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Punch, or, The London Charivari, 58 volumes bound in 49 (vols. 122-179), Jan 1902 - Dec 1930, wood engraved cartoons to the text, few colour plates, contemporary near-uniform red half calf, few joints split, some worn, 4toQty: (49)Footnote: Sold as a periodical, not subject to return.

1966 National Periodical Publications Batman cards, 1976 Tops Chewing Gum bubble gum cards of Motor Vehicles, Anglo-American Chewing Gum Ltd cards, The Man From U.N.C.L.E cards, several hundred cigarette cards and tea cards in shortbread tin

Vanity Fair.- Vanity Fair Album (The) and Vanity Fair, together 45 vol., numerous chromolithograph caricature plates by 'Ape', 'Spy' etc., the last 5 years bound in larger format albums without titles or preliminaries, some gutta percha beginning to perish with some leaves loose, original green cloth, gilt, generally fine or near fine condition, folio, 1869-1908; sold as a periodical not subject to return⁂ A complete run from the very first volume up to 1908 of this well-known magazine endowed with numerous caricatures of the 'great and the good' - including sovereigns, statesmen, judges, sporting figures and other 'men of the day' (plus a few women). Among those depicted are Charles Darwin (1871), Wilkie Collins (1872), Anthony Trollope (1873), W. G. Grace (1877), Fred Archer (1881) and Oscar Wilde (1884) as well as a few large folding plates depicting Tattersall's (1887) and 'The Winning Post' (1888).

RUSSELL PETER (Ed).  Nine, A Magazine of Poetry & Criticism. Complete run of Nos. 1 to 11 of this literary periodical. Orig. wrappers. 1949-1956; also 17 various special issues of Agenda, A Poetical Periodical, with subjects such as Ezra Pound, T. S. Eliot & Hugh Macdiarmid.  (28).

HILL RICHARD (Ed).  Cricket Lore. 47 issues of this illus. folio periodical. Orig. pict. wrappers. 1990's-2000's.

The Studio.  5 bound vols. of this periodical. Illus. Orig. green cloth gilt. 1930's; also various other vols.

The Graphic, a broken run, 15 volumes, (2, 5, 8 - 9, 14 - 15, 17, 19, 21, 24, 28, 30, 34, 37 & 39), July - December 1870 - January - June 1889, numerous black and white and colour illustrations throughout, including some folding and double-page, publisher's uniform blue cloth gilt, largely unmarked, one spine partially detached, folioQty: (15)Footnote: Sold as a periodical and not subject to return.

The Graphic, a broken run, 27 volumes, (40 -48, 50 - 64 & 66 - 68), July December 1889 - July December 1903, numerous black and white and colour illustrations throughout, including some folding and double-page, contemporary half morocco gilt, several boards detached and lacking some spines, heavily worn and frayed, folioQty: (27)Footnote: Sold as a periodical, not subject to return.

Art Journal, 63 volumes, a run, 1849-1911, numerous steel engraved plates, wood-engraved illustrations, etched and photogravure plates, and colour illustrations, mixed bindings (38 volumes leather-bound in red, green, and black morocco, the remainder bound in original publishers cloth, or contemporary cloth bindings), rubbed and some marks (bindings generally intact and in good condition), folioQty: (63)Footnote: First published in 1839 as the Art Union Monthly Journal, the periodical became The Art Journal in 1849 and was considered the most important 19th century art publication, ceasing in 1912. The editor, Samuel Carter Hall opposed the emerging Pre-Raphaelite Brotherhood after 1850, considering it to be reactionary and wrote articles attacking the movement and supporter John Ruskin.

Williams (William Carlos). The Dog & the Fever, A Perambulatory Novella by Don Francisco de Quevedo who Published under the Name of Pedro Espinosa, Translated by William Carlos Williams and Racuel Hélène Williams, Hamden, Connecticut: Shoe String Press, 1954, frontispiece from a line drawing, William Carlos Williams funeral card loosely inserted, signed in large blue ballpoint pen to the front free endpaper by the author, 'To Louis [Zukofsky, identified at foot of page] from Bill', presentation notes in the book to Charles and Brenda Tomlinson from Fred [Busch] loosely inserted, original cloth in damp-stained and worn dust jacket chipped with loss, remains of spine loosely inserted, small 4to, together with: Yes, Mrs Williams: A Personal Record of my Mother, 1st edition, New York: McDowell, Obolensky, 1959, signed by the author to toned front free endpaper, 'William Carlos Williams' in a large and elderly hand, some pencil annotations by Charles Tomlinson to early leaves, original cloth in dust jacket, rubbed and a little chipped at head of spine, 8vo, plus Pictures from Brueghel and other Poems, a New Directions paperback, 1st edition in this format, 1962, signed by the author to half-title in blue ballpoint pen in a large and elderly hand, 'William Carlos Williams' (page toned from news cutting loosely inserted), some pencil annotations and marginalia by Tomlinson, original printed wrappers, rubbed and a little wear to joints, 8vo, plus 4 others by William Carlos Williams published by New Directions: The Collected Earlier Poems, 1961; The Collected Later Poems, 1950; Imaginations, edited with an Introduction by Webster Schott, 1970; A Voyage to Pagany, with an Introduction by Harry Levin, 1970, some pencil notes and marginalia by Tomlinson, all original cloth, rubbed, all but the first in dust jacket, the first chipped and slightly worn, plus 21 others by Williams including paperbacks and later editions, plus 17 others relating to Williams including 10 periodical publications, many of the books with pencil annotations and marginalia by Tomlinson, various bindings, generally rubbed, mostly 8voQty: (45)

