We found 7098 price guide item(s) matching your search

N Gauge Hobby Train Continental Goods Wagons, a cased collection, freight cars 31072, 31073, 31075 (5), 31077, 31078, 31079, H23021, H23011 (2), 31074, H23025, 31094 and 31083, together with two car coal hopper sets, 31050, H23050 and four Sputnik escort cars 31031, H23041, 31035, 31034, E, Cases P-G, (24)

Roco N Gauge Continental Goods Wagons, a cased collection, includes tank wagons, 25243 (2), 25271, 25255 (2), 25091, 25270, 02320A, 2360, 25272, 25037, open coal wagons 25169, 02368, 25351, 25387, freight cars 25329, 2321B (3), 25260 double platform wagon with tanks, 25392 large hopper wagon, 2316 stake wagon with cars, 1951 stake wagon with lorry cabs, 2319 coal hopper, 2305 flat truck and 2300 (2) swivel bolster wagon, G-E, Cases F-G, (27)

Arnold N Gauge Continental Freight Wagons, a cased collection includes hopper wagons, 4434 (4), 4345, 4405 another unmarked and 4947 a larger example and large freight wagons 4724, 4723 (2), 4725 (2), 4837, 4728, 4750, 4744 3887 and 3885, G-E, Cases F-E, (20)

8x HO gauge Japanese manufactured brass railway models in American outline. 4x Orion, Japan, unpainted hopper wagons. A Fujiyama Kogyo unpainted Great Northern 'Big Sky' Caboose. A GOM Scale Model Great Northern Caboose, X288, in red and black livery. An unpainted N.W.S.L. J&L bogie tank wagon. All boxed, minor wear. Models Mint. Plus an unboxed New Haven Bo-Bo tramcar in burnt orange livery with two trolley pole pickups (one requires attention). GC-VGC, damage to one pole retainer. £70-100

An Archibald Kenrick & Sons Cast Iron Coffee Grinder of Octagonal Form, 19th Century, with crank handle, 5.75ins high, an Archibald Kenrick & Sons of West Bromwich cast iron coffee grinder with enamelled hopper, 5.25ins high, and a W. Bullock & Co. wall mounted coffee grinder

A Green Painted Finish Cast Iron Framed Coffee Grinder, 19th Century, by Bartlett & Son, Bristol, tapered hopper and ornate cast iron scroll pattern base, 27.5ins high, winding wheel 22ins diameter, and one other bronze finished steel wall mounted coffee grinder with tapered hopper, 22ins high

A LARGE QUANTITY OF MAINLY HORNBY O GAUGE MODEL RAILWAY ITEMS, to include boxed No. 1 Milk Traffic Van, No. 2435 Southern green livery, type 4 chassis, missing axles, but four wheels present in van, unboxed No. 2 Timber Wagon (No.1), Shell tank wagon, L.M.S Hopper wagon in green, etc quantity of incomplete and damaged locomotives and rolling stock (to include Bing rolling stock), Lineside accessories, small quantity of figures including Peter Pum Poodle Cadbury Coco cut figure (playworn), quantity of track, etc (8 boxes)

Matchbox - A boxed Matchbox Major Pack M4 Fruehauf Hopper Train. The model with maroon cab, silver hoppers with red plastic hubs and black tyres appears to be in Mint condition, in an Excellent tray and carded picture box which some storage wear and original price sticker to one side.

A JAPANESE BRONZE FIGURE OF A GRASS HOPPER, 7.5Ccm

MODIFIED ART IN THE STYLE OF BANKSY MADE FROM AN ORIGINAL FRAMED PEARS PRINT c1894. titled "A Christmas Offering" with later addition of a 1970's space hopper being given to an excited nun from an old lady W 63 cm, H 42.5 cm

§ ◆ JACK VETTRIANO (SCOTTISH 1951-) RITUAL OF COURTSHIP Signed lower right, oil on canvas(81.5cm x 71cm (32in x 28in))Footnote: Jack Vettriano is one of the UK’s best loved contemporary artists. Indeed his career might best be described as something of a phenomenon. The passion with which the public have taken his work into their hearts is rivalled by few others over the last 30 years. Vettriano was born Jack Hoggan in Fife in 1951 into a background of poverty. Famously completely self-taught, Vettriano was gifted a set of watercolours by a girlfriend for his 21st, thus beginning his passion for painting. His early work, signed Hoggan, was heavily influenced by Impressionism and the artists he observed at Kirkcaldy Museum and Gallery. Art became a burning passion, and in 1986 at the age of 36, he quit his job in educational research and moved to Edinburgh to pursue art full time. Though rejected from the Edinburgh College of Art, he submitted two paintings to the Royal Scottish Academy’s open exhibition in 1987. Both sold on the first day and a number of galleries immediately made their approach. What followed was a stratospheric rise to success with major gallery representation and shows that would sell out within hours. Reproductions of his most famous painting ‘The Singing Butler’ (1992) became the “best selling image” in Britain. His 2013 retrospective at the Kelvingrove Gallery in Glasgow was their best attended of all time. Hailing from the same period as ‘The Singing Butler’, this work from his series ‘Ritual of Courtship’, captures the quintessence of what so appeals to the public about his painting. Bathed in the golden glow of summers past, his figures wear the distinctive style of the 1940s, from the capacious double-breasted blazer of the central figure to the cat-eye flicks of the lady’s sunglasses. The scene reads like a vignette from an old photograph or a piece of classic cinema, and recalls the work of American realist, Edward Hopper. The inscription ‘Fish Teas’ on a nearby wooden building nods to a sense of realism, charmingly grounding the painting in a Scottish setting and tapping into our British nostalgia for seaside resorts from eras gone by. Romance and attraction are near constant undercurrents of Vettriano’s work and this piece is no different; the two gentlemen clearly taking an interest in the stylish woman right of centre in the frame. Though his unorthodox rise to success out-with the usual art world frameworks was the source of much controversy, his keen market - which once again seems to be on the rise - attests to the longevity of interest in his work and his firm position in the canon of British art.

