clare, W H Davies, Robert Graves, Alfred Noyes etc. Volume 9. Marsh 1922 to June 1923. Contains contributions by Richard Aldington, Edmund Blunden, W H Davies, Siegfried Sassoon, Alec Waugh etc. Volumes 6, 7 and 9 are in light brown publishers boards, with paper labels on spines. Excellent condition. All books can be shipped worldwide, UK from £5.99, Europe from £6.99, ROW £9.99. 30kg Box up to 20 books UK £16, Europe £34.99, ROW £69.99

A Secessionist period brass and mahogany periodical stand, two-section Canterbury top with bowed divisions, book trough undertier, outswept legs, 76.5cm high, 41cm wide, 17.5cm deep, c.1900

Laxton (Henry) Examples of Building Construction, Parts 1-74 bound in 4 vol., vol.1-3 with double-page vignette titles, 196 double-page lithographed plates, some spotting and creasing, ink signature of "J.Boyd Archt." to front free endpaper, contemporary cloth (damp-stained), rebacked and recornered in calf, green and brown morocco labels, folio, 1857-64.⁂ An almost complete set of this monthly periodical; a further 6 parts were issued erratically after 1864, finally finishing in 1867.

Loudon (John Claudius) The Architectural Magazine, and Journal of Improvement in Architecture, Building and Furnishing..., 5 vol., wood-engraved title-vignettes and illustrations, titles lightly browned, very occasional spotting, R1-3 in vol.2 with upper outer corner torn away causing slight loss to verso of R1, otherwise a very good set, modern half calf, spines faded, 8vo, 1834-38. ⁂ Short-lived but influential magazine, the first regular architectural periodical in England, which appeared the same year as the Institute of British Architects (later R.I.B.A.) was founded.

Ackermann (Rudolph) The Repository of Arts, Literature, Commerce, Manufactures, Fashions, and Politics, First-Third Series, 40 vol. [a complete set], additional engraved calligraphic vignette titles/dedications in First & Third Series, woodcut in Second Series, 1496 plates (Abbey calls for 1491), most engraved, some aquatint, the majority hand-coloured, some folding, some light browning or offsetting, modern half calf, spines ruled in gilt with red & black roan labels, [Abbey Life 212], 8vo, January 1809-July 1828.⁂ An excellent set of this comprehensive periodical illustrated with views, interiors, furnishings, fashion plates, textile designs, bank notes, and over 60 allegorical woodcuts with mounted textile samples. The set conforms more or less to the Abbey set, missing only nos. 40, 41, 125, 591, 724, 875a, 918a, 997 & 1000 but with a few additional plates.

