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Click here to subscribeA Continental silver coloured gilt, diamond set and nephrite box, bearing pseudo Russian hallmarks including that of Fabergé, second half 20th century, rectangular, the hinged cover with fleur de lys hinges, the sides with flower swags, a beaded foot rim, on four reeded bun feet, 7.5cm (3in) long
A Continental silver coloured gilt, enamel and gem set bell push, bearing pseudo Russian hallmarks including that of Fabergé, second half 20th century, dome shaped, with a green paste push, pale purple guilloche enamelled, applied with three birds on scrolls, on four scroll feet, 4.5cm (1 3/4in) high
A Continental gold coloured, enamel and gem set oval box, bearing pseudo Russian hallmarks including that of Fabergé, second half 20th century, the hinged cover centred by A above III, flanked by foliage and rose cut diamond set, red and white guilloche enamelled, ribbon and foliate interlaced border, diamond set thumbpiece and reed and ribbon rimmed, 9cm (3 1/2in), in a wooden box In the style of a presentation box of Tsar Alexander III.
A Continental gold coloured, nephrite and gem set scent bottle, bearing pseudo Russian hallmarks including that of Fabergé, second half 20th century, with a moonstone acorn finial to the pull-off cover, a seed pearl set collar, the tapered nephrite applied with a monogram within a wreath, 7.3cm (2 7/8in) high
A Continental silver coloured, enamel and lapis lazuli set miniature frame, bearing pseudo Russian hallmarks including that of Fabergé, second half 20th century, the rectangular aperture with a colour printed portrait of Tsar Nicholas II, a laurel wreath frame with cabochon ruby angles, beneath a tied ribbon, cabochon rubies below, on a light blue guilloche enamel ground and lapis angles, with a silver wire easel back, 11cm (4 1/4in) long
A Continental gold coloured, enamel and gem set box, bearing pseudo Russian hallmarks including that of Fabergé, second half 20th century, cylindrical, the pull-off cover centred by a sapphire set crown, two colour foliate bands and swags, the ribbon ties diamond set, 5.4cm (2 1/8in) high, in a wooden box
A Continental gold coloured, enamel and gem set scent bottle, bearing pseudo Russian hallmarks including that of Fabergé, second half 20th century, with an Imperial eagle finial to the pull-off cover, a seed pearl set collar, amethyst guilloche enamel with diamond headed swags, flanked by white enamel bands, 7.4cm (3in) high
A Continental gold coloured, enamel and gem set circular box, bearing pseudo Russian hallmarks including that of Fabergé, second half 20th century, the hinged cover set with an oval portrait of Tsar Nicholas II within a diamond border and beneath a crown, all within a two colour flower swag surround, on a blue guilloche ground, the conforming sides with a diamond a ruby cabochon thumbpiece, 7.5cm (3in) diameter, 196g gross
A Continental gold coloured, enamel and gem set Easter egg, bearing pseudo Russian hallmarks including that of Fabergé, second half 20th century, guilloche enamelled orange with a laurel trellis and Imperial eagles, the hinged cover centred with a diamond and ruby set monogram, the base centred by 1897 on a calyx of leaves, satin lined, 14cm (5 1/2in) diameter, 607g gross The present lot is a copy of the 1897 Imperial Coronation egg. The original retains its surprise: the coronation coach. The monogram of Empress Alexandra Feodorovna
A Continental silver coloured gilt, onyx and gem set paper desk seal, bearing pseudo Russian hallmarks including that of Fabergé, second half 20th century, with a banded orange onyx spherical finial, the star burst beneath centred by a cabochon garnet, the triple dolphin supports with diamond set eyes, the upper circular matrix white guilloche enamelled, the matrix vacant, 10cm (4in) high
A Continental silver coloured and gold coloured desk watch, bearing pseudo Russian hallmarks including that of Fabergé, second half 20th century, in the form of a lobster-tail cavalry helmet, with an Imperial eagle crest, the watch with a white dial, Roman numerals and orientalies hands, 7.5cm (3in) high
A Continental gold coloured, enamel and gem set scent bottle, bearing pseudo Russian hallmarks including that of Fabergé, second half 20th century, ovoid with a moonstone finial to the conical cover, a rose cut diamond rim band, two colour foliate mounts and red guilloche enamelled, on a domed foot, 7cm (2 3/4in) high, in a wooden box