An Elliot of London walnut cased mantel clock, retailed by S T Hopper of Boston, 27cm high.

Seed drill with hopper and ratchet mechanism

Hornby Railways - boxed 00 gauge British Railway Co-Co Diesel Class 37 (green) R.284 - various rolling stock etc, including R.020 Freightliner Wagon, boxed; R.052 'ECC' Hopper Wagon CDA, boxed; R.248 45 Ton Open Wagon 'OAA' boxed; R.749 Operating Crane, boxed; R.013 'Tarmac' Hopper Wagon PGA, boxed; R.089 20 Ton Brake Van Service Dept, boxed; boxed Signal box; two boxed Tunnels R.576, together with Gaugemaster transformer, loose rolling stock, track, etc (qty)

AN EXTENSIVE JAMES DIXON & SONS MECHANISED LOADING SUITE, to include brass mounted mechanical iron hand cranked powder loader, with japanned hopper, marked POWDER, the frame with manufacturer's patent details, together with its companion shot dispenser, associated trays and dies, cast iron treadle operated lathe form capper, two Erskine & Co. loaders and dies. All removed from a gun shop in Kent believed to have been Metcalfes.

9x N Gauge Wagons - including Railfreight, Hopper Wagons etc - Some Boxed - P&P Group 1 (£14+VAT for the first lot and £1+VAT for subsequent lots)

MILLWALL 1921-22 PINNACE CARDS X 10 10 Millwall Athletic cards Fort, Hopper, Woodley, Fort, Dorsett, Moule, Thompson, Richardson, Riddle, Lansdale 

A group of kitbuilt and RTR hopper wagons (one boxed) in ARC and other liveries, together with a kitbuilt diesel brake tender - G (12)

A quantity of unboxed HORNBY DUBLO 2-rail wagons, mainly mineral and hopper versions - G (18)

Near set of three Victorian cast iron rain hoppers, and a similar aluminium rain hopper - Condition Report

An old cast iron drain 'Hopper'

An old cast iron drain 'Hopper'.

GULLY (Né en 1977), artiste et graffeur françaisIMPORTANT TRYPTIQUEChildren meet Delacroix, Gericault, Poussin and Manet, Part 1/3Children meet Banksy, Gully, Obey , Jonone, Part 2/3Children meet Picasso, Hopper , Hirst, Part 3/3Trois acryliques et techniques mixte sur toile (Tryptique)Signé et daté 2019198 x 900 cm (198 x 300 cm chaque)Un certificat de l’artiste sera remis à l’acquéreur.

A cast iron boot jack / scraper together with a wrought iron saddle bracket and a cast iron rainwater hopper.

A Victorian cast iron hopper, together with two others, a stone wall pocket and four sections of metal wall planters, longest 204cm (8)Condition report: Pair of hoppers 23 x 24cm. Larger is 26 x 26cm. Stone pocket 22 x 24cm.

A cast iron fire grate, together with a pair of cast iron wall pockets and an iron hopper (4)fire grate: 58cm

A Matchbox Fruehauf Hopper Train in original box by Lesney together with two later Matchbox vehicles and a vintage Massey-Ferguson tractor made in EnglandLocation: G

A box of cast iron drain hopper, brackets and salvaged parts

Hornby R6885 2x Triple Pack Wagons Pack EWS HEA Hopper Wagons NEW EX SHOP STOCK Boxed - P&P Group 1 (£14+VAT for the first lot and £1+VAT for subsequent lots)

Hornby R6885 2x Triple Pack Wagons Pack EWS HEA Hopper Wagons Boxed 1X Lacking outer Sleeve - P&P Group 1 (£14+VAT for the first lot and £1+VAT for subsequent lots)

A TAIYO RADIO CONTROLLED /RADIO COMMANDE MINI HOPPER (appears complete, box distressed), a Revell Panavia Tornado G.R.MkI (not complete) a Protech Butterfly (all carbon fibre ultra lightweight slowflyer, appears ok), wingspan 815mm, weight 160g, and a Tyco RC Air Rebound (no remote) Mattell wheels (4)

British Railways flamecut depot plaque for Barry depicting the Galleon, from a MGR coal hopper wagon. Square cut steel measures 17.5in x 17.5in in as removed condition.

Hornby, Bachmann - A siding of boxed OO gauge model railway rolling stock. Lot includes Bachmann #33577 Covered Hopper Wagon CEA 'EWS' Weathered; Hornby R6004 Operating Maintenance Crane; Hornby R225 BR Utility Van and similar. Items appear to be in Good - Very Good overall condition in boxes ranging mainly Fair - Good with storage wear and imperfections such as creasing, missing cellophanes, creasing. One item appears to be in unassociated box.

