We found 1342 price guide item(s) matching your search

18th Century Spanish fayence Albarello apothecary jar with double eagle. Alcora + IHS Dimensions: H 25 cm. In good condition.

17th Century Italian apothecary jar, Albarello with annotation 1696. Older restoration. Dimensions: H 28 cm. In good condition.

Full title: A very large and fine Italian maiolica albarello with a knight in armour, workshop of Maestro Domenico, Venice, ca. 1540-1550Description:H.: 33 cm Provenance: An English private collection.Condition:The absence of a condition report does not imply that a lot is in perfect condition.Condition reports are provided on request. They will be made available, together with additional images, on our website at www.rm-auctions.com. Condition reports are given as a service, we can not be held liable for errors in such a report. The full list of condition reports for this sale is available on the following URL: https://www.rm-auctions.com/en/condition-report/75Further questions are always welcome at info@rm-auctions.com

Full title: A Hispano-Moresque luster-glazed albarello, Manises, Spain, 3rd quarter 15th C.Description:H.: 29,5 cm Provenance:- Property of The Mary Duke Biddle Trent Semans Foundation; On loan to the Duke University Museum of Art, 1956-2020. Mary Duke Biddle Trent Semans (1920-2012) was an American philanthropist, local and state-wide leader, and patron of the arts. A member of the Duke University Board of Trustees and the first female chairman of The Duke Endowment, she helped guide these institutions during five decades of service. In the 1960's she helped found the North Carolina School of the Arts, the USA’s first public conservatory, and in her mother's memory, created The Mary Duke Biddle Gallery for the Blind at the North Carolina Museum of Art. Ref.: - The Hispanic Society, Accession Number: E598, for an interesting related armorial example. (direct link available on rm-auctions.com)- The British Museum, London, Reg no. G.563, for a related example. (direct link available on rm-auctions.com)- In Sam Fogg's exhibition catalogue 'Lustreware from Spain', a related example is shown (nr. 7). Here, it is noted that 'a group of albarelli whose style (like that of the charger in the preceding entry) is typical of ceramics from the Valencian town of Manises. From the late fourteenth century Manises became famous for its production of cobalt-blue and lustreware and, along with Paterna, it developed into one of the most important Valencian centres for the production of Hispano-Moresque pottery. The special attraction of Manises pottery was its workshops’ mastery over the challenging lustred glaze. The Manises lustre had an orange-gold hue, produced with a silver pigment and about a tenth part of copper, which demanded a specialised firing process at much lower temperatures than other glazes. The combination of pointed leaf, looped tendril, fern ornament and bryony flower that decorate our vessel emerged from the earlier fioralixi designs thought to have entered Valencian potters’ repertoires by around 1430, and help date its production to the middle years of the century. Variations of this delicate form of decoration, at once refined and energetic, soon found currency among Europe’s wealthy patrons, and the rarefied, luxury status of such ceramics is evinced by their incorporation into contemporary panel paintings including most famously of all Hugo van der Goes’ Portinari Altarpiece of around 1475, today in the Galleria degli Uffizi (link to catalogue available on rm-auctions.com)Condition:The absence of a condition report does not imply that a lot is in perfect condition.Condition reports are provided on request. They will be made available, together with additional images, on our website at www.rm-auctions.com. Condition reports are given as a service, we can not be held liable for errors in such a report. The full list of condition reports for this sale is available on the following URL: https://www.rm-auctions.com/en/condition-report/75Further questions are always welcome at info@rm-auctions.com

A Castelli maiolica albarello painted with scrolling flowers and foliage, the base inscribed 'No22', late 18th century, 16cm [minor damage].