An early 20th century Continental 14 carat gold chainmail and sapphire evening bag with purse attachedframe stamped 585, also incuse numbered 45670 The square shaped bag with tapered sapphire cabochon mounted gold snap clasp, the rigid shaped frame channel set with calibre-cut sapphires, attached to a gold chainmail suede-lined bag, hung from a chain handle of uniform oval links, a suspended gold and sapphire purse attached of similar design, plus two hanging charm pendants, the discs decorated with a pig and engraved 'Viel Gluck' (translates to 'Much Luck') and a chimney sweep engraved 'Leon', the interior bag frame to one side engraved 'Leon, Neujahr 1912', to the other 'Antonie Schulz', length bag 15cm, weight total 388.8gms.Footnotes:This gold handbag and purse was a gift from Doctor Leon Lilienfeld (1869-1938) to his future wife Antonie Schulz (1876-1972), in the New Year of 1912. The inscriptions are from Leon to Antonie Schulz, who later became Antonie (Schulz) Lilienfeld.Leon Lilienfeld was born Joseph Leib Leon Lilienfeld to a Jewish family in Podhajce, near L'vov in South Eastern Poland (now the Ukraine), in 1869. Dr Lilienfeld was trained as a physician, but went on to become an eminent scientist and inventor. In his scientific career he produced new derivatives of cellulose and became world-renowned for his inventions, obtaining patents both in Austria and the United States. Leon's wife Antonie Schulz was born in Czechoslovakia in 1876, into a Christian household. As such, Dr Lilienfeld was baptised on April 27th 1914 at the age of 45 and shortly after the couple married, choosing to reside in an affluent area of Vienna. With his wealth, Dr Lilienfeld built a significant collection of Dutch and Flemish old master paintings. The Austrian art historian Gustav Glück published a catalogue of the Lilienfeld pictures in 1917, the 'Portrait of a Man' by Frans Hals serving as the frontispiece to the publication and securing its place as the highlight of the collection. The Lilienfeld's paintings were so well known that they were widely considered a contribution to the cultural holdings of Austria. As early as 1933, the couple apparently planned to relocate to France, as the German art periodical Pantheon reported: An important private collection, which includes a number of most excellent works by the Dutch Masters, such as the 'Portrait of a Man' by Frans Hals ... will be lost to Vienna's art collections in the near future, when the owner, Dr Leon Lilienfeld, moves to Paris.For what reason they planned to relocate to Paris at this time is not known, but they did not leave Austria until shortly after the Anschluss, on March 24, 1938, fleeing to Milan. The couple provided several reasons for their departure, but the most likely explanation was that, because he would be considered Jewish under the Nazi race laws, he did not wish to stay within the borders of what had become part of the Third Reich. Thus the Lilienfeld's had to leave their home and their belongings, including the art collection, in Austria. Tragically Dr Lilienfeld died of pneumonia in Milan on June 6, 1938, leaving his widow as his sole heir. Between leaving Vienna and her husband's demise, the Nazi Decree Regarding the Declaration of Jewish Assets went into effect on April 26, 1938. This law required any Jewish resident of the Reich possessing at least RM 5000 in property to submit an itemised asset registration with the Vermögensverkehrstelle (VVSt), or Property Registration Office within the Ministry of Economics. By 1941 Antonie Lilienfeld had settled in the USA, in the Boston suburb of Winchester, Massachusetts and that was when her battle began with the art collecting officials of the Third Reich, including Adolf Hitler's own agents, to be reunited with her paintings. The story of the Lilienfeld's demonstrates the many ways in which the Nazi regime sought to strip emigrants of their belongings, and in particular desirable works of art.LiteratureReed, Victoria, 'Frans Hals, Hitler, and the Lilienfeld Collection: A Case Study of Expropriation in Austria', published in the Journal of the History of Collections 30(3):pp 471-486 (Boston: Museum of Fine Arts, November 2018)For further information on this lot please visit Bonhams.com

ANTIQUARIAN BOOKS Glasgow interest: The Bailie, 14-volume leather quarter-bound set of the Glasgow periodical, 1873-79 Condition Report:Available upon request

Books - 3 shelves, including Dunkerley's Robert Bakewell: Artist Blacksmith, 1988; Craven's Whitehurst (both editions); Antiquarian Horology periodical, further provincial horology and clock-makers; English ceramics; art history and painters; etc

[Wyndham (John)], "John Beynon". "The Space Machine" in Modern Wonder, vol. 1, nos. 1-10, illustrations, original pictorial wrappers, some chipping to spines, no. 2 with horizontal fold with some tearing, occasional fraying to fore-edges, some light foxing or marking, folio, 1937.⁂ Wyndham's novel, first published as Planet Plane in 1936 before being serialised first as "Stowaway to Mars" in The Passing Show before its appearance in the present periodical (it's first in it's revised and abridged "juvenile" form).