Mercedes Helnwein Shelia, 2021 Oil Pastel on Paper Signed verso 15 x 10cm (5¾ x 3¾ in.) Mercedes Helnwein is a visual artist and writer, born in Vienna, Austria. She moved to Ireland and the US with her family in her teens, consciously choosing not to attend art schools. Heavily inspired by American culture, her work is known for its large scale oil pastels, predominantly populated by nurses, beauty queens, witches, girl gangs, cheerleaders, bridesmaids, and the visual theatrics of American adolescence.   Exhibitions/Awards Her first art shows were self-instigated, one-night events in Los Angeles often with one or two other inexperienced young artists, most commonly photographer Alex Prager. Sponsored by various alcoholic beverage companies, magazines, and unlikely supporters such as Land Rover, these shows generated a surprisingly genuine response and enabled Helnwein to continue developing her ideas, styles and experimenting with her interests and themes. She exhibited regularly in Los Angeles during this period at the Merry Karnowsky Gallery, as well as in Europe, steadily garnering interest and collectors, amongst them Damien Hirst, who bought out a London show. With her series "Asleep in the Wind" Helnwein broke from the primarily pencil-focused style of her early work, moving onto large-scale formats and experimenting with oil pastel as a medium. In 2015 she further developed her work in this direction with "Living Room Fire", expanding into a wider range of media and delving deeper into the theme of American living rooms and the "almost normal" activities of its characters. Film and photography has also long been an integral part of Helnwein's work, whether behind the scenes as reference material or in the forefront with films for her exhibitions, such as the "Cops and Nurses" film in 2013. In 2017 she had a solo exhibition at the Edward Hopper House, Nyack NY, with her series "Chaos Theory". Followed by her show "Jerks and Soulmates" in 2019 at the Molesworth gallery in Dublin, Ireland.   Her novel "Slingshot" is being published by Wednesday Books/St. Martin's Press in April 2021. Mercedes Helnwein currently lives and works in downtown Los Angeles and Ireland

Mercedes Helnwein Ruby, 2021 Oil Pastel and Black Pencil on Paper Signed verso 15 x 10cm (5¾ x 3¾ in.) Mercedes Helnwein is a visual artist and writer, born in Vienna, Austria. She moved to Ireland and the US with her family in her teens, consciously choosing not to attend art schools. Heavily inspired by American culture, her work is known for its large scale oil pastels, predominantly populated by nurses, beauty queens, witches, girl gangs, cheerleaders, bridesmaids, and the visual theatrics of American adolescence.   Exhibitions/Awards Her first art shows were self-instigated, one-night events in Los Angeles often with one or two other inexperienced young artists, most commonly photographer Alex Prager. Sponsored by various alcoholic beverage companies, magazines, and unlikely supporters such as Land Rover, these shows generated a surprisingly genuine response and enabled Helnwein to continue developing her ideas, styles and experimenting with her interests and themes. She exhibited regularly in Los Angeles during this period at the Merry Karnowsky Gallery, as well as in Europe, steadily garnering interest and collectors, amongst them Damien Hirst, who bought out a London show. With her series "Asleep in the Wind" Helnwein broke from the primarily pencil-focused style of her early work, moving onto large-scale formats and experimenting with oil pastel as a medium. In 2015 she further developed her work in this direction with "Living Room Fire", expanding into a wider range of media and delving deeper into the theme of American living rooms and the "almost normal" activities of its characters. Film and photography has also long been an integral part of Helnwein's work, whether behind the scenes as reference material or in the forefront with films for her exhibitions, such as the "Cops and Nurses" film in 2013. In 2017 she had a solo exhibition at the Edward Hopper House, Nyack NY, with her series "Chaos Theory". Followed by her show "Jerks and Soulmates" in 2019 at the Molesworth gallery in Dublin, Ireland.   Her novel "Slingshot" is being published by Wednesday Books/St. Martin's Press in April 2021. Mercedes Helnwein currently lives and works in downtown Los Angeles and Ireland

Mercedes Helnwein Linda, 2021 Oil Pastel on Paper Signed verso 15 x 10cm (5¾ x 3¾ in.) Mercedes Helnwein is a visual artist and writer, born in Vienna, Austria. She moved to Ireland and the US with her family in her teens, consciously choosing not to attend art schools. Heavily inspired by American culture, her work is known for its large scale oil pastels, predominantly populated by nurses, beauty queens, witches, girl gangs, cheerleaders, bridesmaids, and the visual theatrics of American adolescence.   Exhibitions/Awards Her first art shows were self-instigated, one-night events in Los Angeles often with one or two other inexperienced young artists, most commonly photographer Alex Prager. Sponsored by various alcoholic beverage companies, magazines, and unlikely supporters such as Land Rover, these shows generated a surprisingly genuine response and enabled Helnwein to continue developing her ideas, styles and experimenting with her interests and themes. She exhibited regularly in Los Angeles during this period at the Merry Karnowsky Gallery, as well as in Europe, steadily garnering interest and collectors, amongst them Damien Hirst, who bought out a London show. With her series "Asleep in the Wind" Helnwein broke from the primarily pencil-focused style of her early work, moving onto large-scale formats and experimenting with oil pastel as a medium. In 2015 she further developed her work in this direction with "Living Room Fire", expanding into a wider range of media and delving deeper into the theme of American living rooms and the "almost normal" activities of its characters. Film and photography has also long been an integral part of Helnwein's work, whether behind the scenes as reference material or in the forefront with films for her exhibitions, such as the "Cops and Nurses" film in 2013. In 2017 she had a solo exhibition at the Edward Hopper House, Nyack NY, with her series "Chaos Theory". Followed by her show "Jerks and Soulmates" in 2019 at the Molesworth gallery in Dublin, Ireland.   Her novel "Slingshot" is being published by Wednesday Books/St. Martin's Press in April 2021. Mercedes Helnwein currently lives and works in downtown Los Angeles and Ireland