Vogel (Lucien, editor). Gazette du Bon Ton. Arts, modes et frivolités. 1912-13, Tome I [...] 1913, Tome II [...] 1914, Tome I, Paris: Librairie centrale des beaux-arts, 1912-4. 18 monthly numbers in 3 volumes, 4to, contemporary vellum, decorative titles gilt to spines and front covers, all edges untrimmed, 181 colour pochoir plates by George Barbier and others (10 to each number in volumes 1-2; numbered 1-61 in volume 3, without number 43, but with an additional plate numbered 15 between 23-4; many folding), similar illustrations throughout the text, each number in volume 3 with initial advertisement leaf and title-page printed on thick card (the latter possibly from the original wrappers), offsetting from a few plates, collation of the text not established and the lot sold as a periodical (qty: 3)

Whitaker (Joseph) An Almanack ..., 96 vol., a broken run lacking 1876-78, 1880 & 1883, ex-library with usual stamps and labels, most later cloth mimicking the original, several in original cloth, gilt, a little rubbed, lightly faded spines, cracked hinges, shelfmark to spine foot, 12 vol. dust-jackets, rubbed, chipping to corners and extremities, shelfmarks to spine foot, 8vo, 1875-1975; sold as a periodical not subject to return

Photography.- Photograms of the Year, 57 vol., a broken run lacking 1908-09, 1916 & 1926, illustrations, many full-page, ex-library with usual labels and stamps, occasional marginal finger-soiling, most in contemporary morocco-backed boards, gilt, rubbed, one in contemporary cloth, 12 in original cloth, bumping to corners and extremities, 7 with dust-jackets and protective plastic, rubbed, chipping to corners and extremities, 4to, 1896-1961; sold as a periodical not subject to return.

Archaeology.- The Archaeological Journal, 72 vol., a broken run, plates, some folding, illustrations, occasional marginal finger-soiling, ex-library with usual stamps and labels, cracked hinges, 9 in contemporary half-morocco, rubbed and worn, one or two boards detached, 19 in original paper wrappers, rubbed and worn, chipping and loss to edges, 1 disbound, contemporary or modern cloth or half-cloth to most, small labels to spine foot of each vol., large 8vo, 1901-79; sold as a periodical not subject to return.

"The Studio" Year-Book of Decorative Art, 53 vol., a broken run, lacking 1913, 1915-17, 1923 & 1944-48, plates and illustrations, occasional marginal finger-soiling, ex-library with usual stamps and labels, first 7 vol. in contemporary morocco-backed boards, rubbed and worn, small loss to spine extremities, the rest in contemporary or original cloth, rubbed, bumping to corners and extremities, 14 vol. with dust-jackets, rubbed and worn, loss to corners and extremities, 1906-69; sold as a periodical not subject to return

NO RESERVE Antiquaries Journal (The), 46 vol., a broken run, lacking 1943 and 1959, plates, one or two folding, illustrations, ex-library with usual labels and stamps, contemporary morocco-backed boards or cloth, 1962 & 1966 in original parts with original paper wrappers, housed in slipcases, library labels to spine foot, blind-stamp to upper covers, a little rubbed, 4to, Oxford, 1921-69; sold as a periodical not subject to return

A collection of early 20th century scrapbooks, containing various newspaper and periodical clippings, mostly Royalty related

COUNTRY LIFE, 46 vols. of the periodical, bound in cloth (variable state) i.e. vols. 12 (1902), 13, 17, 18, 20-22, 24-33, 35-50, 52, 55-58, 62, 64, 65, 68, 69 [2 copies], 71 (1932), sold as a periodical, net subject to return (46).

PRINTS from a German Periodical.

Collis (Maurice) Quest for Sita, first edition, one of 500 copies on hand-made paper, with publisher's printed note of publication and slip with author's signature both loosely inserted, full-page illustrations by Mervyn Peake, original pictorial blue buckram blocked in red, t.e.g., others uncut, dust-jacket spotted and browned, frayed at edges, two holes to spine panel, 1946 § Arberry (Arthur J., editor) The Ruba'iyat of Jalal al-Din Rumi, original cloth, uncut, 1949 § Cornford (Frances) and Esther Polianowsky Salaman. Poems from the Russian, third impression, signed and inscribed by Cornford to E.V.Rieu the poet and translator, original cloth, spine faded, 1944 § Isham (Juliet Calhoun) Winds and Tides, first edition, signed presentation copy from Ralph Isham (the author's son and the dedicatee) to the artist Eric Kennington and with a manuscript verse to rear endpaper, original boards, dust-jacket spotted and creased, New York & London, 1925; and others including vol.1 nos.1-11 & vol.2 no.4 of The Green Book periodical (1981-2), 4to & 8vo (17)

Heaney (Seamus) Saw Music, broadside, number 13 of 50 signed copies, from an edition limited to 250, title and illustration printed in brown, c.460 x 265mm., Northfield, Ma., Swamp Press, [2006].⁂ A poem written in memory of Czeslaw Milosz, and first published in the periodical AGNI 61.