A SELECTION OF TIN-GLAZED EARTHENWARE 18TH AND 19TH CENTURIES Including a Dutch Delft garlic necked vase, 19cm high, three other pieces of Dutch Delft, a small albarello, and a jug Condition Report: Chips, damage and restoration throughout Condition Report Disclaimer

A FAIENCE DATED COMMEMORATIVE BALUSTER JUG POSSIBLY EASTERN FRENCH, THIRD QUARTER 19TH CENTURY Painted with two figures supporting a shield inscribed Robert Souvenir de Monnet (?) 1835, 18cm highTogether with other items of British and Continental pottery, including an Italian maiolica albarello; and English creamware bulb pot and cover and other items, various dates, 18th, 19th and 20th centuries Condition Report: Delft vase with large glued chip, English creamware bulb pot restored, Iberian type cream bowl cracked, mocha ware jug cracked, French creamware bottle with foot rim chips.Condition Report Disclaimer

antique "albarello" pharmaceutical jar in ceramic with an orientalist decor with a city scene ||Antieke Italiaanse apothekerspot, een zgn "albarello", in keramiek met een oriëntalistisch decor met een stadszicht - hoogte : 19,3 cm - ca 1800

Albarello Savona, um 1745 Fayence. Doppelt gebaucht auf eingezogenem Fuß. In Blau dekoriert mit Eierstabfries, Jahreszahl und Initialen FD. In Schwarz bez. in gotischer Schrift: "CO.ANARARDI." H. 18,5 cm. Ockerfarbener Scherben. Glasierter Boden. (Stark rep., Haarrisse). Vgl. Drey, Rudolf, Apothecary Jars, London, Boston 1978 S. 73, Pl. 32 c). (59900)

An early 18th Century Facon de Venise Albarello or pharmaceutical glass jar, circa 1700 - 1725, with latticinio ribs, of waisted outline, made in Catalonia or Florence, 10cm high

An 18th century Italian faience albarello inscribed “Dict Cretic”, of waisted form with painted polychrome decoration, 19cm high.

ALBARELLO / APOTHEKERGEFÄSS, 20. Jh., Italien, Majolika, auf Klebeetikett im Deckel bezeichnet "Ceramiche Bertini / HAND MADE IN FLORENCE / ITALY", polychrom staffiert. Deckelvase in Art eines Apothekergefäßes; Balusterform mit aufgewölbtem Deckel, zwei seitlichen Handhaben und kleinem Ausguss. Gestaltet in historisierender Formensprache der Renaissance: Weißer Fond mit floralem und grafischem Dekor, große Kartusche mit Mädchen-Kopf und Früchten. Schauseitig bezeichnet "ES.di.Disonis"; rückseitig bezeichnet Bertini. H. 35 x B. 30 x T. ca. 22 cm. (Partiell verschmutzt; leichte Gebrauchsspuren; Ausguss bestoßen).

Pair of Albarello with painted male and female portrait. Descriptions and ornaments. Multicolours on white ground glaze. North Italy 16/17 th Century. A pair 24 cm height.

A Venetian Albarello circa 1680, together with an 18th century Sicilian AlbarelloSmall - Minor chips to rim and some crazing within.Larger - Two areas to main body of glaze loss; chips to base; crazing; glaze loss top rim and a crack.See condition report photos.

A small façon de Venise albarello or pharmacy jar, late 17th/18th century, of waisted form with everted rim, 9.8cm.

An Italian polychrome maiolica albarello, in the style of 16th Century Venice, with an armorial and trophy roundel to the sides on a sgraffito blue ground with leaves and flowers, SPQX mark to base, 22cm high CONDITION REPORT: Condition information is not usually provided in the description of the lot but is available upon request; the absence of a condition report does not imply that a lot is without imperfection

A Continental Tin Glazed Earthenware Jar, in 18th century style, of ovoid form and painted in blue with a foliate wreath and inscribed Tabac Rappé23cm highA Similar Albarello, painted in green, yellow and manganese with scale ground panels and inscribed27cm high (2)Tabac - minor horizontal crack to top rim, rim glaze abraded, four large chips to foot, crazedAlbarello - no damage or restoration

KLEINER ALBARELLO MIT KRIEGER Italien, Venedig, Werkstatt Domenico da Venezia, 2. Hälfte 16. Jh. Majolika, sandfarbener Scherben, polychrom bemalt. H. 14 cm. Auf kleinem Stand zylindrische Form, in der Mitte eingezogen. Wandung reich dekoriert mit bunter Blumenmalerei. Auf Schauseite ovales Medaillon mit halbfiguriger Darstellung eines jungen Mannes mit Helm. Rest., am Rand best. Literatur: Zum Motiv vgl. Bojani, Gian Carlo; Guidotti, Carmen Ravanelli; Fanfani, Angiolo: La Donazione Galeazzo Cora. Ceramiche dal Medioevo al XIX secolo. Milano 1985, S. 315, Kat. Nr. 812.