Mercedes Helnwein Pam, 2021 Oil Pastel on Paper Signed verso 15 x 10cm (5¾ x 3¾ in.) Mercedes Helnwein is a visual artist and writer, born in Vienna, Austria. She moved to Ireland and the US with her family in her teens, consciously choosing not to attend art schools. Heavily inspired by American culture, her work is known for its large scale oil pastels, predominantly populated by nurses, beauty queens, witches, girl gangs, cheerleaders, bridesmaids, and the visual theatrics of American adolescence.   Exhibitions/Awards Her first art shows were self-instigated, one-night events in Los Angeles often with one or two other inexperienced young artists, most commonly photographer Alex Prager. Sponsored by various alcoholic beverage companies, magazines, and unlikely supporters such as Land Rover, these shows generated a surprisingly genuine response and enabled Helnwein to continue developing her ideas, styles and experimenting with her interests and themes. She exhibited regularly in Los Angeles during this period at the Merry Karnowsky Gallery, as well as in Europe, steadily garnering interest and collectors, amongst them Damien Hirst, who bought out a London show. With her series "Asleep in the Wind" Helnwein broke from the primarily pencil-focused style of her early work, moving onto large-scale formats and experimenting with oil pastel as a medium. In 2015 she further developed her work in this direction with "Living Room Fire", expanding into a wider range of media and delving deeper into the theme of American living rooms and the "almost normal" activities of its characters. Film and photography has also long been an integral part of Helnwein's work, whether behind the scenes as reference material or in the forefront with films for her exhibitions, such as the "Cops and Nurses" film in 2013. In 2017 she had a solo exhibition at the Edward Hopper House, Nyack NY, with her series "Chaos Theory". Followed by her show "Jerks and Soulmates" in 2019 at the Molesworth gallery in Dublin, Ireland.   Her novel "Slingshot" is being published by Wednesday Books/St. Martin's Press in April 2021. Mercedes Helnwein currently lives and works in downtown Los Angeles and Ireland

Emma Childs Untitled, 2021 Mixed Media on Paper Signed verso 15 x 10cm (5¾ x 3¾ in.) Emma Childs is an American painter born in 1996. Childs graduated from the Maryland Institute College of Art (MICA) with a BFA in General Fine Arts. The Baltimore native uses eloquent shapes and thoughtful pops of colour to create objects that physically interact with their environment. Through her minimalist approach, Childs transforms experiences and emotions into simplified form, colour, and geometric edges. The results are eye-catching compositions, which tell complicated and interconnected narratives in an accessible way. Childs's paintings are layered depictions of existence in the worlds we build around ourselves. You can find more of Childs' work on her instagram @emmechilds, or her website www.emmachildsart.com.   Education   2018 Bachelor of Fine Arts, Maryland Institute College of Art, Baltimore, MD   Exhibitions/Awards   SOLO EXHIBITIONS 2021 (UPCOMING) Hidell Brooks Gallery, Charlotte, NC (UPCOMING) Pazo Fine Art, Washington, DC 2019 Shout and Whisper, Mehari Sequar Gallery, Washington, DC 2018 Emma Childs presented by Maryland Art Place, Hotel Indigo, Baltimore, MD   GROUP EXHIBITIONS 2021 (UPCOMING) INTRO 2021, Hidell Brooks Gallery, Charlotte, NC 2020 Hickok Cole/WPA Art Month, Benefit Online Exhibition Congruence, Summer Juried Exhibition curated by Bridgette Mayer 2019 Inside Out: Studio Resident Artist Exhibition, Arts Warehouse, Delray Beach, FL Blanco + 1: 2nd Annual Juried Exhibition, Arts Warehouse, Delray Beach, FL By The People Art Fair by Halcyon & Monochrome Collective, Washington, DC The Freedom of Abstraction, Site:Brooklyn Gallery, Brooklyn, NYC 2018 Variety Show, Christopher Schafer Clothiers, Baltimore, MD Hickok Cole Art Night, Hickok Cole Headquarters, Washington, DC NO DEAD ARTISTS, Jonathan Ferrara Gallery, New Orleans, LA Bethesda Painting Awards, Gallery B, Bethesda, MD MICA Commencement Exhibition/Artwalk, Decker Gallery, Baltimore, MD   AWARDS/HONORS 2019 Hopper Prize Finalist 2018 Young Artist Award, Bethesda Painting Awards TEXT 2020 British Vogue, June, July, August Issue 2020 UK House and Garden Magazine, May, June, July Issue 2020 Create! Magazine, Issue 20 2018 ArtMaze Magazine Autumn Issue 9, London, UK   Gallery Representation   Rhodes Contemporary Art, London, UK. Hidell Brooks Gallery, Charlotte, NC.   About the postcard artwork   My work is often about creating images that feel like a shape or element of the painting is balanced, contained, or sometimes launched by another. I love to observe the way people find comfort, support, and challenge in relationship. This can be friendship, a family bond, support from a stranger, a secret admiration, or a romance. We all cannot live without this feeling of relationship in some form or another, and I enjoy the challenge of creating a visual metaphor that is so pared down, that hopefully it leaves room for any viewer to find a feeling of familiarity and unity in the human experience.  

