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1786 | height: 19 cm | region: Caltagirone (Sicily) | country: Italy | condition: restored | provenance: private pharmacy museum | Albarello faience pottery | Bidders are requested to inquire about the condition of the lot prior to the auction. Any complaints will be disregarded.condtion report: https://drive.google.com/drive/folders/1a8Wf5O8ZXgekGaakWIQUasp9Xu-KPodf?usp=drive_link
A Delft Albarello, 18th century, with a cartouche inscribe "C. Violar", surmounted by a fruit basket flanked by a pair of birds and with a mask below, marked AC to the base18cm highA Similar, inscribed "V. Ad. Padicvlos"18cm high (2)First - rim badly broken and re stuck, heavy glaze frittingSecond - rim losses, glaze cracked and fritting
A small Caltagirone maiolica albarello, 18th century, painted in blue, green, ochre and manganese with a band of flowerheads and formal leaf scrolls, and a North Italian drug jar, c.1720-40, of footed dumbbell form, with a manganese inscription to the waist between bands of a formal blue foliate border, small chips, 17cm max. (2)
Four Italian 17th century maiolica albarello drug or pharmaceutical jars - each lettered in manganese script between blue lappet borders, comprising a pair of dumbbell form, 17.4cm high, one inscribed 'd'gistivo rosa', the other d'basilicou'; a single smaller example, 14.6cm high, inscribed 'mammila'; and a fourth of ovoid form, 16.3cm high, inscribed 'let. dentif', some faults. * Condition:- Pair: One (d'gistivo rosa') with several small chips and glaze flakes to the rim, a small chip to the foot and a glaze flake to the upper lappet band. The other with a large crack to one side, plus similar small chips and glaze flakes and two large glaze flakes to the lower body.- Small 'dumbbell': Two 2in long sections missing due to chipping from the rim and two other rim chips and a short hairline. Small chip to foot.- Ovoid: Two or three small glaze flakes to rim. Otherwise good.
An Italian maiolica albarello or apothecary's wet drug jar, dated 1746, painted in tones of blue, yellow, green and manganese, the waisted form centred by an armorial crested with a coronet, flanked by amorini, 23cm h Typically crazed and pitted. Some flaked losses to glaze. Contemporary firing blemishes.
A maiolica albarello, 17th century, Italian, Calabria, painted with a medallion containing a bust-length portrait of a man, within scrolling foliage to a blue ground, restoration,13.5cm wide19cm highProvenance: The Collection of Hermann Baer (1898-1977); thence by descent to the present owner.Condition ReportSeveral areas of overpainting. Chips and slight flaking to rim and foot.
A maiolica albarello, c.1500, Central Italian, possibly Romagna or the Marches, of slightly waisted cylindrical form, the front painted in blue and orange with tulips and fruit,12cm wide18cm highProvenance: The Collection of Hermann Baer (1898-1977); thence by descent to the present owner.Condition ReportThere are some small glaze/paint chips to the decoration at the front, around the rim and around the foot. Hairline crack to rim extending into the body.
Castelli, Albarello Abruzzen, Mitte 16.Jh. Majolika. "Orsini-Colonna"-Typus. Polychrome Malerei. Schauseite mit Männerbildnis im Profil auf kobaltblauem Fond, beidseitig gerahmt von gelber Rankenbordüre. Inschrift: "ZVCo.RO DAMASCI". Rückseitig Rankenmotive auf crèmeweissem Fond. H 24 cm.- Feine Risse und Glasurbestossungen. Kleine Reparaturstellen und Retouchen. Stand bestossen.