Murray (Muz, editor) Gandalf's Garden, issues 1-6, illustrations, original pictorial wrappers, issue one with a couple of short tears, generally near fine condition, 4to, Citadelle Press, 1968-69.⁂ Rare complete set of this underground hippie periodical which includes contributions by John Peel and Marc Bolan, inter alia.

Greene (Graham, editor). Night and Day, 25 (of 26) issues, July 1 to December 23, 1937, lacking July 15 issue else complete, illustrations and advertisements, small advertisement excised from p.1 of July 29 issue, a little light marginal toning and a few spots, original wrappers, bookplates, bound in 3 cloth volumes, 4to, together with Night and Day, edited and with an introduction by Christopher Hawtree, 1985Qty: (4)Footnote: Short-lived periodical, edited by Graham Greene with contributions by many writers of the day including Evelyn Waugh, Anthony Powell, John Betjeman, Henry Miller, Christopher Isherwood, Osbert Lancaster et al.

DINGLER, Johann Gottfried (1778-1855, editor), and others. Polytechnisches Journal, Stuttgart [and Berlin], 1820-1908, vols. 1 - 323 bound in 302 vols. and 2 index vols. (lacking vols. 69, 261 and 270), folding plates, various bindings. (304)DINGLER, Johann Gottfried (1778-1855, editor), Emil Maximilian DINGLER (1806-74, editor), and others.  Polytechnisches Journal. Stuttgart and Berlin: In der J. G. Cotta'schen Buchhandlung [with variants to the imprint and editors later in the run], 1820-1908. Volumes 1 - 323 bound in 302 volumes (lacking vols. 69, 261 and 270) and with 2 index volumes; vols. 1 - 280: 8vo (218 x 130mm) and vols. 281 - 323: folio (310 x 220mm). Folding engraved and lithographed plates at the end of the octavo vols., a few hand-coloured, some printed on pale blue paper; half tone and wood-engraved illustrations in the folio vols. (some spotting and staining, a few plates loose or detached). Vols. 1 - 74 in contemporary [?or publisher's] near-uniform blue paper boards with manuscript spine labels, yellow edges; vols. 75 - 323 in contemporary [?or publisher's] near-uniform marbled paper boards with orange gilt lettering pieces (variously worn, but generally in a remarkable state of preservation). Provenance: unidentified blue institutional stamps on titles; from the Collection of Peter and Margarethe Braune. A VERY SUBSTANTIAL RUN OF THIS CELEBRATED GERMAN SCIENTIFIC JOURNAL, the oldest German technical journal not affiliated to a trade association, and one of the most important technical journals of the 19th-century. Johann Gottfried Dingler, the German chemist and industrialist, founded and edited the journal from its inception until 1840, when it was taken over by his son Emil. After 111 years of continuous publication, the Journal ceased publication in 1931 in the wake of the world economic crisis. An old typed catalogue index card for the set indicates that the three missing volumes in the sequence (i.e. vols. 69, 261 and 270) have been missing for some time, although the same index card records the presence of 3 further folio vols. at the end of the run (1909-11) which are not here present. The first of the 2 index volumes, dated 1843, covers vols. 1 - 78; the second, dated 1853, covers vols. 79 - 118. Kirchner 3940; Poggendorff I, 573. Sold as a periodical, not subject to return. (304)

Periodical:  Haverty (Martin)ed. Duffy's Hibernian Magazine: A Monthly Journal of Literature, Science and Art. 18 Nos. 4to D. July 1860 - Dec. 1861. In 3 Vols. 4to Dublin 1862. Complete File., 3 illus. frontis, orig. gilt decor. purple cloth. V. good. (3)

The Complete File 'An Connachtach (The Connachtman)' A bilingual Journal devoted to the National Revival.' Periodical, Athlone, Vol. 1 No. 1 (July 1907) to Vol. 1 No. 11 (May 1908). cover of first number detached, torn and scuffed, but apparently complete. Scarce. As a periodical, w.a.f. (1)

Griffith (Arthur)ed. Nationality (periodical). Vol. 1 No. 1 (June 19 1915) to Vol. 1 No. 45 (April 22 1916). Folio, lightly bound in blue card. Some issues uncut. Not collated, but apparently complete to date. Scarce and influential. As a Periodical, w.a.f. (1)

Young Ireland. Eire Og.  The Paper for the Young People of Irish Ireland. Two vols., Vol. 1 No. 1, April 21 1917, to Vol. 1 No. 29, November 3 1917; and Vol. II No. 1 (New Series), Nov. 10 1917 to Vol. II No. 11 (New Series), Jan. 19 1918. Folio, each vol. lightly bound in blue card. Contribs. include A[odh] de B [lacam]. Illustrated by George Monks, some issues unopened. Not collated, but apparently complete to date. Scarce. As a Periodical, w.a.f. (1)

Periodical: Ár m-Eire New Ireland, Vol. III No. 12, Jan. 27th 1917 - Vol. IX, No. 4, Dec. 21st, 1921, together approx. 33 issues only. Orig. ptd. wrappers. As a periodical, w.a.f. (1) * Ed. by D. Gwynn & P.J. Little, it first favoured the Irish National League, but afterwards adapted bye policy of Sinn Fein.

