We found 5894 price guide item(s) matching your search

Two boxes of assorted dolls house furniture and accessories to include bureau bookcase, chiffonier, cabinet bookcase, double bedstead, chest of drawer, D- end tables, bookcase, dressing screen and corner whatnot etc.

A Victorian style brass and black painted metal bedstead, 136cm wide overall

A brass double bedstead, purportedly purchased from 'Seventh Heaven', suitable for a standard 4'6" double mattress. CONDITION REPORT This has been in storage for an unknown period of time. The brass work is brightly polished, although the finials are misshapen and standing at an angle. Further dints, scuffs, scrapes, etc commensurate with age.

HEAL & SON, TOTTENHAM COURT ROAD, LONDON; a brass square section single bedstead, suitable for a mattress approx width 3'4", lacking one of the irons (af). CONDITION REPORT All of the pieces for the headboard are present, but some of them are detached from the railings. One of the retaining bolts has been replaced and as such does not match. The castors appear to have come loose on a couple of wheels and as such would require further attention. Would benefit from polishing. There are only three irons present for this bed, one of the longer irons is missing.

Modern Indonesian dark stained hardwood four post bedstead with turned fluted corner columns

Good quality Edwardian gilt brass single bedstead with pineapple finials, 44ins wide

A PINE 4FT6 BEDSTEAD, with slats and bolts

A SOLID PINE 5FT BEDSTEAD with side rails, slats and bolts, along with a silent night micrapocket mattress

A single bed with white metal Victorian style bedstead (as new)

A black enamelled single Victorian style spar end bed complete with rails and slats and a single matching bedstead (2) (134cm x 137cm. rails: 190cm)

A polished brass double bedstead, 138 cm w 

A Mahogany Four Poster Bedstead with carved reeded turned pilasters

FRECH GILTWOOD SINGLE BEDSTEAD,the arched gilt and cream painted moulded ends with carved pineapple finials, inset padded panels in pink dralon, 97cm wide, 197cm longCondition report: Some chips and losses, overall scuffs, marks and general wear, upholstery faded and tired, rubbing to gilt finish and paint. Dimensions listed in lot description.

AN OAK ART NOUVEAU 4' BEDSTEAD WITH CARVING TO THE ROP RAILS

A PINE 3' 3" BEDSTEAD

A CONTINENTAL BEDSTEAD WITH GILT FOLIATE DECORATION, 58" WIDE

A MODERN OAK SINGLE BEDSTEAD WITH ACORN FINIALS AND BEDSIDE TABLE

A Victorian mahogany whatnot base,  on turned legs fitted ceramic castors, a child's rail back chair, a Victorian folding towel rail, a mahogany framed stool on splayed legs, a tripod table and a miniature oak bedstead with heart pierced and railed foot and headboard (6) Items with faults and losses

A modern white painted wrought iron bedstead, 139cm wide x 125cm highCondition report: Minor marks to the paintwork, otherwise in good condition

A Victorian brass double bedstead, with large spherical finials and cross motif at the foot of the bed, on casters, 135cm wide x 212cm long x 158cm high at top of bed headCondition report: Some surface cracking to the upright bars on the bed head, oxidization to the frame, surface marks and scratches all over.

A caned and hardwood framed bedstead, 20th century, with a high and serpentine bead head and conforming foot, 147cm wide, 205cm long

A modern pine single bedstead and also including baseboard, headboard, connecting rails and slats etc.

A 19th century French 3' brass and iron bedstead

A 1.4m antique French carved and panelled oak Rococo style double bedstead with C-scroll finial to headboard and floral decoration to footboard, with side rails

Victorian style brass and iron double bedstead, with modern slatted base

A Mahogany Super King Bedstead with Carved Headboard Slat Base and Rail Board 190 x 215cm (DIS246)

Hudson Living Ashford Headboard 135cm Luxury British Made Castello Raven Contemporary In Style The Ashford Collection Features A Handcrafted Square Panelled Design Headboard And Is Available As A Bedstead, Ottoman Or Standalone Headboard. This Collection Is Available In All Of Our 80 Fabric Options Giving You The Ability To Customise This Range To Suit All Interiors. (5056352439444)

Hudson Living Doddington Headboard - Luxury British Made 150cm Placido Slate Traditional Yet Modern In Style The Doddington Collection Features A Chic Winged Headboard And Is Available As A Complete Bedstead, Practical Ottoman As Well As A Standalone Headboard. This Collection Is Available In All Of Our 80 Fabric Options, Creating The Perfect Statement Piece For All Interiors. 5056352441041