A Continental gold coloured, enamel and gem set scent bottle, bearing pseudo Russian hallmarks including that of Fabergé, second half 20th century, ovoid pedestal with inset rubies, seed pearls and rose cut diamonds, two colour swag and foliate mounts and pale green guilloche enamelling, 11cm (4 1/4in) high
A Continental gold coloured, enamel and gem set miniature frame, bearing pseudo Russian hallmarks including that of Fabergé, second half 20th century, the oval aperture with a colour printed portrait, a two colour laurel wreath beneath drapery set with diamonds, cabochon rubies below, on a cream guilloche enamel ground, with a silver wire easel back, 7.5cm (3in) long
A RUSSIAN SILVER MODEL OF A RABBIT, Moscow c.1890, mark of Julius Alexandrovitch Rappoport, modelled in a crouching position with ears flattened, the body chased to produce fur, with garnet-set eyes, (c.56.92g). 7.5cm long, 4cm high Julius Alexandrovitch Rappoport (1864-1916) was born in Lithuania but trained in the art of silversmithing in Berlin, later moving to St. Petersburg to open his first workshop in 1883. Just three years later, Rappoport found himself living and working in Moscow as a craftsman for Fabergé, soon becoming Fabergé’s chief supplier of large silver objects.Whilst Rappoport created a wide array of silver items, he is most fondly known for his decorative animal pieces. His naturalistic approach allowed him to generate a vitality within his works, transforming the cold metal into joyful expressions of craftsmanship.
A collection of three House of Fabergé (Franklin Mint) Princess figures including Princess of the Glass Mountain, Princess of the Ice Palace and the Snow Queen together with Goebel figurine, Sitzendorf figurine, Royal Doulton Falstaff character jug, two pieces of Poole, three pieces of Wedgwood jasperware, Imari Japan pattern dish and two Aynsley Cottage Garden pieces
A Russian Karl Fabergé silver-gilt and dark blue guilloche enamel rectangular cigarette box, with Cyrillic Fabergé mark, workmaster August Fredrik Hollming, 88 standard Zolotnik mark, with wavy engine turning under translucent enamel, with gold engraved rim and gilt interior, length 9.5cm, height 3.5cm, depth 5.5cm (some enamelled panels A/F and gold rim is detached but still present)
A Russian gold and enamel pencil holder by Andrei Adler, St Petersburg, 1908-1917, the surface of translucent grey enamel over wavy engine-turning, leaf tip collar, pendant loop, 56 zolotniki (.583 standard), 6.5cm (2 5/8in) long closed The workshop of Andrei Adler supplied both Karl Fabergé and Avenir Ivanovitch Sumin.
A Russian green zircon and diamond set broochattributed to Andrei Gorianov, circa 1900, of scrolling looped form, the terminal set with a pear shaped green zircon and rose cut diamond highlights, marked to rear, contained in a fitted holly box for Fabergé, MoscowBrooch length: 39mmAndrei Gorianov carried on the workshop of Fabergé workmaster Wilhelm Reimer after his death in c.1898. Reimer was born in Pernau, Estonia and at one time was the senior workmaster for Fabergé, making small enamelled and gold and silver objects. Gorianov ran his own workshop, acting as an 'occasional supplier' for Fabergé (von Habsburg, G., Fabergé: Imperial Craftsman and his World, London 2000, p. 288).
A RUSSIAN SILVER-GILT AND CLOISONNE ENAMEL BOWL, FEODOR RUCKERT, MOSCOW, 1899-1908 the centre painted with a griffin passant on an olive ground within lobes of shaded flowers on pink and pale green grounds, the rim of green-dotted white flowerheads and scrolls on a red ground, on three ball feet, 88 standard 11.8cm diameter Provenance: Sotheby's, New York, 14-15 December 1983, lot 478; The Greenfield Collection of Russian Enamels, Christie's, New York, 20 October 1998, lot 173 Literature: illustrated, G. Hill, Fabergé and the Russian Master Goldsmiths, New York, 1989, pl. 217Descriptions in both printed and on-line catalogue formats do not include condition reports and all lots are sold as viewed. The absence of a condition statement does not imply that the lot is in good condition. Prospective bidders are recommended to request a condition report prior to bidding, wherever possible satisfying themselves in person at the gallery as to the condition of a lot.