Emma Childs Untitled, 2021 Mixed Media on Paper Signed verso 15 x 10cm (5¾ x 3¾ in.) Emma Childs is an American painter born in 1996. Childs graduated from the Maryland Institute College of Art (MICA) with a BFA in General Fine Arts. The Baltimore native uses eloquent shapes and thoughtful pops of colour to create objects that physically interact with their environment. Through her minimalist approach, Childs transforms experiences and emotions into simplified form, colour, and geometric edges. The results are eye-catching compositions, which tell complicated and interconnected narratives in an accessible way. Childs's paintings are layered depictions of existence in the worlds we build around ourselves. You can find more of Childs' work on her instagram @emmechilds, or her website www.emmachildsart.com.   Education   2018 Bachelor of Fine Arts, Maryland Institute College of Art, Baltimore, MD   Exhibitions/Awards   SOLO EXHIBITIONS 2021 (UPCOMING) Hidell Brooks Gallery, Charlotte, NC (UPCOMING) Pazo Fine Art, Washington, DC 2019 Shout and Whisper, Mehari Sequar Gallery, Washington, DC 2018 Emma Childs presented by Maryland Art Place, Hotel Indigo, Baltimore, MD   GROUP EXHIBITIONS 2021 (UPCOMING) INTRO 2021, Hidell Brooks Gallery, Charlotte, NC 2020 Hickok Cole/WPA Art Month, Benefit Online Exhibition Congruence, Summer Juried Exhibition curated by Bridgette Mayer 2019 Inside Out: Studio Resident Artist Exhibition, Arts Warehouse, Delray Beach, FL Blanco + 1: 2nd Annual Juried Exhibition, Arts Warehouse, Delray Beach, FL By The People Art Fair by Halcyon & Monochrome Collective, Washington, DC The Freedom of Abstraction, Site:Brooklyn Gallery, Brooklyn, NYC 2018 Variety Show, Christopher Schafer Clothiers, Baltimore, MD Hickok Cole Art Night, Hickok Cole Headquarters, Washington, DC NO DEAD ARTISTS, Jonathan Ferrara Gallery, New Orleans, LA Bethesda Painting Awards, Gallery B, Bethesda, MD MICA Commencement Exhibition/Artwalk, Decker Gallery, Baltimore, MD   AWARDS/HONORS 2019 Hopper Prize Finalist 2018 Young Artist Award, Bethesda Painting Awards TEXT 2020 British Vogue, June, July, August Issue 2020 UK House and Garden Magazine, May, June, July Issue 2020 Create! Magazine, Issue 20 2018 ArtMaze Magazine Autumn Issue 9, London, UK   Gallery Representation   Rhodes Contemporary Art, London, UK. Hidell Brooks Gallery, Charlotte, NC.   About the postcard artwork   My work is often about creating images that feel like a shape or element of the painting is balanced, contained, or sometimes launched by another. I love to observe the way people find comfort, support, and challenge in relationship. This can be friendship, a family bond, support from a stranger, a secret admiration, or a romance. We all cannot live without this feeling of relationship in some form or another, and I enjoy the challenge of creating a visual metaphor that is so pared down, that hopefully it leaves room for any viewer to find a feeling of familiarity and unity in the human experience.  

Emma Childs Untitled, 2021 Mixed Media on Paper Signed verso 15 x 10cm (5¾ x 3¾ in.) Emma Childs is an American painter born in 1996. Childs graduated from the Maryland Institute College of Art (MICA) with a BFA in General Fine Arts. The Baltimore native uses eloquent shapes and thoughtful pops of colour to create objects that physically interact with their environment. Through her minimalist approach, Childs transforms experiences and emotions into simplified form, colour, and geometric edges. The results are eye-catching compositions, which tell complicated and interconnected narratives in an accessible way. Childs's paintings are layered depictions of existence in the worlds we build around ourselves. You can find more of Childs' work on her instagram @emmechilds, or her website www.emmachildsart.com.   Education   2018 Bachelor of Fine Arts, Maryland Institute College of Art, Baltimore, MD   Exhibitions/Awards   SOLO EXHIBITIONS 2021 (UPCOMING) Hidell Brooks Gallery, Charlotte, NC (UPCOMING) Pazo Fine Art, Washington, DC 2019 Shout and Whisper, Mehari Sequar Gallery, Washington, DC 2018 Emma Childs presented by Maryland Art Place, Hotel Indigo, Baltimore, MD   GROUP EXHIBITIONS 2021 (UPCOMING) INTRO 2021, Hidell Brooks Gallery, Charlotte, NC 2020 Hickok Cole/WPA Art Month, Benefit Online Exhibition Congruence, Summer Juried Exhibition curated by Bridgette Mayer 2019 Inside Out: Studio Resident Artist Exhibition, Arts Warehouse, Delray Beach, FL Blanco + 1: 2nd Annual Juried Exhibition, Arts Warehouse, Delray Beach, FL By The People Art Fair by Halcyon & Monochrome Collective, Washington, DC The Freedom of Abstraction, Site:Brooklyn Gallery, Brooklyn, NYC 2018 Variety Show, Christopher Schafer Clothiers, Baltimore, MD Hickok Cole Art Night, Hickok Cole Headquarters, Washington, DC NO DEAD ARTISTS, Jonathan Ferrara Gallery, New Orleans, LA Bethesda Painting Awards, Gallery B, Bethesda, MD MICA Commencement Exhibition/Artwalk, Decker Gallery, Baltimore, MD   AWARDS/HONORS 2019 Hopper Prize Finalist 2018 Young Artist Award, Bethesda Painting Awards TEXT 2020 British Vogue, June, July, August Issue 2020 UK House and Garden Magazine, May, June, July Issue 2020 Create! Magazine, Issue 20 2018 ArtMaze Magazine Autumn Issue 9, London, UK   Gallery Representation   Rhodes Contemporary Art, London, UK. Hidell Brooks Gallery, Charlotte, NC.   About the postcard artwork   My work is often about creating images that feel like a shape or element of the painting is balanced, contained, or sometimes launched by another. I love to observe the way people find comfort, support, and challenge in relationship. This can be friendship, a family bond, support from a stranger, a secret admiration, or a romance. We all cannot live without this feeling of relationship in some form or another, and I enjoy the challenge of creating a visual metaphor that is so pared down, that hopefully it leaves room for any viewer to find a feeling of familiarity and unity in the human experience.  