MELA MUTER (MARIA MELANIA MUTERMILCH) (1876-1967)Rue avec clocher d'église signed 'Muter Muter' (lower centre); signed 'Muter' (on the reverse)oil on card72.8 x 54.3cm (28 11/16 x 21 3/8in).Painted in Avignon circa 1930Footnotes:The authenticity of this work has been confirmed by Barbara Brus-Malinowska.ProvenanceGalerie Gmurzynska, Cologne, no. 1434.Galerie Bargera, Cologne, no. 15.Anon. sale, Dom Aukcyjny Unicum, Warsaw, 30 November 1997, lot 9.Private collection, London (acquired at the above sale).Exhibited(Possibly) Cologne, Galerie Gmurzynska, Mela Muter, Bilder, Aquarelle und Zeichnungen, 20 November 1965 - 10 January 1966.Mela Muter is regarded as the first professional Jewish female painter in Poland. Largely self-taught, she formed part of a rich coterie of Polish artists – among them Moïse Kisling – who relocated to Paris, attracted to its civil freedoms and bohemian lifestyle. There she developed a highly individualistic style resting upon a diversity of Modern and historical influences. At the time she painted Rue avec clocher d'église, Muter had suffered a slew of tragedies, including the deaths of her father and son, her close friend Rainer Maria Rilke, and her partner Raymond Lefebvre, a social activist who died under mysterious circumstances at the Communist International in Moscow in 1920. She sought sanctuary in a newly optimistic artistic style. In the present work, Muter evokes the town's quiet splendour with lively brushstrokes and glowing colours that bespeak the joy of observation. In its twisting amalgamation of curvilinear forms – echoing the Cubist leanings of her friends Albert Gleizes and Gino Severini – the city street seems to breathe and move with a life of its own. The spatial distortion and rushing verticality of the buildings, along with the splashes of chromatic intensity in the teal door and lime-green accents of the tenement façade, betray her admiration of El Greco's Spanish cityscapes. The force of the bright afternoon ripples through the scene, the sky rendered with broken strokes of vivid azure, criss-crossed with powerlines that evoke an aura around the church tower. Thick textures abound in her expressive handling of oil paint across the dappled surface of her support, as she leaves portions unpainted to denote light, in the style of the Fauves. Muter became immediately successful upon her move to Paris, exhibiting regularly at the Salons, thence gaining international renown. She painted portraits of central artistic figures, including Ambroise Vollard, Diego Rivera and Erik Satie. Throughout her life she remained staunchly devoted to social activism, creating pacifist illustrations for the leftist periodical Clarté, and founding a society for the protection of disadvantaged people at the Polish borders on the Oder and the Nysa. In 1965, she donated a significant amount of her collection to the Galerie Gmurzynska in Cologne.This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com

Fashion. The Ladies, a journal of the court fashion and society, 3 volumes, [all published], London: Office of the Ladies, March-December 1872, 18 hand-coloured plates, additional uncoloured lithographs and further illustrations to text, a few spots to preliminaries, contemporary half calf gilt over red marbled boards, some wear, base of front joint of one volume split, folioQTY: (3)NOTE:A scarce complete run of this fashion periodical. Copac can only trace three institutionally held copies in the UK (British Library, University of Cambridge and University of Oxford).

Hatton (Thomas, Arthur Cleaver). A Bibliography of The Periodical Works of Charles Dickens, London: Chapman & Hall, 1933, half-title, frontispiece, spotting to preliminaries, original green cloth gilt, 8vo, together with:Canney (Margaret, David Knott). Catalogue of The Goldsmiths' Library of Economic Literature, 2 volumes, Cambridge: The University Press, 1970, black and white portrait frontispiece to volume 1, original green publisher's cloth gilt, dust jackets, frayed and spotted, 4to, withMcLean (Ruari). Modern Book Design, from William Morris to the present day, 1st edition, London: Faber & Faber, 1958, black and white illustrations, preliminaries spotted, original blue cloth gilt, dust jacket, extremities worn with loss, 8vo, withHall (Trevor H.), A Bibliography of Books on Conjuring in English from 1580 to 1850, limited edition, Lepton: Palmyra Press, 1957, signed by the author to the limitation page, monochrome illustrations, minor marginal toning, original cloth in dust jacket, covers slight faded, marked & rubbed with some loss to head & foot, 8vo, 57/250, and other bibliography reference & related, mostly original cloth, some in dust jackets, G/VG, 8vo/4to QTY: (6 shelves)

CURTIS (WILLIAM)The Botanical Magazine or Flower Garden Displayed, 36 vol. in 18, 1501 hand-coloured plates (some folding) by J. Sowerby, Sydenham Edwards, W. Herbert and T. Curtis, engraved portrait in volume 15, light spotting and browning, occasional offsetting and damp-staining, contemporary tree calf, elaborate gilt spines with green morocco labels, slightly worn, some damp-staining, volume 1 lacking number label [Dunthorne 88; Henrey 473; Hunt 691], 8vo, for W. Curtis, by Coachman and Fry, 1787-1812, sold as a periodicalThis lot is subject to the following lot symbols: •• Zero rated for VAT, no VAT will be added to the Hammer Price or the Buyer's Premium.For further information on this lot please visit Bonhams.com