Hudson Living Doddington Bedstead Luxury British Made 135cm Placido Saffron Traditional Yet Modern In Style The Doddington Collection Features A Chic Winged Headboard And Is Available As A Complete Bedstead, Practical Ottoman As Well As A Standalone Headboard Creating The Perfect Statement Piece For All Interiors. 5056352444714

AN EBONISED OAK FOUR-POSTER 18TH CENTURY AND LATERIncorporating George III needle work hangings woven with floral sprays and flowers, the headboard with a basket of flowers and ribbon-tied floral drapes, the back hanging with twin columns joined by a ribbon tied swag and with spirally-turned flowers, the pelmet and valance with conforming crewel work needlework. The needlework by Mrs Jennens 18th century and re-applied to a chocolate silk ground in the 19th centuryApproximately 170.5cm wide, 245cm high, 250cm high including scalloped edging, 207cm deepProvenance:Worked by Susanna Jennens (1688-1760).Literature:Sir George Sitwell, A brief history of Weston Hall, Northamptonshire, and of the families that possessed it, London, privately printed 1927, pp. 12, 23-25.F. Bamford, 'Weston Hall, Northamptonshire - I: The Home of Sir Sacheverell and Lady Sitwell', Country Life, 22 January 1976, p. 175, fig. 3; p. 177, figs. 6, 7.Catalogue Note:The crewel-work embroidery hangings of the four-poster bed, and silk needlework upholstery of the six mahogany chairs offered here (lots 235 and 238) were wrought by Susanna Jennens (1688-1760), probably in the 1730s-40s, for her bedchamber at Weston Hall, Northamptonshire (formerly known as Weston House; F. Bamford, 'Weston Hall, Northamptonshire - I: The Home of Sir Sacheverell and Lady Sitwell', Country Life, 22 January 1976, p. 175, fig. 3; p. 177, figs. 6, 7). Susanna was the daughter of a distinguished judge, Sir John Blencowe (d. 1726) of Marston St Lawrence and the widow of Richard Jennens of Princethorp in Warwickshire. On 31 August 1714, she leased Weston Hall for seven years for herself and her three young children at a rent of £14 per annum from Thomas Hiccocks, who was on the verge of bankruptcy. The move was evidently successful; in January 1721-22, prior to the expiration of the lease, Susanna's father, Sir John Blencowe, purchased the freehold of Weston for £990 and presented it to his daughter as a Valentine the following month, and in 1731, Susanna described the hall as 'dear Weston' (Sir George Sitwell, A brief history of Weston Hall, Northamptonshire, and of the families that possessed it, London, privately printed 1927, p. 17). Susanna's bedchamber was on the first floor of Weston Hall. Described as 'a sunny room with two windows overlooking the flower- and fruit-gardens', it was later known as the 'Worked room' as this was where the present bed and hangings and chairs were originally placed, together with window curtains, a tapestry table-top with glass cover, a settee and a carpet, all worked by Susanna (ibid., pp. 12, 24). The decoration of trails and festoons of flowers of the hangings, which includes roses, lilies, hollyhocks, carnations, tulips, jasmine and honeysuckle possibly inspired by those found in the garden at Weston (ibid.). Crewel-work embroidery, named after the crewel or worsted wool used, was revived in the late 17th century by Queen Mary II (d. 1694), and remained fashionable in the first half of the 18th century (ibid., p. 