KLEINER ALBARELLO MIT HERRENBILDNIS Italien, Venedig, Werkstatt Domenico da Venezia, 2. Hälfte 16. Jh. Majolika, heller Scherben, polychrom bemalt. H. 13,5 cm. Auf rundem Stand zylindrische Form, in der Mitte eingezogen. Wandung reich dekoriert mit bunter Blumenmalerei auf blauem Hintergrund. Auf Schauseite ovales Medaillon mit halbfigurigem Profilbildnis eines jungen Mannes, nach links schauend. Part. rest., am Rand best. Literatur: Zum Motiv vgl. Bojani, Gian Carlo; Guidotti, Carmen Ravanelli; Fanfani, Angiolo: La Donazione Galeazzo Cora. Ceramiche dal Medioevo al XIX secolo. Milano 1985, S. 314, Kat. Nr. 809.

GROSSER ALBARELLO MIT WAPPEN Italien, 17. Jh. Majolika, rötlicher Scherben, weiß glasiert, bunt bemalt. H. 32 cm. Zylindrische Form, in der Mitte eingezogen. Schauseitig Wappenschild mit Maskaron, darin Darstellung eines aus Brücke schreitenden Löwen. Rest., besch.

ZWEI ALBARELLI Italien und Spanien, 17./18. Jh. Majolika, heller Scherben, weiß glasiert, Blaumalerei. H. 19 und 22,5 cm. Jeweils zylindrische Form, in der Mitte eingezogen. Ein Albarello dekoriert mit bekröntem Doppeladler mit Brustschild, darin 'LA AEMAT'. Der andere Albarello mit Darstellung eines Tempels, umgeben von üppiger Blumenmalerei. Rest., min. best.

Full title: A Spanish blue and white albarello with floral design, 17th C.Description:H 28,2 cm

Klepsch, Kristian Kleines Albarello mit surrealem Figurendekor (Zwickau/Böhmen 1943 geb.) Zylindrische Form mit durch Kehle abgesetztem, ausbiegendem Rand. Farbloses Glas mit umlaufendem Tiefschnittdekor. An der Fußzone sign. und dat. "Christian Klepsch 73". H. 14,5 cm.Apothekengefäß, deutscher Glaskünstler, Galerie Waldrich München / Privatsammlung Christiane Waldrich

† ALAN CAIGER-SMITH (1930-2020) for Aldermaston Pottery; a tin glazed earthenware albarello vase decorated with red and gold lustre, painted ACS mark, glaze and date codes and pottery sticker, height 24.5cm.Condition Report: Appears good with no obvious signs of faults, damage or restoration.

An Italian Maiolica albarello pharmacy jar, probably 17th century, waisted shouldered form, polychrome decorated with foliate scroll motifs

ALBARELLO / APOTHEKERGEFÄSS, 20. Jh., Italien, Majolika, auf Klebeetikett im Deckel bezeichnet "Ceramiche Bertini / HAND MADE IN FLORENCE / ITALY", polychrom staffiert. Deckelvase in Art eines Apothekergefäßes; Balusterform mit aufgewölbtem Deckel, zwei seitlichen Handhaben und kleinem Ausguss. Gestaltet in historisierender Formensprache der Renaissance: Weißer Fond mit floralem und grafischem Dekor, große Kartusche mit Mädchen-Kopf und Früchten. Schauseitig bezeichnet "ES.di.Disonis"; rückseitig bezeichnet Bertini. H. 35 x B. 30 x T. ca. 22 cm. (Partiell verschmutzt; leichte Gebrauchsspuren; Ausguss bestoßen).