Periodical:  The Yellow Book, An Illustrated Quarterly. Vols. 1 - XIII. [All Published] together 13 vols. 4to L. 1894 - 1897. With attractive illus. thro-out in orig. decorated yellow cloth, with designs by Aubrey Beardsley etc. As a periodical, w.a.f. Good set. (13)

Periodical:   Journal of the Royal Historical and Archaeological Association of Ireland, Fourth Series, Vols. I - IV together 4 vols. Roy 8vo D. 1870-71 - 1876-78. Fold. tables & other illus., text diagrams etc., attractive hf. calf, mor. labels. As a periodical, w.a.f. Good. (4)

Periodical:  de Breffny (Brian)ed. Irish Arts Review - An International Quarterly Magazine for Connoisseurs. Vol. I Part I - Vol. 18. First, 4 vols. in parts (16 parts) & remainder in yearly volumes. Together 30 issues, an unbroken run, folio Dublin Spring 1984 - 2002. Profusely illustrated, orig. pict. wrappers. Good.

Rare Complete File Periodical: Dalton (Ed.)ed. The Spark, Keeps the Fire of the Nation Burning. Vol. I No. 1 - Vol. III No. 64, 4to, Sunday 7th February 1915 - Sunday 23 April, 1916. Together 64 nos. Complete File. Printed for the Proprietors of the Gaelic Press. All very clean copies, bound as one, cont. cloth backed boards. As a periodical, w.a.f. An exceptional copy. (1) * The editorship was attributed to Constance Markieviez by Sir Mathew Nathan, but 'New Ireland,' issue for 26th Aug. 1916, states it was Dalton as editor from start to finish. Pearse's famous article 'Peace and the Gael' appeared in issue No. 46 Vol. II.

Signed by Seamus Heaney  Periodical: Sergeant (Howard)ed. Outposts, Autumn 1964 - No. 62,  Signed  by Seamus Heaney on his contribution The Play Way; Outposts Spring 1966 - No.68,  Signed by Seamus Heaney on contribution The Salmon Fisher to The Salmon, 8vo L. (Outposts) 1964 - 1966, nice association copies. (2)

Landmark of the Irish Literary Renaissance - The Complete Set Periodical: The Shanachie, An Irish miscellany illustrated. Nos. 1 - 6 [all published], 4to, 6 issues, Dublin, (Maunsel) [1906] - 1907, orig. pict. wrappers. V. good. (6)

Periodical: Mac Neill (Eoin)ed. Irisleabheir na Gaedhilige - The Gaelic Journal, 3 vols. (2 duplicates) No. 13 Vol. 2 - No. 20 Vol. 2 (x 2) & No. 25 Vol. 3 - No. 32 Vol. 3, bound in green cloth, gilt lettering, as a periodical, w.a.f. (3)

MACLEAN DONALD: (1913-1983) British Diplomat & Spy, a member of the Cambridge Five. A rare printed 4to edition of the Cambridge University literary periodical Contemporaries, edited by John Kaestlin, Summer 1933, featuring various poems and other literary contributions by individuals including Donald Maclean. Signed ('Donald Maclean') by Maclean with his name alone in bold fountain pen ink to the lower margin of an inside page which features his own contribution entitled Puppet. Bound in the original yellow printed paper wrappers. Autographs of Maclean are rare in any form. Front cover neatly detached and with some light overall age wear and minor foxing and with a few small neat tears to the edges and spine. About VG   Donald Maclean studied modern languages at Trinity Hall, Cambridge, arriving at the university in 1931. Whilst there he became a member of the Communist Party and was a relatively well-known figure on campus. His literary efforts, as well as his contribution to the present magazine, included a book review in 1933 for Cambridge Left, a journal to which other communists contributed, and in 1934 he became the editor of Silver Crescent, the Trinity Hall students' magazine. In his last year at Cambridge Maclean became an agent of The People's Commissariat for Internal Affairs (NKVD), the interior ministry of the Soviet Union, and graduated with a First in modern languages before entering the Diplomatic Service.

‘the imagination of a very intelligent mental patient’             927      FREUD SIGMUND: (1856-1939) Austrian Neurologist, the father of Psychoanalysis. A fine A.L.S., Freud, one page, large 4to, Vienna, 16th March 1934, to a Director, in German. Freud informs his correspondent that the work of Hans Sperber Uber den Einfluss sexueller Momente auf Enstehung und Entwicklung der Sprache ('On the influence of Sexual Moments on the Origin and Development of Language') was published in 1912 in the first volume of the periodical Imago, and remarks 'Most likely special copies of this article don't exist but I think if you contact the "Internat. Psychoanalytischen Verlag" (Vienna I….) you can get the copy or the periodical'. Freud further writes that 'The "Grundsprache" [basic language] of which I will talk below, is the imagination of a very intelligent mental patient [Schreber], whose autobiography provided me with the content for a study ["Vier psychoanalyt. Krankengeschichten"] ('Four psychoanalytical Case Histories, 1932). This article was translated in the "Revue Française de Psychoanalyse" V. No 1, 1932 (Denoel et Steele, Editeurs, Paris'. A letter of interesting content. Some light age wear and minor creasing, largely to the edges, and a few small, neat splits at the edges of the folds, a few neatly repaired to the verso. About VG     Hans Sperber (1885-1963) German linguist. Early in his career Sperber worked in the vicinity of Freud and this influenced his main research interests which lay in the history of language and the theory or psychology of language. Sperber's article On the influence of Sexual Moments on the Origin and Development of Language, as referred to in Freud's letter, was indeed published in Imago, the psychoanalytic journal founded by Freud, and advocates the thesis that 'the original words all denoted sexual things and then lost that sexual meaning by moving on to other things and activities that were compared to the sexual ones'.