23). Celia Fiennes, who travelled throughout England in this period, noted in the Queen's Closet at Windsor that 'the hangings, Chaires, Stooles, and Screen the same, all of Satten stitch done in worsteads, beasts, birds, ymages, and fruites, all wrought very ffinely by Queen Mary and her Maids of Honour' (M. Jourdain, 'Crewel-work hangings and bed furniture', The Burlington, September 1909, p. 367). The universal devotion to needlework was such that educated women like Susanna spent many hours at this endeavor. Bed hangings were usually the most important part of the bed, generally referred to as the 'furniture', and were considered more valuable than the wooden bed frames they decorated. There is some evidence that bed hangings were sold much as embroidery kits are today, with the design already drawn on the fabric and the worsted yarns purchased separately (A. Pollard Rowe, 'Crewel Embroidered Bed Hangings in Old and New England', Boston Museum Bulletin, vol. 71, 1973, p. 106). However, a letter, undated but possibly July 1731, to Mary Jennens (d. 1788), Susanna's elder daughter, from Mary Prescott, Susanna's sister, shows that the design of the hangings offered here, and probably the upholstery on the chairs, was a collaborative effort between the three women: 'I have begun a pattern for the curtains of the bed, and have made some alteration in your pattern of the valens, which will do very well, and may be added to her work when she sees it, as I have altered your work, if she likes it' (ibid., pp. 24-25).An Inventory of Goods belonging to the late Richard Jennens, Esquire, at Weston records the embroidered bedroom furniture in the 'Best Bedchamber' - suggesting that it was moved after Susanna's death from the 'Worked room' (ibid., p. 38). The inventory values the bedstead and hangings embroidered by Susanna at £5, the coverlet or quilt at £1, the pair of window curtains £1 5s and two carpets at £1, and as noted by Sir George Sitwell in his A brief history of Weston Hall their value was very high when compared to the furniture of other rooms (ibid.).A set of four embroidered panels forming parts of either a cover or hangings worked in crewel wool with flowers, including carnations, lilies, daffodils, roses and tulips is in the Victoria & Albert Museum, London (131 to C-1889) - as is an embroidered curtain made as part of a full set of bed hangings in the early 18th century reputedly from Wattisfield Hall, near Bury St Edmunds, Suffolk (353 to I-1907).Condition Report: Measurements: As catalogued this bed is approximately 170.5cm wide, 245cm high, (250cm high including scalloped edging overall), 207cm deepThe drapes are approx. 240cm highThe top of the headboard is 141cm high from the floor The drapes with old holes, tears, and some signs of repair consistent with age and use, there are elements which are fraying and coming away in some places needing some re-binding. The headboard appears to be missing some fringingOverall with marks, knocks, scratches, abrasions consistent with age and use, some chipping and indentations to the ebonised uprightsThis has been built for the view and appears solid and stable, Dreweatts make no guarantees that it will not require some further stabilisation on installation with the purchaser. Please refer to additional images for visual reference to conditionCondition Report Disclaimer