A 19th century Italian Majolica albarello jar, floral decoration on a blue ground with two oval portraits of Roman men, indistinct initials to the underside, 28cm high

A rare Urbino istoriato albarello, probably from the workshop of Guido Durantino (Guido Fontana), circa 1540The cylindrical body separated from the rounded shoulder and base by narrow hoops picked out in yellow, similar yellow lines around the neck and spreading footrim, painted with a continuous scene representing the story of Diana and Endymion, the Goddess and six handmaidens bathing naked in a stream, among rocks and trees, the lonely figure of Endymion seated on top of a nearby hill, looking into the distance, the landscape on the reverse including a distant town viewed through further trees, the interior mounted with a later copper reservoir, 28cm high (repair to a small section of the footrim, some chips to the moulded yellow bands repainted)Footnotes:Guido Durantino, originally from Castel Durante, was known to have run one of the largest maiolica workshops in Urbino employing many of the best painters in the city, especially for istoriato. By 1541 he and his son had adopted the surname 'Fontana'. For further details and further pieces attributed to the workshop, see T. Wilson, Maiolica, Italian Renaissance Ceramics in the Metropolitan Museum of Art (2016), nos. 63, 67 and 68.This lot is subject to the following lot symbols: ** VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.For further information on this lot please visit Bonhams.com

17th - 18th century Italian majolica Albarello apothecary jar. Sicily? Floral polychrome. Size: H 19 cm. In good condition.

An Italian maiolica albarello, inscribed 1702, 20.5cm high

A large Italian maiolica albarello, 42cm high.

Full title: A turquoise-glazed Kashan albarello, Persia, 13th C.Description:H.: 28 cm

Full title: Two Dutch Delft blue and white drug jars and a polychrome Brussels faience dish with a rider on horseback, 18th C.Description:Dia.: 31 cm (the dish)H.: 11 cm - Dia.: 8 cm (the albarello-type drug jars) Please note that the inscriptions on the jars are later additions, applied through regular paint, and can be easily removed.

Full title: A large polychrome Castelli faience plaque with a singer in front of Christ, God and the Virgin, Italy, 18th C.Description:Dim.: 42,5 x 29 cm The text stemming from the singer's mouth is probably an excerpt from the medieval sequence Salve Virgo singularis.Interestingly, the plaque also shows further Castelli wares, such as an albarello on a stemmed foot, a plate and a covered box.

An 18th century Italian Naples albarello semina calida dated 1773, 15.5cm diameter x 14.5cm highAt present, there is no condition report prepared for this lot, this in no way indicates a good condition, please contact the saleroom for a full condition report

A small 17th century Venetian albarello circa 1660-1680, 9cm diameter x 14.5cm highSmall side glaze chip, chips to foot, rim scratches and glaze marks

An antique Italian albarello 17cm high and an 18th century Tuscan jug 21.5cm high.

A pair of majolica glazed albarello each with blue and white double eagle crests, 13cm diameter x 23cm high together with a further majolica jar with four looping handles, 20cm wide x 20cm highOne albarello and the jar drilled to the base, 19th / 20th century

A Della Robbia twin-handled Albarello vase by Aphra Peirce, painted with a classical draped figure, holding a large arrow in her hand, in her other hand a flowing scarf blowing in the wind, held by an angel to the reverse, in colours, incised marks, professional restoration, 35.5cm. high

Paar Apothekergefäße: Albarello, wohl 18. Jh., in Blau bemalt mit Ansicht einer dörflichen Landschaft, gräulicher Fond, grauroter Scherben, H.: 15 cm, kl. Abplatzungen, kl. Riss; Albarello, wohl 18. Jh., Majolika, Boden partiell dünn glasiert. Auf abgesetztem Fuß hoher, zur Mitte hin stark eingezogener Gefäßkörper mit schräg ansteigender Schulter und ausgestellter breiter Lippe, weißlicher Fond, darauf Bemalung in Blau und Ockergelb, große Ranken und Kreuzdekor, H.: 24 cm, an der Lippe Chip, Abplatzungen, Bereibungen.

Kashan, Persia, Ca. 13th century AD. A classic pottery albarello jar with layers of intense turquoise glaze. The vessel rises from a circular foot and slightly flares to a sloped shoulder with ribbed decoration. The neck is tubular, culminating in a rolled rim. Albarelli jars originated in the Middle East and were used to hold ointments, medicines, and herbs.Size: L:189mm / W:96mm ; 745gPrivate London collection of Early Islamic Art - M.A.; formerly acquired on the UK art market since the 1980s.