MARGARET MACDONALD, FRANCES MACDONALD, J. HERBERT MCNAIR GLASGOW INSTITUTE OF THE FINE ARTS, 1897 stone lithograph, printed by Imprimerie Chaix and published by G. Boudet for the French periodical Les Affiches Étrangères, France 1897Dimensions:29cm x 12cmNote: Note: Examples of the original poster of circa 1895-1896 printed by Carter and Pratt, Glasgow can be seen at the Hunterian Art Gallery, Glasgow and the Kelvingrove Art Gallery & Museum, Glasgow

Lissitzky, El. - Industriya Sotsializma (rossice: Die Industrie des Sozialismus). Hrsg. von Boris Tal. Nr. 2 und 5 (von 7) in 2 Heften. 62 (statt 71) Bl., 9 Bl. Transparentpapier, 5 gefalt. Tafeln, 5 mont. Leporelli mit jeweile 3-4 Segmenten; 17 (statt 24) Bl., 3 gefalt. Tafeln und 1 mont. Leporello mit 4 Segmenten. Mit zahlreichen, teils farbigen Abbildungen in teils verschiedenen Formaten und auf unterschiedlichen Papieren. 35 x 24 cm. Mit 2 Prägedrucken illustr. OBroschuren (etwas fleckig und unfrisch, Vorderumschlag von Nr. 2 mit Eckausschnitt) mit OHalbleinenrücken und Fadenheftung. Moskau, Izogiz, 1935.Karasik-Heiting, The Soviet Photobook 1920-1941, 214 ff. (mit zahlr. Abb.). Parr-Badger I, 160 ff. The Book of 101 Books 82 ff. The Open Book 116. - Einzige Ausgabe der sehr seltenen, effektvollen, sowjetischen Propaganda-Dokumentation von Eliezer "El" Lissitzky (1890-1941) über die sozialistische Industrialisierung. "Following his success with the 'USSR Builds for Socialism', El Lissitzky was commissioned to design a multi-volume report along similiar lines for the Seventh Congress of Soviets in 1935, an interim review of the progress of Stalin's second Five-Year Plan. In tone and content Socialist Industry closely follows the style of the magazine 'USSR in Construction', and El Lissitzky and his wife Sophie Küppers (who had become his close collaborator by this time) took many of the more radical design ideas they had conceived for the periodical and developed them in book form. The result is a cornucopia of graphic design and photomontage, arguably the high point both of Lissitzky's book designing career and of the Soviet propaganda photobook ... It is the couple's most cinematic photobook, the result of their theoretical discussions on the techniques of montage with the film-maker Dziga Vertov. In no other book is the imagery quite so brilliantly piled up, one picture upon the other, the ideas constantly inventive and dazzling. It is as if Lissitzky found the normal form of the book page so restricting that he was compelled to push beyond its boundaries at every turn" (Parr/Badger S. 160). - "The Industry of Socialism is one of El Lissitzky’s masterpieces. Everything in the book, beginning with the cover image, speaks of the triumph of Soviet Industry." (Karasik-Heiting). Die beiden Nummern 2 und 5 mit suggestiven, teils farbigen Fotografien und Fotomontagen von Industrieanlagen, Baustellen, Ölfeldern, Kraftwerken, Dämmen, Stahl- und Eisenwerken, aus der Landwirtschaft, dem Bergbau, Ernteinsätzen etc. - Bindung teils defekt, ca. 20 Bl. lose und mit Einrissen, kleineren Fehlstellen etc. Heft 5 mit größeren Erhaltungsmängeln. Das este Blatt im Rand jeweils mit Bezifferung. Beide Hefte unvollständig und teils fingerfleckig.

A collection of The Artist periodical, 1896 onwards, An Illustrated Monthly Journal of Applied Art

[PERIODICAL] HOUGHTON (John) A Collection of Letters for the Improvement of Husbandry and Trade, sm. 4to, 2 vols in 1, comprising vol.1, numbers 1-15 and vol.2, numbers 1-6 [all published], both vols with a general title, pp. [2], 184; 190, [2], with the very rare errata slip at p. 32 of vol. 2, occasional browning, heavier to vol. 2, repaired burn to margin of last leaf, contemporary calf (worn), L., Printed for John Lawrence At the Angel in Cornhill near the Royal Exchange [and] Printed by J. Gain for the Author John Houghton, and is to be sold at his House, against the Ship-Tavern in St. Bartholomew-Lane, 1681-1683 [i.e. 1684]. First Editions of the two volumes which comprise the first known trade and agricultural periodical. In it are essays by John Evelyn (on bread), & John Firmin (on money supply), among others.Fussell pp.81-81; Goldsmiths' 37365; Kress 1538; McDonald, pp. 122-124.