A SET OF SIX GEORGE III MAHOGANY AND UPHOLSTERED SIDE CHAIRSCIRCA 1780Each oval padded back and serpentine seat worked in 18th century silk needlework by Mrs Jennens, applied to a chocolate brown silk ground on fluted tapering legs95cm high, 57cm wideProvenance:Worked by Susanna Jennens (1688-1760).Literature:Sir George Sitwell, A brief history of Weston Hall, Northamptonshire, and of the families that possessed it, London, privately printed 1927, pp. 12, 23-25.F. Bamford, 'Weston Hall, Northamptonshire - I: The Home of Sir Sacheverell and Lady Sitwell', Country Life, 22 January 1976, p. 175, fig. 3; p. 177, figs. 6, 7.Catalogue Note:The crewel-work embroidery hangings of the four-poster bed, and silk needlework upholstery of the six mahogany chairs offered here (lots 235 and 238) were wrought by Susanna Jennens (1688-1760), probably in the 1730s-40s, for her bedchamber at Weston Hall, Northamptonshire (formerly known as Weston House; F. Bamford, 'Weston Hall, Northamptonshire - I: The Home of Sir Sacheverell and Lady Sitwell', Country Life, 22 January 1976, p. 175, fig. 3; p. 177, figs. 6, 7). Susanna was the daughter of a distinguished judge, Sir John Blencowe (d. 1726) of Marston St Lawrence and the widow of Richard Jennens of Princethorp in Warwickshire. On 31 August 1714, she leased Weston Hall for seven years for herself and her three young children at a rent of £14 per annum from Thomas Hiccocks, who was on the verge of bankruptcy. The move was evidently successful; in January 1721-22, prior to the expiration of the lease, Susanna's father, Sir John Blencowe, purchased the freehold of Weston for £990 and presented it to his daughter as a Valentine the following month, and in 1731, Susanna described the hall as 'dear Weston' (Sir George Sitwell, A brief history of Weston Hall, Northamptonshire, and of the families that possessed it, London, privately printed 1927, p. 17). Susanna's bedchamber was on the first floor of Weston Hall. Described as 'a sunny room with two windows overlooking the flower- and fruit-gardens', it was later known as the 'Worked room' as this was where the present bed and hangings and chairs were originally placed, together with window curtains, a tapestry table-top with glass cover, a settee and a carpet, all worked by Susanna (ibid., pp. 12, 24). The decoration of trails and festoons of flowers of the hangings, which includes roses, lilies, hollyhocks, carnations, tulips, jasmine and honeysuckle possibly inspired by those found in the garden at Weston (ibid.). Crewel-work embroidery, named after the crewel or worsted wool used, was revived in the late 17th century by Queen Mary II (d. 1694), and remained fashionable in the first half of the 18th century (ibid., p. 23). Celia Fiennes, who travelled throughout England in this period, noted in the Queen's Closet at Windsor that 'the hangings, Chaires, Stooles, and Screen the same, all of Satten stitch done in worsteads, beasts, birds, ymages, and fruites, all wrought very ffinely by Queen Mary and her Maids of Honour' (M. Jourdain, 'Crewel-work hangings and bed furniture', The Burlington, September 1909, p. 367). The universal devotion to needlework was such that educated women like Susanna spent many hours at this endeavor. Bed hangings were usually the most important part of the bed, generally referred to as the 'furniture', and were considered more valuable than the wooden bed frames they decorated. There is some evidence that bed hangings were sold much as embroidery kits are today, with the design already drawn on the fabric and the worsted yarns purchased separately (A. Pollard Rowe, 'Crewel Embroidered Bed Hangings in Old and New England', Boston Museum Bulletin, vol. 71, 1973, p. 106). However, a letter, undated but possibly July 1731, to Mary Jennens (d. 1788), Susanna's elder daughter, from Mary Prescott, Susanna's sister, shows that the design of the hangings offered here, and probably the upholstery on the chairs, was a collaborative effort between the three women: 'I have begun a pattern for the curtains of the bed, and have made some alteration in your pattern of the valens, which will do very well, and may be added to her work when she sees it, as I have altered your work, if she likes it' (ibid., pp. 24-25).An Inventory of Goods belonging to the late Richard Jennens, Esquire, at Weston records the embroidered bedroom furniture in the 'Best Bedchamber' - suggesting that it was moved after Susanna's death from the 'Worked room' (ibid., p. 38). The inventory values the bedstead and hangings embroidered by Susanna at £5, the coverlet or quilt at £1, the pair of window curtains £1 5s and two carpets at £1, and as noted by Sir George Sitwell in his A brief history of Weston Hall their value was very high when compared to the furniture of other rooms (ibid.).A set of four embroidered panels forming parts of either a cover or hangings worked in crewel wool with flowers, including carnations, lilies, daffodils, roses and tulips is in the Victoria & Albert Museum, London (131 to C-1889) - as is an embroidered curtain made as part of a full set of bed hangings in the early 18th century reputedly from Wattisfield Hall, near Bury St Edmunds, Suffolk (353 to I-1907).SALEROOM NOTICE: These chairs are not silk ground. They are linen ground and the embroidery is wool.Condition Report: The mahogany legs have some marks, scratches, chips, splits, abrasions consistent with age and use, some to the extremities and edges. There are some repairs to the legs including dowel repairs and some losses including to the sections around the edges of the feet. There are some later metal braces to the tops of some legs and some later blocks to the corners behind the seat rails.One chair back is loose jointed.The upholstery overall has had the original silk and wool work cut from the original ground fabric and has been appliqued to a later brown silk fabric. The needlework is worn, in places thread bare, and with some broken threads. There is later overstitching to various areas, including to the edges of the applique.The chair backs are upholstered in brown woven horsehair fabric and there are some tears to this fabric.There is some sun fading and the upholstery has some marks and stains.There are brass studs to the back and seat and some are missing. Some chairs have hessian nailed to the underside of the seats.There is evidence of old worm including to some seat rails.Please note we have not inspected the frame beneath the upholstery and can't comment on the condition and originality of this area.Please refer to the additional images for a visual reference of condition. Condition Report Disclaimer