A Kashan underglaze-painted pottery albarello Persia, 12th/ 13th Centuryof slightly flaring conical form on a short foot, with sloping shoulder and short neck with everted rim, decorated in black under a turquoise glaze with a band of pseudo inscription to the neck and bands of vegetal geometric decoration to the body and shoulder 20.2 cm. highFootnotes:ProvenanceThe Collection of Bahram Mirza 'Sardar-i-Massoud' (1885-1916), Paris, thence by descent.For a black and turquoise Kashan pottery albarello of comparable form sold at Christie's, see Arts of Islam Including Property from the Bequest of Adrienne Minassian Sold to Benefit Brown University, 26 April 2013, lot 642.This lot is subject to the following lot symbols: RR This lot is subject to import restrictions when shipped to the United States.For further information on this lot please visit Bonhams.com

A RARE JAPANESE BLUE AND WHITE DRUG JAR FOR THE WESTERN MARKETEDO PERIOD, C.1650The tall cylindrical body with a waisted spread foot and an everted rim, painted in underglaze blue with a narrow blank cartouche framed by formal scrolling designs with stylised leaves and swags, the shading rendered with cross-hatching of a darker shade; the banderol embellished with an unusual depiction of a moustached male harpy wearing a neck ruff or millstone collar, perched on an orb; heavily potted with some of the recessed base left unglazed, 28cm.C J A Jörg, Fine & Curious, Japanese Export Porcelain in Dutch Collections, pp.213-217 for other examples of drug jars for the Western market. Also, see O Impey, Japanese Export Porcelain, Catalogue of the collection of the Ashmolean Museum, Oxford, pp.42-43, for another blue and white jar (pictured opposite with lot 96). This apothecary jar is an unrecorded and possibly unique example. The shape is based on the European albarello (probably from the Arabic term al barani, meaning storage), a container used for spices, herbs and other medicinal products. The European model derived from Persian and Syrian jars from the 12th-13th century. This Japanese example dates from c.1650 and was probably made as a special order. The depiction of a male harpy wearing a neck ruff is very unusual, and may have been the armorial used by a particular monastery or apothecary.Comparing this piece to the jar at the Ashmolean Museum (see picture opposite) shows how these pieces were produced in a similar manner, heavily potted and with the surface covered in a thick white splashed glaze. The cobalt-blue decoration on both jars features shading rendered with cross-hatchings in a darker shade of blue. Dr Oliver Impey noted that no prototypes for this type of decorative labels have been found in Dutch earthenware. However, as the fashion for neck ruffs only stretched into the 17th century in the Dutch Republic, it is likely that the harpy decoration was based on a Dutch model rather than a Portuguese one. The winged creature is also reminiscent of angel-like figures with neck ruffs that can be found on 17th and 18th century Dutch jars or apothekerspots. The first recorded order for Arita porcelain by the VOC (1653) included ‘various (small) porcelain bottles, (small) pots, salve and preserve pots for the surgeon’s shop in Batavia, made according to the samples sent’. Other such orders were passed for ‘large and small medicine pots’ to be shipped to Taiwan, and for other unrecorded destinations. Shards of Japanese albarelli were also found in the shipwreck of the Oosterland, a VOC ship wrecked at the Salt River Mouth, South Africa. This jar was possibly made as part of one of these orders. We would like to thank Clare Pollard and Guido Rabbeljee for their kind assistance and suggestions in researching this lot.

An Italian Maiolica albarello pharmacy jar, probably 17th century, waisted shouldered form, polychrome decorated with foliate scroll motifs

Della Robbia, an art pottery vase, albarello style, sgraffito decorated with bands of swags, turquoise green glaze, incised marks, 13.5cm high

Kleines Albarello Deutschland, 17./18. Jh. Farbloses Glas mit hochgestochenem Boden und Abriss. Frontal in Reliefgold bez. ''Lapides Luncis'' und altes, handschriftliches Etikett. Mündung mit Papier verschlossen. H. 7,5 cm

A group of continental ceramics, including a large polychrome faience dish of flower form, a faience jug, an albarello and a bird-form bowl (4). Provenance: Removed from Sun Court, Hadleigh: From the Estate of David Tron, King’s Road Antiques Dealer.The large dish has some small footrim chips, the jug has been restored, the albarello has a chip to the footrim, and the bowl has a few chips and crazing/light hairlines.