TWO RUSSIAN SILVER-GILT AND CLOISONNE ENAMEL STAMP BOXES AND A DESK TRAY, FEODOR RUCKERT, MOSCOW, 1899-1908 the surfaces enamelled with shaded scrolling stylised foliage on varicoloured grounds divided by ropetwist borders, one stamp box lid with champlevé blue and red enamel 5 kopek stamps, the cartouche-form tray centred with a mythical beast, mounted to the rear with bracket pen supports, 84 standard; together with the following associated silver and cloisonné enamel items: a blotter, oblong, cream and milky blue grounds, apparently unmarked, probably early 20th century; a paper knife, with milky blue ground, Moscow, 1908-1917, French import mark; a cylindrical nib holder, cream ground, illegible kokoshnik mark, probably late 19th century, French import mark; and an inkwell, casket form with hinged lid, green ground, bearing spurious Fabergé and kokoshnik marks, 20th century tray 34cm long (7) For a similar set see G. von Habsburg, Fabergé: Imperial Craftsman and his World, London, 2000, Cat. No.91, illustrated p.83Descriptions in both printed and on-line catalogue formats do not include condition reports and all lots are sold as viewed. The absence of a condition statement does not imply that the lot is in good condition. Prospective bidders are recommended to request a condition report prior to bidding, wherever possible satisfying themselves in person at the gallery as to the condition of a lot.
An early 20th Century Emerald and Diamond Ring claw-set step-cut emerald, estimated 2cts, between two old-cut diamonds in intricate pierced mount millegrain-set rose-cut diamonds, ring size J/K in Fabergé boxFootnote:Associated provenance: by repute the ring was bought by Fountain Charles Bolton from Fabergé in Moscow circa 1910 for his wife Emilie. Bolton worked for W J Bush & Co of London in their Moscow factory producing essential oils. The ring passed to Emilie's daughter Mollie and on her death in 2002 was left to the present owner.
A circular gold brooch set with two pearls and two sapphires, unmarked but probably Russian, engraved with square-shaped pattern and cone-shaped pin catch, partly obscure scratched inventory numbers, possibly 36184 and 8081 and an illegible name, 2.2cm wide, in fitted brown leather box marked for K. Fabergé
A lozenge-shaped pendant by Fabergé, centred with a lozenge-shaped ruby on white guilloche enamel ground within a border of millegrain-set rose-cut diamonds, the suspension ring marked AT for workmaster Alfred Thielmann, 56 Zolotnik and a Kokoshnik, scratched inventory no. 84263, fine link platinum neck chain, the pendant 2.9cm high, the chain 426cm long
An Art Nouveau gold miniature egg pendant by Fabergé, applied with scrolling foliate decoration and three small sapphire stylised flowerheads, suspension ring marked 56 and ÊÔ, 1.8cm high including suspension hoopAccompanied by original purchase receipt from Asprey & Co, London dated 20th June 1986
A collection of books on the subject of antique jewellery: including:MOREL, B., The French Crown Jewels (Antwerp: Fonds Mercator: 1988)MUNN, G., The Triumph of Love: Jewelry 1530-1930 (London: Thames & Hudson: 1993)MUSÉE DE LA VIE ROMANTIQUE., Bijoux romantiques 1820-1850: La Parure à L'Époque de George Sand (Paris: Paris musées: 2000)MUSÉE DE LA VIE ROMANTIQUE., Trésors d'Argent: Les Froment-Meurice, orfèvres, romantiques, parisiens (Paris: Paris musées: 2003)Together with the following titles:Ancient Egyptian Jewellery Cartier the LegendThe Cartier Museum and the Goldsmiths' Hall, Foster Lane, London (Exhibition catalogue: 23 May - 10 June 1988)Diamonds and the Power of Love: The Diamond Engagement Ring - a commitment to love over the centuriesThe Gold of MacedonGreek Gold: Jewellery of the Classical WorldHollywood Jewels: Movies, Jewellery, StarsJaponisme: from Falize to Fabergé, The Goldsmith and JapanL'oro nei secoli dalla Collezione CastellaniMade by Cartier: 150 Years of Tradition & InnovationTudor and Jacobean Jewellery
