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Lot 3086
A collection of mixed collectors items to include North Staffs Motor Club car badge, Newcastle under Lyme Motorists Trail 1960-1961 Car badge, 5 penknives, spoons, M Hohner Blues Harp Harmonica, steel rodent trap, brass nameplates, Borough of Newcastle Under Lyme wire bullion blazer badge, Newcastle Under Lyme crested china miniature vase, 20 6d Wireless Licence Savings Bank, HMV Gramophone needles in tin, Playing cards, Thermometer in tin tube, etc.
Lot 201
A collection of Royal Worcester figures designed by Freda Doughty including 'January', 'May', 'July', 'August' and 'December' (Months of the Year Series) 'Parrakeet'; 'First Dance', 'Surprise' together with a 'Magnolia Bud' and 'The Thief', modelled by Gwendoline Bud in 'Arabian Nights' style, a model of a young boy playing a harmonica with a dog together with a Continental figure of two small children (12)
Lot 115
SONNY TERRY AND BROWNIE MCGHEE LPS. Three from the legendary pair: Blues Is My Companion (UK, Mono, Columbia, 33SX 1223, Ex+/Ex+), Blues All Around My Head (US, Prestige/Bluesville, BVLP 1020, Ex+/Ex with price sticker to front of sleeve), Sonny Terry - Harmonica Blues (UK, Topic, 12T30, Ex with some light marks to both playing sides, sleeve VG+ with ringwear and some creasing).
Lot 409
* Blues & Jazz. Collection of rare original 45rpm blues and jazz singles, including Champion Jack Dupree (Barrelhouse Woman / Under Your Hood), Decca F12611, original 1967 pressing with dark blue 4-prong Decca label and orange Decca sleeve, matrices DR-40233-T1-1C / DR-40241-T1-1C, near mint condition, Jimmy Powell and the New Dimension (Sugar Babe, Part 1 / Part 2), Decca DL 25345, rare German pressing, red Decca label, matrices 45-CPDR-29003 1XU / 45-CPDR-29004 1XU, very good condition, original sleeve, Otis Spann (Stirs Me Up / Keep Your Hand Out Of My Pocket), Decca F11972, original 1964 pressing with dark blue 4-prong Decca label and blue Decca sleeve, matrices DRF-33244-T1-1C / DRF-33250-T1-1C, near mint condition, Savoy Brown (Train To Nowhere / Tolling Bells), Decca F12843, original 1968 pressing with dark blue 4-prong Decca label and blue Decca sleeve, matrices DR-43729-T2-1C / DR-43730-T1-1C, Savoy Brown Blues Band (Taste and Try, Before You Buy / Someday People), Decca F12702, original 1967 pressing with dark blue 4-prong Decca label and blue Decca sleeve, matrices DR-41451-T1-1C / DR-41452-T1-1C, near mint condition, Jacques Loussier (Theme From Tu Seras Terriblement Gentille / Ballet Photo Rouge), rare promotional copy, Decca F12920, original 1969 pressing with dark blue 4-prong Decca label and orange Decca sleeve, matrices 4D-69M-1016-1C / 4D-69M-1015-1C, near mint condition, Jacques Loussier (Air On A G String / Prelude No 16), Decca F22383, original 1966 pressing with dark blue Decca label and orange Decca sleeve, matrices XDRF-37824-T1-1C / XDRF-37825-T1-2C (Qty: 7)NOTESJimmy Powell was a British soul and rhythm and blues singer. His first record, a cover version of Buster Brown's US rhythm and blues hit "Sugar Babe", with guitar by Big Jim Sullivan and produced by Chris Blackwell, was released by Decca in 1962. It did not chart, and nor did two subsequent singles on Decca, but the record was a groundbreaking attempt at a proper R&B style on a British recording and helped pave the way for what was coming. In 1963, Powell moved to London and started visiting the Marquee Club, where British musicians such as Alexis Korner and Cyril Davies performed. His new manager, Malcolm Nixon, auditioned groups to act as his backing band, and offered the role to the Dimensions who were a London-based group formed in 1962 by guitarist Gary Leport, bassist Louis Cennamo, guitarist Peter Mariosa and drummer Brian "Chick" Kattenhorn. In 1963 they added rhythm guitarist Mike Webb and singer and harmonica player Rod Stewart. Leport and Stewart were old school friends, and had played together previously in a north London band, the Raiders, who (without Stewart) subsequently became the instrumental group the Moontrekkers and recorded with Joe Meek. With Jimmy Powell joining them as lead singer in 1963, the group changed their name to Jimmy Powell and The 5 Dimensions.