Kashan, Persia, ca. 1200-1300 AD. A pottery albarello jar, originating from the historic city of Kashan. The jar's striking aesthetic is defined by its intense layers of turqoise and navy glazes, which create a captivating visual contrast and enhance the vessel's unique form. The jar's elegantly flared body rises from a pedestal foot, which imbues the piece with a sense of balance and stability. The sloped shoulder of the vessel further accentuates its graceful form, creating an overall sense of harmony and symmetry. The jar's neck is tubular in shape, culminating in a delicately rolled rim. Albarelli jars were a common household item in the Middle East and were used to store a variety of substances, including ointments, medicines, and herbs. The elegant form and exquisite decoration of this jar suggest that it was likely used to hold valuable or important substances.Size: L: 185mm / W: 105mm ; 465gProvenance: Private UK collection; From an old British collection formed in the 1990s.

Albarello en majolique de Deruta, vers 1500-1510A Deruta maiolica albarello, circa 1500-1510Previously attributed to Siena by Dr Chompret, of cylindrical slightly waisted shape, decorated with a drug label reading TRiFeN a MAGN a, over a Moor's head roundel and under an apothecary label of PAQ and ecclesiastical cross, all set on stylised floral motifs in blue against an ochre ground, in turn surrounded by a stiff leaf border held together in four places with yellow ribbons, the reverse with two gothic scrolls, 23.5cm high, 14 cm diam.Footnotes:This albarello is part of a group of albarelli decorated with a Moor's head. One example from the collection of Dr Chompret was most recently sold at Pecheteau Badin (31 May 2022, lot 17) and there are other examples in international museum collections including the Philadelphia Museum of Art, the Boymans van Beuningen Museum in Rotterdam, the Victoria and Albert Museum and the British Museum in London. About ten albarelli of the same dimensions as our albarello as well as a chevrette, undated, belong to a group slightly later than the series dated 1501. Six albarelli of this set were part of the former Pringsheim collection (Otto von Falke, Die Majolikasammlung Alfred Pringsheim in München (1914), cat.nos. 113-115). One of them is now in the Musée National de la Céramique and reproduced by Jeanne Giacomotti, Les majoliques des Musées nationaux, 1972, cat.no. 416.For further information on this lot please visit Bonhams.com

Full title: A large Italian maiolica vase and an albarello, 19th C.Description: H 86,1 - 28,6 cm

An Italian Maiolica Armorial Albarello, Florence or Montelupo, circa 1520, painted with the Giraldi family arms of a lion and boldly painted 'famiglia gotica' scrollwork, 25cm high/Note: Josiah and Mary Trent Collection, purchased in Italy 1938-48; An albarello from the same set is in the Museo di Ceramica di Faenza/Provenance: from the Henry Sandon Study Collection CONDITION REPORT: extensively broken and bonded, the main point of impact being to the right of the roundel, having a small hole to its centre and scattered small filled holes emanating. Shallow chip to top rim.

An Italian Maiolica berretino albarello, Rome, circa 1600-20, of dumbbell shape, painted in dark blue with leaves and berries, inscribed 'Loc SANVM', the base underneath incised with a pharmacy code, 20.7cm high (the base drilled and polished)/Note: Lohoch Sanum et Expertum, an anti-asthmatic medication/Provenance: from the Henry Sandon Study Collection CONDITION REPORT: small restored section to neck, 7cm wide. The base has been drilled and the footrim has been reduced.

Four pharmacy vessels, 18th Century, comprising a Sicilian Maiolica albarello, probably Caltagirone, cylindrical with a blue chequer pattern, 17cm, an Abruzzi albarello painted with a formal landscape, 23.2cm and a Spanish syrup jar inscribed Ol.Cicum…, 22cm (spout lacking) and an English Delftware syrup jar (broken)/Provenance: from the Henry Sandon Study Collection CONDITION REPORT: - the first: a nice example in good condition - only some minor rim fritting and a couple of small glaze blemishes to body.The second: with a large section of the rim broken and bonded, with some small associated losses along the breaks, 15cm wide and down into the curtain decoration. Several hairline cracks from along the break, one travelling from the rim at the front down through the side of the painted panels approx. 15cm. Two small footrim chips. The third: the spout is a crude replacement. Hairline crack to the rim and two small drill holes. Flat chip to glaze on body above the spout from previous configuration. One large flat footrim chip.The fourth: two large pieces broken out of the rim and glued. Glaze losses along the break and to the right side of the banner. A hairline crack to the rim closest to the spout. Patch of glaze loss to the left of the banner. Minor glaze fritting to rims.