A REGENCY MAHOGANY EXTENDING DINING TABLEBY MORGAN AND SANDERS, CIRCA 1815The inscribed end handle titled 'Patent, Morgan & Sanders, Inventors & Manufacturers, 16 & 17 Catherine Street, Strand, London', with three additional leaf insertions76cm high, 123cm wide, 305cm long (when fully extended)For a related extending dining table by Morgan & Sanders and formerly part of the Norman Adams collection incorporating a near identical engraved handle see Christopher Gilbert, Pictorial Dictionary of Marked London Furniture 1700-1840, Furniture History Society and W. S. Maney and Sons Ltd, 1996, page 345, figures 666 and 667. For another dining table by Morgan and Sanders and bearing similarly engraved makers plates/ handles, see Christie's, London, Important English Furniture & Clocks, 4th June 2009, Lot 10 (£20,000). Much is known about the business of Morgan & Sanders because of their involvement with Rudolph Ackermann, print seller, art dealer and publisher of the Strand. For his monthly periodical 'The Repository of Arts' they supplied a succession of furniture designs which were published between 1809 and 1815. They had by this date named their premises 'Trafalgar House' to capitalize on the death of the naval hero Lord Nelson for whom they were providing furniture for his house at Merton, Surrey in 1805. The partner's claim to have supplied furniture to Nelson is supported by a payment of £549 in 1810 to Morgan & Co, from money provided by the Marquess of Queensbury to clear part of the debts of Lady Hamilton who had inherited Nelson's house at Merton. In the Repository of February 1810 the partners claimed to have supplied their Pitt's Globe Writing Table to the Royal family and the illustration used by Ackermann was said to be based on one ordered by the Princess Augusta. Thomas Morgan also claimed that whilst in Butler's employ he had visited Buckingham House and showed a model of his Imperial Dining Table to the King, Queen and other members of the Royal Family.   Condition Report: Marks, scratches and abrasions comensurate with age and useOld chips and splits. There are scratches and abrasions to the the surface in areas. The top surface of the dining table appears to have been applied with shellac/ varnish or french polish previously and it has a 'glassy' finish. This seems to make the natural 'splits' in the natural grain of the timber to be pronounced to a degree in some areas. The remaining frame and legs of the table appear also to have been applied with a later varnish or shellac. Where this has been marked or scratched it reveals a lighter coloured timber beneath. (see additional images) Some minor variation between the colour of the table top and the leaves. (see catalogue images) The oak fittings to the interior of the frame that form the brass clip holders may possibly be later. The clip fittings to the underside of the table top and leaves appear original and the brass clip fittings fit them well. There are no noticeable cracks or splits to the table top or the additional leaves. Please refer to the additional images for visual reference to condition. Condition Report Disclaimer

