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A LATE VICTORIAN SHEFFIELD PLATE FRUIT BASKET by Walker & Hall, of ruffled and dished circular form with moulded and embossed vine decoration, the pierced swing handle of conforming design, all raised on a spreading petal form base, marked ‘Walker & Hall Sheffield, England 51024, Sheffield Plate Old Style wo36’. 11cm(h) x 31cm(dia)
A MID 20TH CENTURY SILVER HOT WATER POT of rounded rectangular baluster form, having a domed finial topped hinged cover to the gadrooned rim, short spout and angular handle, the body with gadrooning to the basel section, all resting on a short moulded foot, marks for Sheffield 1951, maker Walker & Hall. 19.5cm(h) 536grams
A 9CT GOLD MASONIC PENDANT AND CHAIN, the pendant of circular form with typical Masonic square and compass symbols, the outer edge with foliate engraving, the reverse engraved ‘J S Walker 1917’. all suspended by a fine linked chain, marked 375, 6grams; sold along with a Masonic 9ct gold pendant in the form of a trowel, with enamelled surface and square and compass design, marked 375. 2grams
A 1930s WALKER AND HALL OAK CANTEEN OF PLATED CUTLERY, the rectangular break-front hinged top with beaded edge detail lifting to reveal the fitted blue baize lined interior with ivorine markers, contains a near complete set of Old English pattern flatware and cutlery, all raised on barley twist supports linked by plain stretchers. 75cm(h) x 67.5cm(w) x 48cm(d)
TONGS & NIPS: An Irish shaped Fiddle pair, initialled by J. Smyth, Dublin 1852, a plain pair, initialled "C", Dublin 1824, a chased Fiddle pair, crested, by S. Green (of Cork) Dublin 1834 and a pair of naturalistic nips with Walker & Hall, Sheffield 1898; the latter 4.5" (11.5 cms) long; 6 oz (4)
FOUR VARIOUS CASED SETS OF FLATWARE & CUTLERY: a set of six fruit spoons initialled "B", by Walker & Hall, Sheffield 1914, a set of six mother of pearl handled tea knives, a set of six tea spoons showing all the British Hallmarks, and a small dish inset with nickel coin; 9 oz weighable silver (4)
A Georgian silver table spoon, London, c.1797, of Hanovarian form, engraved with initials and bearing indistinct maker`s marks, length 21 cm; a Georgian silver table spoon, London, c.1799, of Hanovarian form, engraved with initials and bearing indistinct maker`s marks, length 21 cm; a cased set of six Art Deco silver teaspoons, by Walker & Hall, Sheffield, c.1933, each decorated with molding and crossed golf clubs/ golf ball to the handles, a silver plated hot chocolate, of cylindrical form, the moulded conical hinged cover with ball finial, leading to spout, turned wooden handle and cylindrical body, on molded circular foot, height 16 cm, (9), (approx gross weight 6 ozs).
Bank of Scotland five pound banknote 1st October 1959, Bilsland and Watson 20/AA 4482, some stains and pencil mark otherwise VF, one pound banknote, 2nd June 1942 Elphinstone and Crawford Z0572630 VG, one pound banknote 22nd November 1961, Bilsland and Walker E0903478EF and one pound banknote, 18th August 1969, Polwarth and Letham A/9 0869444 EF
[Formanoir de Palteau, Guillaume louis]. Nouvelle construction de ruches de bois, avec la facon d’y gouverner les abeilles, et l’histoire naturelle de ces insectes, 1st ed., Metz, Joseph Collignon, 1756, engraved frontispice, five folding engraved plates at rear of vol., privilege leaf at end, contemp. neat ownership signature to title in brown ink, contemp. mottled calf, gilt dec. spine, rubbed and a little wear to extrems., 8vo. Palteau was the first French writer to present a well-thought-out tiering system. His hive, admittedly for the intelligent and well-to-do bee-keeper, was costly and somewhat complicated, but was the parent of many simpler forms. (H. J. O. Walker, Catalogue of Bee Books, 1929, p. 98). (1)
Wales. A mixed collection of approx. fifty maps, mostly 17th - 19th century, regional and county maps (mostly Monmouthshire), including examples by Blaeu, Morden, Cary, Seller/Grose, Archer, Owen & Bowen, Rocque, Kitchin, Moule, Cole & Roper, Fullarton, J & C Walker and Murray, some duplicates, various sizes and condition. (approx.50)
* Fly-fishing rod. Hardy two piece fly rod, nine foot (275 cm) glass fibre “Richard Walker Little Lake” fly rod, with original canvas rod bag, together with a Hardy Bros. Ltd ‘Marquis no.7 fly reel with reel bag and spare spool, and two further modern nine foot fly rods by Berkley Grayfite and Masterline and a Rimfly reel with two spare spools, and an unused J.W.Young & Sons Ltd ‘Reflex’ lightweight fly reel, plus four small fly boxes containing a variety of wet and dry flys, with an unused ‘Airflo’ intermediate eighty-two foot ‘tru-cast’ fly line, plus a folding landing net, a stainless steel ‘priest’ and spoon, together with a spring balance and other assorted tackle, all contained in a canvas bag. A complete set of fly-fishing tackle ready for the new season. (15)