Lot 423
* Blues. Collection of 16 Limited Edition "Roots Records" blues LP's by Saydisc Records, including "Nearer My God To Thee" (Roots RL-304), Tommy McClennan "Cross Cut Saw Blues" (Roots RL-305), The Great Harmonica Players Vol. 1 & 2 (Roots RL-320 & RL-321), Memphis Blues Vol. 1 (Roots RL-323), Blind Willie McTell (Roots RL-324), Alabama Country Blues (Roots RL-325), The East Coast States Vol. 2 (Roots RL-326), Texas Country Music Vol. 3 (Roots RL-327), Southern Sanctified Singers (Roots RL-328), Memphis Blues Vol. 2 (Roots RL-329), The Famous 1928 Tommy Johnson - Ishman Bracey Session (Roots RL-330), Kings of Memphis Town (Roots RL-333), Country Blues Obscurities Vol. 1 (Roots RL-334), Son House "The Legendary 1941-1942 Recordings in Chronological Sequence" (Roots RSE-1 by Saydisc Specialized Recording Ltd) and The Vocal Intensity of Son House (Roots SL-504), all labels pale blue except RSE-1 which has a white label with German text, a few LPs have inserts with detailed track and artist credits, some LPs have the Saydisc name on the rear and a few have Saydisc stickers on the front while others do not mention Saydisc at all so it is possible that they are pre-1969 and manufactured in Austria (Qty: 16)NOTESIn the 1950s, Austrian jazz enthusiast Johnny Parth launched two record labels, Jazz Perspective and Hot Club De Vienne. Their records were manufactured in very low quantities (sometimes as low as 20 or 30 copies) with hand-printed covers. By the mid-1960s Johnny and his wife Evelyn were undertaking a field trip to make recordings of Austrian folk music. On completion, the music was released in the US on Chris Strachwitz's legendary Arhoolie Records and on the 500 series of the newly formed Roots Records. Strachwitz suggested to the Parths that they should use the Roots label to re-issue limited edition vintage country blues recordings. With finance provided by Evelyn, they went ahead and produced the first country blues album, by Blind Lemon Jefferson. Johnny's ever-growing network of collectors provided the Austrian couple with a flow of rare, sometimes staggeringly rare, 78s which were lovingly transferred to ensure a flow of albums. Over the next few years, 41 albums appeared on the Roots 300 series of vinyl albums. As the 1960s blues boom took hold in the UK, many UK record shops supplied Roots LPs at premium import prices. In 1968, by agreement with Roots, Saydisc began to press and distribute Roots LPs in the UK, thus bringing the price down in comparison with Austrian imports. In 1970 the Roots label came to an end when Johnny and Evelyn divorced. In 1982 Parth began to reassemble his huge collection of 78s into chronological order and these recordings would later be the foundations for the new Document label.
Lot 425
* Blues. Collection of 24 blues LP's / vinyl records, including "The Super Super Blues Band" with Howlin' Wolf, Muddy Waters & Bo Diddley (1968 UK mono 1st pressing, Chess Records CRL 4537, black label), "The Blues Keep Falling" with Luther Huff, Tony Hollins, Otis Hinton, Jimmy Deberry, Gabriel Brown, Junior Parker, Danny Boy Thomas and Lightning Slim (rare blues LP, no catalogue number or record label but probably by Sunflower Records, only 99 copies believed to have been made, sleeve marked "October 1968" and "Limited Pressing for Collectors Only", text on rear of sleeve signed off by "E.T.", plain white labels with artist names and tracks hand-written on the label by previous owner), Muddy Waters "The Blues Man, The Historic 1941-42 Library of Congress Recordings" (UK mono 1st pressing, Polydor Special 236574), Charley Patton "Founder of the Delta Blues" (Yazoo L-1020 gatefold double LP), Albert Collins "Love Can Be Found Anywhere, Even In A Guitar" (Liberty LBS 83238), L.C. 