HOUGHTON (John) A Collection of Letters for the Improvement of Husbandry and Trade, sm. 4to, pp. [2], 184, contemporary calf, rebacked, early ink owner name of Winchilsea on p. 1, bookplate of E.S. & H. Lloyd, L., Printed for John Lawrence, 1681 [1683]The first 15 numbers of this important periodical, i.e., the first volume, complete. Although the title-page is dated 1681, each issue has a separate imprint, the last of which is dated 1683. A second volume was published separately. [see lot 86, above]

Cigarette & Trade Cards & Stamps - National Periodical Publications (PTD Int) Batman cards (54) ;other The monkees, Moonshot; Star Players; wills, Players, etc; Stamps GB and all world etc

Education of Women 7 volumes Gregory, John. A Father's Legacy to his Daughters. Edinburgh, 1788 [vol. 1 of the Works: half-title], 8vo, contemporary tree calf, upper joint split; The Juvenile Library including a Complete Course of Instruction on Every Useful Subject. London: for R. Phillips. Sold by T. Hurst, 1800. volume 1 only, 8vo, plates, contemporary half calf, some spotting and soiling, rubbed; [Trimmer, Sarah] The Guardian of Education, a Periodical Work. London: J. Hatchard, 1802, volume 1 only, contemporary calf;Edgeworth, Maria. Letters for Literary Ladies. Harlow, 1805. Third edition, 12mo, contemporary half calf, small hole to title affecting a couple of letters;Fenelon, Abbé. On the Education of Daughters. London: W. Darton Jun., 1812. 12o, engraved folding frontispiece, contemporary calf, spine gilt;Lackington, James and Allan Macleod. Lackington's Confessions... to which are added Observations on the Bad Consequences of Educating Daughters at Boarding-Schools. London, 1804. 12mo, contemporary half calf, some dampstaining in upper margin, worn, one cover detached;Mill, John Stuart. The Subjection of Women. London: Longmans [&c.], 1869. Second edition, 8vo, original yellow cloth, bookplate of Georgiana Caroline Grenfell, very slight dampstain to upper margin of first 2 leaves, binding dampstained and worn at headNote: Provenance: From the library of the late William St Clair, FBA, FRSL.

[Newton, Isaac] - The Royal Society The Philosophical Transactions and collections, to the end of the year MDCC, abridged... (vols 1-3) by John Lowthorp. The fifth edition; (vols 4-5) by Henry Jones. The third edition; (vols 6-7) by John Eames and John Martyn; (vols 8-11) by John Martyn. London: W. Innys and others, 1749; vols 6-7: J. Brotherton and others, 1736; vols 8-9: W. Innys and others, 1747; vols 10-11: Lockyer Davis and Charles Reymers, 1756, 11 volumes, 4to, 309 (of 317) folding engraved plates, 2 (unnumbered) folding tables, contemporary calf, morocco lettering pieces, occasional light spotting, head of a few spines slightly rubbedNote: Note: The Abridgements cover the Transactions from their beginning in 1665 to 1750, but in fact the most important papers are substantially complete. Chapter III of volume 1 is entitled 'Opticks' and includes all of Newton's founding papers on the subject as well as the debate generated thereby, commencing with the famous 'A New Theory About Light & Colours' of 1672. In his biography of Newton, Michael White notes that Newton's Opticks, published in 1704, was based largely on the manuscripts composed some thirty years earlier and published in the Philosophical Transactions. Further papers on optics appear in subsequent volumes. 'If all the books in the world except the Philosophical Transactions were destroyed, it is safe to say that the foundations of physical science would remain unshaken, and that the vast intellectual progress of the last two centuries would be largely, although incompletely, recorded' (Huxley, quoted in Norman). It would be impossible to overestimate the historical importance of the Philosophical Transactions, which was first published and financed by Henry Oldenburg from March 1664-65 for the new Royal Society (founded in 1662), and, following his death, published by the Society itself. Nearly every contemporary British scientist and numerous foreign scientists contributed extensively to the Transactions in its first hundred years. Contributors include Thorbern Bergman, Edward Berkeley, Boerhaave, Boscovitch, Borelli, Boyle, Celsius, Euler, Fahrenheit, Ferguson, Flamstead, Franklin, Hales, Halley, Harvey, Hevelius, Hooke, Huygens, Leeuwenhoek, Leibnitz, Locke, Malpighi, Morgagni, Newton, Petty, Ray, Redi, Steno, Swammerdam, Wren, and numerous others. Sold as a periodical not subject to return