Der Sturm Wochenschrift für Kultur und die Künste (später Halbmonatsschrift bzw. Monatsschrift für Kultur und Künste). Herausgegeben von Herwarth Walden. Jahrgänge 1-3 und 5-9 (von 21), insges. 214 Hefte (von 327), in 5 Bänden. Berlin, Der Sturm 1910-1919. - Der Dreh- und Angelpunkt des künstlerischen und literarischen Expressionismus - Selten umfangreiche Folge der frühen Jahrgänge der wichtigen Avantgarde-Publikation - 'A new genre of periodical had come into being.' (Paul Raabe) 'Der Sturm became the definitive vehicle for the propagation of modern art through original graphic contributions, reproductions, and texts' (Paul Raabe in der Rifkind Collection) In diesem Umfang ausgesprochen seltene Folge der wichtigsten avantgardistischen Zeitschrift des Expressionismus, eine der führenden Kunst- und Kulturpublikation ihrer Zeit. 'The weekly became the mouthpiece of the new literature and art; its publisher, a thirty-two-year-old musician and journalist, the most important promoter of modern art in Germany. From 1911 on he published the woodcuts and drawings of the Brücke artists, the school of Paris, and those of many other artists. Der Sturm 's large pages, with their modern design, proclaimed and disseminated the new movement .. The emphatic print of the masthead and the woodcut beneath established the image of the magazine, which remained the most important and also the most modern organ for Expressionist art and writing into the 1920s .. Today Der Sturm remains a unique document of Expressionism, in whose pages one can still discover, in the midst of the well-known Expressionists, many an unfamiliar or forgotten artist.' (Rifkind Coll.) Unter den zahlreichen originalgraphischen Arbeiten, die die Publikation illustrieren und einen beträchtlichen Teil ihres Wertes ausmachen, finden sich Holz- und Linolschnitte sowie Lithographien von E. L. Kirchner, F. Marc, H. Campendonk, M. Pechstein, J. van Heemskerk, G. Münter, K. Schmidt-Rottluff, E. Maetzel, W. Dexel, C. Felixmüller, W. Morgner, A. Segal u. v. a. In der Folge enthalten ist auch das Heft Nr. 20 vom 14. Juli 1910 mit dem Erstdruck von Kokoschkas Mörder, Hoffnung der Frauen (Raabe 166, 3 Anm. und Hagenlocher 17a). Seine Illustrationen dazu - drei davon finden sich hier im Sturm in den Heften 20, 21 und 24 - gelten als die ersten veröffentlichten Textillustrationen des Expressionismus überhaupt (vgl. Lang S. 19). - Des weiteren findet sich in Heft 22 des ersten Jahrgangs die schöne Porträtzeichnung Kokoschkas von Herwarth Walden. Bis auf Jg. 2/2 (Hefte 26-48) und Jg. 4 liegen hier die wichtigen 9 ersten Jahrgänge der Zeitschrift vor, die noch in dem größeren Format erschienen und allein mehr als die Häfte sämtlicher Originalgraphiken der Gesamtpublikation enthalten. Einband: Spätere Halbleinenbände. 38,5 : 29 cm (2 Bde.) sowie 41,5 : 30.5 cm (3 Bde.). - ILLUSTRATION: Mit insges. 172 Original-Graphiken und zahlreichen Abbildungen. - ZUSTAND: Tlw. mit leichten Randläsuren und -einrissen (zumeist ausgebessert), 3 Bll. stärker lädiert und gelöst, vereinzelte Knickspuren; 1 Einbanddecke mit Feuchtigkeitsspuren. Größtenteils guterhalten und sauber, 86 Hefte der Jgge. 3-7 liegen hier auf dem besseren, chamoisfarbenen Papier vor. - PROVENIENZ: Privatsammlung Niedersachsen. LITERATUR: Raabe 322, 18. - Raabe, Zeitschriften 1. - Söhn HDO 536-545. - Schlawe II, 39. - Diesch 2838. - Perkins 201. - Reed 303. - Rifkind Coll. I, 124ff. Rare comprehensive collection of the early years of the important avant-gard publication. 'A new genre of periodical had come into being.' (Paul Raabe). Later half calf bindings. Folio. 38.5 : 29 cm (2 vols.) and 41.5 : 30.5 cm (3 vols.). With together 172 original prints and many illustrations. - With isolated slight marginal blemishes (mostly mended), 3 ll. affected stronger and lose, isolated creases; 1 board with water marks. Largely well-preserved and clean, 86 issues from years 3 to 7 on better creme paper. Dieses Objekt wird regel- oder differenzbesteuert angeboten.

Buses Illustrated; An Ian Allan periodical, 1958 onwards (completeness unknown):- One Box.

CONNOLLY CYRIL.  Horizon. 28 copies of this periodical, 1947-1950; also 1st Chance, 2nd Chance, 3rd Chance & 4th Chance, 1953 & other periodicals & softback publications.

Warship.  A carton of this periodical & various others.

BRITISH FRIESIAN CATTLE SOCIETY.  The British Friesian Journal. An exceptional run of bound vols. of this periodical in orig. cloth or binders from Vol. 1, 1919 to 1998, concluding with Holstein UK journals, 1999-2001.  (7 cartons).

BRITISH HOLSTEIN SOCIETY.  Journal. 2 cartons of this periodical c.1970-1990's; also a carton of the periodical, Holstein.

SHORTHORN SOCIETY. The Dairy Shorthorn Journal. A carton of this periodical 1940's-1960's.

HANOVER YOUTHS' INSTITUTE.  Periodical, vol. 1, nos. 1 - 4. Manuscript throughout with pen & ink & other illus. & decs. Quarto. Half morocco, rubbing & wear. 1888-1889; also Scottish Art & Letters, A Quarterly Review, ed. by Arnold Fraser-Lovat, vol. 1, no. 1, November 1901-January 1902.  (2).

The Strad.  A run of bound vols. of this periodical, 1946-1972, lacking 1954 & 1955. Quarto in half blue cloth.

Literary Periodicals.  2 issues of Cambridge periodical Delta with Sylvia Plath (No. 9, Summer 1956) & Ted Hughes (No. 12, Summer 1957); & others incl. Critical Quarterly Poetry Supplement, New Measure & The Review.

Zoology.- Proceedings of the Scientific Meetings of the Zoological Society of London, 10 vol., 324 lithographs, 221 coloured by hand, illustrations, contemporary half-calf, gilt, red morocco spine labels, a little rubbed, 8vo, 1876-80; sold as a periodical, not subject to return

Yeats (William Butler, editor) Samhain. An Occasional Review, nos. 1-7 (all published), first editions, no. 3 second issue with October 1903 to upper cover, no. 7 first issue without errata affixed to frontispiece, plates and advertisements, occasional light foxing, original printed wrappers, no. 3 with rusting to staple at spine resulting in separation, no. 5 with some chipping to upper cover, some creasing to extremities but generally a near-fine set overall, mostly unopened, preserved in folding chemise and custom morocco-backed slip-case, [Wade 227, 228, 229, 230, 233, 237, 241], 8vo, 1901-08.⁂ First edition of this important periodical connected with the Abbey Theatre that includes numerous contributions by Yeats himself as well as Lady Gregory, J.M. Synge, Douglas Hyde & George Moore. Rare complete in such good condition.

