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A late 1920's panelled oak 5ft bedstead designed by Gordon Russell (and made in The Russell Workshops, Broadway, Worcestershire by C. Beadle in English oak, July 24th 1929 - Design No. 401 ), the whole of "17th Century" design the four panel head and foot with moulded rails (legs extended and now with recessed castors and side rails later replacements)
A Franco-Flemish oak and walnut four-poster bedstead, 19th Century, incorporating earlier elements, with moulded overhanging cornice, the frieze carved with foliage and supported by Solomonic columns on turned baluster supports, the headboard with scrolled cresting centred by an armorial, 142cm wide/see illustration CONDITION REPORT: This is 19th Century as stated. 197cm long x 240cm high. It does not include the mattress but comes with box spring. The covers/pillows are also not included. Fairly rickety and headboard surmount very loose. Canopy with one replaced panel. Post with stains and other blemishes acceptable with age. Supports badly stained and one castor replaced.
Art Deco period sycamore veneered bedroom suite by Webber Furniture comprising dressing table with two drawers to each sunken side, three drawers to raised centre section, three mirrors to back, 133cm wide, wardrobe with two opening side doors and central opening door, 166cm wide, pair of tallboy chests of two sections with two and three drawers to top, two doors to base, 69cm wide, a double bedstead with side cabinets, the front headboard 152cm wide, each side cabinet 37cm wide plus two matching cane seated bedroom chairs with panelled backs (9)
A 19th century Italian green painted pine and parcel gilt bedstead, with rococo headboard and stylised pineapple finials, 125cmW, together with base.Provenance: from the estate of Elizabeth Pepys-Cockerell, whose husband John was a descendant of the diarist Samuel Pepys. His ancestors had a long association with Sezincote in Gloucestershire
EARLY TWENTIETH CENTURY FRENCH GILT METAL MOUNTED AMBOYNA AND KINGWOOD CROSSBANDED MAHOGANY DOUBLE BEDSTEAD, the headboard with moulded, arch top rail centred with shell and scrolled cresting, 60” (152.4cm) high, together with the matching footboard with ribbon tied oval inlaid centre, 31 ½” (80cm) high, and the side rails, 62” (157.5cm) wide
* Rowlandson (Thomas). Recovery of a Dormant Title or a Breeches Maker becoming a Lord, T. Rowlandson, July 14th 1805, etched caricature with contemporary hand colouring, 350 x 240 mm, together with Williams (Charles). Tameing a shrew, or Petruchio's patent family bedstead, gags & thumbscrews, Thos. Tegg, 1815, etched caricature with contemporary hand colouring, 345 x 245 mm, with Stadler (Joseph Constantine & Lewis Frederick Christian). Inn yard at Calais, published William Holland, 1802 [but later impression], hand coloured aquatint after Frederick George Byron, slight staining and dust soiling, largely confined to margins, 430 x 610 mm, plus Rowlandson (Thomas). [Inn Yard on Fire, published T. Malton, Aug. 1st. 1788], aquatint by T. Malton with contemporary hand colouring, trimmed to image with loss of title, 345 x 465 mm, mounted, and Gillray (James). Market Day, S. W. Fores, 1788, uncoloured etching, trimmed to neatline and tipped on to later paper, with explanatory manuscript paper labels above and below the image, some dust soiling and slight staining, 320 x 450 mm, with two others similar, various sizes and condition (Qty: 7)
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