'Good Rockin' Robinson, Lafayette 'Thing' Thomas and Dave Alexander "Oakland Blues" (Liberty LBS 83234, World Pacific Series), Albert King "King, Does The King's Things" (Stax SXATS 1017), Buddy Guy "I Was Walking Through The Woods" (Chess Vintage Series CH409), "The Late-Fantastically Great James Elmore" (Ember EMB 3397), Brownie McGhee & Sonny Terry "Back Country Blues" (Realm RM165), "Black Diamond Express To Hell" (Matchbox Special Gospel Double LP, SDX 207/8), Leadbelly "Sings Folk Songs with Woodie Guthrie, Cisco Houston, Sonny Terry & Brownie McGhee" (Folkways FA 2488), "33 Minits of Blues and Soul" (Minit MLL 40002), Howlin' Wolf "Big City Blues" (Ember EMB 3370), "Black Nativity, Gospel on Broadway" (Fontana / Vee-Jay 688502 ZL), "The Blues at Newport 1964, Part 1" (Fontana TFL 6048), "Going Down South, Blues and Spirituals by Fred and Annie Mae McDowell" (Polydor Special 236570), "Victoria Spivey" (Xtra 1022), Sonny Terry "Harmonica Blues" (Topic 12T30), Blind Willie Johnson (Folkways FG 3585), Sonny Boy Williamson (2-LP Chess Blues Masters Series 2A CMB-206), Lowell Fulson (2-LP Chess Blues Masters Series 2A CMB-205), "Guitar Evangelists Vol. 1 (1927-1936)" (Truth Records TLP-1002, Limited Edition) and "The Blues, Vol. 4" (Chess CRL 4003, black label) (Qty: 24)
Lot 428
* Blues. Collection of blues records / LP's on the British "Flyright Records" label, including Junior Wells "Universal Rock" (Flyright FLY 588), Harold Burrage 1956-1958 "She Knocks Me Out" (Flyright FLY 579), Clarence 'Bon Jon' Garlow 1951-1958 (Flyright FLY 586), Otis Rush and Buddy Guy "The Final Takes and Others" (Flyright FLY 594), "Walking Blues" (Flyright FLY LP 541), "Kings Of The Twelve String" (Flyright FLY LP 101), several LP's in the Job Job Series such as Johnny Shines & Robert Lockwood "Dust My Broom" (Vol. 1, Flyright FLY 563), J.B. Lenoir "Mojo Boogie" (Vol. 2, Flyright FLY 564), Sunnyland Slim (Vol. 4, Flyright FLY 566), John Brim & Little Hudson (Vol. 5, Flyright FLY 568), Baby Face Leroy & Floyd Jones (Vol. 6, Flyright FLY 584) and Memphis Minnie "World Of Trouble" (Vol. 7, Flyright FLY 585), King Cobras 1956-1958 "Chicago Kings of the Harmonica" (Flyright FLY 567), Junior Wells "Chiefly Wells, Chicago Blues with Magic Sam & Shakey Jake 1957-1966" (Flyright FLY 605), Chicago Blues Bands "Fishin' In My Pond" (Flyright FLY 582), Tommy McClennan "Travelin' Highway Man" (Flyright FLY LP 112), "Some Cold Rainy Day" (Flyright FLY LP 114, Reissue of Preservation SPR-2), Cecil Gant "Cecil Boogie" (Flyright FLY LP 4714), J.T. Brown and His Boogie Boys "Rockin With J.T." (Flyright FLY LP 4712), together with Little Walter Jacobs Vol. 1 "Blue And Lonesome", Vol. 2 "Southern Feeling" and Vol. 3 "Blue Midnight" (Le Roi du Blues 33.2007, 33.2012 and 33.2017 respectively) plus "The Story of the Blues" Vol. 1 & 2 (two double LP's, CBS 66218 and 66232) (Qty: 24)
Lot 157
Ted Young signed Seagulls 45rpm record sleeve vinyl included. Chirpy football song, the 'Seagulls' being Brighton & Hove Albion F. C. rather than the birds. Ted Young sounds like a one-man-band sort of a chap: acoustic guitar and percussion with a bit of harmonica. Good Condition. All autographs are genuine hand signed and come with a Certificate of Authenticity. We combine postage on multiple winning lots and can ship worldwide. UK postage from £4.99, EU from £6.99, Rest of World from £8.99.
Lot 295
RARE PAUL MCCARTNEY & RINGO STARR ANGEL IN DISGUISE DEMO. A cassette tape containing an unreleased and unheard recording of a demo track composed by McCartney (and possibly Ringo Starr) titled 'Angel in Disguise'. This track was planned for inclusion on Ringo's 'Time Takes Time' album but was omitted. The cassette contains a lo-fi version of the track, with Paul McCartney performing the lyrics over piano and drum machine and then a 'full' or studio version with vocals sung by Ringo Starr, a full backing track, backing singers, increased instrumentation inc harmonica, guitar and more, lastly to include a demo version of 'Everyone Wins' again sung by Ringo Star. Included with the tape are original mailing envelope with MPL logo, a typed note on MPL stationary requesting that Tony Prince make a "pop/rap" version of the demo cassette and to suggest some 'names' who may be interested in taking the song on, also printed lyrics and notation for the track, with 'McCartney' credited as songwriter, however Wikipedia states that this track is a collaboration between McCartney and Starr. This item is sold as an artefact only, no copyright (s) included.