Sporting Periodical: Beaufort (Duke of,) The Badminton Library, 30 vols. 8vo Lond. various dates, illus. throughout, orig. pict. cloth. V. good set. Rare. (30) * With Volumes dealing with every sport.

A scarce William IV weekly periodical: Carpenter's London Journal, No.1 Vol.1 Saturday, February 13, 1836 to No.12 Vol. I, Saturday April 20, 1836 inclusive, bound, applied paper label, thumbed, occasional pen marks to margins.

'Lines' (later named 'Lines Review'), a periodical. Riddell, Alan (ed); later Fulton, Robin (ed). 57 (of the first 60) issues of this Scottish literary periodical. Lacks nos. 1, 32 & 39. Contributors incl. Sorley Maclean, Norman MacCaig, Sydney Goodsir Smith, etc. Edinburgh, 1953-1977.

BELGIAN ANTARCTIC EXPEDITION - ADRIEN DE GERLACHEExpédition Antarctique Belge. Résultats du Voyage du S.Y. Belgica en 1897-1898-1899 sous le Commandament de A. de Gerlache de Gomery. Rapports scientifiques, 46 parts (of 64), plates and maps, some diagrams, publisher's printed wrappers, pencil annotations on upper covers, one issue sides frayed and rebacked, a few with small losses to spines or spine split but generally clean [cf. Rosove 149-1A.1 to 149-62.A1], 4to, Anvers, J.E. Buschmann, 1901-1949, sold as a periodical (46)Footnotes:A GOOD RUN OF THE IMPORTANT SCIENTIFIC FINDINGS OF THE BELGICA EXPEDITION. The Belgica set out, under the leadership of Adrien de Gerlache, from Antwerp at the end of August 1897, on what was 'one of the most fascinating of the early Antarctic expeditions and also probably the least comfortable one to have taken part in for all concerned' (Cool Antarctica website). By March 1898 the ship was stuck in the ice, forcing the crew to remain in the Antarctic over winter (including 63 days of total darkness) before eventually escaping the ice in February the following year.In the face of such adversity the expedition still managed to gather an important collection of scientific data (which had been the expedition's main goal), hugely beneficial for the following voyages to Antarctica, including that led by Roald Amundsen, who served on Belgica as first mate.This lot is subject to the following lot symbols: •• Zero rated for VAT, no VAT will be added to the Hammer Price or the Buyer's Premium.For further information on this lot please visit Bonhams.com

ILUSTRACION FILIPINAIlustracion Filipina. Periodico quincemal, issues 1-20 bound in 1 vol., edited by Ramirez Giraudier, pictorial lithographed general title, 20 tinted lithographed plates by Giraudier after C.W. Andrews and others, original blind- and gilt-stamped green morocco sides and spine pasted onto modern cloth, g.e. [Palau VII 118306], small folio (315 x 220mm.), Manila, Ramirez y Girauder, 1 March-15 December 1859Footnotes:A complete run of 20 issues to the first year of Ilustracion Filipina, a short-lived but important periodical printed in Manila, which included some of the earliest examples of Philippine lithography. These, mostly lithographed after Charles William Andrews (died 1865), include fine portraits of costumed types (11) and views (9, including the volcano at Albay and the Botocan waterfalls).Provenance: M.B. Jones, pencil gift inscription dated 1933 on front free endpaper.This lot is subject to the following lot symbols: •• Zero rated for VAT, no VAT will be added to the Hammer Price or the Buyer's Premium.For further information on this lot please visit Bonhams.com

NO RESERVE Periodical.- Instructor (The), and Select Weekyl Advertiser, nos. 334-385, triple-column, some folding creases, price stamp to front page of each issue, ink ownership inscription to endpaper, a few issues of other periodicals and other ephemera loosely inserted, contemporary half calf, upper joint cracked, rather worn, folio, January-December, 1814.** A good run for the year 1814 of this rare weekly periodical, later changed to the Instructor, and British Foreign Monitor. WorldCat and Library Hub list copies in the British Library and Acadia University, Canada only. Includes numerous reports on ongoing war in America (including a column in the 28th September issue headed "Capture and Destruction of Washington"), the campaign for the abolition of Slavery, the Napoleonic Wars including the abdication of Napoleon and several reports from the West Indies, Canada, India and elsewhere. Provenance: J. Wells (ink ownership inscription).

