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An assorted large quantity of glass chandelier and lustre fittings, including drops and beads in clear and coloured glass, together with other similar spare fittings for epergnes and other glass items, including two circular mirrored bases (faults).Buyer’s Premium 29.4% (including VAT @ 20%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 6% (including VAT @ 20%) of the hammer price.
A collection of modern costume jewellery, a Crowns & Regalia Festoon necklace with Swarovski elements in silver-plate; Butler &Wilson floral crystal necklace and bracket; David Sigal for Chateau D'Argent silver and enamel bracelet; Camrose & Cross pair of earclips a reproduction of jewellery worn by Jacqueline Kennedy; a silver half hinged bangle set with amethyst coloured stones; Noemi a pair of chandelier earrings; four Diamonique silver set CZ pendants and chains; three silver rings size M; a Brooks & Bentley Swarovski bracelet, 19cm; a heart shaped stone pendant, all boxed.Qty: 16
Sir William Nicholson (1872-1949) Turtle Soup Signed with initial N (lower left) Oil on panel, 1937 44.1 x 30.7cm Provenance: Leicester Galleries, London; Where purchased by Beaumont Pease, 1st Baron Wardington (1869-1950), May 1938; And by family descent Literature: Lillian Browse, William Nicholson (London, Rupert Hart-Davis, 1956), no.549 (as oil on canvas); Patricia Reed, William Nicholson: Catalogue Raisonné of the Oil Paintings (London, Modern Art Press, 2011), p.599, no.796 (illustrated) Exhibited: Leicester Galleries, London, Paintings by Sir William Nicholson, 1939, no.20 In this work of 1937, William Nicholson has depicted the interior of Goldsmith's Hall, where he was taken for a livery dinner by Lord Wardington, the chairman of Lloyds Bank. Nicholson had been commissioned to paint a portrait of Lord Wardington earlier that year. In January 1938, Nicholson described this painting in a letter to Geoffrey Taylor: 'Turtle Soup M.S. named it, with many elderly backbonesofoldoldEngland hidden behind a weight of decorations and, overhead, a chandelier that may descend on them any moment by its own paint weight…'. M.S. is the novelist Marguerite Steen (1894-1975), who was Nicholson's lover from 1935 until his death. The painting relates to an earlier work, City Dinner, of 1934, which depicts a dinner at the Drapers' Company (see Christie's, London, 20th Century British Art, 10 June 2005, lot 27). We are grateful to Patricia Reed for her assistance cataloguing the present work.
A white Chinese porcelain vase converted to a table lamp, on wooden stand, 53cm high together with a hanging ceiling light with strings of opalescent cut glass drops on a gilt metal frame, 36cm high and a five branch cut glass chandelier, 53cm high (3)Table lamp in need of rewiring, ceiling light in good condition, chandelier with three branches snapped off and in need of rewiring
A collection of lightening to include a glass lampshade in pierced metal frame, 46cm diameter; a brass two branch hanging ceiling light with glass floral decorated shades, the shades measuring 15cm diameter; a six branch chandelier with cut glass hanging drops, 40cm high excluding chain; a marbled glass circular hanging ceiling light, 30cm diameter; a red Toleware shade, 28cm diameter; a glass graduated shade, 13.5cm diameter and an orange glass bowl on wrought iron stand, 20cm highPierced metal shade in good condition; brass hanging ceiling light broken in middle but pieces present; chandelier with one dish with attached pendents lacking and candle style fittings bent; Toleware shade with some surface marks and scratches; orange glass bowl on stand in good condition
Großer Prachtlüster, Frankreich um 1890, 10 Brennstellen, reiches meist geschliffenes Glasgehänge, Messingfassung mit Schwanendekor, lange Prismenketten, vermutlich ehemalige Gaslampe, Gehänge überwiegend komplett, wenige Fehlstellen, 2 Glasschalen beschädigt, wenige Glasapplikationen besch., Elektrifizierung später, H. ca. 140 cm, B. ca. 55 cm, Fu. nicht gepr.Large magnificent chandelier, France around 1890, 10 focal points, rich mostly sanded glass hanging, brass bordering with Swan decor, long prism chains, presumably former gas lamp, hanging predominant complete, a few flaws, 2 glass bowls damaged, a few glass applications damaged, electrification secondary, H approx. 140 cm, W approx. 55 cm
MURANO DECKENLEUCHTER Venedig, Fratelli Bottacin, Anfang 20.Jh., farbloses sowie teilw. roséfarbenes, hellblaues und gelbes Glas, balusterförmiger Schaft, begleitet von großen Blütenmotiven und Blättern mit Balusteranhängern, stark geschwungene Leuchterarme mit großen Traufschalen, elektrifiziert, D: ca. 95 cm. Altersspuren, min. besch.| MURANO CEILING CHANDELIERVenice, Fratelli Bottacin, early 20th c., colourless as well as partly rosé, light blue and yellow glass, baluster-shaped shaft accompanied by large floral motifs and leaves with baluster pendants, strongly curved chandelier arms with large eaves bowls, electrified, d: ca. 95 cm. Signs of age, min. dam.
Murano Poliedri chandelier designed by Carlo Scarpa for Venini, the tiered gilt metal frame supporting Murano clear and blue handblown glass drops, W51cm x H50cmCondition Report:Blue drops: 2 x Chipped to the top leaving too bigger hole to secure the washer in place. Crack to the base rim and part of body.Clear glass drops: Chipped to the top leaving too bigger hole to secure the washer in place. Chip to the base. Cracked near metal mounts All others have nibbles to the base, scratches and the blue drops have some losses to the coloured overlay. The frame is secure, but has some general wear.
A Gothic-Revival wrought-iron chandelier, of crown form, hung on four chains, the six candle sconces with dished drip pans, interspersed by fleur de lys, 72cm diameter Now converted to electricity. one bayonet bulb mount missing. Surface pitting and rust.Please note this is only a brief overview report, for a full condition report please send a request via the-saleroom.com

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22614 item(s)/page