Lot 400
Original vintage music advertising poster (yellow version) for a concert by Buffalo Springfield at the Avalon Ballroom in 1966. Supporting acts featured The Daily Flash and Congress of Wonders. The event was organised by Family Dog Productions. The Avalon Ballroom was a music venue in the Polk Gulch neighborhood of San Francisco, California. The space operated from 1966 to 1969, at the height of the counterculture movement. Buffalo Springfield was a Canadian-American rock band active from 1966 to 1968 whose most prominent members were Stephen Stills, Neil Young, and Richie Furay. The group released three albums and several singles, including "For What It's Worth". The band combined elements of folk and country music with British invasion and psychedelic-rock influences, and, along with the Byrds, were part of the early development of folk-rock. With a name taken from a brand of steamroller, Buffalo Springfield formed in Los Angeles in 1966 with Stills (guitar, keyboards, vocals), Dewey Martin (drums, vocals), Bruce Palmer (electric bass), Furay (guitar, vocals), and Young (guitar, harmonica, piano, vocals). The band signed to Atlantic Records in 1966 and released their debut single "Nowadays Clancy Can't Even Sing", which became a hit in Los Angeles. The following January, the group released the protest song "For What It's Worth", for which they are now best known. Their second album, Buffalo Springfield Again, marked their progression to psychedelia and hard rock. After various drug-related arrests and line-up changes, the group broke up in 1968. Stephen Stills went on to form the supergroup Crosby, Stills & Nash with David Crosby of the Byrds and Graham Nash of the Hollies. Neil Young launched his solo career and later joined Stills in Crosby, Stills, Nash & Young in 1969. Furay, along with Jim Messina, went on to form the country-rock band Poco. Buffalo Springfield was inducted into the Rock and Roll Hall of Fame in 1997. Condition: Very good condition, minor fold in top left corner. Year of printing: 1966, country of printing: USA, designer: Ned Lamont, dimensions (cm): 51x36.
Lot 399
Original vintage music advertising poster (green version) for a concert by Buffalo Springfield at the Avalon Ballroom in 1966. Supporting acts featured The Daily Flash and Congress of Wonders. The event was organised by Family Dog Productions. The Avalon Ballroom was a music venue in the Polk Gulch neighborhood of San Francisco, California. The space operated from 1966 to 1969, at the height of the counterculture movement. Buffalo Springfield was a Canadian-American rock band active from 1966 to 1968 whose most prominent members were Stephen Stills, Neil Young, and Richie Furay. The group released three albums and several singles, including "For What It's Worth". The band combined elements of folk and country music with British invasion and psychedelic-rock influences, and, along with the Byrds, were part of the early development of folk-rock. With a name taken from a brand of steamroller, Buffalo Springfield formed in Los Angeles in 1966 with Stills (guitar, keyboards, vocals), Dewey Martin (drums, vocals), Bruce Palmer (electric bass), Furay (guitar, vocals), and Young (guitar, harmonica, piano, vocals). The band signed to Atlantic Records in 1966 and released their debut single "Nowadays Clancy Can't Even Sing", which became a hit in Los Angeles. The following January, the group released the protest song "For What It's Worth", for which they are now best known. Their second album, Buffalo Springfield Again, marked their progression to psychedelia and hard rock. After various drug-related arrests and line-up changes, the group broke up in 1968. Stephen Stills went on to form the supergroup Crosby, Stills & Nash with David Crosby of the Byrds and Graham Nash of the Hollies. Neil Young launched his solo career and later joined Stills in Crosby, Stills, Nash & Young in 1969. Furay, along with Jim Messina, went on to form the country-rock band Poco. Buffalo Springfield was inducted into the Rock and Roll Hall of Fame in 1997. Condition: Excellent condition. Year of printing: 1966, country of printing: USA, designer: Ned Lamont, dimensions (cm): 51x36.