A collection of books on the subject of silver, glass and Fabergé, including:Georg Jensen Jewellery (The Bard Centre for Graduate Studies: 2006)CALLOWAY, S., The House of Liberty: Masters of Style & Decoration (London: Thames & Hudson: 1992)COATS, K., A Hidden Alchemy: Goldsmithing, Jewels and Table-Pieces (Stuttgart: Arnoldsche: 2008) - signed by the authorJACKSON, SIR C, J., English Goldsmiths & their Marks: A History of the Goldsmiths and Plate Workers of England, Scotland & Ireland (New York: Dover Publications Inc: 1964)Archibald Knox (London: Academy Editions: 1995)Together with the following titles:The Art of Carl FabergéDanish JewelryFabergé and the Russian JewellersFabergé EggsThe Fabulous Epoch of Fabergé (x2)Georg Jensen: A Tradition of Splendid Silver Georg Jensen Silversmithy: 77 Artists, 77 YearsJewellery and Jewellery Design 1850-1930 & John Paul Cooper 1869-1933 (Fine Art Society Ltd)The Glass of Lalique: a collector's guideThe Masterpieces from the House of FabergéOmar RamsdenSilver Jewellery Designs: Evaluating Quality, Good, Better, BestTreasures by Peter Carl Fabergé
A Fabergé silver-gilt, guiloché enamel and diamond set oblong cigarette case, enamelled throughout in wavy alternating tones of rich red within laureate gilt borders, the hinged cover with a diamond-set thumbpiece, enclosing a gilt interior, the inner cover with later presentation inscription: L.C.O., March 1st 1936, retailed by Cartier, the inner lip stamped, fitted red morocco case en suite, 7.5cm long, the cover and case struck twice with marks for 88 zolotnik with kokoshnik headdress looking right and alpha lettering, workmaster's mark of August Hollming, Fabergé, St. Petersburg, Imperial Russia, 1908 - 1913
A set of six Norwegian metalwares and enamel tea spoons by Marius Hammer, each with enamelled foliate terminals, in the original shell shaped fitted case Other Notes: Marius Hammer (1847-1927) was widely regarded as one of the most important silversmiths in Norway. A contemporary of Fabergé, he became world famous for fine enamel work. Most of the enamelled pieces reflected the Art Nouveau styles of bright colours and foliate designs and these spoons are typical of his work.
A pair of modern Fabergé limited edition cufflinks, small round brilliant-cut diamond to centre of each, red and yellow guilloche enamelled surround, the 18ct yellow gold mounts marked FABERGÉ 138/300, sprung cuff fittings, complete in original Fabergé wooden box and outer cartonCondition: excellent, no sign of wear
ϒ[Fox hunting interest] A mother of pearl large fan, circa 1900, with plain guards and sticks, the paper leaf painted in gouache with a hunt in full cry, signed Van Garden lower right, the reverse with a hunting trophy ferns and foliage, 39.5cm (15 1/2in) long, in a card box from Duvellroy Van Garden who worked at the famous French fan factory Duvelleroy. He also painted fan leaves for the Henrik Wigstrom workshop for retailing by Fabergé. ϒ Indicates that this lot may be subject to CITES regulations when exported. Please see our Terms & Conditions for more information.
A Creussen stoneware mug dated 1656 with later Russian Fabergé silver mounts H.: 17 cm - L.: 20,5 cmThe mug inscribed 'Iohannes Georg Elbelius Vogt Zu Goldcronach 1656'.The silver marked for Julius Rappoport, 84 Ztny., Fabergé. Condition reports and high resolution pictures are available on our website at www.rm-auctions.com. Further questions are always welcome at info@rm-auctions.com
Alfred Lyndhurst Pocock (1882-1962), a carved amber model of a recumbent dog, mid 20th century, signed on base "A.L. Pocock, 1952", 4.1cm Alfred Pocock won a scholarship to the Royal Academy Schools in 1903. He began working for Fabergé in 1905, when the company's European manager, H.C. Bainbridge had to get some wax models of animals made for Queen Alexandra, these were sent to Russia for carving in semi-precious stone [1]. The RA recommended Pocock and his models pleased the Queen. Later she acquired gem carvings from Pocock, who had taught himself the technique using accounts in books. In a paper on 'Gem Engraving' by the sculptor Cecil Thomas delivered to the Royal Society of Arts in 1912.