λ  LOUISE POWELL (1882-1956) FOR WEDGWOOD: A CREAM-COLOURED POTTERY VASE OF ITALIAN ALBARELLO FORM FIRST HALF 20TH CENTURY Artist's monogram and number 4319, 31cm high Together with a dish by the same artist, artist's monogram and numbered 4969, 32.5cm diameter Condition Report: Dish cracked, pierced holes to foot rim probably for hanging/display purposes- 1 with crack. Some rubbing to gilding. Please see additional images for visual references to condition which form part of this condition report. All lots are available for inspection and Condition Reports are available on request. However, all lots are of an age and type which means that they may not be in perfect condition and should be viewed by prospective bidders; please refer to Condition 6 of the Conditions of Business for Buyers. This is particularly true for garden related items. All lots are offered for sale "as viewed" and subject to the applicable Conditions of Business for Buyer's condition, which are set out in the sale catalogue and are available on request. Potential buyers should note that condition reports are matters of opinion only, they are non-exhaustive and based solely on what can be seen to the naked eye unless otherwise specified by the cataloguer. We must advise you that we are not professional restorers or conservators and we do not provide any guarantee or warranty as to a lot's condition. Accordingly, it is recommended that prospective buyers inspect lots or have their advisors do so and satisfy themselves as to condition and accuracy of description. If you have physically viewed an item for which you request a report, the condition report cannot be a reason for cancelling a sale. Buyers are reminded that liability for loss and damage transfers to the buyer from the fall of the hammer. Whilst the majority of lots will remain in their location until collected, we can accept no responsibility for any damage which may occur, even in the event of Dreweatts staff assisting carriers during collection.Condition Report Disclaimer
Albarello AMPIPLUS, Casteldurante, Italy | height: 15 cm | glazed earthenware, painting in the colors of a great fire, on the belly in a floral cartouche in manganese the inscription AMPIPLUS (from the Latin AMPI many and PLUS more). Barrel-shaped, without a lid | turn of the 19th and 20th centuries |
Seltener gotischer Albarello mit pseudokufischer DekorationMajolika, Blaudekor. Zylindrisch über konischem Anstieg, mit bikonischem Hals. Mehrzoniger stilisierter Dekor mit Glasurberieb, Risse. H 33,5 cm.Montelupo, um 1440 – 1450.Der erstmals von Bernard Rackham und J.V.G. Mallett 1977 verwendete Begriff "pseudokufisch" steht für diesen Dekortyp, der ungegenständlich ornamental nach islamischem Vorbild die Gefäße ziert. Er war in Italien im 15. Jahrhundert bekannt durch die ähnlich bemalten Majoliken aus Valencia, die zahlreich importiert wurden und die die Keramiker in Montelupo zu einer eigenen Interpretation inspirierten. Die wenigen Albarelli, die man dieser frühen Gruppe zuschreibt, befinden sich weitgehend in Museumsbesitz. Ein kleineres Exemplar wurde am 28. Oktober 2014 bei Pandolfini Casa d'Aste in Florenz als Lot 2 versteigert.ProvenienzRheinische Privatsammlung.LiteraturVgl. Rackham/Mallett, Catalogue of Italian maiolica, Victoria & Albert Museum London 1977, Nr. 51, acc. no. 1143-1904, Nr. 52, acc. no. 1150-1904 und Nr. 68, acc. no. 1147-1904.Vgl. Mez-Mangold, Apotheken-Keramik-Sammlung "Roche" Katalog, Basel 1990, S. 99, Inv. Nr. 244.Vgl. Mariaux, La majolique. La faïence italienne et son décor dans les collections suisses XVe - VIIIe siècles, Genf-Luzern 1995, Kat. Nr. 13, Abb. S. 74.Vgl. Kat. Capolavori della maiolica rinascimentale. Montelupo fabbrica die Firenze 1400 – 1630, 2002, Nr. 12 (aus einer toskanischen Privatsammlung).
Datierter Albarello mit vegetabilem DekorFayence, Blaudekor. Zylindrisch. Zweiseitiger stilisierter Dekor eines Apfels mit Blättern und Spiralranken. Auf den Seiten datiert 16 und 63. Unglasierter Boden ohne Marke, alte schwarze Inv. Nr. 1938-90. Rand bestoßen. H 15,5 cm.Arnstadt, 1663.ProvenienzRheinische Privatsammlung.LiteraturVgl. Mez-Mangold, Apotheken-Keramik-Sammlung „Roche“ Katalog, Basel 1990, S. 193 f., Inv. Nr. 76.Vgl. Kat. Arnstädter Fayencen des 17. Jahrhunderts. Eine Ausstellung des Thüringer Museums Eisenach 1997, S. 82, 87.
Tonnenförmiger AlbarelloFayence, lavierter Blaudekor, Zinnmanschette (Teil eines ehemaligen Schraubdeckels). Vierzoniger Dekor mit zwei kurzen Rankenbordüren, oben das Monogramm "IFM", die Mittelzone vakant für eine Lackbezeichnung oder ein Etikett. Glasurberieb, Risse. H 16 cm.Winterthur, zugeschrieben, Mitte 17. Jh.ProvenienzRheinische Privatsammlung.LiteraturVgl. Wyss, Winterthurer Keramik, Bern 1973, Nr. 16, eine Rohrkanne mit gleichem Dekor von 1640.

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1342 item(s)/page