Lot 116
Ian Scott Anderson autograph mounted with colour photo to an overall size of 18 x 12 inches. Scottish-born musician, singer and songwriter best known for his work as the lead vocalist, flautist and acoustic guitarist of British rock band Jethro Tull. Anderson is a multi-instrumentalist who plays keyboards, bass guitar, bouzouki, balalaika, saxophone, harmonica, and a variety of whistles. His solo work began with the 1983 album Walk into Light, and since then he has released another five works, including the sequel to the Jethro Tull album Thick as a Brick (1972) in 2012, entitled Thick as a Brick 2. Good Condition. All autographs are genuine hand signed and come with a Certificate of Authenticity. We combine postage on multiple winning lots and can ship worldwide. UK postage from £4.99, EU from £6.99, Rest of World from £8.99.
Lot 517
PASTERNAK BORIS: (1890-1960) Russian Poet and Novelist of Doctor Zhivago (1957). Nobel Prize winner for Literature, 1958. An excellent and lengthy Autograph Manuscript, four pages, folio, n.p., n.d., in Cyrillic. The text is entitled `Pavlo Tychyna - The First Encounter- Chernigov, 1910´ and corresponds to Pasternak´s full translation into Russian of Tychyna´s work The First Encounter, being Pasternak a literary translator. The manuscript states in part `I remember an autumn day. The sky turned blue. Silver dust seemed to fall from the hot firmament… Lessons had finished, and you could hear the din, the laughing and the music of the harmonica in the seminar classes…´ further saying `..he said into the void, while holding a heap of leaves in his hands. He was black-eyed and was wearing a hat. I grasped anxiety in his eyes… The sun came out again. And the stranger, being about to get up, looked at me as if I were a dear person. How could I not lose my mind!...´ The poetic text further refers to George Sand, Glinka, and a musical concert, stating `After about five days a concert was given in the seminar hall. Students were in charge of taking care of spectators. Guests were arriving, the corridor was full. At the entrance of the hall, the greenery on the balconies hung down as a living garland hiding the frieze. We were on duty among the stewards, either rehearsing the bow, either joking about forfeits or about George Sand… "Don't be shy!" said the art teacher, slightly pushing me, introducing me to his companion: "A very promising poet, if there is a chance, it would not be a bad idea to publish his works. You must have a bunch of poems already?.. The bell rang and everyone started gathering slowly at the hall. Clumsy tuning up was escaping through the door. The horn set the tone for violas, racing with the clarinet. A roar of instruments was sonorous like a brawl. I also tried my oboe… Then the conductor waved his baton, reconciling discordant sounds. Everything froze. Glinka spoke from the suite. From the bottom of the bass, the forest began to rise… Winter was over... There was a spring day without limits around me, and the sun, and this little bird above the field! No! There was also the sweat of the working people, and the glory….that Glinka was praising. That work that tears the limits of time and pulls forward. I thought that Kotsyubinsky was also feeling that storming of notes. At the peak of our powers, we performed "Lark". While playing the oboe, I kept an eye on Kotsyubinsky. He was looking into the distance quietly, like a person at the helm. He knew: there were battles, victories and wars far away, and therefore our beloved creator was sitting straight up, honourable, and looked into the distance...´ Overall age wear, with some professional repairs, mostly to edges. Otherwise About G £6000-9000 Tychyna´s work "The First Encounter" was originally written in Ukranian, and was translated into Russian by Boris Pasternak. It was first published in 1939 by Molodaya Gvardia in Moscow. George Sand (1804-1876) French Novelist who used the pseudonym of George Sand, her real name being Amantine Dupin. Also known for her romantic affairs with artists, including Frédéric Chopin and Alfred de Musset. Mikhail Glinka (1804-1857) Russian Composer. Widely regarded as the Father of Russian music.
Lot 325
A collection of mostly boxed vintage toys and games, to include Wallis's Geographical Game, La Corona De Manuel Lopez cigar box with jigsaw contents, two Chad Valley Escalado games, British manufactured Solitaire, the Royal Game of Word-Making and Word-Taking, cased German "Chromonica" (chromatic harmonica) made by M. Hohner and other items (qty).
Lot 295
A cased acoustic guitar by Joan Cashimira , with rosewood back, paper label to interior, 102cm long, a cased Boosey and Hawkes 'Regent' clarinet, a cased 'Lark' trumpet, a boxed German 'Galotta' accordion, a boxed 'Hanmilton' music stand, a Hohner 'Silver Star' harmonica, three other harmonicas, a bass tuner and other instrument effects (Qty)
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2554 item(s)/page