[Dickens (Charles)], "Boz". Master Humphrey's Clock, first edition, second issue in 20 monthly parts, 3 wood-engraved frontispieces by George Cattermole, woodcut illustrations and initials by Cattermole and H.K. Browne, part 1 lacking "Tyas's Popular Illustrated Publications" ad., part 4 lacking "Magazine of Domestic Economy" ad., all other advertisements as called for, original printed blue wrappers, part 1 spine chipped, occasional minor repairs to spines, occasional light soiling or creasing, the odd small chip, but an unusually bright and crisp set generally, ink ownership inscription to upper covers, preserved in custom drop-back box (upper cover detached), [Eckel pp. 61-5; Hatton and Cleaver pp, 161-182], 8vo, Chapman and Hall, 1840-41.⁂ First edition of Dickens' short-lived periodical in the rare monthly parts issue, including the novels The Old Curiosity Shop and Barnaby Rudge. Master Humphrey's Clock was first issued in weekly part before being collected together into monthly issues and finally into book format.

Suffragettes.- Pankhurst (Sylvia, editor) The Woman's Dreadnought, 47 issues only, comprising: Special Advance Number, 8pp., March 8 1914, no.1-21 and 23-47, all issues 4pp., except issue 41 with 8pp., illustration to p.1 of each issue, many issues frayed, torn (especially at fold) or chipped at edges, issue 2 torn in half, issue 14 browned along and around fold, but text for the most part unaffected and legible, preserved in later portfolio, folio (445 x 287mm.), East London Federation of the Suffragettes, March 8th 1914 - February 6th 1915.⁂ Extremely rare and near-complete run of this highly important suffragette newspaper, missing only one issue (number 22, August 15th 1914) from the first 47, and here together with the Special Advance Number. The periodical appeared fortnightly under the editorship of Sylvia Pankhurst during the build-up to and first few months of the First World War. Much of the suffragette movement rallied behind the government at the beginning of the war, but Sylvia took a different path, diverging from her patriotic mother and sister to set up a working-class suffragette movement in the East End of London, producing this publication, which soon changed its name to The Workers' Dreadnought with more overtly socialist leanings and later being adopted as the official organ of the British Communist Party. Despite a claimed circulation of 20,000, these early issues seem exceptionally rare and we can trace no issues appearing for sale at auction.

Pirates.- [Roberts (John Bartholomew)], "Black Bart".- Historical Register (The), Containing an Impartial Relation of all Transactions, Foreign and Domestick, woodcut tail-pieces, bookplate to front pastedown, some spotting and uniform browning, contemporary panelled calf, gilt spine with morocco label, upper joint cracked but holding firm, lower joint broken, lower cover nearly fully detached, extremities a little rubbed, 8vo, by H.M[eere]., 1721.⁂ This volume contains what is considered the most detailed account of pirates to appear in a contemporary periodical (pp.246-256) including exploits of Bartholomew Roberts in the Caribbean, infamously known as 'Black Bart' (1682-1722); by measure of vessels captured, this welsh pirate is seen as the most successful of the 'Golden Age of Piracy'. He also created his own 'Pirate Code' and invented an early variant of the iconic skull and crossbones flag. One merchant captain's account recalls, 'I hope the ships bound from London to Jamaica, may escape the said Roberts, for he designs to keep that station, and destroy all ships that come to these Islands which may fall into his hands. They left me without any manner of clothing; and Roberts brought my brother (chief mate) to the gears, and whipt him within an inch of his life, by reason he had conceal'd two gold rings in his pocket' (pp.247-248).

Occultism.- Crowley (Aleister) and others. The Equinox, the Official Organ of the A.A., vol. 1 nos. 1-6 & 10, plates and illustrations, spotting and foxing, vol. 1 with ink ownership inscription of Meredith Starr to front free endpaper and upper cover, vol.1 with some splitting to gutter with a few ff. working loose, original cloth-backed pictorial boards, paper labels to spines (vol. 1 rather chipped), some splitting to joints of vol. 1 & 2, rubbing and soiling to covers, 4to, 1909-13.⁂ A good run of the early numbers of this important occultist periodical. Vol. 1 with the ownership inscription of prominent occultist and contributor to Equinox. Roland Meredith Starr (1890-1971), occultist and poet, wrote for the Occultist in Equinox. He is also credited with introducing the teachings of Meher Baba to the West.

Dickens (Charles, novelist, 1812-70) Autograph Letter initialled "CD" to the sub-editor of Household Words W.H. Wills, 1p., 8vo, Gads Hill, Rochester, Kent, 12th November 1866, concerning corrections to the third story, "Main Line, The Boy at Mugby", in the Christmas number of the periodical, "Another discovery! There seems to be no end of the carelessness in the Xmas No. Page 17. The sentence in Caps at the top. For 'the gentleman from Nowhere', read 'the gentleman for Nowhere'."⁂ William Henry Wills (1810-80), journalist and journal editor.