Sin Park Night Sister, 2021 Coloured Pencil on Paper Signed verso 15 x 10cm (5¾ x 3¾ in.) Sin Park is a visual artist and PhD candidate in Fine Art at Glasgow School of Art.   Education:   She completed an MA in Painting at the Royal College of Art 2017, and a BFA in Painting from Ewha Womans University 2007.   Exhibitions/Awards:   Her recent works were featured in group shows including; A cabinet of Curiosities, Brownsword Hepworth Gallery, London 2020, Open Window, Square Gallery, London 2020, Annual Show, The Royal Scottish Academy, Edinburgh 2020, Elephant Lab, Colart, London 2020, Virtues of the Real/ Necessity of the Imaginary, The Art Space Glasgow 2019, Crocodile Tears, Greenpoint Open Studios 2019, New York 2020, Flourish award, Spike Print Studio, Bristol 2019 PR1 Gallery at the university of central Lancashire, Preston 2018, Nature, ARNA, Harlösa, 2018, Skip-Ad; Play, Savoy Center, Glasgow 2018, Odyssey, Summerhall, Edinburgh 2018, One summer night, Crypt Gallery, London 2017, The Arrival, Square Gallery, London 2017, The Abstraction of Continents and The Continent of Abstraction, Lychee One, London 2016, Royal Institute of Oil Painters, Mall Galleries, London 2016, Shadow, Lichfield Cathedral, Lichfield 2016.   Park was awarded the RK Burt&co. West Yorkshire 2018. She was also shortlisted in The Hopper Prize 2019, the Ashurst Emerging Artist Prize 2018, the Winsor & Newton Young Artist Award 2016, and The Lichfield Prize 2016.   She participated in residencies including Elephant Lab2020, Aucart Lab London 2019, Summerhouse Dusseldorf 2018 and ARNA Harlösa 2018.2017 - PhD in Fine Art, Glasgow School of Art 2015 - 2017   MA in Painting, Royal College of Art 2007 - 2012 BA in History of Art, College of Liberal Art B.F.A in Painting, College of Art & Design, Ewha Womans University, Seoul 2020   A cabinet of Curiosities, Brownsword Hepworth Gallery, London Exh 03, Floorr magazine (online show) Open Window, Square Gallery, London Annual Show, The Royal Scottish Academy, Edinburgh Elephant Lab, Colart, London 2019 Crocodile Tears, Greenpoint Open Studios 2019, New York Bath Open Art Prize 2019, Fringe Arts Bath Festival, 44AD Artspace, Bath Aucart LAB, 189 Gloucester Place, London Flourish award 2018 tour, Spike Print Studio, Bristol 2018 Flourish award 2018 tour, PR1Gallery at the university of central Lancashire, Preston U-Star, Albereta Relais & Chateaux, Milan Flourish award 2018, West Yorkshire Print Workshop, Mirfield, West Yorkshire Summerhouse, Lindenbecker Weg, Düsseldorf, Germany ARNA opening studio, Harlösa, Sweden Skip-Ad; Play, Savoy Center, Glasgow Ashurst Emerging Artist Prize 2018 Shortlist Show, Ashurst LLP, London No Safe Haven, The Pipe Factory Gallery, Glasgow Odysseys (SYN Festival Edinburgh), Summerhall, Edinburgh 2017 One summer night, Crypt Gallery, London RCA Degree Show, Royal College of Art, London The Arrival, Square Gallery, London Under the see, Crypt Gallery, London 2016 The Abstraction of Continents and The Continent of Abstraction, Lychee One, London Royal Institute of Oil Painters, Mall Galleries, London Lost in the woods, Square Gallery, London Shadow(Lichfield Festival), Lichfield Cathedral(Emporium Art gallery), Lichfield Nothing To See Here, Square gallery, London AWARD Hopper Prize 2019 (Finalist) Bath Open Art Prize 2019 (Finalist) Flourish Award 2018, RK Burt&co. Prize, West Yorkshire, UK (Awardee) Summerhouse2018, Düsseldorf, Germany (Awardee) Ashurst Emerging Artist Prize 2018, London, UK (Shortlisted) Winsor & Newton Young Artist Award 2016, London (Shortlisted) The Lichfield Prize 2016, Emporium Art gallery, Lichfield (Finalist) Noticeable Works Award 2013, Ewha Womans University, Seoul (Awardee).   About the postcard artworks:   I am interested in notions of memory and not-knowing as methods for approaching painting. Critical to this thinking are predetermined actions set against the potential of active eruptions of moments at which the activity stretches into a space that is not-known, where actions are affected by the activity of painting. Momentary gestural action delivers a timeless desire that becomes one with another, sought within an instant through intuition and improvisation. The sensory apparatus makes this possible, makes textural surface and surface of emotional sense an extended moment of absolute proximity and distance, all at once. Within this method, I utilise motifs as a precursor to the indeterminable, through which the real, or that is to say reflections of the real, become entangled within abstract environments embedded within the surface. This all happens through the activity of painting and constructs a liberated space of complexity; I would determine this as a space of familiar unfamiliarity.    