* Utamaro (Kitagawa, 1753-1806). An Auspicious Dream of the New Year: A Falconry Party before Mount Fuji, c. 1800, two oban colour woodblock prints, being the left-hand, and central sheet from a triptych, artist’s signature Yutamaro-hitsu, publisher’s seal of Tsuruya Kiemon, some overall fading and surface soiling, each sheet 38 x 25.5 cm (15 x 10 ins), laid down on card. Collia-Suzuki 341. Waterhouse Images of Eighteenth Century Japan Ukayoe Prints from the Sir Edmund Walker Collection (1975), 160-162. Collections: British Museum, Museum of Fine Arts, Boston. Two sheets of one of Utamaro’s rarest and most collectable triptychs, depicting a falconry party crossing a stream, with Mount Fuji rising behind. (2)
Josef ALBERS (1888-1976) Homage to the Square : Study to Portal B, 1953 Huile sur masonite monogrammé et daté en bas à droite, contresigné, titré et daté au dos 40,6 x 40,6 cm Provenance : Sidney Janis Gallery, New York Collection Philippe Dotremont, Bruxelles Exposition : Hartford, Connecticut, Wadsworth Atheneum, Josef and Anni Albers : Paintings, Tapestries and Woven Textiles, 8 juill - 2 août 1953, n° 43 du catalogue New York, Sidney Janis Gallery, Acting Color : Albers, 31 jan.- 26 fev. 1955 New York, Museum of Modern Art, International Council, Josef Albers : Homage to the Square, 1964-1967, n° 1 du catalogue Exposition itinérante : Caracas, Venezuela, Galleria Mendoza, 8 mars-29 mars 1964 Montevideo, Uruguay, Centro de Artes y Letras, 20 avril-17 mai 1964 Buenos Aires, Argentine, Instituto Torcuato di Tella, 9 juin-5 juillet 1964 Lima, Peru, Instituto de Arte Contemporaneo, 14 sept.-11oct. 1964 Rio de Janeiro, Brésil, Instituto Brasil-Estados Unidos, 5 nov.-30 nov. 1964 Sao Paulo, Brésil, Museu de Arte Contemporanea, 7 dec.-23 dec. 1964 Guayaquil, Equateur, USIS Guayaquil de Cultura Ecuadoriana, 8 janv.-5 fév. 1965 Bogota, Colombie, Bi-National Center19 fev.-19 mars 1965 Santigo, Chilie, Museo de Arte Contemporaneo avril 1965 Mexico City, Museo de Arte y Ciencas de la Universidad, juillet-août 1965 Knoxville, Tennessee, Dublin Gallery of Art, 15 oct.-7 nov. 1965 Huntington, West Virginia, Huntington Galleries, 49 nov.-12 dec. 1965 Rochester, New York, Rochester Memorial Art Gallery, 7 janv.- 4 fev. 1966 Oswego, New York, State University College, 21 fev. - 14 mars 1966 Atlanta, Georgie, Atlanta Art Association Museum, 25 mars - 24 avril 1966 San Antonio, Texas, Marion Koogler Mc Nay Art Institute, 9 mai - 6 juin 1966 Chattanooga, Tenessee, George Thomas Hunter Gallery of Art, 24 juin - 17 juillet 1966 Minneapolis, Minnesota, Walker Art Center, 14 août - 18 sept. 1966 Madison, Wisconsin, Madison Art Center, 3 oct. - 24 oct. 1966 Richmond, Virginia, Virginia Museum of Fine Art, 7 nov. - 4 dec. 1966 Wichita, Kansas, Witchita Art Museum, 2 janv.-22 janv. 1967
Liddy WALKER NAPANANGKA Wakirlpirri Jukurrpa - Dogwood Tree Dreaming Acrylique sur toile 60 x 182cm Ethnie Warlpiri - Yuendumu - Désert Central Provenance : Collection particulière, Lille Bibliographie : Marc Yvonnou, Kurruwarri - peintures aborigènes du désert du tanami, Vivaldi-Hautefeuille Yollande, 2009, reproduit page 95 Liddy est née vers 1925 à Mt Doreen et à vécu de façon traditionnelle pendant longtemps. Elle s`est installée à Yuendumu au moment de la création de la communauté et y a travaillé à diverses activités avant de se mettre à peindre un peu après la naissance de la coopérative artistique dont elle est aujourd`hui l`une des artistes influentes.
WALKER, J.& C. MAP OF BARBADOS, London, 1825. `To His Excellency The Rt. Honourable Stapleton.....Governor of Barbados.. and To the Liberal Patron Gibbes Walker Jordan Esq. F.R.S.` Dedicated to F. Barrallier Capt. J.P 25th Light Dragoons. Coloured borders, canvas backed. 120cmx150cm. (see Illustration)
Hereford Journal printed by D. Walker (E.G. Wright) in the High-Town, 1793-1806. A bound folio volume, covers detached, with an incomplete run of the weekly Hereford Journal. Issue dated No 13, 1805, contains a report on the battle of Trafalgar and the death of Nelson; The Hereford Times and General Advertiser, 1835-6. A folio volume with covers detached. The first issue is that of January 3, 1835 and the last is July 30, 1836 (2)
AN EXTENSIVE TABLE SERVICE, maker Walker & Hall, for twelve settings, in reeded trefoil end pattern, comprising table, dessert and fish knives and forks, dessert and teaspoons, six coffee spoons, four table spoons, five piece carving set, pickle fork, sugar tongs, preserve spoon and butter knife, contained in a baize lined two drawer bow fronted mahogany canteen
AN IRISH EARLY GEORGE III WAITER, maker possibly Thomas Walker, Dublin 1727, of lobed circular form with scroll cast piecrust border, centred by an engraved crest and motto, within a later chased scrolling foliate border, raised upon three knurl feet, 7 1/2" diameter, 10ozs 12dwts (Illustrated)

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66941 item(s)/page