Mining. North of England Institute of Mining Engineers. Transactions, volumes 1, 4-12, 15, 18, 22, 31-3 and index volume, 2nd edition of volume 1, 1st editions of remaining volumes, Newcastle-upon-Tyne: Andrew Reid, 1856-1902. 18 volumes, 8vo, non-uniform contemporary bindings (half calf or morocco, one in cloth; rubbed), numerous lithographic plates, including mining apparatus, views, diagrams, geological maps and profiles, and similar, many in colours, many folding, a few ink-stamps to endpapers and occasionally to title-pages (ink-stamp of Hetton Coal Company Ltd volume 4 title), the set not collated and sold as a periodical (qty: 18)

English (Douglas, editor). Wild Life. An Illustrated Monthly. Art Editor, Joseph Simpson Vol. I [-IX], London, 1913-17. 9 volumes (of 10) in 7, 4to, original green cloth, spines lettered in gilt, halftone photographic onlays to front boards, numerous halftone photographic plates throughout (many tipped to card mounts as issued), bookplate of Eric Hosking, some pale mottling to cloth, together with 3 other works (Kirkman, The British Bird Book, 1st edition, 1911-13, in 12 original sections, original boards; P. Chalmers Mitchell, The Pageant of Nature, 1st edition, 1923, 3 volumes; Dement'ev & others, Birds of the Soviet Union, 1966-8, 6 volumes), the lot sold as seen (qty: 28)THE LIBRARY, PICTURES & CAMERA COLLECTION OF ERIC HOSKING OBE HON. FRPS FBIPP (1909-1991)Footnote: A scarce photographically-illustrated periodical, a handful of sets traced in UK institutions (British Library, Natural History Museum, Oxford, St Andrews), and three world-wide; a final volume appeared in 1918.

Witherby (H. F., & others, editors). British Birds. An Illustrated Magazine Devoted to the Birds on the British List, London: Witherby & Co. [-BB 2000 Limited], 1907-2019. 112 volumes (plus index volume to volumes 1-12), 8vo (various dimensions), original brown cloth or rexine lettered and decorated in gilt, early volumes with halftone photographic plates (a few plates in colour or photogravure), numerous halftone photographic illustrations in the text, later volumes with photographic illustrations in colour, bookplates of Eric Hosking to early volumes, the lot not fully collated and sold as a periodical (qty: 113)THE LIBRARY, PICTURES & CAMERA COLLECTION OF ERIC HOSKING OBE HON. FRPS FBIPP (1909-1991)Footnote: A complete set up to the year 2019, and the most extensive run of this important periodical traced in auction records. The early volumes (perhaps nos. 1-30) were personal gifts to Eric Hosking from the editor Harry Witherby (private information supplied, by David Hosking).

[Churchill, Winston S.]. A small archive of photographs, letters and news cuttings belonging to Henry C. Shelley, 1899-1900, comprising: 8 photographs, all annotated on verso, some taken on board RMS Dunottar Castle, including 1 of Winston Churchill, 1 of General Buller, and 2 of Edgar Wallace (1 inscribed in pencil on verso 'Mr Edgar Wallace, Reuters, Author of a Kimberley poem published in the Cape Argus. The Editor sent 1,000 copies for distribution among the troops'); 3 items of shipboard printed ephemera, comprising a 4pp. List of Passengers, listing 'Mr. Winston Churchill and valet', split at hinge and annotated with ink crosses by a number of the names, 'The Dunottar Record', October 28, 1899, 8pp., and a 'Programme of Athletic Sports', October 25 & 26, 1899, 4pp., including such races as 'Chalking the Pig's Eye (Ladies)' and 'Bolster Fight'; 5 autograph letters signed from Harry Shelley to his wife Carrie, 1 on Dunottar Castle headed paper, describing battle scenes, climate and topography, the price of food and laundry, photographs taken and articles written, etc., 1 mentioning Rudyard Kipling's arrival, and another referring to Winston Churchill; a 4pp. 'Prospectus of Lectures by Henry C. Shelley War Correspondent', edge-frayed; and a small quantity of associated newspaper and periodical cuttings, e.g. for The Westminster Budget, and The King, various sizesQty: (1)Footnote: Henry C. Shelley, war correspondent, photographer and lecturer, spent eight months with the British Army in South Africa at the beginning of the Boer War between 1899 and 1900. As his Prospectus of Lectures states, "his experiences embrace actual knowledge and personal eyesight of all the chief events of the War on the Western side", going on to say "he was the only Correspondent who was allowed to make an ascent in the War Balloon, and, during the halt at Bloemfontein, he was accorded special privileges by Lord Roberts to enable him to secure the only pictures in existence of many historic incidents transpiring in that town". Harry, as he was known, travelling on RMS Dunottar Castle in October 1899, came to know another young war correspondent of the time, a certain Winston Churchill, with whom it seems he was less than impressed, writing in one of the endearing letters to his wife, Carrie, that one of the men in his cabin was "a perfect gentleman & a right good fellow, but the other (Churchill) is nothing but a cad", adding "when we get up to the front with the other press men it is likely he will have a rough time". By contrast, Shelley found Rudyard Kipling, whom he also met, "exceedingly pleasant ...full of high spirits".