Sin Park Night Sky, 2021 Marker Pen and Coloured Pencil on Paper Signed verso 15 x 10cm (5¾ x 3¾ in.) Sin Park is a visual artist and PhD candidate in Fine Art at Glasgow School of Art.   Education:   She completed an MA in Painting at the Royal College of Art 2017, and a BFA in Painting from Ewha Womans University 2007.   Exhibitions/Awards:   Her recent works were featured in group shows including; A cabinet of Curiosities, Brownsword Hepworth Gallery, London 2020, Open Window, Square Gallery, London 2020, Annual Show, The Royal Scottish Academy, Edinburgh 2020, Elephant Lab, Colart, London 2020, Virtues of the Real/ Necessity of the Imaginary, The Art Space Glasgow 2019, Crocodile Tears, Greenpoint Open Studios 2019, New York 2020, Flourish award, Spike Print Studio, Bristol 2019 PR1 Gallery at the university of central Lancashire, Preston 2018, Nature, ARNA, Harlösa, 2018, Skip-Ad; Play, Savoy Center, Glasgow 2018, Odyssey, Summerhall, Edinburgh 2018, One summer night, Crypt Gallery, London 2017, The Arrival, Square Gallery, London 2017, The Abstraction of Continents and The Continent of Abstraction, Lychee One, London 2016, Royal Institute of Oil Painters, Mall Galleries, London 2016, Shadow, Lichfield Cathedral, Lichfield 2016.   Park was awarded the RK Burt&co. West Yorkshire 2018. She was also shortlisted in The Hopper Prize 2019, the Ashurst Emerging Artist Prize 2018, the Winsor & Newton Young Artist Award 2016, and The Lichfield Prize 2016.   She participated in residencies including Elephant Lab2020, Aucart Lab London 2019, Summerhouse Dusseldorf 2018 and ARNA Harlösa 2018.2017 - PhD in Fine Art, Glasgow School of Art 2015 - 2017   MA in Painting, Royal College of Art 2007 - 2012 BA in History of Art, College of Liberal Art B.F.A in Painting, College of Art & Design, Ewha Womans University, Seoul 2020   A cabinet of Curiosities, Brownsword Hepworth Gallery, London Exh 03, Floorr magazine (online show) Open Window, Square Gallery, London Annual Show, The Royal Scottish Academy, Edinburgh Elephant Lab, Colart, London 2019 Crocodile Tears, Greenpoint Open Studios 2019, New York Bath Open Art Prize 2019, Fringe Arts Bath Festival, 44AD Artspace, Bath Aucart LAB, 189 Gloucester Place, London Flourish award 2018 tour, Spike Print Studio, Bristol 2018 Flourish award 2018 tour, PR1Gallery at the university of central Lancashire, Preston U-Star, Albereta Relais & Chateaux, Milan Flourish award 2018, West Yorkshire Print Workshop, Mirfield, West Yorkshire Summerhouse, Lindenbecker Weg, Düsseldorf, Germany ARNA opening studio, Harlösa, Sweden Skip-Ad; Play, Savoy Center, Glasgow Ashurst Emerging Artist Prize 2018 Shortlist Show, Ashurst LLP, London No Safe Haven, The Pipe Factory Gallery, Glasgow Odysseys (SYN Festival Edinburgh), Summerhall, Edinburgh 2017 One summer night, Crypt Gallery, London RCA Degree Show, Royal College of Art, London The Arrival, Square Gallery, London Under the see, Crypt Gallery, London 2016 The Abstraction of Continents and The Continent of Abstraction, Lychee One, London Royal Institute of Oil Painters, Mall Galleries, London Lost in the woods, Square Gallery, London Shadow(Lichfield Festival), Lichfield Cathedral(Emporium Art gallery), Lichfield Nothing To See Here, Square gallery, London AWARD Hopper Prize 2019 (Finalist) Bath Open Art Prize 2019 (Finalist) Flourish Award 2018, RK Burt&co. Prize, West Yorkshire, UK (Awardee) Summerhouse2018, Düsseldorf, Germany (Awardee) Ashurst Emerging Artist Prize 2018, London, UK (Shortlisted) Winsor & Newton Young Artist Award 2016, London (Shortlisted) The Lichfield Prize 2016, Emporium Art gallery, Lichfield (Finalist) Noticeable Works Award 2013, Ewha Womans University, Seoul (Awardee).   About the postcard artworks:   I am interested in notions of memory and not-knowing as methods for approaching painting. Critical to this thinking are predetermined actions set against the potential of active eruptions of moments at which the activity stretches into a space that is not-known, where actions are affected by the activity of painting. Momentary gestural action delivers a timeless desire that becomes one with another, sought within an instant through intuition and improvisation. The sensory apparatus makes this possible, makes textural surface and surface of emotional sense an extended moment of absolute proximity and distance, all at once. Within this method, I utilise motifs as a precursor to the indeterminable, through which the real, or that is to say reflections of the real, become entangled within abstract environments embedded within the surface. This all happens through the activity of painting and constructs a liberated space of complexity; I would determine this as a space of familiar unfamiliarity.    