A hardstone frame by Fabergé, workmaster Karl Armfelt, the rectangular chalcedony frame (damaged) with ten cabochon rubies set to the internal white enamel striated border, three-colour gold swags suspended from a diamond-set gold bow, silver strut support on shell backing, with gold ring above the strut, unscrewing to release the shell back-section, signed to gold strut with workmaster's initials ЯA and 88 zolotnik, inventory number 14351, 8cm high, fitted hollywood box, the silk with imperial eagle over the Fabergé mark
Antique Miscellaneous - Pinto (Edward H.), Treen and other wooden bygones, G. Bell & Sons, London 1969, h/b, d/j; Pinto (Edward H. & Eva R.), Tunbridge and Scottish Souvenir Woodware, With Chapters on Bois Durci and Pyrography, G. Bell & Sons, London 1970, h/b, d/j; woodworking reference works; Oriental Rugs: Volume 1, Bennett (Ian), Caucasian, h/b, d/j; Volume 2, Aschenbrenner (Erich), Persian, h/b; Volume 3, Parsons (R.D.), The Carpets of Afghanistan, h/b, d/j, Oriental Textile Press Ltd., 1981, [3]; Erdmann (Kurt), Seven Hundred Years of Oriental Carpets, The Collectors' Book Club, Cirencester 1966, h/b, d/j; Pivar (Stuart), The Bayre Bronzes: A Catalogue Raisoné, Antique Collectors' Club, Woodbridge 1981, h/b, d/j; Catley (Bryan), Art Deco and other Figures, Antique Collectors' Club, Woodbridge 1978, h/b, d/j; Snowman (A. Kenneth), The Art of Carl Fabergé, Faber and Faber Limited, London 1968, h/b, d/j; antique glass; facsimile, Yesterday's Shopping: The Army & Navy Stores Catalogue 1907, h/b, d/j; etc
Fabergé, a Russian silver five piece individual table place setting by Karl Fabergé, Moscow late 19th century, 88 zolotniki, in a shell and thread pattern of good gauge, comprising: a table knife with a steel blade, a table fork, a table spoon, a tea and a coffee spoon, the latter four 287g (9.2 oz), in a Fabergé oak fitted box
Books - Art, Art History and Antiques -Richard Green: Important Old Master Paintings 1994; Salomon Lillian: Old Masters 2003; Artemis 87 - 88 annual report; Faber Gallery catalogues, various; The John Scott Collection: 'Modern English' Design from the 1860s and 1870s, volume two, The Fine Art Society, London 2014; Axe (John), The Encyclopedia of Celebrity Dolls, h/b, d/j; The Collector's Encyclopaedia of Dolls, h/b, d/j; American Sublime: Landscape Painting in the United States 1820 - 1880, Tate 2002; Bruegel (3); Japanese art and painting (3); Fabergé, 1846 - 1920, V&A 1977; Wowk (Kathleen), Playing Cards of the World: A Collector's Guide; Warner (Ian) & Posgay (Mike), The World of Wade, Books 1 & 2 and Wade Price Trends, (3); Bradley (H.G.), Ceramics of Derbyshire 1750 - 1975, h/b, d/j; further illustrated reference; others, similar (qty)
An 18ct gold contemporary enamelled egg pendant and chain,by Victor Mayer for Fabergé. The translucent, duck-egg blue, guilloché, enamelled egg with hinged zigzag cracked egg section, to reveal an enamelled yellow chick and grass, with an hinged bale suspended on an anchor link 18ct gold chain with side lever clasp. A limited edition of 120/1000. Both in original boxes. Egg 33 x 15mm, 21.45g
Fine Imperial Russian Fabergé gold mounted moss agate cigarette case of rounded rectangular form, the reeded gold mounts with ribbon ties and cabochon ruby thumb piece, the interior rim with Russian engraved inscription, Fabergé maker's mark and marks for St. Petersburg 1899 - 1908 and 56 Zolotnik, 9.5cm x 8.5cm x 2cm CONDITION REPORT In excellent condition, no damage or restoration. Push button action works well and closes tightly. Clear Faberge marks
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![ϒ[Fox hunting interest] A mother of pearl large fan, circa 1900, with plain guards and sticks, the paper leaf painted in goua](https://cdn.globalauctionplatform.com/86a6df08-524f-419a-ba79-a95b00ace9b7/9c6dbaf6-16fd-4e88-dadf-ced42365f29b/468x382.jpg)