Victorian black and brass double bedstead.

AN EDWARDIAN MAHOGANY THREE PIECE BEDROOM SUITE, comprising a mirrored single door wardrobe, width 130cm x depth 53cm x height 203cm, dressing table with a single drawer and dressing table with a single mirror, along with a similar 4ft6 bedstead with irons (4) (condition:- some faults including surface marks, loose screws, etc)

A MODERN WHITE FINISH 4FT6 BEDSTEAD, with side rails, pine slats and bolts

A BEECH 4FT6 BEDSTEAD, and a metal 4ft6 bedstead (2)

A METAL FRAMED 4FT6 BEDSTEAD

A PINE 5FT BEDSTEAD (with bolts and screws) along with two single headboards, and two pine bedside cabinets and a bedside chest of three (6)

Traditional polished pine double bedstead, with mattress

Edwardian brass 3' single bedstead

A Late 19th Century French Oak Six Piece Bedroom Suite, comprisingdouble-door mirrored armoire with canopy top, the base with two drawers above a shaped apron and on cabriole forelegs, 149cm by 58cm by 245cma smaller single-door armoire, 100cm by 50cm by 245cma marble-top dressing chest with gallery back above two short and three long graduated drawers, 116cm by 50cm by 209cma 4'6" bedstead with moulded frame and panels, the headboard surmounted by a C scroll shella pair of marble-top bedside cupboards with single drawers and moulded cupboard doors on cabriole legs, 43cm by 42cm by 83cmCondition report: Good decorative order with the exception of some minor scuffs and scratches. The bedside cabinets are slightly lighter in colour compared to other pieces. Overall very good. The bedroom suite has no keys but everything is open. The large armoire has a brass hanging rail and the smaller armoire has some shelves (see images).

A rarely seen pictorial enamel sign advertising Brown Bros. and Taylor Ltd High Ousegate York, Bedstead and Bedding Manufacturers, professional restoration to the top edge, otherwise in good original condition, 30 x 41".

A 1930's Queen Anne burr walnut single bedstead, with a shaped head board and sprung base97w  x 220l  x 130h cm overallCondition report: Overall is solid and complete. Sun bleached on the footboard. The head and footboards are well figured veneer and the carving is good quality. Some signs of woodworm at the head on the rail. Overall light signs of use/wear. Is quite dirty and unrestored, so shows signs of wear and marks from use. The legs are solid carved and the flat areas are quarter veneered. Area for mattress approx 79 x 198cm

A modern cream lacquered and chinoiserie decorated king bedstead, 201.5 cm x 215 cm long overall x 130 cm

A pine bedroom suite comprising chest of two short over three long drawers, 105 cm wide x 50 cm deep x 85.5 cm high, together with matching bedside table, 52 cm wide x 33 cm deep x 60.5 cm high, a two drawer dressing table, 105 cm wide x 50 cm deep x 75 cm high, a matching elbow chair and a single bedstead togeather with a wicker chair

A wooden coal scuttle, a mahogany circular occasional table on tripod base, two Victorian square tapered footstools on bun feet, a wooden wine rack and a white painted single bedstead

A MID 20TH CENTURY OAK 'AUSTINSUITE' BEDROOM SUITE COMPRISING OF TWO WARDROBES, DRESSING CHEST AND BEDSTEAD (4'6")

A double bedstead in deep buttoned upholstery. H.128 W.187 L.230cm (to take a super king size, 6ft 6ins mattress)

A VICTORIAN BRASS DOUBLE BEDSTEAD 135cm wide (some loose pieces, small knobs missing), and an iron double bedstead with brass top rail and knobs (2)

Good quality 19th century walnut veneered bedstead, the head and footboard with shaped outline, carved and applied detail, raised on short supports, to accept a 5ft mattress

Victorian brass and iron double bedstead with rails and base spring, to accept a 4ft 6" mattress

A Victorian white painted wrought iron and brass double bedstead, having twin iron side railsCondition report: All the brass balls are present, but all four have dents and general wear.

A contemporary painted pine bedstead for a 5ft mattress.

A late 19th/early 20th century brass bedstead with curved top rail, square section supports terminating in urn finials, width suitable for mattress 6'2" x 4' wide.

A late Georgian mahogany four poster Bedstead with surface fretted frieze, baluster reeded turned supports, panelled ends and on squat cabriole supports with modern hangings, 4ft 6in W

A GREEN METAL 4FT6 BEDSTEAD (with all slats) together with a matching bedside (2)

A NATURAL OAK 5FT BEDSTEAD, with two separate drop in slatted base (complete with bolts)

A PINE SINGLE BEDSTEAD and Gainsborough mattress

DECORATIVE EAST AFRICAN CARVED HARDWOOD BEDSTEAD,with turned finials and pendants, inset with painted glass panels featuring peacocks, approximately 202cm high, 220cm long, 123cm wideCondition report: Scuffs, scrapes and general wear throughout, some loose fittings, some fading/deterioration to the panels in places

A VICTORIAN BRASS AND IRON 4'6" BEDSTEAD

A MID 20TH CENTURY OAK 'AUSTINSUITE' BEDROOM SUITE COMPRISING OF TWO WARDROBES, DRESSING CHEST AND BEDSTEAD (4'6")