Sin Park One Afternoon, 2021 Coloured Pencil on Paper Signed verso 15 x 10cm (5¾ x 3¾ in.) Sin Park is a visual artist and PhD candidate in Fine Art at Glasgow School of Art.   Education:   She completed an MA in Painting at the Royal College of Art 2017, and a BFA in Painting from Ewha Womans University 2007.   Exhibitions/Awards:   Her recent works were featured in group shows including; A cabinet of Curiosities, Brownsword Hepworth Gallery, London 2020, Open Window, Square Gallery, London 2020, Annual Show, The Royal Scottish Academy, Edinburgh 2020, Elephant Lab, Colart, London 2020, Virtues of the Real/ Necessity of the Imaginary, The Art Space Glasgow 2019, Crocodile Tears, Greenpoint Open Studios 2019, New York 2020, Flourish award, Spike Print Studio, Bristol 2019 PR1 Gallery at the university of central Lancashire, Preston 2018, Nature, ARNA, Harlösa, 2018, Skip-Ad; Play, Savoy Center, Glasgow 2018, Odyssey, Summerhall, Edinburgh 2018, One summer night, Crypt Gallery, London 2017, The Arrival, Square Gallery, London 2017, The Abstraction of Continents and The Continent of Abstraction, Lychee One, London 2016, Royal Institute of Oil Painters, Mall Galleries, London 2016, Shadow, Lichfield Cathedral, Lichfield 2016.   Park was awarded the RK Burt&co. West Yorkshire 2018. She was also shortlisted in The Hopper Prize 2019, the Ashurst Emerging Artist Prize 2018, the Winsor & Newton Young Artist Award 2016, and The Lichfield Prize 2016.   She participated in residencies including Elephant Lab2020, Aucart Lab London 2019, Summerhouse Dusseldorf 2018 and ARNA Harlösa 2018.2017 - PhD in Fine Art, Glasgow School of Art 2015 - 2017   MA in Painting, Royal College of Art 2007 - 2012 BA in History of Art, College of Liberal Art B.F.A in Painting, College of Art & Design, Ewha Womans University, Seoul 2020   A cabinet of Curiosities, Brownsword Hepworth Gallery, London Exh 03, Floorr magazine (online show) Open Window, Square Gallery, London Annual Show, The Royal Scottish Academy, Edinburgh Elephant Lab, Colart, London 2019 Crocodile Tears, Greenpoint Open Studios 2019, New York Bath Open Art Prize 2019, Fringe Arts Bath Festival, 44AD Artspace, Bath Aucart LAB, 189 Gloucester Place, London Flourish award 2018 tour, Spike Print Studio, Bristol 2018 Flourish award 2018 tour, PR1Gallery at the university of central Lancashire, Preston U-Star, Albereta Relais & Chateaux, Milan Flourish award 2018, West Yorkshire Print Workshop, Mirfield, West Yorkshire Summerhouse, Lindenbecker Weg, Düsseldorf, Germany ARNA opening studio, Harlösa, Sweden Skip-Ad; Play, Savoy Center, Glasgow Ashurst Emerging Artist Prize 2018 Shortlist Show, Ashurst LLP, London No Safe Haven, The Pipe Factory Gallery, Glasgow Odysseys (SYN Festival Edinburgh), Summerhall, Edinburgh 2017 One summer night, Crypt Gallery, London RCA Degree Show, Royal College of Art, London The Arrival, Square Gallery, London Under the see, Crypt Gallery, London 2016 The Abstraction of Continents and The Continent of Abstraction, Lychee One, London Royal Institute of Oil Painters, Mall Galleries, London Lost in the woods, Square Gallery, London Shadow(Lichfield Festival), Lichfield Cathedral(Emporium Art gallery), Lichfield Nothing To See Here, Square gallery, London AWARD Hopper Prize 2019 (Finalist) Bath Open Art Prize 2019 (Finalist) Flourish Award 2018, RK Burt&co. Prize, West Yorkshire, UK (Awardee) Summerhouse2018, Düsseldorf, Germany (Awardee) Ashurst Emerging Artist Prize 2018, London, UK (Shortlisted) Winsor & Newton Young Artist Award 2016, London (Shortlisted) The Lichfield Prize 2016, Emporium Art gallery, Lichfield (Finalist) Noticeable Works Award 2013, Ewha Womans University, Seoul (Awardee).   About the postcard artworks:   I am interested in notions of memory and not-knowing as methods for approaching painting. Critical to this thinking are predetermined actions set against the potential of active eruptions of moments at which the activity stretches into a space that is not-known, where actions are affected by the activity of painting. Momentary gestural action delivers a timeless desire that becomes one with another, sought within an instant through intuition and improvisation. The sensory apparatus makes this possible, makes textural surface and surface of emotional sense an extended moment of absolute proximity and distance, all at once. Within this method, I utilise motifs as a precursor to the indeterminable, through which the real, or that is to say reflections of the real, become entangled within abstract environments embedded within the surface. This all happens through the activity of painting and constructs a liberated space of complexity; I would determine this as a space of familiar unfamiliarity.    

BACHMANN: 9 x 90 tonne glw bogie hopper wagons, various marques

BACHMANN: 5 x 90 tonne glw bogie hopper wagons, "Buxton Line Industries", 3 other items of rolling stock (8)

RIVAROSSI: Union Pacific Passenger Car Set A; Walthers 2 sets of 5 twin hopper wagons

A large selection of HO American railroad single and twin hopper freight wagons

Pair of impressive ebonised plaster neo-classical lamps after Humphrey Hopper, each with Etruscan style etched glass shade held aloft by semi clad Classical female figure on circular plinth, 94cm highProvenance: removed from Dalethorpe, Dedham

Matchbox Superfast, 54 Capri, 41 Siva Spyder, 5 Seafire, 69 Turbo Fury, 1 Dodge Challenger, 44 Boss Mustang, 47 Beach Hopper, yellow interior, 20 Police Patrol, in original boxes, E, boxes P-VG (8)

A Tri-ang 00 gauge Train set, a Passenger Train and a operating Hopper car set and a Operating T.C. Mail Coach set.all boxed.(4)

VINTAGE FRAMED MALAYSIAN BEATLES AND BUGS TO INCLUDE SCORPION, CICADA AND LEAF HOPPER ETC

A CAST IRON DOWN SPOUT HOPPER AND A FURTHER VINTAGE WATER PUMP

A CAST IRON DOWN SPOUT HOPPER AND A COLLECTION OF DECORATIVE OUTSIDE LIGHTS

CAST IRON RAIN WATER HOPPER & ANOTHER METAL COG

Ten OO scale wagon kits, unmade sealed packets, Parkside and Cambrian, includes; utility, parcels, fruit, grampus, sulphate, mineral, hopper, steel. P&P Group 1 (£14+VAT for the first lot and £1+VAT for subsequent lots)

Fourteen Airfix/GMR boxed wagons, Conflat, Hopper, wagon-open, mineral. Mostly very good condition, boxes good. P&P Group 2 (£18+VAT for the first lot and £3+VAT for subsequent lots)

Sixteen Mainline boxed wagons; brake, bogie bolster, van, tanker, hopper etc. P&P Group 2 (£18+VAT for the first lot and £3+VAT for subsequent lots)

Easy Rider (1969) British Quad film poster, starring Dennis Hopper, Peter Fonda & Jack Nicholson, folded, 30 x 40 inches. Condition Report: Very good condition, some having creasing to fold lines, small damage to edges, small separation at cross folds.

Easy Rider (1969) German A1 film poster for the iconic American biker movie starring Peter Fonda & Dennis Hopper, believed to be from an early 70s re-release, linen-backed, 23 x 33 inches.

Four boxed Overland Models HO gauge brass items of rolling stock to include Ma & Pa Caboose no 2002 by Kookjea (custom painted), Great Western 30' Wood sided Caboose (unpainted), Airside Covered Hopper by Ajin (unpainted) and UP 'P-77' Oil Tender OMI #1361 by ROK-AM Korea (unpainted, tatty box), all appearing excellent, gd boxes unless stated