A massive Abruzzi Maiolica albarello, Abruzzi, dated 1725, painted in blue with a landscape and ruins, a reserved cartouche on the front inscribed 'Charitas', the reserve with the date 1725, 25cm high, 21cm diameter/Note: The emblem Charitas is the badge of the monastic Order of Minims/Provenance: from the Henry Sandon Study Collection CONDITION REPORT: replaced section of rim, 4cm wide. Hairline crack to rim approx. 5cm,. Five small footrim chips.

An Italian Maiolica armorial albarello, probably Rome, early 18th Century, of dumbbell shape, painted in blue with the arms of the Barberini family surmounted by a cardinal's hat, the ground with scrolling leaves, inscribed drug name 'SIROPPO. DI.BISCO', 18.5cm high/Note: The arms may relate to Cardinal Francesco Barberini (1662-1738)/Provenance: from the Henry Sandon Study Collection CONDITION REPORT: small chip to rim otherwise in good condition.

Two Italian Maiolica albarelli, 18th Century, the first Castelli or Naples, possibly from the workshop of Saverio Grue, painted in colours with a female saint holding a sword, the drug name below O.MIRTL.NI (oil of black bilberry), 19.4cm high, the second albarello Pesaro, workshop of Casali Callegari, painted with the daisy pattern, 19.7cm high/Provenance: from the Henry Sandon Study Collection CONDITION REPORT: the first with three small rim chips and two nicks. A glaze blemish to the shoulder. Underglaze footrim. The second with four small rim chips. A deep chip to the interior side which correlates with two glaze chips to the exterior. The footrim with one noticeable chip and three further smaller.

A Mexican Talavera, Puebla pottery large albarello, 18th-19th Century, of cocoon-shape, painted in dark blue with a heraldic lion between formal border ornament, the reverse with a crown, 25cm high/Provenance: from the Henry Sandon Study Collection CONDITION REPORT: the base has been drilled but otherwise no condition issues

A lead-glazed cooking pot or pipkin, probably English, 16th-17th Century, the cauldron with lug handles, on three pinched feet, the upper part glazed, 13.5cm high, together with an early Staffordshire honey pot, probably Burslem, circa 1700, 16.2cm and a similar storage jar or albarello, 20.5cm (3)/Provenance: from the Henry Sandon Study Collection CONDITION REPORT: One foot is a restored replacement, there is a travelling hairline crack which runs around another foot and into the body, one handle cracked. Overall blackening to body and areas of the glaze.

Alan Caiger-Smith (1930-2020) an Aldermaston Pottery candlestick painted in resist with typical calligraphic brush-strokes, 24cm high, painted potter's mark, together with an Aldermaston lustre 'albarello' vase, with bold brush strokes in gold lustre on a midnight glaze, 26.5cm high, painted pottery marks and paper label of Andrew Hazelden (2)/Provenance: from the Henry Sandon Study Collection CONDITION REPORT: ARR Artist's Resale Right may apply to the sale of this lot if the hammer price is the equivalent of 1000 Euros or more, incurring an additional fee. For further information please ask Chorley's or visit www.dacs.org.ukCondition information is not usually provided in the description of the lot but is available upon request; the absence of a condition report does not imply that a lot is without imperfection

A collection of apothecary bottles and ointment pots, late 17th or 18th Century, all excavated by Henry Sandon from archaeological sites in Worcester, comprising two English green glass phials, 8.7cm, a larger glass apothecary jar, 12cm (broken rim section), together with ten pottery ointment pots including London Delftware jars of albarello form (some incomplete), one larger partially complete jar with blue zigzags (13)/Provenance: from the Henry Sandon Study Collection CONDITION REPORT: The larger blue and white delftware pot - with large loss to body, cracked out and restuck to the body into at least 6 sections. With old areas of in-filling to cracks, chipping and in-filling to footrim. One of the small green phials with two large chips to the upper rim, a larger pale green glass bottle with a large rim chip and some inclusions and scratching. All of the smaller ointment pots with some chipping, losses and cracking. All in a condition typical of excavation.