NO RESERVE Ackermann (Rudolph) The Repository of Arts, Literature, Fashions, Manufactures, &c., Second Series, vol. 3-5 in 2, numerous engraved and aquatint plates, most hand-coloured, occasional light foxing or offsetting, non-uniform contemporary half calf, joints cracked, 1 cover detached, rubbed, 8vo, 1817-18; sold as a periodical and not subject to return. ⁂ Includes architectural and costume designs, Rowlandson caricatures, views and scenery and playing card designs.

Vanity Fair. A Weekly Show of Political, Social & Literary Wares, Volumes 1 - 7, 1868 - 1872, seven half-year volumes containing 179 caricatures, each with a page of descriptive text, additional text, titles and advertisements, gutta-percha partially perished, contents a little shaken with a few pages loose or detached, bookplate of John Alexander Fladgate, hinges and joints weak, all edges gilt, publisher's green cloth gilt, boards mottled, folioQTY: (7)NOTE:Sold as a periodical, not subject to return.

Millvina Dean, a signed 9x7 neatly cut piece from a 1970s periodical. With a handwritten poem, When this you see, remember me, the baby saved from the sea. With all good wishes, Millvina Dean. The last survivor of the sinking of the RMS Titanic on 15 April 1912. At two months old, she was the youngest survivor. Good condition. All autographs come with a Certificate of Authenticity. We combine postage on multiple winning lots and can ship worldwide. UK postage from £5.99, EU from £7.99, Rest of World from £9.99

JOHN HERAPATH (ED): THE RAILWAY MAGAZINE, 1835-39, vols 1-6 complete, folding maps, diagrams, tables etc collated complete, relevant typed letter signed from Charles E Lee, Associate Editor of the Railway Magazine dated 1948 loosely inserted, vol 1 modern cloth, vols 2-6 contemporary half calf marbled boards worn, the very first periodical devoted to railways in the UK, (6)

NO RESERVE Times Literary Supplement, 11 vol., ex-library with labels and ink-stamps, contemporary morocco-backed boards, library blind-stamps to upper covers, rubbed and worn, bumping to corners and extremities, folio, 1935-45; sold as a periodical, not subject to return

Periodical.- Letters and Papers on Agriculture, Planting, &c. Selected from the Correspondence of the Bath and West of England Society, 14 vol. [a complete run], mixed editions, all but vol.10, 12, 13 and 14 with half-titles, engraved plates, some folding, some light spotting and soiling, occasional browning, vol.13 with worm holes to foot of first few leaves, later half calf, rubbed, some joints split but covers holding, [Fussell II p.85], 8vo, Bath, 1792-1816; sold as a periodical, not subject to return.

BINDING: Including: The Mysteries of the Court of London (A periodical), Volumes: 1-4; 1849-54; ETC. (17)Provenance: The Peter and Pat Crofts Collection

CONNOLLY CYRIL (Ed).  Horizon, A Review of Literature & Art. Full run of this British Literary & Art periodical nos. 1 to 121 in orig. wrappers plus Index vol. Contributors include Auden, Orwell, Spender, etc. 1940-1949.

NO RESERVE Periodical.- Illustrated London News (The), c.80 vol., a broken run, wood-engraved illustrations, some full or double-page, some leaves detached, cracked or broken hinges, ex-library with usual labels and ink-stamps, various bindings, contemporary calf-backed boards, original or later library cloth, some re-backed, generally rubbed and worn, 1842-1946; sold as a periodical, not subject to return⁂ Including: The Great Exhibition, Jack the Ripper; Polar Exploration; American Civil War; Anglo-Boer War; Death of Queen Victoria; World War One; and World War Two.